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Artist-run space
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental program. An artist-run initiative (ARI) is any project run by artists, including sound or visual artists, to present their and others' projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist's understanding of the term. "Artist-run initiatives" is an umbrella name for many types of artist-generated activity.
The two main artist-run spaces from Buenos Aires were Belleza y Felicidad and APPETITE, both set the standards for emerging art in Argentina. APPETITE was a gallery was the first Argentinian gallery to be accepted at Frieze, London, and encouraged a lot of galleries to its San Telmo barrio.
Many artist-run spaces exist in Australia. These spaces are often provided with funding assistance by government and state funding bodies.
Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Centres follow the not-for-profit arts organization model, do not charge admission fees, are non-commercial and de-emphasize the selling of work. The centres were created originally in response to a lack of opportunity to present contemporary work in Canada and a desire to network with other artists nationally and internationally. In the 1990s there were over 100 artist-run centres across Canada. There are currently at least 60 artist-run centres with continuous operating funding.
Important historical artist-run initiatives include the North Edmonton Sculpture Workshop
Although varying widely in structure, contemporary spaces like Ormston House, A4 Sounds, Pallas Projects, Sample-Studios, and 126 Artist-run Gallery have all emerged in the Republic of Ireland in the last 25 years.
After the 2008 financial crisis, many Irish cities experienced high levels of commercial vacancies. Annette Moloney, curator and author of Art in Slack Spaces (2010), "notes that artists [were] increasingly making use of the recession as an opportunity to use vacant shops." At this time, artist initiated projects like The Complex, Block T, Basic Space, The Joinery, and This is Not a Shop, availed of such spaces in Dublin, while Occupy Space, Ormston House, Raggle Taggle Consortium, and Faber Studios appeared in Limerick. Additionally, Basement Project Space, Cork Contemporary Projects, The Couch, The Black Mariah and Sample-Studios/Tactic in Cork, as well as 126 and projects by Engage Art Studios in Galway appeared more or less simultaneously.
In 2015, 126 published FOOTFALL: Articulating the Value of Artist Led Organisations in Ireland. The Future is Self-Organised – Artist-Run Spaces was an exhibition curated by Pallas Projects at the Limerick City Gallery of Art. A number of artist-run spaces and projects from Ireland and abroad were represented, as well as artists who have worked with Pallas over its 20 year history, in this 2015–16 exhibition. Pallas then co-published, with Onomatopee, Artist-Run Europe: Practice/Projects/Spaces later in 2016. It is a collection of experiences, and essays by various artist-run projects in Europe.
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Artist-run space
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental program. An artist-run initiative (ARI) is any project run by artists, including sound or visual artists, to present their and others' projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist's understanding of the term. "Artist-run initiatives" is an umbrella name for many types of artist-generated activity.
The two main artist-run spaces from Buenos Aires were Belleza y Felicidad and APPETITE, both set the standards for emerging art in Argentina. APPETITE was a gallery was the first Argentinian gallery to be accepted at Frieze, London, and encouraged a lot of galleries to its San Telmo barrio.
Many artist-run spaces exist in Australia. These spaces are often provided with funding assistance by government and state funding bodies.
Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Centres follow the not-for-profit arts organization model, do not charge admission fees, are non-commercial and de-emphasize the selling of work. The centres were created originally in response to a lack of opportunity to present contemporary work in Canada and a desire to network with other artists nationally and internationally. In the 1990s there were over 100 artist-run centres across Canada. There are currently at least 60 artist-run centres with continuous operating funding.
Important historical artist-run initiatives include the North Edmonton Sculpture Workshop
Although varying widely in structure, contemporary spaces like Ormston House, A4 Sounds, Pallas Projects, Sample-Studios, and 126 Artist-run Gallery have all emerged in the Republic of Ireland in the last 25 years.
After the 2008 financial crisis, many Irish cities experienced high levels of commercial vacancies. Annette Moloney, curator and author of Art in Slack Spaces (2010), "notes that artists [were] increasingly making use of the recession as an opportunity to use vacant shops." At this time, artist initiated projects like The Complex, Block T, Basic Space, The Joinery, and This is Not a Shop, availed of such spaces in Dublin, while Occupy Space, Ormston House, Raggle Taggle Consortium, and Faber Studios appeared in Limerick. Additionally, Basement Project Space, Cork Contemporary Projects, The Couch, The Black Mariah and Sample-Studios/Tactic in Cork, as well as 126 and projects by Engage Art Studios in Galway appeared more or less simultaneously.
In 2015, 126 published FOOTFALL: Articulating the Value of Artist Led Organisations in Ireland. The Future is Self-Organised – Artist-Run Spaces was an exhibition curated by Pallas Projects at the Limerick City Gallery of Art. A number of artist-run spaces and projects from Ireland and abroad were represented, as well as artists who have worked with Pallas over its 20 year history, in this 2015–16 exhibition. Pallas then co-published, with Onomatopee, Artist-Run Europe: Practice/Projects/Spaces later in 2016. It is a collection of experiences, and essays by various artist-run projects in Europe.
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