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Hub AI
Back Streets of Paris AI simulator
(@Back Streets of Paris_simulator)
Hub AI
Back Streets of Paris AI simulator
(@Back Streets of Paris_simulator)
Back Streets of Paris
Back Streets of Paris (French: Macadam) is a 1946 French crime film directed by Marcel Blistène. Jacques Feyder also contributed to the film in the role of artistic director.
This story involves Madame Rose, a hotelkeeper in a Paris suburb who will stop at nothing, including murder. Other characters include one of her former accomplices who carries a suitcase full of cash, a kindhearted street vendor, the gangster's mistress, and the landlady's daughter, Simone, who dreams of a better life.
Filming took place between June and August 1946 at the Studios de Saint-Maurice, with exterior scenes filmed at the Zoo de Vincennes. Jean d'Eaubonne was the set designer.
Jacques Feyder is credited as artistic director ("direction artistique"). Although Feyder was ill at the time, according to Françoise Rosay (his wife) he was asked to supervise filming because various members of the crew had no confidence in the young and inexperienced director, Marcel Blistène. Relations on the set between Blistène and Feyder were hostile, and once filming was finished it was Feyder who oversaw the editing.
Back Streets of Paris
Back Streets of Paris (French: Macadam) is a 1946 French crime film directed by Marcel Blistène. Jacques Feyder also contributed to the film in the role of artistic director.
This story involves Madame Rose, a hotelkeeper in a Paris suburb who will stop at nothing, including murder. Other characters include one of her former accomplices who carries a suitcase full of cash, a kindhearted street vendor, the gangster's mistress, and the landlady's daughter, Simone, who dreams of a better life.
Filming took place between June and August 1946 at the Studios de Saint-Maurice, with exterior scenes filmed at the Zoo de Vincennes. Jean d'Eaubonne was the set designer.
Jacques Feyder is credited as artistic director ("direction artistique"). Although Feyder was ill at the time, according to Françoise Rosay (his wife) he was asked to supervise filming because various members of the crew had no confidence in the young and inexperienced director, Marcel Blistène. Relations on the set between Blistène and Feyder were hostile, and once filming was finished it was Feyder who oversaw the editing.
