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Brian Braddock

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Brian Braddock

Brian Braddock is a superhero appearing in British and American comic books published by Marvel Comics. Created in 1976 by writer Chris Claremont and artist Herb Trimpe, with later contributions from Alan Moore and Alan Davis, he first appeared in Captain Britain Weekly #1. He is the first character in publication to use the Captain Britain moniker, later adopting the title Captain Avalon.

As Captain Britain, Brian was empowered by the legendary magician Merlyn and his daughter Roma and assigned to be the champion of the British Isles and its peoples, as well as the defender of Earth-616 as a member of the multiversal Captain Britain Corps. Following his corruption by Morgan le Fay, his twin sister Betsy reclaimed the mantle of Captain Britain, with Brian taking up the moniker Captain Avalon as defender of Avalon.

Captain Britain debuted in the first issue of Captain Britain Weekly (cover-dated the week ending 13 October 1976), an anthology comic published exclusively in the United Kingdom by the Marvel Comics imprint known as Marvel UK. The comic represented the first original content published by Marvel UK, who had previously only handled reprints of Marvel Comics' U.S. publications. However, the new content was still created by Marvel's American staff (the initial team being London-born writer Chris Claremont, penciller Herb Trimpe, and inker Fred Kida) under the supervision of U.S. editor Larry Lieber, then shipped to the UK for publication. (In addition, the new 8-page Captain Britain installments in each issue of Captain Britain Weekly were supplemented by more reprinted material, featuring Nick Fury and the Fantastic Four).

The character's creators are unknown, though Trimpe has remarked that the visual design looks like the work of John Romita, Sr., who was designing many of Marvel's characters at the time.

The first two issues of the comic were also bundled with "free gifts", a cardboard Captain Britain mask in the first issue and a Captain Britain boomerang in the second, such novelties being a tradition with British comic book launches. Chris Claremont left the series after ten issues, midway through the "Doctor Synne" storyline, due to creative differences with the editor. Trimpe recalled that Claremont and his replacement, Gary Friedrich, while "miles apart in personality and approach to a story", were both flexible writers who allowed him considerable free rein in laying out and pacing the stories.

With sales slowly declining, Captain Britain went to black-and-white with issue #24 (23 March 1977) and was cancelled entirely with issue #39 (6 July 1977), though the Captain Britain serial was immediately transferred to Marvel UK's Spider-Man comic, which was then retitled Super Spider-Man & Captain Britain. In 1978, Chris Claremont and John Byrne introduced Captain Britain to an American audience for the first time with Marvel Team-Up #65-66. The Marvel Team-Up story was reprinted as the last six installments of the UK serial, ending with Super Spider-Man & Captain Britain #253. This marked the end of Captain Britain's exploits until March 1979, when Captain Britain appeared with the Black Knight in the "Otherworld Saga" which ran in Hulk Comic. These guest appearances were the first time Captain Britain was written and drawn by British creators.

The character was relaunched, in a redesigned costume, in the Marvel Superheroes anthology title, starting with issue #377 (September 1981). The relaunch was written by Dave Thorpe and illustrated by Alan Davis, who redesigned the costume at editor-in-chief Paul Neary's behest. Neary's chief concern was the original costume's lion chest emblem; though the emblem is a heraldic symbol, it is better known in the UK as a sign to denote the quality and freshness of eggs. Davis noted that his depiction of Brian Braddock was visually based on Garth, "an exaggerated Greek god, perfect in every way" and that:

I decided to base his costume on military uniforms. If you've ever seen the mounted guards outside Buckingham Place, you'll recognise the components. The white leggings and the tall boots with the flaps over the knees were easy. The headgear took a bit more time because I wanted it to look like a helmet rather than a mask. The stripes across his chest started as two crossed sashes and underwent numerous changes.

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