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Ben Corbett
Ben Corbett
Ben Corbett
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Ben Corbett (February 6, 1892 – May 19, 1961) was an American film actor.[1][2] He appeared in more than 280 films between 1915 and 1956. He was born in Hudson, Illinois and died in Hollywood, California.

Key Information

Corbett was a trophy-winning rodeo participant. He began working in films as a riding double.[3]

Partial filmography

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References

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Ben Corbett

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Ben Corbett was an American actor known for his prolific career in Hollywood Westerns. A former champion rodeo performer who entered films as a riding double, he appeared in more than 280 films between 1915 and 1959, primarily in supporting roles. Born on February 6, 1892, in Hudson, Illinois, Corbett began his screen career during the silent film era and became a recognizable figure in B-Westerns of the 1920s through the 1950s, often portraying henchmen, sidekicks, or comic relief characters in low-budget productions. His extensive filmography reflects the prolific output of the era's independent Western studios, where he contributed to numerous series and standalone features, including titles such as Code of the Cactus (1939) and The Border Cavalier (1927). Corbett continued working steadily through the transition to sound films and into the television era. He died on May 19, 1961, in Woodland Hills, California.

Early life

Birth and origins

Benjamin Ervin Corbett was born on February 6, 1892. Most biographical sources report his birthplace as Hudson, Illinois. However, his death certificate lists the birthplace as Springfield, Ohio, creating a noted discrepancy among records. Details regarding his family background, childhood, or early years prior to his professional activities are scarce and largely undocumented in reliable public sources.

Film career

Silent era (1915–1929)

Ben Corbett entered the film industry circa 1915, beginning a career that would see him appear in numerous silent Western productions over the following decade and a half. The exact title of his first on-screen appearance remains unidentified, with many early roles likely uncredited or minor, as he built experience in the burgeoning Western genre. He worked in dozens of silent Westerns throughout the late 1910s and 1920s, frequently supporting major stars of the period such as Hoot Gibson, Jack Hoxie, Art Acord, and Leo Maloney. By the mid-1920s, Corbett transitioned to more consistent and visible character parts. He headlined Universal's Mustang series of two-reel comedy-Western shorts from 1925 to 1927, portraying the character "Smiley" (also known as "Dirty Shirt") opposite Gilbert "Pee Wee" Holmes in approximately two dozen entries based on W. C. Tuttle stories. Known titles from this era include The Border Cavalier (1927), Too Much Progress for Pipe Rock (1927), and The Red Raiders (1927), the latter featuring him as Corporal Clancy in a Ken Maynard-led production. These roles exemplified his growing presence in silent Westerns, paving the way for his prolific work in sound-era B-Westerns.

Sound era and B-Western specialization (1930–1956)

In the sound era, Ben Corbett emerged as one of the most prolific supporting players in Hollywood's low-budget Western genre, appearing in the majority of his more than 280 career films between 1930 and his final appearance in 1956. His output was concentrated in B-Westerns produced by independent studios such as Reliable Pictures, Victory Pictures, and Imperial, where he specialized in small, often unbilled roles as henchmen, townsmen, cowhands, or comic relief figures. Researcher Les Adams documented his presence in approximately 200 sound-era movies, including about 190 Westerns and eight serials, underscoring his ubiquity in the quickly produced programmers that dominated the genre during the Great Depression and beyond. Corbett frequently collaborated with B-Western stars and directors on these modest-budget projects, including occasional sidekick assignments that drew on his earlier silent-era experience. In the late 1930s, he notably portrayed the character "Magpie" as sidekick to Tim McCoy in seven of eight Western adventures produced by Victory Pictures under Sam Katzman, earning third billing in most entries. He also appeared in short-lived series such as the mid-1930s "Bud 'n' Ben" three-reel comedies at Reliable Pictures, often alongside performers like Jack Perrin and Fred Humes. While he occasionally took bit parts in higher-budget Westerns at studios like RKO or Paramount (including several Hopalong Cassidy films), his career remained defined by the sheer volume of work in the B-Western field rather than leading or starring roles. Representative films from this period highlight his consistent presence in the genre, including Code of the Cactus (1939) as Magpie, 45 Calibre Echo (1932) as Bennie, and Thunder Over Texas (1934). Corbett's typical portrayals as villainous henchmen or similar character types are discussed further in the Roles and contributions section. He ceased film appearances after 1956, marking the end of a long career dominated by the B-Western specialization that had sustained him through the sound era.

Roles and contributions

Character types and on-screen presence

Ben Corbett was predominantly typecast in minor supporting roles throughout his extensive career in Western films, most often appearing as henchmen, villainous sidekicks, or generic background figures such as townsmen, cowhands, barflies, and posse members. In the sound era, he portrayed almost every conceivable small Western character, frequently entering scenes as one of several anonymous gang members or as part of a posse, with the majority of these appearances going uncredited. He occasionally took on more defined comic-relief sidekick roles, including "Magpie" opposite Tim McCoy in seven of the eight Victory Pictures features from 1938 to 1939, where he was sometimes billed third, and "Ben" in mid-1930s Reliable Pictures shorts with various low-budget heroes. His on-screen presence was distinctly nondescript, marked by a short stature, pot belly hanging over his gunbelt, and an increasingly wrinkled, aged appearance by the 1940s that limited his suitability for prominent or charismatic parts. Facial expressions typically conveyed laughing, smiling, or dumbfounded reactions, reinforcing his utility in background or minor henchman roles rather than those demanding strong personality or screen command. This everyman quality suited him well for the repetitive, unassuming types common in B-Westerns, though he lacked the distinctive traits that defined major character actors in the genre. He received no leading roles in feature films and earned no documented major awards for his acting contributions.

Stunt work and behind-the-scenes roles

Ben Corbett's extensive rodeo background, which included mastery of high-risk skills such as Roman riding and steer bulldogging, directly informed his work as a stuntman in Hollywood Westerns beginning around 1915. His specialty was performing horse falls, and he earned a reputation as one of the most dependable stuntmen in the industry, with director Michael Curtiz among those who considered him the best in this regard. Period accounts described these falls as routine for him, with one noting that "as easy as falling off a horse" applied literally to Corbett's expertise. In 1940, he was reported to receive $35 for each horse fall used in a film sequence. Corbett's stunt contributions often overlapped with his on-screen roles in the same productions, particularly in silent and sound-era Westerns where his rodeo-honed abilities allowed him to handle dangerous action sequences. He performed stunt doubling for actors including William Duncan and Antonio Moreno early in his film career. By the 1930s, he was referred to as a veteran stunt man in industry coverage. He also helped introduce fellow rodeo performer Yakima Canutt to Hollywood film work in 1919. In his later years, Corbett took on behind-the-scenes roles including technical advisor on several Westerns, such as Springfield Rifle (1952, uncredited), The Command (1954, uncredited), and Drum Beat (1954). He additionally served as a stand-in for Harold Huber in Kit Carson (1940, uncredited). Corbett was active in the Riding Actors Association of Hollywood, a group representing stunt performers and riders, and served as its president in 1938 to advocate for improved wages and safety conditions.

Personal life

Death

Final years and passing

Ben Corbett retired from acting following his final on-screen appearance in 1956. In his later years, he resided in Woodland Hills, Los Angeles, California, where he was afflicted with emphysema. He died from emphysema on May 19, 1961, at the age of 69.
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