Welcome to the community hub built on top of the Andrew Parrott Wikipedia article.
Here, you can discuss, collect, and organize anything related to Andrew Parrott. The
purpose of the hub is to connect people, foster deeper knowledge, and help improve
the root Wikipedia article.
Andrew Haden Parrott (born 10 March 1947) is a British conductor, scholar and writer, best known for his involvement with ‘early’ music and, in particular, with historical performance practices.
Following a degree in music and postgraduate research at the University of Oxford – where he conducted Schola Cantorum of Oxford – Parrott founded the Taverner Choir, Consort & Players in 1973, which celebrated their 50th anniversary in 2023.[1] Under his direction these groups developed and extended their repertoire to become a major performing and recording presence in the classical music world of the 1980s and ’90s.
As a freelance musician, Andrew Parrott has worked with a variety of musical forces, from mixed ‘Renaissance’ ensembles to period-instrument ‘baroque’ and ‘classical’ orchestras, from mainstream chamber and symphony orchestras to ‘new music’ configurations, and in opera. With Ronald Brautigam as soloist, he has recorded all of Beethoven’s music for piano and orchestra (for Sweden’s BIS Records label),[2] and he conducted both the premiere and the first recording of Judith Weir’s A Night at the Chinese Opera (with Kent Opera and Scottish Chamber Orchestra, respectively).[3][4] Also, in Slovakia, he has recorded major works by living composer Vladimír Godár.[5]
Parrott has at all stages of his career sought to engage with both scholars and performers, and to put the fruit of his thinking and research into the public domain. After co-editing the New Oxford Book of Carols (1992) with Hugh Keyte,[20] Parrott produced two books, The Essential Bach Choir (2000) and Composers’ Intentions? (2015),[21][22] each reflecting his ‘authoritative, provocative, and readable’[23] approach and research into overlooked or misunderstood matters of performance practice.
Similar documentary work has culminated in what has been described as a ‘uniquely capacious cornucopia’,[24] The Pursuit of Musick (2022),[25] a tome which presents multiple facets of European musical life c1200–1770 by means of innumerable original writings and more than 500 images.
^Ronald Brautigam (piano), Norrköping Symphony Orchestra, Andrew Parrott. 2008. Beethoven - Piano Concertos Nos. 1 & 3. [CD]. Sweden: BIS Records.
^Loveland, Kenneth, "Reports: Cheltenham" (September 1987). The Musical Times, 128 (1735): pp. 507–509.
^Scottish Chamber Orchestra, Andrew Parrott. 2000. Judith Weir: A Night at the Chinese Opera. [CD]. UK: NMC Recordings.
^Emily Van Evera, Petra Noskaiová, Tomáš Šelc, Miloš Valent, Solamente Naturali, Cathedral Choir of St Martin, Duśan Bill, Andrew Parrott. 2011. Querela Pacis. [CD]. Bratislava: Pavián Records.
^Taverner. Taverner. [Online]. [Date accessed: 9 November 2024]. Available from: https://www.taverner.org/
^Taverner Consort, Taverner Players, Taverner Choir, Andrew Parrott, Tessa Bonner, Emma Kirkby, Emily Van Evera, Nigel Rogers. 1988. Una "Stravaganza" dei Medici: Intermedi (1589) per "La pellegrina". [CD]. London: EMI.
^Taverner Consort, Taverner Choir, Andrew Parrott. 1984. Guillaume de Machaut: Messe de Nostre Dame. [CD]. Germany: His Master's Voice.
^Taverner Consort, Taverner Choir, Andrew Parrott. 1989. Tallis: Latin Church Music I. [CD]. London: EMI Reflexe.
^Taverner Consort, Choir and Players, Andrew Parrott. 1989. Monteverdi: A Mass of Thanksgiving, Venice 1631. [CD]. London: EMI Reflexe.
^Emma Kirkby, Judith Nelson, David Thomas, Taverner Choir, Taverner Players, Andrew Parrott. 1981. Purcell: Dido and Aeneas. [CD]. Colchester: Chandos Records.
^Emma Kirkby, Emily Van Evera, Panito Iconomou, Christian Immler, Michael Kilian, Rogers Covey-Crump, David Thomas, Taverner Consort, Taverner Players, Andrew Parrott. 1985. J. S. Bach: Mass in B minor. [CD]. London: Angel Records (EMI).
^Emily Van Evera, Clare Wilkinson, Charles Daniels, Tom Meglioranza, Taverner Consort & Players, Andrew Parrott. 2011. Bach: Trauer Music for Prince Leopold. [CD]. Portsmouth: Avie Records.
^Charles Daniels, Faye Newton, Emily Van Evera, Clare Wilkinson, Curtis Streetman, Christopher Purves, Anna Dennis, Guy Pelc, Taverner Consort & Players, Andrew Parrott. 2013. Monteverdi: L’Orfeo. [CD]. Portsmouth: Avie Records.
^Taverner Choir & Players, Andrew Parrott. 2016. Western Wind: Mass by John Taverner & Court Music for Henry VIII. [CD]. Portsmouth: Avie Records.
^Keyte, H. And Parrott, A. 1998. The New Oxford Book of Carols. Oxford: Oxford University Press.
^Parrott, A. 2000. The Essential Bach Choir. Woodbridge: Boydell & Brewer.
^Parrott, A. 2015. Composers’ Intentions? Lost Traditions of Musical Performance. Woodbridge: Boydell & Brewer.
^Lawson, C. 2017. "Composers’ Intentions?: Lost Traditions of Musical Performance, formance," by Andrew Parrott. Performance Practice Review. 21(1). Article 5. Available at: https://scholarship.claremont.edu/ppr/vol21/iss1/5
^Fleming, M. 2023. ANDREW PARROTT. The Pursuit of Musick: Musical Life in Original Writings and Art c1200–1770. The Galpin Society Journal. LXXVI (2023). pp.280-282.