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Ana Diosdado
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Ana Isabel Álvarez-Diosdado Gisbert OAXS (21 May 1938 – 5 October 2015) better known as Ana Diosdado was a dual Argentine-Spanish actress, playwright, theater director, and writer. Her acting credits include the television series, Las llaves de la independencia.[1] Diosdado's work as a playwright includes Forget the Drums, which debuted in Zamora, Spain, on 28 June 1970.[1]
Key Information
Diosdado was born on 21 May 1938 in Buenos Aires, Argentina, to Spanish parents, Enrique Diosdado, an actor, and Isabel Gisbert, who had fled the Spanish Civil War.[2]
Ana Diosdado died from complications of cardiorespiratory failure during a meeting at the Sociedad General de Autores in Madrid, Spain, on 5 October 2015, at the age of 77.[3]
Filmography
[edit]Writer
[edit]| Year | Name of the film | Kind of | Episodes | Notice |
|---|---|---|---|---|
| 1969 | Algo amargo en la boca | dialogue collaboration - uncredited | ||
| 1975 | Juan y Manuela | TV series | 12 | 1 episode as writer |
| 1975 | Olvida los tambores | play/screenplay | ||
| 1975/1978 | Estudio 1 | TV series | writer - 1 episode, 1978) (play: adaptation - 1 episode, 1975) (play - 1 episode) | |
| 1983 | Anillos de oro | TV-Series | 13 episodes | |
| 1986 | Segunda enseñanza | TV-Series | 13 episodes | |
| 1989 | Los ochenta son nuestros | TV-Movie | play | |
| 1964 | Función de tarde | TV-Series | 1 | adaptation |
| 1995 | Función de noche | TV-Serie | 1 | play |
| 2005 | Las llaves de la independencia | novel/screenplay |
Actress
[edit]- 1974: Juan y Manuela (TV Series, 13 episodes)
- 1983: Anillos de oro (TV Series, 13 episodes,)
- 1986: Segunda enseñanza (TV Series 1986), 13 episodes)
- 2008: El libro de las aguas
Director
[edit]- 1995: Función de noche (TV Series, 1 episode)
Honours
[edit]
- Dame Grand Cross of the Civil Order of Alfonso X, the Wise (Posthumous, Kingdom of Spain, 9 October 2015).[4]
References
[edit]- ^ a b Sanz, Jorge (October 5, 2015). "Spanish-Argentinan actress and writer Ana Diosdado dies in Madrid". Demotix. Retrieved 2015-10-31.[permanent dead link]
- ^ Sanz, Jorge (June 14, 2014). "Ana Diosdado: "Lo primero que dije fue '¡Timbre!' en el camerino de Margarita Xirgu"". AISGE. Retrieved 2015-10-31.
- ^ Romo, Jose Luis (October 5, 2015). "Muere Ana Diosdado, pionera entre las directoras teatrales en España". El Mundo. Retrieved 2015-10-31.
- ^ Boletín Oficial del Estado
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Ana Diosdado
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Early life
Family background and childhood
Ana Isabel Álvarez-Diosdado Gisbert was born on May 21, 1938, in Buenos Aires, Argentina, to Spanish actors Enrique Diosdado and Isabel Gisbert, who were living in exile there due to the Spanish Civil War.[4] Her father was performing with the theater company of actress Margarita Xirgu at the time of her birth.[4] Xirgu, a prominent figure in Spanish theater, served as Diosdado's godmother.[5][4] Linked to the theater from the cradle as the daughter of prominent actors, Diosdado grew up surrounded by the performing arts through her family's professional life.[4] She made her stage debut at the age of five, taking a small role in Federico García Lorca's Mariana Pineda, appearing alongside her godmother Margarita Xirgu.[4][5]Relocation to Spain and education
Ana Diosdado relocated to Spain in 1950 at the age of 12, following her parents' separation when she was about four years old, their divorce, and the death of her mother, Isabel Gisbert. [6] [7] She settled in Madrid with her father, Enrique Diosdado, and his second wife, Amelia de la Torre, who raised her as her own following their remarriage in 1943. [8] In Madrid, she attended the Liceo Francés for her secondary education, where she studied alongside notable figures such as Miguel Boyer and Gregorio Peces-Barba. [8] [9] She later enrolled in the Philosophy and Letters program at the Universidad Complutense de Madrid but did not complete the degree, leaving her studies to dedicate more time to writing and theater work. [8] [6] During her adolescence, Diosdado performed sporadically in her father's theater company, which he operated alongside Amelia de la Torre. [6] This included participation in Federico García Lorca's Así que pasen cinco años, where she acted with her father and stepmother. [7]Acting career
Stage acting
Ana Diosdado frequently performed in her father's theatrical company after relocating to Spain in 1950, gaining early professional experience on stage in productions directed by Enrique Diosdado. [10] Her professional debut occurred in 1957, when she appeared in a play by José María Gironella, an experience she undertook reluctantly at first but ultimately enjoyed, despite describing herself as lacking a true vocation for acting. [11] She later reflected that acting provided impagable experiences whenever she did it, though she emphasized the profession's demanding and sacrificial nature. [11] In her more mature career, Diosdado acted mainly in her own plays and occasional stage productions. She performed alongside Carlos Larrañaga in her play Camino de plata (1988), marking one of her notable late-stage appearances. [12] By the mid-1980s, she shifted her focus away from acting toward writing and other creative pursuits, founding her own theater company in 1986 to support her dramatic work. [11] This transition reflected her stronger passion for authorship, which she had pursued since childhood and which proved more fulfilling than performance. [10]Television acting
Ana Diosdado maintained a notable presence as an actress in Spanish television, appearing in a number of prominent series across several decades. One of her early television roles came in the series Juan y Manuela, which aired in 1974. [1] She achieved particular recognition for co-starring alongside Imanol Arias in the 1983 series Anillos de oro, where she portrayed Lola, a mature lawyer who resumes her professional career after years dedicated to family life, partnering with Ramón to handle matrimonial cases in the wake of Spain's new divorce law. [13] She often acted in series she also wrote, such as Anillos de oro and Segunda enseñanza (1986). [1] In Segunda enseñanza, she starred as a key member of the teaching staff in a drama following the lives of teachers and students at a high school. [14] [15] Further roles included El libro de las aguas in 2008. [1]Writing career
Novels and early writing
Ana Diosdado began her literary career in the 1960s with the publication of novels. Her debut novel, En cualquier lugar, no importa cuándo, appeared in 1965 and was selected as a finalist for the Premio Planeta. [16] [17] Four years later, she published Campanas que aturden in 1969. [18] In addition to her novels, Diosdado engaged in early writing through radio plays and newspaper columns for outlets such as Diario 16 and ABC. Later, in 1986, she published the novel Los ochenta son nuestros, which was subsequently adapted into a theatrical work. [19] [20] She transitioned to playwriting in 1970. [21]Playwriting
Ana Diosdado established herself as a leading figure in Spanish theater with her debut as a playwright in 1970, when her first original play, Olvida los tambores, premiered to widespread acclaim and controversy for its sharp portrayal of generational clashes and the social upheavals of late Francoist Spain.[22] The work, which reflected the influence of May 1968 and the challenges of change without resentment, marked her breakthrough and was later adapted into a film in 1975.[23] Throughout the 1970s, Diosdado produced a series of impactful original plays that engaged with pressing social and political issues of the Transition period, including El okapi (1972), which defended freedom and dignity in a retirement home setting; Usted también podrá disfrutar de ella (1973), a critique of media manipulation and consumer alienation; Los comuneros (1974), a historical examination of power legitimacy and violence; and …Y de Cachemira, chales (1976), a symbolic parable on repression and the end of dictatorship.[22][9] These works demonstrated her technical skill and commitment to ethical reflection on Spanish society.[22] Her productivity continued into the 1980s and beyond, with notable successes such as the symbolic-festive Cuplé (1986), the theatrical adaptation of Los ochenta son nuestros (1988), which captured the youthful energy of post-Movida Madrid, and Camino de plata (1988), exploring women's potential liberation.[22] Later plays included the quantum-inspired comedy Trescientos veintiuno, trescientos veintidós (1991), the fierce satirical Cristal de Bohemia (1994), the time-blending Decíamos ayer (1997), the brief solidarity piece Harira (2005), and her final work, El cielo que me tienes prometido (2015).[22] Diosdado also contributed to Spanish theater through adaptations of foreign playwrights, bringing international works to local audiences.[22] She is recognized as a pioneer among female playwrights and directors in post-Franco Spain, securing public performance spaces during the late dictatorship and Transition when such opportunities were limited for women dramatists, and she directed several of her own pieces while occasionally performing in them.[22] In 1986, she founded her own theater company to further support her creative work.[23] Her plays, marked by innovative techniques like temporal fragmentation, spatial versatility, and distancing effects, provide a lasting chronicle of Spain's social transformations from the end of the dictatorship through democracy.[22]Television screenwriting
Ana Diosdado began her work as a television screenwriter in the 1970s, contributing scripts to series broadcast on Televisión Española. Her early contribution included the scripts for the 13-episode series Juan y Manuela, which aired in 1974. [24] In 1983, she served as the screenwriter for Anillos de oro, a 13-episode drama series directed by Pedro Masó that premiered on 7 October 1983 and concluded on 30 December 1983. [25] The series achieved significant popularity and critical success as a leading program of the 1980s, noted for its daring exploration of taboo subjects including divorce, homosexuality, abortion, and adultery in the context of recent legal changes in Spain. [25] It earned recognition including the TP de oro award for best national series. [25] Diosdado later created and wrote Segunda enseñanza in 1986, reuniting with director Pedro Masó and actor Imanol Arias from Anillos de oro, for another 13-episode series. [25] Her television screenwriting continued into the 2000s with the screenplay for Las llaves de la independencia in 2004, adapted from her own novel. [10] She also made contributions to other television projects, including the early series Yo, la juez and adaptations for the anthology program Estudio 1. [10]Awards and honours
Ana Diosdado received several awards and honours for her work in theater, television, and dramatic writing.- 1971: Premio Mayte for her play Olvida los tambores
- 1975: Premio Fastenrath [21]
- 1983: TP de Oro for Anillos de oro
- 1983: Fotogramas de Plata for Best Television Performer for Anillos de oro [26]
- 2013: Premio Max de Honor for her contributions to Spanish theater [5] [21]