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Bob Eggleton
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Bob Eggleton (born September 13, 1960) is an American science fiction, fantasy and horror artist. Eggleton is a nine-time Hugo Award–winner for Best Pro Artist in science fiction and fantasy, first winning in 1994. He won the Hugo Award for Best Related Book in 2001 for his art book Greetings from Earth. He also won the Chesley Award for Artistic Achievement in 1999 and was the guest of honor at Chicon 2000.
Key Information
His illustrations have appeared in Dark Horse Comics, Random House Godzilla books, IDW’s Godzilla comic series and on covers for Famous Monsters of Filmland, G-Fan & Japanese Giants magazines.
In film, he has worked as a concept artist on Sphere (1997), Jimmy Neutron Boy Genius (2001) and The Ant Bully (2006). He also illustrated matte paintings on the short film The Idol (2007) and was an extra in the Millennium Godzilla film Godzilla Against Mechagodzilla (2002).[1]
Early life
[edit]Bob Eggleton was born September 13, 1960, in Concord, Massachusetts.[2]
Style and subjects
[edit]Eggleton's drawing and paintings cover a wide range of genre topics, often depicting dinosaurs and prehistoric life, dragons and fantasy creatures, giant monsters such as Godzilla, Lovecraftian entities, space vistas and vintage rocket ships, etc. His view on spaceships were that they should look organic, and claimed that as a child, he was disappointed with the space shuttles and rockets NASA produced; they were nothing like fantasy artists of the twenties and thirties had promised. His fascination with dragons originated with his childhood interest of dinosaurs, which can be seen in the book Greetings from Earth. His paintings are commissioned and bought at science fiction conventions and used as book covers.[3]
Eggleton received massive encouragement from his father, in the form of books, supplies, visits to museums of space and aeronautics and support during the career choices he made. Eggleton dropped out of his art college, because he felt it was not for him.
Eggleton is a fan of Toho's Godzilla film franchise, and has illustrated numerous comics, magazines and children's books based on the character. He has also illustrated cards for the Magic: The Gathering collectible card game.
Asteroid 13562 was named Bobeggleton in his honor.[4]
Bibliography
[edit]- First Men in the Moon (1989)
- Alien Horizons (1995, UK)
- The Book of Sea Monsters (1998)
- Greetings from Earth (2000)
- Dragonhenge (2002)
- Primal Darkness (2003)
- The Star Dragons (2004)
- Dragons' Domain (2010)
References
[edit]- ^ Eggleton, Bob (November 20, 2004). "Godzilla at 50". Locus. Retrieved August 28, 2012.
- ^ "Eggleton, Bob". Encyclopedia of Science Fiction. September 12, 2022. Retrieved February 17, 2024.
- ^ Van Siclen, Bill (September 29, 1996). "His work is fantastic! Which is how he got to be science fiction's best illustrator". Providence Journal. Providence, RI. p. E01. Archived from the original on February 1, 2013. Retrieved August 28, 2012.
- ^ "13562 Bobeggleton (1992 SF11)". JPL Small-Body Database Browser. Jet Propulsion Laboratory. Retrieved August 6, 2009.
External links
[edit]- Official website; Archived 2018-07-30 at the Wayback Machine
- Bob Eggleton at the Internet Speculative Fiction Database
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Bob Eggleton
View on Grokipediafrom Grokipedia
Early life
Childhood and early artistic interests
Bob Eggleton was born on September 13, 1960, in Concord, Massachusetts. [4] [5] He became interested in science fiction art at an early age. [1] This early fascination with science fiction art marked the beginning of his engagement with imaginative genres, shaping his path toward professional illustration in related fields. [1]Illustration career
Entry into professional illustration
Bob Eggleton transitioned into professional illustration in the mid-1980s after leaving art school, channeling his lifelong passion for science fiction, fantasy, and natural landscapes into a full-time career. [4] His early work focused on these genres, quickly establishing him as a successful artist whose illustrations appeared in magazines, professional publications, and books published worldwide. [6] Since 1988, Eggleton has served as a judge for the Illustrators of the Future contest, where he helps select and mentor emerging talent in speculative art. He was later elected a Fellow of the New England Science Fiction Association (NESFA) in recognition of his contributions to the field. This entry into professional illustration built directly on his childhood artistic interests, which had fostered a deep engagement with fantastic and scientific themes that defined his early published output. [7]Book covers, magazines, and major commissions
Bob Eggleton has established himself as a prolific illustrator whose work dominates the covers of books, magazines, and related commissions in the science fiction, fantasy, and horror genres. His illustrations appear on numerous book covers and in professional publications worldwide, often featuring dramatic portrayals of monsters, aliens, dragons, and other speculative elements. He began his professional career in 1984 with cover assignments for Baen Books, which launched a long-standing relationship with genre publishers including Tor Books.[8][9] Eggleton's book cover work includes reissues of classic science fiction by authors such as E.E. "Doc" Smith and James Schmitz, as well as contemporary titles like C.J. Cherryh's Hammerfall, Harry Turtledove's Rulers of the Darkness, and Brian Lumley's Psychomech trilogy. He has undertaken major licensed commissions for kaiju franchises, creating covers and illustrations for Godzilla-related children's books such as Who's Afraid of Godzilla? and Godzilla Likes to Roar for Random House, along with comics and paperbacks for Dark Horse Comics and IDW. His art has also extended to H.P. Lovecraft-inspired horror, including depictions of Cthulhu and related cosmic entities, and to properties like King Kong and Edgar Rice Burroughs' John Carter series.[8][9][10][2] In magazines, Eggleton's covers have graced publications such as Analog Science Fiction, Asimov's Science Fiction, The Magazine of Fantasy & Science Fiction, SF Age, Famous Monsters of Filmland, G-Fan, and Japanese Giants. He has additionally contributed to astronomy-themed magazines including Astronomy and Sky and Telescope.[9][8][10] Eggleton has released several collected volumes of his artwork, including Greetings from Earth and The Book of Sea Monsters (with text by Nigel Suckling), both published by Paper Tiger, as well as Dragonhenge (with John Grant). More recent efforts have emphasized private commissions and self-directed pieces, often sold through galleries and focusing on his signature themes of monsters and fantastical landscapes.[9][2]Film and television contributions
Conceptual design and art department roles
Bob Eggleton has applied his distinctive illustrative style to various film and television productions, serving in roles such as conceptual designer, concept artist, matte painter, graphic designer, painter, and background artist. His contributions to motion pictures often involve creating visual concepts, environments, and design elements that inform the final look of animated and live-action projects. Eggleton served as conceptual designer on the animated feature Jimmy Neutron: Boy Genius (2001), where he developed key visual ideas for the film's science fiction world. He also worked as concept artist on the animated film The Ant Bully (2006), contributing to character and environment designs. In addition, he provided matte paintings for The iDol (2006), helping to create seamless visual effects backgrounds. His involvement extended to documentary formats, including graphic designer duties on The Eldritch Influence: The Life, Vision, and Phenomenon of H.P. Lovecraft (2003) and painter credits for Finding the Future: A Science Fiction Conversation (2004). More recently, Eggleton worked as background artist on the 2024 short film Folly of Omeris. Earlier in his film career, he contributed concept work to Sphere (1998) and related Star Trek projects, aiding in the development of fantastical and sci-fi elements. Beyond feature films, Eggleton has taken on roles as conceptual illustrator for movies and thrill rides, designing imaginative visuals for entertainment attractions. His background in professional illustration provided a strong foundation for these art department contributions across media.Awards and recognition
Hugo Awards
Bob Eggleton is an eight-time winner of the Hugo Award for Best Professional Artist, one of the most prestigious honors in science fiction and fantasy illustration. [1] [11] This recognition, bestowed annually by the World Science Fiction Society based on votes from Worldcon members, celebrates outstanding professional achievement in the field. [1] His repeated successes underscore the impact of his body of work on book covers, magazine illustrations, and other publications within the genres. [1] Eggleton's eight Hugo wins for Best Professional Artist place him among the most honored figures in genre art, reflecting the consistent excellence and broad appeal of his contributions to science fiction and fantasy visuals. [12] These awards highlight his prominence in professional illustration during a period when his distinctive style influenced numerous high-profile projects in the field. [12]Chesley Awards and other honors
Bob Eggleton has received eleven Chesley Awards from the Association of Science Fiction and Fantasy Artists for excellence in science fiction and fantasy art. [1] These honors reflect his consistent recognition by peers in the field across various categories of illustration. [1] In 2019, Eggleton was honored with the L. Ron Hubbard Lifetime Achievement Award for Outstanding Contributions to the Arts, presented at the Writers & Illustrators of the Future Achievement Awards. [1] He also received the 2015 Rondo Award for Best Artist in Classic Horror, acknowledging his impact on horror-themed illustration. [2] Eggleton is an elected Fellow of the International Association of Astronomical Artists (IAAA), a distinction for his contributions to astronomical art. [1] In further recognition of his influence, asteroid 13562 Bobeggleton was named in his honor. [2]Artistic style and influences
Key influences and thematic focus
Bob Eggleton's artistic vision is profoundly shaped by the Romantic movement, particularly the dramatic landscapes and atmospheric effects of British painters J.M.W. Turner and John Martin, whose mastery of light, sublime scale, and turbulent natural forces has informed his own approach to depicting epic and overwhelming scenes. [2] [13] [14] He has expressed a lifelong fascination with "scale" as a guiding philosophy, using it to convey the vastness of space, the enormity of kaiju and Lovecraftian entities, and the imposing grandeur of dragons, creating a sense of awe through monumental proportions and expansive compositions. [2] Eggleton's thematic focus revolves around imaginative realism, blending meticulous detail with fantastical elements across science fiction, fantasy, horror, and landscape genres to evoke both wonder and unease in the viewer. [15] Central to his work is a deep passion for monsters, dinosaurs, and cosmic horror, which he explores as embodiments of the mysterious and terrifying sublime, drawing from mythic and prehistoric archetypes to capture the sublime terror and majesty of the unknown. [16]Legacy and recent work
Impact on genre art and ongoing projects
Bob Eggleton has established himself as a leading figure in science fiction and fantasy art, particularly within the realms of weird fantasy and imaginative realism, where his detailed, atmospheric depictions of creatures, monsters, and otherworldly landscapes have influenced book covers, magazine illustrations, and collectible art for decades. [2] His prolific output, including illustrations inspired by H.P. Lovecraft and Godzilla, has brought imaginative genre imagery to broader audiences through publishing and entertainment media. [17] In recent years, Eggleton has shifted toward private commissions, gallery exhibitions, and self-directed projects, allowing greater focus on personal artistic exploration while maintaining ties to genre illustration. [2] His ongoing work includes large-scale paintings such as the 2024 epic piece "HYPERBOREA," as well as cover art for SRS Cinema Blu-ray releases of kaiju-related films in 2023 and 2024. [18] [19] He continues to engage with the community through commissioned pieces for events like G-FEST XXX and exhibitions of recent works at conventions such as Boskone. [20] These activities reflect his sustained activity in the field, with new artworks and projects extending into 2025. [21]References
- https://wikizilla.org/wiki/Bob_Eggleton