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Amy Millan is a Canadian indie rock singer and guitarist. She records and performs with the bands Stars and Broken Social Scene as well as having a successful solo career. Her second solo album, Masters of the Burial, was released by Arts & Crafts Productions in September 2009.

Biography

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Early life

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Amy Millan grew up in the Cabbagetown neighbourhood of Toronto.[1] She attended high school at Jarvis Collegiate Institute, and later the Etobicoke School of the Arts where she studied drama alongside future Broken Social Scene bandmates Kevin Drew and Emily Haines. Millan dabbled in acting, appearing as a pregnant teen in the first episode of the second season of Degrassi Junior High.[2]

Millan and Haines formed the band Edith's Mission.[3][4] Although short-lived, Edith's Mission did play a sold-out show at the Horseshoe Tavern in Toronto.[5]

After high school, Millan moved to Montreal for three years to attend Concordia University and gained experience as a solo performer by playing in coffee shops.[6][7] Upon returning to Toronto, she formed the roots-rock band 16 Tons and wrote many of the songs that she would use to launch her solo career several years later.[3] After the breakup of 16 Tons, Millan moved to Los Angeles.

While living there, her song with 16 Tons, "Bury Me," was added to the soundtrack of the film Drowning Mona. However, Millan, missing a city where walking was encouraged over driving, returned to Toronto.[8]

Stars

[edit]

Stars was formed by Torquil Campbell and Chris Seligman in New York City. The line-up subsequently grew to incorporate Evan Cranley, with whom Millan had played gigs while a member of 16 Tons. Feeling that Millan would be a good fit for the group, Cranley invited her to New York City to audition in December 1999.[3][5] After receiving assurances that she would be actively involved in the songwriting process, Millan agreed to join the band. As much of their debut album had been recorded prior to her joining, Millan's involvement in 2001's Nightsongs was limited, although she did write and sing lead vocals on "Toxic Holiday". Desiring to return to Canada, but not wanting to move to Toronto, the band relocated to Montreal.[9] Drummer Pat McGee was recruited as their fifth member prior to the release of their second album, Heart, in 2003.

Millan's influence was more evident on this album, and a number of the tracks were performed as duets between her and Torquil Campbell, establishing a style for which the band would become well known. Stars' commercial breakthrough came with their 2004 album Set Yourself on Fire and the accompanying single "Ageless Beauty", which she wrote and featured a lead vocal by Millan. Their fourth album, In Our Bedroom After the War, was released in 2007 and was followed by the EP Sad Robots the following year. In June 2010, they released their fifth full-length album, The Five Ghosts.

Broken Social Scene

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Although she did not officially contribute to Broken Social Scene's first two albums, due to scheduling conflicts for BSS members Emily Haines and Leslie Feist, she was asked by former classmate Kevin Drew to "be the girl" and sing with the band for the release concert of the band's second album, You Forgot It in People.[5] From 2002 onward, Millan has often performed in BSS alongside fellow Stars members Evan Cranley, Chris Seligman and Torquil Campbell. She appeared on their 2005 self-titled album and also contributed vocals and writing to Kevin Drew's 2007 solo album Spirit If... as well as to Brendan Canning's 2008 solo album Something For All of Us. As in Stars, Amy usually sings with BSS but also plays guitar and percussion during live shows.

Honey from the Tombs

[edit]

Amy Millan released her debut solo album, Honey from the Tombs, in 2006. It consisted of songs largely written before 2000, from when Millan was a member of 16 Tons.[1] The album title was inspired by a Tom Waits interview where he compared the release of older songs to the discovery of sweet honey buried in Egyptian tombs.[10] The album was produced by Ian Blurton and musical contributors included Brendan Canning and Kevin Drew of Broken Social Scene and Dan and Jenny Whiteley from Crazy Strings.

In contrast to her work with Stars, Millan's solo work is strongly influenced by country and folk music. Thematically, many of the songs deal with loss and loneliness, and taking solace in alcohol is sung about numerous times. Millan's upbringing in Toronto provided the inspiration for the song "Wayward and Parliament", which is based on her time working in the coffee shop "Jet Fuel" on Parliament Street.[11]

Two videos were shot to promote Honey from the Tombs: "Skinny Boy" was directed by George Vale, and "Baby I" was directed by Anthony Seck. The songs "Losin' You" and "Baby I", were released as 7" singles in Europe. Millan also toured extensively to support the album, playing dates in North America, Japan and Europe.

Masters of the Burial

[edit]

Millan released her second album, Masters of the Burial, on September 8, 2009. The album is produced by Martin Kinack and musicians appearing include Evan Cranley, Dan and Jenny Whiteley, Mark Roy, Leslie Feist and Liam O'Neil. The album features several cover songs, including some written by Death Cab for Cutie and Sarah Harmer.[12]

Personal life

[edit]

Millan is married to Stars bandmate Evan Cranley. Their daughter, Delphine Rita Jane Cranley, was born on March 21, 2011.[13] Millan gave birth to a son in 2017.[14]

Discography

[edit]

Albums

[edit]
Title Label Year
Honey from the Tombs Arts & Crafts/City Slang Records 2006
Masters of the Burial Arts & Crafts 2009
I Went to Find You Last Gang Records 2025

EPs

[edit]
Title Label Year
KCRW.com Presents Morning Becomes Eclectic Arts & Crafts 2007

Singles

[edit]
Single B-Side Label Format Year
Losin' You "We All Lose One Another" by Jason Collett Arts & Crafts 7" 2006
Baby I "Murder Train Song"
Wire walks N/A Last Gang Records Digital, streaming 2025

Compilations

[edit]
Album Year Songs Notes
Drowning Mona Soundtrack 2000 "Bury Me" Performed with Grindig; the song appeared in the movie, but was not included on the soundtrack album
XM: Live at the Verge 2006 "Skinny Boy (Live)"
CBC Radio 3 Sessions, Volume III 2007
Mamma Yamma and Friends 2008 "Broccoli Song" Rewritten version of "He Brings Out the Whiskey in Me" performed on children's television

Collaborations

[edit]
Album Artist Year Songs
A Good Day Sailing Memphis 2002 "The Phone Call"
Folkloric Feel Apostle of Hustle 2004 "Baby You're in Luck"
Live at Radio Aligre in Paris Broken Social Scene "Almost Crimes", "Baby You're in Luck", "Starts with a Big Finish", "Cause=Time", "Bruised Ghosts", "Let's Get Out of Here"
Broken Social Scene 2005 "Ibi Dreams of Pavement", "Major Label Debut", "Hotel", "Bandwitch"
Idols of Exile Jason Collett "Fire", "Parry Sound", "I'll Bring the Sun", "These Are the Days"
Alone, Not Alone Montag "Perfect Vision", "Angles, Country & Gerrain Connu"
Going Places 2007 "Mechanical Kids", "Safe in Sound"
Spirit If... Broken Social Scene Presents: Kevin Drew "Broke Me Up", "Aging Faces/Losing Places", "When It Begins"
Everything I've Forgotten to Forget Amos the Transparent "After All That, It's Come to This"
The Priddle Concern The Priddle Concern 2008 "Back Around"
Something for All of Us Broken Social Scene Presents: Brendan Canning "Been at It So Long"
A New Tide Gomez 2009 "Win Park Slope"
It Goes, It Goes Halves 2010 "Growing and Glow"
Forgiveness Rock Record Broken Social Scene "Chase Scene", "Sentimental X's"
Worlds Porter Robinson 2014 "Divinity"
Shelter Porter Robinson and Madeon 2016 "Shelter"
Hug of Thunder Broken Social Scene 2017 "Halfway Home", "Skyline", "Victim Lover", "Gonna Get Better"
Worlds (10th Anniversary Edition) Porter Robinson 2024 "Hollowheart"

For Amy Millan's work with Stars, see Stars discography.

Footnotes

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[edit]
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Amy Millan

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from Grokipedia
Amy Millan (born December 3, 1973) is a Canadian and , best known as co-lead vocalist of the band alongside , and as a contributing member of the collective . Born in and now based in , Millan's career spans over two decades, marked by her ethereal, emotive vocals and songwriting that often explores themes of love, loss, and personal introspection. Millan joined Stars in 2000 after meeting Campbell in New York City, and the band quickly gained acclaim for albums like Heart (2003) and Set Yourself on Fire (2004), blending indie pop with electronic elements and earning a dedicated following in the Canadian and international music scenes. She has also contributed vocals and guitar to Broken Social Scene's expansive, collaborative sound since the early 2000s, appearing on key releases such as You Forgot It in People (2002), which won the Polaris Heritage Prize in 2018. In addition to her band work, Millan has pursued a solo career, releasing her debut album Honey from the Tombs in 2006, followed by Masters of the Burial in 2009, both showcasing her folk-infused indie style with influences from country and alt-rock. After a 16-year hiatus from solo releases, she returned in 2025 with I Went to Find You, an introspective album born from personal flux and collaborations with artists like Jay McCarrol, reflecting on themes of home and emotional recovery during the pandemic era. Beyond music, Millan is married to Stars bandmate Evan Cranley, with whom she has two children: daughter Delphine, born in 2011, and a son born in 2017. Her contributions extend to collaborations and shared performances with artists in the indie scene, including Feist and members of , underscoring her role as a versatile figure in the indie music landscape.

Biography

Early life

Amy Millan was born on December 3, 1973, in , , . She grew up in the Cabbagetown neighborhood of the city, a vibrant, historic area known for its Victorian homes and artistic community. Millan's early childhood was marked by significant family loss when her father died suddenly in a car accident at the age of five, an event that profoundly influenced her emotional landscape and later informed the themes of grief and memory in her songwriting. Details about her broader family background remain private, but this personal tragedy contributed to a resilient creative drive evident in her work. Following this, she attended for high school, where she initially struggled academically and socially, before transferring to the to focus on drama. It was at Etobicoke that she first met future collaborators and , with whom she shared classes and began exploring performance and music. During her high school years at , Millan dipped into acting, landing a small role as , a pregnant teenager, in the season two premiere episode "Eggbert" of the Canadian TV series in 1988. She also formed her first band, Edith’s Mission, with around age 15, experimenting with music as a creative outlet amid her studies. After graduating, Millan briefly moved to in the mid-1990s to attend , where she earned a BFA in in 1997, immersing herself in the city's burgeoning arts scene for three years. Upon returning to , she founded the roots-rock band 16 Tons, writing much of its material and performing locally. In her early 20s, around 1996–1997, Millan spent a short time living in with the band to pursue more gigs, gaining exposure in the U.S. music circuit before shifting her focus back to .

Stars

Amy Millan joined the band in 2000 after meeting founders and Chris Seligman in , where the duo had initially formed the group while recording their debut album Nightsongs. Recruited by bassist Evan Cranley, a fellow native and future member of , Millan brought her background in acting and music to the band, contributing vocals to tracks like "Toxic Holiday" on Nightsongs (2001), marking her early involvement despite the album's primary creation by Campbell and Seligman. As co-lead vocalist and , Millan played a pivotal role in shaping Stars' sound across subsequent releases, including Heart (2003), (2004), In Our Bedroom After the War (2007), and The Five Ghosts (2010). Her contributions extended to songwriting, often exploring themes of romance, longing, and introspection through earnest, narrative-driven lyrics that complemented the band's and electronic elements. On Heart, recorded in Seligman's bedroom after the band's relocation from New York, Millan co-wrote and led "Elevator Love Letter," a standout track depicting urban isolation and fleeting connections. The 2004 album Set Yourself on Fire represented Stars' breakthrough, propelled by hits like "Rebellion (Lies)," where Millan's vocal interplay with Campbell—alternating between harmonious duets and contrasting perspectives—highlighted emotional tensions in relationships, earning critical acclaim and broader recognition. This period also saw the band settle in Montreal, fostering a creative hub that influenced their evolving style. Millan's introspective contributions continued on In Our Bedroom After the War, where she delivered lead vocals on "Take Me to the Hospital," a poignant plea amid the album's exploration of post-conflict vulnerability and healing. Throughout her involvement with Stars from 2000 onward, Millan helped drive the band's international touring, including extensive North American and European dates following Set Yourself on Fire and In Our Bedroom After the War, which solidified their reputation for live performances blending pop accessibility with emotional depth. On The Five Ghosts, her guitar work and soaring vocals addressed themes of grief and loss, as in co-led tracks that underscored the duo's dynamic interplay with Campbell. This era established Millan as a key architect of Stars' signature boy-girl vocal chemistry and thematic focus on personal introspection.

Broken Social Scene

Amy Millan joined the Canadian indie rock collective in 2002, leveraging her longstanding connections from high school and summer camp with core members and of Metric. These arts scene ties facilitated her integration into the group's rotating lineup, where she contributed as a vocalist alongside shared members from her band , such as Evan Cranley. Millan's vocal contributions became prominent on the collective's self-titled album, where she provided lead and backing vocals that enhanced the record's expansive, layered sound, including on tracks that showcased the group's communal songwriting approach. She continued this role on (2010), delivering harmonies and shared leads, notably on "Sentimental X's," which exemplified the album's anthemic, forgiveness-themed ethos amid the band's post-hiatus reunion. Her participation extended to (2017), where she offered backing vocals during another revival period, contributing to the album's emotional depth and reflecting her influence on the collective's warm, introspective style. Specific harmonies, such as those in live renditions of classics like "Lover's Spit," further highlighted her ability to add tenderness to the band's evolving . As a rotating member, Millan played a key role in Broken Social Scene's live performances, joining expansive lineups of up to 19 musicians for tours that solidified the group's status as a indie staple turned international act, particularly through North American and European outings in the late 2000s and . Her involvement underscored the band's fluid, collaborative process—marked by hiatuses for solo pursuits and reunions driven by personal bonds—fostering an emotional, sonic expansiveness that defined their trajectory from underground darlings to Polaris Prize nominees.

Honey from the Tombs

Honey from the Tombs is the debut solo album by Canadian Amy Millan, marking her transition from collaborative band work with and to individual artistic expression. Released on May 30, 2006, in by Arts & Crafts and later in the United States on August 22, 2006, with European distribution through City Slang Records, the album was recorded over three years across three studios, including Chemical Sound and Wellington Audio. Produced by Ian Blurton and featuring contributions from members of and , as well as bluegrass elements from the band Crazy Strings—former roommates of Millan—the record draws on folk, , and influences to create an intimate, introspective sound. Many of the songs were written in the , reflecting personal experiences of romance and reflection, and were refined during breaks from touring with her bands. This process allowed Millan to explore solo songwriting free from group dynamics, emphasizing her mezzo-soprano vocals and acoustic arrangements. The album's 12 tracks delve into themes of vulnerability, heartbreak, and complex relationships, often laced with references to alcohol as a mechanism, evoking tropes while maintaining an indie edge. Standout songs include "Losin' You," a resigned opener about emotional distance in a failing romance; "Skinny Boy," a sensual track inspired by Broken Social Scene's that blends rocky guitars and hazy vocals; and "Alone Again," a poignant closer underscoring isolation and longing. Other highlights like "Blue in Yr Eye" incorporate and for a bluegrass twang, while Broken Social Scene-assisted cuts such as "Headsfull" and "Wayward and Parliament" add lush, experimental layers with synths and drums. Critically, Honey from the Tombs received mixed to positive reviews, praised for its mature emotional depth and Millan's evocative delivery but critiqued for occasional banalities in its country-folk leanings. noted its austere break-up focus and sophisticated production on select tracks, awarding it 5.9 out of 10, while highlighted its enchanting blend of pop, country, and rock, calling it an exposed and effective mix. The album did not achieve significant commercial chart success as an indie release but established Millan's solo identity through singles including "Skinny Boy," which received a directed by George Vale, and "Baby I," directed by Anthony Seck. Promotion centered on live performances, including a North American solo tour in late 2006 and appearances at festivals like , where Millan's husky voice and twangy acoustics were showcased alongside her band experience. These efforts, including radio sessions like NPR's World Cafe, helped solidify her as a standalone capable of whiskey-soaked beyond her roots.

Masters of the Burial

Masters of the Burial is the second solo album by Canadian musician Amy Millan, released on September 22, 2009, through Arts & Crafts Records. The album marks an evolution from her 2006 debut Honey from the Tombs, deepening its exploration of introspective folk elements while incorporating a mix of original compositions and covers. The record was primarily recorded at The Well studio in , with one track, "Lost Compass," captured at home, reflecting Millan's intimate approach to songwriting amid her commitments to bands and . Produced and mixed by Martin Davis Kinack, known for his work with Apostle of Hustle, the sessions emphasized a collaborative spirit, featuring contributions from musicians like Evan Cranley and Christopher Sandes. These commitments posed creative challenges, as Millan balanced solo pursuits with group tours and recordings, yet the process allowed her to infuse personal struggles into the material, creating a sense of quiet resilience. Influenced by Americana, , and folk traditions, the blends rustic instrumentation such as and acoustic arrangements with subtle pop sensibilities, resulting in a warm, woodsy sound. Key tracks include "Technicolour Lovers," a cover evoking hazy ; "The Lost Ones," which grapples with emotional displacement; and the closing "," a meditative original addressing themes of loss, memory, and quiet endurance. These songs, alongside others like the upbeat "Bury This," highlight Millan's honeyed vocals navigating sorrow and introspection without overt sentimentality. Critics praised Masters of the Burial as a bolder, more eclectic effort than her debut, noting its seamless integration of four covers—ranging from to Richard Thompson—into an 11-track, 31-minute collection that feels both familiar and expansive. The album's reception underscored Millan's growth as a solo artist, with its folk-infused intimacy drawing comparisons to a " climb" of reflective storytelling. To promote the release, Millan embarked on a solo tour across , often overlapping with Stars performances, which amplified its visibility within indie circuits.

I Went to Find You

Amy Millan's third solo album, I Went to Find You, was announced on February 12, 2025, and released on May 30, 2025, via Last Gang Records, marking her first solo project in 16 years since Masters of the Burial in 2009. The album was co-written and produced by Jay McCarrol, an award-winning musician and composer known for his work on the 2023 film BlackBerry and the 2025 SXSW Grand Jury Prize-winning project Nirvanna the Band the Show, with Millan introduced to him by longtime friend Emily Haines of Metric. Production emphasized acoustic instrumentation, gentle piano, and muted reverb to create a spiritual, introspective sonic world designed to reset the listener's nervous system over its 31-minute runtime. Comprising nine tracks, the album includes "Untethered," "Wire Walks," "Borderline," "Kiss that Summer," "Make Way for Waves," "The Overpass," "Don Valley," "Murmurations," and the title track "I Went to Find You," with themes centered on grief, the loss of fatherhood, and emotional healing through quiet, personal reflection. The songs draw directly from Millan's childhood memories of singing with her father, who died in a car accident when she was five years old, positioning the record as a collection of pieces written "for and about him" to process long-held sorrow. A Redux edition followed on October 2, 2025, featuring fall-inspired variations of select singles recorded at Pineship Studios in August, incorporating contributions from members of Bahamas and Zeus on instruments and vocals to evoke seasonal introspection. Critics praised the album's vulnerability and emotional depth, with Paste Magazine describing Millan's voice as a "balm" amid melancholy tributes, and Atwood Magazine hailing it as a "spellbinding" reverie that glows with cinematic intimacy. In interviews, Millan discussed life lessons from grief's persistence and the album's role in reconnecting with her inner child, while supporting its release with 2025 tour dates including shows at Club SAW in Ottawa on October 17 and Koerner Hall in Toronto on November 14.

Personal life

Millan is married to her Stars bandmate, bassist Evan Cranley. The couple welcomed their daughter, Delphine Rita Jane Cranley, on March 21, 2011. Their son, Bo, was born in 2017. The family resides in Montreal, where Millan and Cranley renovated a 1910 duplex into their home. Parenthood has influenced Millan's approach to her professional life, with the couple frequently bringing their children on tour and planning family activities like museum visits to accommodate their needs. She returned to performing just eight weeks after Delphine's birth, demonstrating her commitment to integrating family responsibilities with her career. Millan advocates for increased opportunities for women in music production, highlighting the field's overwhelming male dominance—where only about 5% of producers are women—and urging more support for female creators. She has also shared her passion for interpreting other artists' songs through covers, a practice she describes as a core part of her musical expression.

Discography

Albums

Amy Millan's debut solo studio album, Honey from the Tombs, was released on May 30, 2006, by Arts & Crafts in and in . The album features 11 tracks in a folk-indie style, produced by Ian Blurton, with contributions from members of and . It did not achieve notable chart positions or certifications. Her second solo studio album, Masters of the Burial, followed on September 8, 2009, via Arts & Crafts. This 11-track release blends eclectic Americana elements, including four covers among the originals, and was produced by Martin Kinack with guest appearances by musicians such as Evan Cranley. Like its predecessor, it received no major chart placements or certifications. Millan returned to solo work with I Went to Find You, her third studio album, released on May 30, 2025, by Last Gang Records. The acoustic-reflective collection comprises 9 tracks, co-produced by alongside additional production from Millan, Evan Cranley, and Jace Lasek. A Redux edition, featuring autumnal re-recordings of four singles as an EP extension, was issued on October 2, 2025. The album has not charted prominently to date and holds no certifications.

EPs

Amy Millan's solo extended plays consist of two releases, both serving as promotional or live extensions of her studio work. The first, KCRW.com Presents Morning Becomes Eclectic, was released in 2007 by Arts & Crafts as a five-track live EP recorded during a session for 's Morning Becomes Eclectic program in . Featuring pared-down performances of tracks like "Skinny Boy" and "Baby I" from her debut album Honey from the Tombs, it captured her early solo sound in an intimate radio setting. Her second EP, I Went to Find You (Redux), arrived on October 2, 2025, as a four-track collection of autumnal re-recordings of singles from her 2025 album I Went to Find You. Produced at Pineship Studios in August 2025 with contributions from musicians including members of and Zeus, it includes fall versions of "Wire Walks," "Make Way for Waves," "The Overpass," and "Don Valley," emphasizing a seasonal, reflective vibe.

Singles

Amy Millan's solo singles primarily emerged from her debut album Honey from the Tombs in 2006, with promotional and split releases highlighting key tracks, and a resurgence in 2025 tied to her third album I Went to Find You. These releases often served as lead promotions for her albums, blending folk-rock and indie elements.
TitleRelease YearAlbum AssociationNotes
Losin' You2006Honey from the TombsPromo ; also featured on a split 7" vinyl with Jason Collett's "We All Lose One Another".
Skinny Boy2006Honey from the TombsPromo .
Baby I2006Honey from the Tombs7" vinyl single; split with "Murder Train Song".
Wire Walks2025I Went to Find YouLead digital single, released February 11.
Make Way for Waves2025I Went to Find YouDigital single; later received a "fall version" on the I Went to Find You (Redux) EP.
The 2025I Went to Find YouDigital single; later received a "fall version" on the I Went to Find You (Redux) EP.
Don Valley2025I Went to Find YouDigital single; later received a "fall version" on the I Went to Find You (Redux) EP (titled "Don Valley - Fall Version").

Compilations

Amy Millan's contributions to compilation albums primarily feature her work with the Arts & Crafts label, where she has appeared on several curated samplers and anniversary collections that highlight indie and alternative artists from the Canadian scene. In the mid-2000s, she contributed the track "Skinny Boy" to Arts & Crafts Sampler Vol. 3, a 2006 promotional release that showcased emerging talent from the label, including selections from her debut solo album Honey from the Tombs. This appearance underscored her growing presence in Toronto's indie music community, alongside acts like and The Dears. Later in the decade, "Bruised Ghosts" appeared on Arts & Crafts Sampler Vol. 6 in 2009, featuring atmospheric folk elements that previewed themes from her sophomore album Masters of the Burial. These samplers served as accessible entry points for listeners to the label's roster, often including rarities and album cuts to promote interconnected artists. Post-2010, Millan continued to feature on label-curated anthologies, reflecting her enduring ties to Arts & Crafts. The 2013 retrospective Arts & Crafts: 2003-2013 included her track "She Got By," a reflective indie folk piece that captured the decade's collaborative spirit. That same year, the tenth-anniversary compilation Arts & Crafts: X highlighted inter-artist pairings, with Millan collaborating with Dan Mangan on "Chances Are," an original duet blending their signature melodic styles. These inclusions emphasized rarities and new material, reinforcing her role in the label's evolving narrative without overlapping her core solo discography.

Collaborations

Amy Millan has contributed guest vocals and harmonies to several indie and electronic artists' projects, often collaborating with peers in and international music scenes. These appearances highlight her versatile voice in contexts ranging from folk-rock to electronic pop, distinct from her primary roles in bands like . In 2006, Millan released a split 7-inch single with , a fellow indie musician, featuring her track "Losin' You" on side A and Collett's "We All Lose One Another" on side B, issued by Arts & Crafts. She provided lead vocals for "," the opening track on electronic producer Porter Robinson's debut album Worlds (2014), where her ethereal delivery complemented the track's uplifting synths and earned praise for bridging indie and EDM aesthetics. In 2024, Millan reunited with Robinson for "Hollowheart," a new composition on the 10th anniversary edition of Worlds, adding her signature warmth to the reflective . Post-2017 collaborations include backing vocals on "Minuses" from Charlotte Cornfield's folk-rock album Highs in the Minuses (2021), enhancing the introspective track with subtle harmonies alongside producer contributions from members of . That same year, she featured on "Sky" by Square Kids, delivering guest vocals that infused the electronic single with intimacy. In 2023, Millan joined on the duet "" from Grant's album Champagne Problems, sharing lead vocals in a poignant folk arrangement directed by , which explored themes of love and loss. Additionally, for her 2025 solo album I Went to Find You, Millan partnered with composer and producer as co-writer and primary producer on most tracks, including the lead single "Make Way for Waves," marking a significant non-lead creative collaboration that shaped the record's melancholic sound.

References

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  2. https://www.npr.org/artists/15397710/amy-millan
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  4. https://polarismusicprize.ca/posters/1996-2005/broken-social-scene-you-forgot-it-in-people/
  5. https://open.spotify.com/artist/3lj7jldByrrpUgW5Je8o1p
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  8. https://arts-crafts.ca/artists/amy-millan.html
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  10. https://www.talkhouse.com/amy-millan-stars-and-charlotte-cornfield-have-deep-canadian-roots/
  11. https://www.cbc.ca/arts/q/amy-millan-realized-grief-didn-t-need-to-be-a-secret-so-she-wrote-an-album-about-it-1.7546316
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  13. https://northerntransmissions.com/amy-millan-is-constantly-coming-of-age/
  14. https://www.concordia.ca/cunews/main/stories/2013/05/21/accolades-for-the-week-of-may-21.html
  15. https://music.newcity.com/2009/10/13/preview-amy-millanempty-bottle/
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  39. https://amymillan.bandcamp.com/album/honey-from-the-tombs
  40. https://www.austinchronicle.com/music/acl-music-fest-reviews-11726970/
  41. https://www.concertarchives.org/bands/amy-millan
  42. https://www.allmusic.com/album/masters-of-the-burial-mw0001364810
  43. https://pitchfork.com/reviews/albums/13437-masters-of-the-burial/
  44. https://www.discogs.com/release/2337023-Amy-Millan-Masters-Of-The-Burial
  45. https://exclaim.ca/music/article/stars_amy_millan_reveals_her_masters_of_burial
  46. https://exclaim.ca/music/article/amy_millan_needs_to_be_alone
  47. https://www.thelineofbestfit.com/reviews/albums/amy-millan-masters-of-the-burial-21990
  48. https://amymillan.bandcamp.com/album/masters-of-the-burial
  49. https://www.clashmusic.com/reviews/amy-millan-masters-of-the-burial/
  50. https://www.bbc.co.uk/music/reviews/68cg/
  51. http://www.rslblog.com/2010/01/someone-you-should-know-amy-millan.html
  52. https://stereogum.com/2296242/stars-amy-millan-announces-i-went-to-find-you-first-solo-album-in-15-years/music
  53. https://exclaim.ca/music/article/amy-millan-announces-i-went-to-find-you-first-solo-album-in-16-years
  54. https://shop.lastgang.com/blogs/news/amy-millan-s-new-album-i-went-to-find-you-out-today
  55. https://www.theglobeandmail.com/arts/music/article-stars-amy-millan-releases-first-solo-album-in-16-years/
  56. https://montrealrocks.ca/album-review-amy-millan-i-went-to-find-you/
  57. https://www.pastemagazine.com/music/amy-millan/amy-millans-voice-is-a-balm-on-i-went-to-find-you
  58. https://genius.com/albums/Amy-millan/I-went-to-find-you
  59. https://open.spotify.com/album/7H1GdBTP4KXh4hYvW2AXAJ
  60. https://www.cbc.ca/lite/story/1.7546316
  61. https://americanahighways.org/2025/05/27/review-diving-deeper-in-on-amy-millans-i-went-to-find-you/
  62. https://exclaim.ca/music/article/amy-millan-releases-new-ep-i-went-to-find-you-redux-recorded-fall-versions-of-singles
  63. https://exclaim.ca/music/article/amy-millan-i-went-to-find-you-album-stream
  64. https://www.amymillan.com/
  65. https://saw-centre.com/club-saw/amy-millan
  66. https://chatelaine.com/living/stars-singer-amy-millan-on-what-its-like-raising-a-child-on-the-road/
  67. https://montrealgazette.com/entertainment/music/tripping-the-light-fluorescent-montreals-stars-grow-up
  68. https://www.vice.com/da/article/maybe-baby/
  69. https://www.theglobeandmail.com/arts/music/all-in-the-family-how-canadian-rockers-bring-up-baby-on-tour/article4444717/
  70. https://ravishly.com/people-we-love/amy-millan-stars-wants-more-women-producing-music
  71. https://www.discogs.com/release/4530004-Amy-Millan-Honey-From-The-Tombs
  72. https://www.last.fm/music/Amy%2BMillan/%2Bwiki
  73. https://amymillan.bandcamp.com/album/i-went-to-find-you
  74. https://rateyourmusic.com/release/album/amy-millan/i-went-to-find-you.p/
  75. https://zunior.com/products/amy-millan-kcrw-com-presents-morning-becomes-eclectic
  76. https://www.discogs.com/release/4387661-Amy-Millan-KCRWcom-Presents-Morning-Becomes-Eclectic
  77. https://open.spotify.com/album/1q7D8mTowqYJCXOPxq91Yc
  78. https://www.discogs.com/artist/300330-Amy-Millan
  79. https://www.discogs.com/release/3632726-Amy-Millan-Skinny-Boy
  80. https://www.discogs.com/release/10257657-Amy-Millan-Losin-You
  81. https://www.discogs.com/release/863075-Amy-Millan-Jason-Collett-Losin-You-We-All-Lose-One-Another
  82. https://www.discogs.com/master/129837-Amy-Millan-Baby-I
  83. https://www.discogs.com/release/863070-Amy-Millan-Baby-I-Murder-Train-Song
  84. https://open.spotify.com/album/2nCp1AnCFVPkXe1JAJn2R4
  85. https://www.youtube.com/watch?v=XqJgSbQpLgI
  86. https://www.discogs.com/master/1153460-Various-Arts-Crafts-Sampler-Vol-6
  87. https://www.discogs.com/release/1566182-Various-Arts-Crafts-Sampler-Vol-3
  88. https://www.discogs.com/release/4821618-Various-Arts-Crafts-2003-2013
  89. https://www.discogs.com/master/560491-Various-Arts-Crafts-X
  90. https://www.discogs.com/release/31486937-Porter-Robinson-Ft-Amy-Millan-Hollowheart-From-The-Worlds-10th-Anniversary-Edition
  91. https://charlottecornfield.bandcamp.com/album/highs-in-the-minuses
  92. https://www.discogs.com/release/21769231-Square-Kids-Feat-Amy-Millan-Sky
  93. https://www.youtube.com/watch?v=KbOcL91abQs
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