Bruce Beresford
Bruce Beresford
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Bruce Beresford

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Bruce Beresford

Bruce Beresford (/ˈbɛrɪsfərd/; born 16 August 1940) is an Australian film director, opera director, screenwriter, and producer. He began his career during the Australian New Wave, and has made more than 30 feature films over a 50-year career, both locally and internationally in the United States. He is a two-time Academy Award nominee, and a four-time AACTA/AFI Awards winner out of 10 total nominations

Beresford's films include Breaker Morant (1980), Tender Mercies (1983), Crimes of the Heart (1986), Driving Miss Daisy (1989) – which won four Oscars including Best Picture, Black Robe (1991), Silent Fall (1994), Double Jeopardy (1999), Mao's Last Dancer (2009), and Ladies in Black (2018). He was nominated for Academy Awards for Best Adapted Screenplay for Breaker Morant, and Best Director for Tender Mercies. He won AACTA/AFI AwardsBest Direction (2) for Don's Party (1976) and Breaker Morant, and Best Screenplay (2) for Breaker Morant and The Fringe Dwellers (1986).

In addition, four of Beresford's films have been nominated for the Palme d'Or, and four have been nominated for the Golden Bear. He has also been nominated for two BAFTA Awards, a Golden Globe Award, a Directors Guild of America Award, and won a Genie Award.

Beresford was born in Paddington, New South Wales, the son of Lona (née Warr) and Leslie Beresford, who sold electrical goods. He grew up in the then outer-western suburb of Toongabbie, and went to The Meadows Public School and then The King's School, Parramatta. He made several short films in his teens including The Hunter (1959).

He completed a Bachelor of Arts majoring in English at the University of Sydney, where he graduated in 1964. While at university he made the short film The Devil to Pay (1962) starring John Bell and Ron Blair, It Droppeth as the Gentle Rain (1963) co-directed by Albie Thoms and starring Germaine Greer, Clement Meadmore (1963) with Bell and King-size Woman (1965).

Beresford then moved to England in search of film work. He could not break into the British film scene, so he answered an advertisement for an editing job in Nigeria, where he worked for two years, in Enugu.

He then returned to England and worked for the British Film Institute as a producer of short films by first-time directors, including Magritte: The False Mirror (1970) and Paradigm (1970).

Beresford directed the documentary Lichtenstein in London (1968) about Roy Lichtenstein, and Extravaganza (1968), Barbara Hepworth at the Tate (1970), The Cinema of Raymond Fark (1970), and Arts of Village India (1972).

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