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Ann Powers
Ann K. Powers (born February 4, 1964) is an American writer and popular music critic. She is a music critic for NPR and a contributor at the Los Angeles Times, where she was previously chief pop critic. She has also written for other publications, such as The New York Times, Blender and The Village Voice. Powers is the author of Traveling: On the Path of Joni Mitchell, a biography on the life of Joni Mitchell; Weird Like Us: My Bohemian America, a memoir; Good Booty: Love and Sex, Black & White, Body and Soul in American Music, on eroticism in American pop music; and Piece by Piece, co-authored with Tori Amos.
Powers was born and raised in Seattle, Washington. During elementary school, her first poem was published in the Our Lady of Fatima school newspaper.
Powers earned a Bachelor of Arts degree in creative writing from San Francisco State University, and a Master of Arts degree in American literature from the University of California, Berkeley. Powers studied literary theory. She also wrote about music, feminism, film, and religion.
Powers' professional writing career began in 1980 while she was still in high school, when she started writing for the Seattle music weekly magazine The Rocket. After college, in 1986, Powers started writing about popular music and pop culture as a columnist at the San Francisco Weekly. After moving to New York City, she wrote for The New York Times from 1992 to 1993, then was an editor at The Village Voice from 1993 to 1996. From 1997 to 2001, Powers was the pop critic at The New York Times.
From 2001 until May 2005, Powers was senior curator at the Experience Music Project (EMP) in Seattle, which later became Museum of Pop Culture (MoPOP). Powers and her husband Eric Weisbard have helped organize the annual EMP Pop Conference (now MoPOP Conference) since its inception in 2002.
After a brief tenure as Blender magazine's senior critic, in March 2006, she accepted a position as chief pop critic at the Los Angeles Times, where she succeeded Robert Hilburn. Powers wrote regularly for Pop & Hiss, the Los Angeles Times' music blog, in addition to other features and news articles. She remained in this position until March 2011, when she departed for NPR, though she continued as a contributor for the Los Angeles Times afterward. Since 2011, Powers has been NPR Music's critic and correspondent. Powers has written for The Record, NPR's blog about finding, making, buying, sharing, and talking about music, since April 2011. In 2017, Powers spearheaded a multi-platform project at NPR called Turning the Tables. The project sought to reconstitute the canon of American popular music by publishing a list of the 150 greatest albums by women and a related series of essays, audio features, and events. Powers is also the Nashville correspondent for World Cafe, regularly recording sessions with local and regional Southern musicians.
Powers' work often critiques the perceptions of sex, racial, and social minorities in the music industry. She has written about topics such as religion, feminism, and film.
Powers co-edited the 1995 anthology Rock She Wrote: Women Write About Rock, Pop, and Rap, and was the guest editor of the Da Capo Press Best Music Writing 2010.
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Ann Powers
Ann K. Powers (born February 4, 1964) is an American writer and popular music critic. She is a music critic for NPR and a contributor at the Los Angeles Times, where she was previously chief pop critic. She has also written for other publications, such as The New York Times, Blender and The Village Voice. Powers is the author of Traveling: On the Path of Joni Mitchell, a biography on the life of Joni Mitchell; Weird Like Us: My Bohemian America, a memoir; Good Booty: Love and Sex, Black & White, Body and Soul in American Music, on eroticism in American pop music; and Piece by Piece, co-authored with Tori Amos.
Powers was born and raised in Seattle, Washington. During elementary school, her first poem was published in the Our Lady of Fatima school newspaper.
Powers earned a Bachelor of Arts degree in creative writing from San Francisco State University, and a Master of Arts degree in American literature from the University of California, Berkeley. Powers studied literary theory. She also wrote about music, feminism, film, and religion.
Powers' professional writing career began in 1980 while she was still in high school, when she started writing for the Seattle music weekly magazine The Rocket. After college, in 1986, Powers started writing about popular music and pop culture as a columnist at the San Francisco Weekly. After moving to New York City, she wrote for The New York Times from 1992 to 1993, then was an editor at The Village Voice from 1993 to 1996. From 1997 to 2001, Powers was the pop critic at The New York Times.
From 2001 until May 2005, Powers was senior curator at the Experience Music Project (EMP) in Seattle, which later became Museum of Pop Culture (MoPOP). Powers and her husband Eric Weisbard have helped organize the annual EMP Pop Conference (now MoPOP Conference) since its inception in 2002.
After a brief tenure as Blender magazine's senior critic, in March 2006, she accepted a position as chief pop critic at the Los Angeles Times, where she succeeded Robert Hilburn. Powers wrote regularly for Pop & Hiss, the Los Angeles Times' music blog, in addition to other features and news articles. She remained in this position until March 2011, when she departed for NPR, though she continued as a contributor for the Los Angeles Times afterward. Since 2011, Powers has been NPR Music's critic and correspondent. Powers has written for The Record, NPR's blog about finding, making, buying, sharing, and talking about music, since April 2011. In 2017, Powers spearheaded a multi-platform project at NPR called Turning the Tables. The project sought to reconstitute the canon of American popular music by publishing a list of the 150 greatest albums by women and a related series of essays, audio features, and events. Powers is also the Nashville correspondent for World Cafe, regularly recording sessions with local and regional Southern musicians.
Powers' work often critiques the perceptions of sex, racial, and social minorities in the music industry. She has written about topics such as religion, feminism, and film.
Powers co-edited the 1995 anthology Rock She Wrote: Women Write About Rock, Pop, and Rap, and was the guest editor of the Da Capo Press Best Music Writing 2010.