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Boris Ord
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Boris Ord (born Bernhard Ord), CBE (9 July 1897 – 30 December 1961) was a British organist and choirmaster of King's College, Cambridge (1929-1957). During World War II he served in the Royal Air Force. He is best known for his choral setting of Adam lay ybounden, his only published composition.
Key Information
Early life and education
[edit]Bernhard Ord was born at Clifton, Bristol, the youngest son of Clement Ord, a lecturer at the University of Bristol, and Johanna Anthes. Having a German mother, Ord's given name was Bernhard, but he was later universally known by his nickname, Boris.[1][2]
Ord was educated at Clifton College, Bristol[3] – as was his successor, Sir David Willcocks[4] – and Corpus Christi College, Cambridge, where he was the John Stewart of Rannoch scholar in Sacred Music.
Ord graduated from Clifton in 1914 aged 17, and he went to study at the Royal College of Music on an organ scholarship as a pupil of Walter Parratt. His studies were interrupted by the outbreak of World War I and Ord went to serve as a pilot in the Royal Flying Corps. After the war, he returned to the Royal College to continue his musical studies. In 1920, Ord won an organ scholarship at Corpus Christi College, Cambridge. During his time there, he was very active in the musical life of the university and founded the Cambridge University Madrigal Society, in recognition of which he was awarded a Cambridge Fellowship in 1923.[2]
Career
[edit]
Ord spent a year working at the Cologne Opera in 1928, before returning to Cambridge as a conductor. In 1936, Ord became director of the Cambridge University Musical Society.[1]
In 1929, Boris Ord took the position of organist of King's College, Cambridge, a role which placed him in charge of the chapel choir.[5] He was assisted by an organ scholar, a role held from 1939 by David Willcocks.[6]
During his tenure at King's, Ord began to introduce more 16th-century music into the choral repertoire, replacing much of the Victorian music favoured by his predecessor, Arthur Henry Mann.[2] Ord became well acquainted with the dean of the college, Rev Eric Milner-White, who originally devised the service of Nine Lessons and Carols in 1918. When the Nine Lessons was first televised in 1954 by BBC Television, the choir was conducted by Ord.[7][8]
After the outbreak of World War II, both Ord and Willcocks left King's to join the armed forces. Ord served in an administrative role in the Royal Air Force, now being considered too old to fly. The composer Harold Darke deputised for Ord during that period.[5][2]
In August and September 1948, Ord conducted the University Madrigal Society in the ruins of Berlin, as part of a Foreign Office soft-power tour in support of the Berlin Airlift.[9]
In the mid 1950s, Ord began to suffer from disseminated sclerosis, and it was decided to split Ord's role into two new positions. Ord took on the new title of "director of music", while Willcocks was appointed to the role of organist. Ord retired in 1957, and Willcocks took over his role under the title "organist and director of music", a title which has since been held by all his successors.[5]
Personal life
[edit]Ord was widely known within the music profession to be homosexual, and he never married.[10]
Death
[edit]Ord died on 30 December 1961, aged 64, and was cremated on 5 January 1962 at Cambridge Crematorium. His ashes were interred in King's College Chapel.[11]
Composition
[edit]Ord is known for his only published piece of music, a choral setting of a medieval text, Adam lay ybounden, written in 1957.[12] Ord's carol is frequently performed at the popular annual service Festival of Nine Lessons and Carols at King's,[13] sometimes alternating with the other settings by Peter Warlock and Philip Ledger.[14]
References
[edit]- ^ a b "Ord, Boris". Oxford Music Online. OUP. Retrieved 2 October 2019.
- ^ a b c d Beeson, Trevor (2013). In Tuneful Accord: The Church Musicians. SCM Press. pp. 139–40. ISBN 9780334048138. Retrieved 2 October 2019.
- ^ "Clifton College Register" Muirhead, J.A.O. p288: Bristol; J.W Arrowsmith for Old Cliftonian Society; April, 1948
- ^ "Sir David Willcocks, choirmaster - obituary". The Daily Telegraph. 17 September 2015. Retrieved 20 December 2017.
- ^ a b c "History of the Choir". King's College Cambridge. Archived from the original on 2 October 2019. Retrieved 2 October 2019.
- ^ "Sir David Willcocks: Charismatic conductor and organist who raised". The Independent. 18 September 2015. Retrieved 2 October 2019.
- ^ Humphreys, Garry (20 May 2012). "The Choir of King's College, Cambridge made world-famous by Boris Ord". www.semibrevity.com. Retrieved 2 October 2019.
- ^ Coghlan, Alexandra (2016). Carols From King's. Random House. p. 168. ISBN 9781473530515. Retrieved 2 October 2019.
- ^ Pearson, Joseph (2025). Sweet Victory. New York: Pegasus Books. ISBN 9781639368587.
- ^ Day, Timothy (2018). I Saw Eternity the Other Night: King's College, Cambridge, and an English Singing Style. National Geographic Books. ISBN 9780241352182.
- ^ "Bernhard "Boris" Ord". Find a Grave. Retrieved 2 October 2019.
- ^ Kennedy, Michael; Bourne, Joyce (2004). The Concise Oxford Dictionary of Music. Oxford University Press, USA. p. 533. ISBN 9780198608844. Retrieved 2 October 2019.
boris ord adam lay 1957.
- ^ "King's College Chapel Choir 100 Years of Nine Lessons & Carols KING'S COLLEGE CAMBRIDGE KGS0033 [MR] Classical Music Reviews: November 2018 - MusicWeb-International". MusicWeb International. Retrieved 2 October 2019.
- ^ Sinden, David. "2017 Festival of Nine Lessons and Carols: Adam's Fall – Richard Elfyn Jones | blog.sinden.org". Retrieved 2 October 2019.
Further reading
[edit]Jacobs A. A New Dictionary of Music 3rd edition. Penguin Books, Middlesex, 1973.
External links
[edit]
Boris Ord
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Early life and education
Birth and family background
Bernhard Ord was born on 9 July 1897 in Clifton, Bristol, England.[5][8] He was the youngest son of Clement Ord, a lecturer at the University of Bristol, and Johanna Anthes, who was of German origin.[5] Ord was known universally by the nickname Boris rather than his given name Bernhard.[5]Education and early training
Boris Ord attended Clifton College in Bristol, where he studied until his graduation in 1914 at the age of 17. [1] He then secured an organ scholarship to the Royal College of Music in London, studying organ under Sir Walter Parratt. [5] [1] His time at the Royal College of Music was interrupted by the outbreak of World War I. [1] After the war, Ord returned to the Royal College of Music to resume his studies. [1] In 1920, he won an organ scholarship to Corpus Christi College, Cambridge, and also held the John Stewart of Rannoch scholarship in Sacred Music. [5] [1] During his years at Cambridge, Ord founded the Cambridge University Madrigal Society. [1] [5] In recognition of this achievement, he was awarded a Fellowship of the college in 1923. [1] [5]Military service
World War I
Boris Ord's studies at the Royal College of Music were interrupted by the outbreak of World War I, during which he served as a pilot in the Royal Flying Corps. [1] [5] After the conclusion of the war, he returned to the Royal College of Music to resume his musical training. [5]World War II
During World War II, Boris Ord served in an administrative role in the Royal Air Force, as he was considered too old to fly. [1] This service began after the outbreak of the war and necessitated his temporary departure from King's College, Cambridge, in the spring of 1941. [4] In his absence, the composer and organist Harold Darke deputised as Director of Music at King's College Chapel from 1941 to 1945, conducting the choir and overseeing musical activities during this period. [1] [9] A notable milestone under Darke's leadership was the first BBC broadcast of Choral Evensong from King's College Chapel on 4 February 1941, listed anonymously in the Radio Times as "from a College Chapel" due to wartime security measures. [1] Following the end of the war, Ord resumed his full duties at King's College in 1945, with a transitional Christmas Eve service that year where he played the organ while allowing Darke to conduct as a farewell gesture before Darke returned to London. [4] Ord's first post-war broadcast of Choral Evensong with the choir occurred on 22 January 1946. [1]Early career
Royal College of Music and university activities
After World War I, Ord returned to the Royal College of Music to complete his interrupted studies, resuming the organ training he had begun on scholarship in 1914. [1] In 1920 he accepted an organ scholarship at Corpus Christi College, Cambridge, marking his transition to university-level musical activities. [6] [1] During his time as an undergraduate, Ord founded the Cambridge University Madrigal Society in 1920, initially organizing it as a student initiative focused on the performance of Renaissance madrigals and related repertoire. [6] [1] He continued to lead the society after graduation, building it into a notable ensemble that toured abroad and became particularly associated with performances of madrigals on the River Cam during May Week starting in 1928. [6] In recognition of his founding and direction of the Madrigal Society, Ord was elected to a fellowship at King's College, Cambridge, in 1923. [6] [1]Cologne Opera
In 1928, Boris Ord spent a year working at the Cologne Opera, gaining early professional experience in opera production and performance. [1] This engagement occurred prior to his return to Cambridge. [1]Director of Music at King's College, Cambridge
Appointment and initial years
Boris Ord was appointed Organist of King's College, Cambridge, in 1929, succeeding Arthur Henry Mann who had held the post from 1876 until his death. [10] [1] In the same year, Ord also became organist of the University. [1] His role at King's College Chapel encompassed leadership of the choir as director of music, a position he held until 1957 (later formally titled Director of Music in the mid-1950s). [11] Ord's first Christmas Eve broadcast of A Festival of Nine Lessons and Carols from King's College Chapel took place in 1929, building on the service's earlier radio tradition. [1] This marked the beginning of his long association with the annual broadcast, which contributed significantly to the choir's growing international recognition during his early tenure. In 1936, the choir embarked on its first foreign tour under Ord's direction, visiting Holland, Germany, Denmark, and Sweden at the invitation of the British Council for Relations with Other Countries. [1] [11] These pre-war years established Ord's leadership of the choir before his absence during World War II. [11]Choir development and repertoire changes
Under Boris Ord's direction as Director of Music at King's College, Cambridge from 1929 to 1957, the choir's repertoire underwent a significant shift toward earlier English music, with Ord introducing more 16th-century works—often using editions prepared by Edmund Fellowes—to reduce the dominance of Victorian compositions favored by his predecessor Arthur Henry Mann. [2] He also removed several sentimental Victorian "war horse" pieces that were seen as having outlived their usefulness, bringing the choral offerings closer to Renaissance traditions. [2] These changes were supported by Ord's shared musical outlook with Dean Eric Milner-White, whose vision had shaped the chapel's liturgical music. [2] Ord further contributed to the evolution of the Festival of Nine Lessons and Carols, the service originated by Milner-White, by regularly modifying and adding new carols throughout his tenure in line with the practice of successive organists. [3] Ord cultivated a distinctive choir sound marked by a forthright, rich treble tone that was unique to King's College at the time, complemented by exceptional musicality, exemplary intonation, seamless blend, and expressive control over dynamics and timbre. [1] The ensemble's performances displayed a warm, text-sensitive quality, balancing spontaneous exuberance with reflective depth, and the ability to achieve both soaring climaxes and delicate pianissimos. [1] His focus on perfect tuning and phrasing set new standards for choral singing. [2] The 1954 televised broadcast of the carol service helped showcase these qualities to a wider public. [1]Illness and role transition
In the mid-1950s, Boris Ord began to suffer from disseminated sclerosis, a progressive neurological condition that increasingly impaired his ability to carry out his full responsibilities as Director of Music at King's College, Cambridge. [1] To accommodate his declining health while maintaining the choir's standards, the college divided Ord's former combined role into two separate positions: Ord retained the title of Director of Music, while David Willcocks was appointed Organist to handle much of the day-to-day musical direction and organ playing. [1] [4] Despite his illness, Ord continued to lead the choir in a supervisory capacity until his retirement in 1957, after which Willcocks succeeded him fully as Director of Music. [12] [13]Other musical roles
Cambridge University Madrigal Society
Boris Ord founded the Cambridge University Madrigal Society in 1920 while an undergraduate and organ scholar at Corpus Christi College, Cambridge. [6] [1] This student initiative focused on the performance of madrigals and early vocal repertoire, establishing a dedicated ensemble for such music within the university. [6] In recognition of his founding and early leadership of the society, Ord was awarded a Cambridge Fellowship in 1923. [1] He continued to direct the Madrigal Society after completing his studies and taking up professional posts, maintaining an active role in guiding its rehearsals, performances, and development over subsequent decades. [6]Cambridge University Musical Society
In 1937, Boris Ord was appointed conductor of the Cambridge University Musical Society (CUMS), assuming leadership of its chorus and orchestra following the retirement of Cyril Rootham. [1] [6] This appointment built on Ord's extensive involvement in Cambridge musical productions and his earlier professional experience at the Cologne Opera in 1928. [1] Ord became known for his electrifying performances of the major choral society repertory, with his opera-house background contributing a distinctive dramatic fluency and vitality to his conducting. [1] According to Sir David Lumsden, Ord "produced electrifying performances of the major choral society repertory … his experience in the opera house shone through." [1] This approach distinguished his work with the larger-scale forces of CUMS, emphasizing expressive intensity drawn from theatrical practice. [6]Broadcasts and recordings
Festival of Nine Lessons and Carols
Boris Ord conducted the Festival of Nine Lessons and Carols at King's College, Cambridge, for the first time in 1929, shortly after his appointment as Organist and Director of Music. [14] This marked the beginning of his nearly three-decade tenure leading the annual Christmas Eve service, which had already gained a radio broadcast tradition the previous year. [14] Under Ord's direction, the service's distinctive choral sound and liturgical structure became increasingly identified with the "Sound of Christmas" in public perception, as its annual broadcasts reached millions and established a cherished seasonal tradition. Ord continued to lead the service through the years, including conducting the first televised broadcast in 1954, which brought the event into homes via television for the first time and expanded its reach beyond radio audiences. His collaboration with Dean Eric Milner-White, who had originated the service in 1918, ensured continuity of its format while allowing Ord's musical interpretation to shape its evolving character during his leadership. [14]Commercial and private recordings
The Choir of King's College, Cambridge, under Boris Ord's direction, produced several notable commercial recordings during the post-war period, primarily on the Columbia and Argo labels. In 1949, the choir recorded Christmas carols on Columbia shellac 78rpm discs, including arrangements such as Peter Cornelius's "Three Kings from Persian Lands Afar." [1] These early shellac releases captured seasonal repertoire and were later reissued as a 7" EP in the mid-1950s due to their popularity. [1] In 1954, the choir made a studio recording of A Festival of Nine Lessons and Carols for the Argo label, issued as an LP (RG 39) the following year; this was a specially arranged session rather than a live service broadcast, featuring the traditional opening with "Once in Royal David's City" and concluding with "O Come, All Ye Faithful." [15] [1] The recording highlighted the choir's characteristic sound in works such as "Sing Lullaby," with the final verse often praised for its expressive quality. [1] Argo followed with additional LPs showcasing the choir's liturgical and Tudor repertoire: Evensong appeared in 1956, featuring settings such as Stanford in G; a collection of Orlando Gibbons's music (including anthems and voluntaries) was released in 1956; and An Easter Mattins was issued in 1958. [1] [16] These recordings documented Ord's approach to Anglican choral tradition and were later remastered for inclusion in Decca's comprehensive boxed sets of King's College material. [1] Alongside these commercial efforts, private recordings were made between 1956 and 1959 by undergraduates Roger Martin and Brian Head, who captured live performances in King's College Chapel using basic equipment initially with Ord's permission. [1] These unofficial tapes preserved anthems and services such as Stanford's "Beati quorum via," Walford Davies's Requiem (with treble soloist Richard White), and other works, with some selections later privately pressed as limited-edition LPs on the Deroy label for choir members. [1]Compositions
Adam lay ybounden
Adam lay ybounden is Boris Ord's only published composition, a short choral setting of the 15th-century anonymous English carol text. [17] Composed in 1957 and published by Novello, the work is written for unaccompanied SATB choir and sets the medieval poem that contemplates Adam's bondage in sin for four thousand winters until the promise of redemption through the Virgin Mary. [18] [19] Described as a tiny Christmas carol, Ord's setting has become a staple of the Advent and Christmas repertoire due to its concise and evocative treatment of the text. [17] The piece is regularly performed by the Choir of King's College, Cambridge, during the Festival of Nine Lessons and Carols, where it alternates with other settings of the same carol. [20] Numerous recordings by the King's College Choir preserve Ord's version, underscoring its enduring place in the service's tradition. [20]Later life and legacy
Retirement and death
Boris Ord retired from his position as Director of Music at King's College, Cambridge in 1957 due to illness. [1] His retirement followed a period in which his duties had been divided, with David Willcocks appointed as Organist. [1] Ord died on 30 December 1961 in Cambridge at the age of 64. [1] [21] His body was cremated on 5 January 1962, and his ashes were interred in King's College Chapel. [22] A memorial service held in the chapel was well attended. [23]Honours and influence
Boris Ord was appointed a Commander of the Order of the British Empire (CBE) in 1958. [24] Ord's most enduring legacy lies in his transformation of the Choir of King's College, Cambridge into a world-famous ensemble renowned for its distinctive sound. [1] Within a few years of becoming Director of Music in 1929, he cultivated a style marked by incomparable musicality, deep textual understanding, and a forthright, rich treble tone unique to King's at the time. [1] This approach earned widespread acclaim, with contemporaries describing his performances as approaching "nearness to perfection" while conveying an indescribable vitality that opened new interpretive possibilities even in simple carols. [1] His leadership significantly shaped the international profile of the annual Festival of Nine Lessons and Carols through legendary BBC radio broadcasts that began under his direction in 1929 and continued annually (with minor exceptions) throughout his tenure. [3] The introduction of overseas transmissions in 1932 during his time expanded the service's audience worldwide, establishing it as a cherished Christmas tradition, while the 1954 television broadcast represented a pivotal moment in its global reach. [1] Ord's sole published composition, the carol Adam lay ybounden (1957), has become a staple of the choral Christmas repertoire. [24] His influence on choral music persists through the choir's enduring style and the continuing impact of the King's broadcasts on generations of singers and directors. [1] His ashes were interred in King's College Chapel. [22]References
- https://commons.wikimedia.org/wiki/File:Beginning_of_Boris_Ord%27s_Adam_lay_y-bounden.jpg