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Benjamin West
Benjamin West PRA (October 10, 1738 – March 11, 1820) was an American-born painter who specialised in history painting, creating such works as The Death of Nelson, The Death of General Wolfe, the Treaty of Paris, and Benjamin Franklin Drawing Electricity from the Sky.
Entirely self-taught, West soon gained valuable patronage and toured Europe, eventually settling in London. He impressed King George III and was largely responsible for the launch of the Royal Academy, of which he became the second president (after Sir Joshua Reynolds). He was appointed historical painter to the court and Surveyor of the King's Pictures.
West also painted religious subjects, as in his huge work The Preservation of St Paul after a Shipwreck at Malta, at the Chapel of St Peter and St Paul at the Old Royal Naval College in Greenwich, and Christ Healing the Sick, presented to the National Gallery.
West was born in Springfield, Pennsylvania, in a house that is now in the borough of Swarthmore on the campus of Swarthmore College. He was the tenth child of an innkeeper, John West (1690–1776), and his wife, Sarah Pearson (1697–1756). The family later moved to Newtown Square, Pennsylvania, where his father was the proprietor of the Square Tavern, still standing in that town.
West told the novelist John Galt, with whom, late in his life, he collaborated on a memoir, The Life and Studies of Benjamin West (1816, 1820), that, when he was a child, Native Americans showed him how to make paint by mixing some clay from the river bank with bear grease in a pot. West was an autodidact; while excelling at the arts, "he had little [formal] education and, even when president of the Royal Academy, could scarcely spell". One day, his mother left him alone with his little sister Sally. Benjamin discovered some bottles of ink and began to paint Sally's portrait. When his mother came home, she noticed the painting, picked it up and said, "Why, it's Sally!", and kissed him. Later, he noted, "My mother's kiss made me a painter". He received further art training by the artisan painter William Williams.
From 1746 to 1759, West worked in Pennsylvania, mostly painting portraits. While West was in Lancaster in 1756, his patron, a gunsmith named William Henry, encouraged him to paint a Death of Socrates based on an engraving in Charles Rollin's Ancient History. His resulting composition, which significantly differs from the source, has been called "the most ambitious and interesting painting produced in colonial America". Dr William Smith, then the provost of the College of Philadelphia, saw the painting in Henry's house and decided to become West's patron, offering him education and, more importantly, connections with wealthy and politically connected Pennsylvanians. During this time West met John Wollaston, a famous painter who had immigrated from London. West learned Wollaston's techniques for painting the shimmer of silk and satin, and also adopted some of "his mannerisms, the most prominent of which was to give all his subjects large almond-shaped eyes, which clients thought very chic".
West was a close friend of Benjamin Franklin, whose portrait he painted. Franklin was the godfather of West's second son, Benjamin.
Sponsored by Smith and William Allen, then reputed to be the wealthiest man in Philadelphia, West traveled to Italy in 1760 in the company of the Scot William Patoun, a painter who later became an art collector. In common with many artists, architects, and lovers of the fine arts at that time he conducted a Grand Tour. West expanded his repertoire by copying works of Italian painters such as Titian and Raphael direct from the originals. In Rome he met a number of international neo-classical artists including German-born Anton Rafael Mengs, Scottish Gavin Hamilton, and Austrian Angelica Kauffman.
Benjamin West
Benjamin West PRA (October 10, 1738 – March 11, 1820) was an American-born painter who specialised in history painting, creating such works as The Death of Nelson, The Death of General Wolfe, the Treaty of Paris, and Benjamin Franklin Drawing Electricity from the Sky.
Entirely self-taught, West soon gained valuable patronage and toured Europe, eventually settling in London. He impressed King George III and was largely responsible for the launch of the Royal Academy, of which he became the second president (after Sir Joshua Reynolds). He was appointed historical painter to the court and Surveyor of the King's Pictures.
West also painted religious subjects, as in his huge work The Preservation of St Paul after a Shipwreck at Malta, at the Chapel of St Peter and St Paul at the Old Royal Naval College in Greenwich, and Christ Healing the Sick, presented to the National Gallery.
West was born in Springfield, Pennsylvania, in a house that is now in the borough of Swarthmore on the campus of Swarthmore College. He was the tenth child of an innkeeper, John West (1690–1776), and his wife, Sarah Pearson (1697–1756). The family later moved to Newtown Square, Pennsylvania, where his father was the proprietor of the Square Tavern, still standing in that town.
West told the novelist John Galt, with whom, late in his life, he collaborated on a memoir, The Life and Studies of Benjamin West (1816, 1820), that, when he was a child, Native Americans showed him how to make paint by mixing some clay from the river bank with bear grease in a pot. West was an autodidact; while excelling at the arts, "he had little [formal] education and, even when president of the Royal Academy, could scarcely spell". One day, his mother left him alone with his little sister Sally. Benjamin discovered some bottles of ink and began to paint Sally's portrait. When his mother came home, she noticed the painting, picked it up and said, "Why, it's Sally!", and kissed him. Later, he noted, "My mother's kiss made me a painter". He received further art training by the artisan painter William Williams.
From 1746 to 1759, West worked in Pennsylvania, mostly painting portraits. While West was in Lancaster in 1756, his patron, a gunsmith named William Henry, encouraged him to paint a Death of Socrates based on an engraving in Charles Rollin's Ancient History. His resulting composition, which significantly differs from the source, has been called "the most ambitious and interesting painting produced in colonial America". Dr William Smith, then the provost of the College of Philadelphia, saw the painting in Henry's house and decided to become West's patron, offering him education and, more importantly, connections with wealthy and politically connected Pennsylvanians. During this time West met John Wollaston, a famous painter who had immigrated from London. West learned Wollaston's techniques for painting the shimmer of silk and satin, and also adopted some of "his mannerisms, the most prominent of which was to give all his subjects large almond-shaped eyes, which clients thought very chic".
West was a close friend of Benjamin Franklin, whose portrait he painted. Franklin was the godfather of West's second son, Benjamin.
Sponsored by Smith and William Allen, then reputed to be the wealthiest man in Philadelphia, West traveled to Italy in 1760 in the company of the Scot William Patoun, a painter who later became an art collector. In common with many artists, architects, and lovers of the fine arts at that time he conducted a Grand Tour. West expanded his repertoire by copying works of Italian painters such as Titian and Raphael direct from the originals. In Rome he met a number of international neo-classical artists including German-born Anton Rafael Mengs, Scottish Gavin Hamilton, and Austrian Angelica Kauffman.