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Authenticity (reenactment) AI simulator
(@Authenticity (reenactment)_simulator)
Hub AI
Authenticity (reenactment) AI simulator
(@Authenticity (reenactment)_simulator)
Authenticity (reenactment)
In historical reenactment, authenticity (sometimes referred to as the A-factor or simply A) is a measure of how close an item, prop, action, weapon, tactic, or custom is to what would actually have been used or done in the time period being depicted. For example, in most northern European medieval reenactment cotton is an inauthentic material—as opposed to wool or linen—though it would be authentic in more modern periods and events, such as American Civil War reenactment or World War II reenactment. Likewise, pop culture references and talking about modern events or objects (e.g., wrist watches, mobile phones, or contemporary politicians) is inauthentic.
Generally, the ratio of events and groups enforcing strict authenticity to those permitting (limited) in authenticity among the participating reenactors is estimated to be half-and-half, i.e., there are approximately as many groups enforcing historical accuracy as there are permitting a more liberal use of the term "authentic". This does, however, vary from country to country.
In the US, reenactors are commonly divided (or self-divide) into three categories, based on the level of concern for authenticity.
Some, called "farbs" or "polyester soldiers" are reenactors who spend relatively little of their time or money maintaining authenticity with regard to uniforms, accessories, or even period behavior. A "good enough" attitude is pervasive among farbs, although even casual observers may be able to point out flaws.
The origin of the word "farb" (and the derivative adjective "farby") is unknown, though it appears to date to early centennial reenactments in 1960 or 1961. Some think that the origin of the word is a truncated version of "far be it from authentic." An alternative definition is "far be it for me to question/criticise", or "fast and researchless buying". Some early reenactors assert the word derives from German farbe, color, because inauthentic reenactors were over-colorful compared with the dull blues, greys or browns of the real Civil War uniforms that were the principal concern of American reenactors at the time the word was coined, or the German farbische, manufactured, indicating obviously modern items. According to Mr. Burton K. Kummerow, a member of "The Black Hats, CSA" reenactment group in the early 1960s, he first heard it used as a form of fake German to describe a fellow reenactor. The term was picked up by George Gorman of the 2nd North Carolina at the Centennial Manassas Reenactment in 1961, and has been used by reenactors ever since.
Many of the early Italian replica rifles were marked with what looked like "F.A.R.B" among the proofmarks. Removal of this would be to defarb, and the term came to cover other objects.
Another group of reenactors often is called "Mainstream". These reenactors are somewhere between farb and authentic. They are more common than either farbs or authentics.[citation needed]
Most mainstream reenactors make an effort at appearing authentic, but may come out of character in the absence of an audience. Visible stitches are likely to be sewn in a period-correct manner, but hidden stitches and undergarments may not be period-appropriate. Food consumed before an audience is likely to be generally appropriate to the time-period, but it may not be seasonally and locally appropriate. Modern items, such as air mattresses and sleeping bags, are sometimes used "after hours" or in a hidden fashion. The common attitude is to put on a good show, but that accuracy need only go as far as others can see.[citation needed]
Authenticity (reenactment)
In historical reenactment, authenticity (sometimes referred to as the A-factor or simply A) is a measure of how close an item, prop, action, weapon, tactic, or custom is to what would actually have been used or done in the time period being depicted. For example, in most northern European medieval reenactment cotton is an inauthentic material—as opposed to wool or linen—though it would be authentic in more modern periods and events, such as American Civil War reenactment or World War II reenactment. Likewise, pop culture references and talking about modern events or objects (e.g., wrist watches, mobile phones, or contemporary politicians) is inauthentic.
Generally, the ratio of events and groups enforcing strict authenticity to those permitting (limited) in authenticity among the participating reenactors is estimated to be half-and-half, i.e., there are approximately as many groups enforcing historical accuracy as there are permitting a more liberal use of the term "authentic". This does, however, vary from country to country.
In the US, reenactors are commonly divided (or self-divide) into three categories, based on the level of concern for authenticity.
Some, called "farbs" or "polyester soldiers" are reenactors who spend relatively little of their time or money maintaining authenticity with regard to uniforms, accessories, or even period behavior. A "good enough" attitude is pervasive among farbs, although even casual observers may be able to point out flaws.
The origin of the word "farb" (and the derivative adjective "farby") is unknown, though it appears to date to early centennial reenactments in 1960 or 1961. Some think that the origin of the word is a truncated version of "far be it from authentic." An alternative definition is "far be it for me to question/criticise", or "fast and researchless buying". Some early reenactors assert the word derives from German farbe, color, because inauthentic reenactors were over-colorful compared with the dull blues, greys or browns of the real Civil War uniforms that were the principal concern of American reenactors at the time the word was coined, or the German farbische, manufactured, indicating obviously modern items. According to Mr. Burton K. Kummerow, a member of "The Black Hats, CSA" reenactment group in the early 1960s, he first heard it used as a form of fake German to describe a fellow reenactor. The term was picked up by George Gorman of the 2nd North Carolina at the Centennial Manassas Reenactment in 1961, and has been used by reenactors ever since.
Many of the early Italian replica rifles were marked with what looked like "F.A.R.B" among the proofmarks. Removal of this would be to defarb, and the term came to cover other objects.
Another group of reenactors often is called "Mainstream". These reenactors are somewhere between farb and authentic. They are more common than either farbs or authentics.[citation needed]
Most mainstream reenactors make an effort at appearing authentic, but may come out of character in the absence of an audience. Visible stitches are likely to be sewn in a period-correct manner, but hidden stitches and undergarments may not be period-appropriate. Food consumed before an audience is likely to be generally appropriate to the time-period, but it may not be seasonally and locally appropriate. Modern items, such as air mattresses and sleeping bags, are sometimes used "after hours" or in a hidden fashion. The common attitude is to put on a good show, but that accuracy need only go as far as others can see.[citation needed]