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British Library Sound Archive
The British Library Sound Archive, formerly the British Institute of Recorded Sound; also known as the National Sound Archive (NSA), in London, England is among the largest collections of recorded sound in the world, including music, spoken word and ambient recordings. It holds more than six million recordings, including over a million discs and 200,000 tapes. These include commercial record releases (chiefly from the UK), radio broadcasts (many from the BBC Sound Archive), and privately made recordings. Due to the 2023 cyberattack on the British Library, the sound archive's catalogue is currently unavailable.
The history of the Sound Archive can be traced back to 1905, when it was first suggested that the British Museum should have a collection of audio recordings of poets and statesmen. The Gramophone Company started donating metal masters of audio recordings in 1906 (on the basis that records would wear out), with a number of donations being made up until 1933. These recordings included some by Nellie Melba, Adelina Patti, Caruso and Francesco Tamagno, and others of Lev Tolstoy, Ernest Shackleton, Herbert Beerbohm Tree and Lewis Waller. A number of shellac pressings were also donated in the period 1920–50.
Conflicting accounts exist regarding the founding of the British Institute of Recorded Sound (BIRS).
Sound archivist Patrick Saul founded the British Institute of Recorded Sound (BIRS) in 1955, after realising that material was in danger of being lost as the British Museum did not maintain a comprehensive archive. The institute was located in a property owned by the British Museum in Russell Square (with rent and rates guaranteed by Robert Mayer), and supported by a donation from the Quaker trust in Birmingham. A public appeal resulted in the donation of thousands of shellac discs, which started off the collection.
The claim made in the 1995 obituary of British Museum music librarian and BIRS director Alexander Hyatt King in The Independent that he founded the BIRS seven years earlier in 1948, is misleading. In 1973 Saul recalled that Hyatt King was chairman of the embryonic Institute in 1953 (the second chairman, following Frank Howes), and was responsible for finding accommodation for the collection within the British Museum.
The British Institute of Recorded Sound became part of the British Library, which had been split off from the British Museum, in April 1983. It was later renamed the British Library Sound Archive. The metal masters originally collected by the British Museum were transferred to the Archive in 1992. Patrick Saul was the first head of the archive. His successor from 1983-1992 was Christopher Roads, followed by Crispin Jewitt from 1993-2007, then Richard Ranft from 2007-2020. The current head is Janet Topp Fargion.
In 2015 the library launched the 'Save Our Sounds' programme to address the urgent need to digitise unique recordings in the UK's sound archives. These recordings are at risk of being lost due to deterioration of physical recording formats and decreasing availability of playback devices. The aims of the programme are:
As part of Save Our Sounds, between 2017 and 2022 'Unlocking Our Sound Heritage', a network of ten regional centres across the UK, was set up to digitise a wide range of recordings held in local archives, including music, radio broadcasts, drama, oral history and wildlife recordings.
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British Library Sound Archive
The British Library Sound Archive, formerly the British Institute of Recorded Sound; also known as the National Sound Archive (NSA), in London, England is among the largest collections of recorded sound in the world, including music, spoken word and ambient recordings. It holds more than six million recordings, including over a million discs and 200,000 tapes. These include commercial record releases (chiefly from the UK), radio broadcasts (many from the BBC Sound Archive), and privately made recordings. Due to the 2023 cyberattack on the British Library, the sound archive's catalogue is currently unavailable.
The history of the Sound Archive can be traced back to 1905, when it was first suggested that the British Museum should have a collection of audio recordings of poets and statesmen. The Gramophone Company started donating metal masters of audio recordings in 1906 (on the basis that records would wear out), with a number of donations being made up until 1933. These recordings included some by Nellie Melba, Adelina Patti, Caruso and Francesco Tamagno, and others of Lev Tolstoy, Ernest Shackleton, Herbert Beerbohm Tree and Lewis Waller. A number of shellac pressings were also donated in the period 1920–50.
Conflicting accounts exist regarding the founding of the British Institute of Recorded Sound (BIRS).
Sound archivist Patrick Saul founded the British Institute of Recorded Sound (BIRS) in 1955, after realising that material was in danger of being lost as the British Museum did not maintain a comprehensive archive. The institute was located in a property owned by the British Museum in Russell Square (with rent and rates guaranteed by Robert Mayer), and supported by a donation from the Quaker trust in Birmingham. A public appeal resulted in the donation of thousands of shellac discs, which started off the collection.
The claim made in the 1995 obituary of British Museum music librarian and BIRS director Alexander Hyatt King in The Independent that he founded the BIRS seven years earlier in 1948, is misleading. In 1973 Saul recalled that Hyatt King was chairman of the embryonic Institute in 1953 (the second chairman, following Frank Howes), and was responsible for finding accommodation for the collection within the British Museum.
The British Institute of Recorded Sound became part of the British Library, which had been split off from the British Museum, in April 1983. It was later renamed the British Library Sound Archive. The metal masters originally collected by the British Museum were transferred to the Archive in 1992. Patrick Saul was the first head of the archive. His successor from 1983-1992 was Christopher Roads, followed by Crispin Jewitt from 1993-2007, then Richard Ranft from 2007-2020. The current head is Janet Topp Fargion.
In 2015 the library launched the 'Save Our Sounds' programme to address the urgent need to digitise unique recordings in the UK's sound archives. These recordings are at risk of being lost due to deterioration of physical recording formats and decreasing availability of playback devices. The aims of the programme are:
As part of Save Our Sounds, between 2017 and 2022 'Unlocking Our Sound Heritage', a network of ten regional centres across the UK, was set up to digitise a wide range of recordings held in local archives, including music, radio broadcasts, drama, oral history and wildlife recordings.