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Bernard Knowles
Bernard Knowles (20 February 1900 – 12 February 1975) was an English film director, producer, cinematographer and screenwriter. Born in Manchester, Knowles worked with Alfred Hitchcock on numerous occasions before the director emigrated to Hollywood.
Knowles later graduated as a director and screenwriter, directing a number of high-profile films, including the 1946 Gainsborough Melodrama The Magic Bow. He worked a great deal on television shows, including Fabian of the Yard, Dial 999, Ivanhoe and The Adventures of Robin Hood.
Knowle's credits include Mumsie (1927) and Dawn (1928) for Herbert Wilcox, Love's Option (1928), The Broken Melody (1929), The Silver King (1929), Auld Lang Syne (1929), Rookery Nook (1930), The Nipper (1930), French Leave (1930), School for Scandal (1930), Canaries Sometimes Sing (1930), The Calendar (1931), The Hound of the Baskervilles (1931), and White Face (1932, The Good Companions (1933), Falling for You (1933). He workes on the lighting for Jew Süss (1934). He shot Jack Ahoy (1934) and The Camels Are Coming (1934).
Knowles combined with Alfred Hitchcock on The 39 Steps (1935). He shot Forever England (1935), King of the Damned (1935) and Rhodes of Africa (1936).
Knowles and Hitchcock were reunited on Secret Agent (1936) and Sabotage (1936). In between Knowles filmed East Meets West (1936).
Knowles then shot Take My Tip, (1937), then was back for Hitchcock on Young and Innocent (1937). He did some uncredited camera work on King Solomon's Mines (1937).
Knowles then filmed The Mikado (1939), and was back with Hitchcock for Jamaica Inn (1939), the last movie the director made before moving to the US.
Others were French Without Tears (1940) for Anthony Asquith; Spy for a Day (1940); Gaslight (1940), for Thorold Dickinson; Freedom Radio (1941) and Quiet Wedding (1941) for Asquith; The Saint's Vacation (1941); Jeannie (1941), The Day Will Dawn (1942), Unpublished Story (1942), Secret Mission (1942) and Talk About Jacqueline (1942) for Harold French; The Demi-Paradise (1943) for Asquith; and English Without Tears (1944) for French.
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Bernard Knowles
Bernard Knowles (20 February 1900 – 12 February 1975) was an English film director, producer, cinematographer and screenwriter. Born in Manchester, Knowles worked with Alfred Hitchcock on numerous occasions before the director emigrated to Hollywood.
Knowles later graduated as a director and screenwriter, directing a number of high-profile films, including the 1946 Gainsborough Melodrama The Magic Bow. He worked a great deal on television shows, including Fabian of the Yard, Dial 999, Ivanhoe and The Adventures of Robin Hood.
Knowle's credits include Mumsie (1927) and Dawn (1928) for Herbert Wilcox, Love's Option (1928), The Broken Melody (1929), The Silver King (1929), Auld Lang Syne (1929), Rookery Nook (1930), The Nipper (1930), French Leave (1930), School for Scandal (1930), Canaries Sometimes Sing (1930), The Calendar (1931), The Hound of the Baskervilles (1931), and White Face (1932, The Good Companions (1933), Falling for You (1933). He workes on the lighting for Jew Süss (1934). He shot Jack Ahoy (1934) and The Camels Are Coming (1934).
Knowles combined with Alfred Hitchcock on The 39 Steps (1935). He shot Forever England (1935), King of the Damned (1935) and Rhodes of Africa (1936).
Knowles and Hitchcock were reunited on Secret Agent (1936) and Sabotage (1936). In between Knowles filmed East Meets West (1936).
Knowles then shot Take My Tip, (1937), then was back for Hitchcock on Young and Innocent (1937). He did some uncredited camera work on King Solomon's Mines (1937).
Knowles then filmed The Mikado (1939), and was back with Hitchcock for Jamaica Inn (1939), the last movie the director made before moving to the US.
Others were French Without Tears (1940) for Anthony Asquith; Spy for a Day (1940); Gaslight (1940), for Thorold Dickinson; Freedom Radio (1941) and Quiet Wedding (1941) for Asquith; The Saint's Vacation (1941); Jeannie (1941), The Day Will Dawn (1942), Unpublished Story (1942), Secret Mission (1942) and Talk About Jacqueline (1942) for Harold French; The Demi-Paradise (1943) for Asquith; and English Without Tears (1944) for French.