Community Hub0 Subscribers
Community hub
Bud Gaugh
View on Wikipediafrom Wikipedia
Key Information
Floyd "Bud" Gaugh is an American drummer who is a member of the band Sublime, and previously played in Long Beach Dub Allstars (1997–2002), Eyes Adrift (2002–2003), Volcano (2004), and Sublime with Rome (2009–2011), as well as Phil & the Blanx, Del Mar, and Jelly of the Month Club.
Biography
[edit]Early life
[edit]Gaugh was born in Hawaii but grew up in Long Beach, California.[1]
Gaugh was childhood friends with Eric Wilson. Gaugh stated that Eric's father, Bill, "was like a second father to me, a total inspiration".[2] Bill Wilson taught Gaugh how to play drums. Gaugh and Eric Wilson played together in garage punk bands, such as Juice Bros., throughout high school.[3]
1988–1996: Sublime
[edit]Eric Wilson introduced Gaugh to Bradley Nowell, and the trio went on to form Sublime in 1988.[2][4] Gaugh's drumming is heard on all three of the band's studio albums: 40oz. to Freedom (1992), Robbin' the Hood (1994), and Sublime (1996).
Around 1990, according to Marshall Goodman, Gaugh left Sublime and Goodman assumed sole drumming responsibilities. Gaugh was not the primary drummer on the 40 oz. to Freedom record. When Gaugh rejoined, Sublime became a five-person collaboration between himself, Wilson, Nowell, Goodman, and Michael Happoldt.[5] In 1996, Sublime disbanded due to the death of lead singer Bradley Nowell from a heroin overdose.[6]
1996–2009: Post-Sublime bands
[edit]Gaugh was a founding member of the Long Beach Dub Allstars in 1997. Their first album, released in 1999, was called Right Back. They followed it with Wonders of the World in 2002. Long Beach Dub Allstars broke up in 2002, and Gaugh did not rejoin when the band reunited in 2012.[6] Gaugh stated in an interview that he didn't "harbor any grudges towards any musicians in the band. It was more of outside influences that was a problem there."[7]
Gaugh played drums in Eyes Adrift with Krist Novoselic and Curt Kirkwood. After Eyes Adrift disbanded, he went on to form Volcano with Kirkwood.[8] Volcano released one self-titled album in 2004.
Gaugh formed the surf rock band Del Mar in 2006 with his wife Nicole Gaugh on guitar, alongside guitarist Matt Bode and bassist Mike Martinez. They released one album, After the Quake (2009).[9]
2009–2011: Sublime With Rome
[edit]
It was announced in early 2009 that Gaugh would be reuniting with Sublime at Cantina Los Tres Hombres in Sparks, Nevada, on February 28, with new frontman and guitarist Rome Ramirez in the place of Bradley Nowell.[10] Following positive response, the band decided to reunite properly in August 2009 for a possible tour and new album.[11] However, not long after the October 2009 performance at Cypress Hill's Smokeout Festival, a Los Angeles judge banned the new lineup from using the Sublime name, and the band was forced to change its name.[12] The new lineup of Eric Wilson, Bud Gaugh, and Rome Ramirez performed together as Sublime with Rome. A debut album, Yours Truly, was released on July 12, 2011.[13]
Gaugh left Sublime with Rome on December 10, 2011 and was replaced by Josh Freese. On January 12, 2012, in an interview posted on budztv.com, Gaugh expressed regrets about touring and recording with Sublime with Rome, stating, "In hindsight I would not have used the name. I didn't want to in the first place, I was talked into it and I would like to apologize to certain people and the fans for trying to justify or talk them into it as well."[14] When asked how it felt to play Sublime songs again, Gaugh said, "It was really good for the first few months; after that, it just felt wrong. Not playing the songs but playing them with the name Sublime, without Brad."[14] When asked if he saw the band reuniting in the future, Gaugh replied, "No, I am done with SWR. I would be into playing music with Eric Wilson, however."[14]
2011–present: Later work and reformation of Sublime
[edit]Gaugh joined Jelly of the Month Club, and featured on their debut album Introducing, Jelly of the Month Club (2013).[15] He later joined The Yamarone Brothers, described as a "Bigfoot rock band", and performed with the trio Phil and the Blanx.[16]
In 2023, Gaugh rejoined Sublime with Jakob Nowell on vocals. They toured at Coachella and additional music festivals the following year.[17]
Discography
[edit]- Sublime
- Jah Won't Pay the Bills (1991)
- 40oz. to Freedom (1992)
- Robbin' the Hood (1994)
- Sublime (1996)
- Second-hand Smoke (1997)
- Stand by Your Van (1998)
- Sublime Acoustic: Bradley Nowell & Friends (1998)
- Everything Under the Sun: Rarities (2006)
- Long Beach Dub All-Stars
- Right Back (1999)
- Wonders of the World (2001)
- Eyes Adrift
- Eyes Adrift (2003)
- Volcano
- Volcano (2004)
- Del Mar
- Demo (2007)
- After The Quake (2009)
- Sublime with Rome
- Yours Truly (2011)[18]
- Jelly of the Month Club
Filmography
[edit]In 2016, Gaugh appeared on an episode of Finding Bigfoot, where he and long time friend James "Bobo" Fay explore the wilderness in search of bigfoot.[21]
References
[edit]- ^ Wake, Matt (October 8, 2024). "Sublime's bittersweet rebirth: 'Sometimes you just gotta wait for it'". AL.com. Retrieved November 16, 2024.
- ^ a b Weiss, Jeff (July 30, 2021). "The Sun Gods of the LBC: The Last Days of Sublime and the Birth of Their Self-Titled Masterpiece". The Ringer. Retrieved November 16, 2024.
- ^ Smith, RJ (May 25, 2021). "Drug Bust: Our 1997 Sublime Feature". SPIN. Retrieved November 16, 2024.
- ^ Farley, Christopher John (August 12, 1996). "Sublime: When the Music's Over". Time. Archived from the original on June 29, 2011. Retrieved January 31, 2011.
- ^ Patti, Mike (March 25, 2014). "Interview: Marshall 'RAS MG' Goodman (Pt. 1 of 2)". The Pier Magazine. Retrieved November 16, 2024.
- ^ a b Guzman, Richard (May 20, 2020). "The Long Beach Dub Allstars talk new music, local politics and more". Press Telegram. Retrieved November 16, 2024.
- ^ "Bud Gaugh — Artist Interview". The Pier. Archived from the original on June 13, 2010. Retrieved November 17, 2024.
- ^ Golsen, Tyler (October 8, 2023). "10 forgotten modern supergroups". Far Out Magazine. Retrieved November 16, 2024.
- ^ Thomas, Dan (April 21, 2008). "Sea of change: New band Del Mar makes Tahoe debut". Tahoe Daily Tribune. Retrieved November 17, 2024.
- ^ Sublime Reunion? Deprecated link archived May 4, 2009, at archive.today. Last accessed September 22, 2009.
- ^ Sublime To Reunite For Cypress Hill's Smokeout Fest. Last accessed September 22, 2009.
- ^ Martens, Todd (November 3, 2009). "Judge's ruling could put a damper on a Sublime reunion". Pop & Hiss. Los Angeles Times. Archived from the original on November 5, 2009.
- ^ Kreps, Daniel (December 12, 2011). "Drummer Bud Gaugh Ditches Sublime With Rome". Retrieved November 16, 2024.
- ^ a b c "Bud Gaugh Exclusive Interview by Erik Schaefer of SWRfans.com". budztv.com. Archived from the original on March 16, 2016. Retrieved January 12, 2012.
- ^ Bennett, Sarah (October 8, 2013). "Featuring Members of Sublime and The Ziggens, Jelly of the Month Club are The Bad Boys of Kiddie Rock". the Hi-lo. Retrieved November 17, 2024.
- ^ Doran, Bob. "Squatchtastic". North Coast Journal. Retrieved November 17, 2024.
- ^ Vito, Jo (January 16, 2024). "Sublime to Reunite with Bradley Nowell's Son, Jakob, at Coachella 2024". Consequence. Retrieved January 17, 2024.
- ^ "Sublime Settles On New Band Name, Plots Tour". Billboard.com. Retrieved March 3, 2010.
- ^ "Jelly of the Month Club Release!".
- ^ "Enjoy the Show".
- ^ Pena, Jessica (March 11, 2016). "Finding Bigfoot: New Episodes Coming to Animal Planet". TV Series Finale. Retrieved November 16, 2024.
External links
[edit]
Bud Gaugh
View on Grokipediafrom Grokipedia
Early life
Childhood in Hawaii and move to California
Floyd I. Gaugh IV, professionally known as Bud Gaugh, was born on October 2, 1967, in Maui, Hawaii.[2] His early years were spent on the islands, where he was immersed in a multicultural environment shaped by Hawaiian culture and diverse influences. This upbringing contributed to the relaxed, island-inspired aspects of his later personal style.[11] The family's relocation to Long Beach, California, occurred during Gaugh's childhood, marking a significant transition in his formative environment.[12] In Long Beach, Gaugh adjusted to a new urban landscape while maintaining connections to his island roots through activities like surfing, a non-musical hobby that became central to his youth and reflected the laid-back coastal lifestyle. His early school experiences involved navigating this change, fostering resilience amid the shift from rural Hawaiian life to the bustling SoCal scene. Gaugh also formed a close childhood friendship with Eric Wilson during this period.[13]Initial musical training and influences
Bud Gaugh began playing drums at the age of eight, initially learning through self-directed practice before receiving formal instruction. He studied music both in school and through private lessons, allowing the instrument to become central to his daily life.[3] A pivotal influence came from Bill Wilson, the father of his childhood friend and future bandmate Eric Wilson, who was a seasoned jazz drummer with experience in big band tours and USO performances during World War II. Bill Wilson provided Gaugh with structured lessons, emphasizing music as a constructive outlet and introducing him to jazz rhythms, which he described as the "punk rock of its time." Gaugh later reflected on Wilson as a second father figure whose mentorship shaped his foundational technique and passion for the drums. Gaugh's early influences drew heavily from punk rock and classic rock, sparked by live experiences in the burgeoning Southern California scene after his family's relocation to Long Beach, which exposed him to the local DIY music community. He was particularly inspired by punk acts like The Clash and The Who, whom he saw perform in 1982, as well as rock icons such as Jimi Hendrix and drummers Ginger Baker and John Bonham, whose dynamic styles fueled his interest in energetic, rebellious playing. This period also saw him immersing himself in the Long Beach punk and ska underground, where the raw energy of the genre resonated with his developing skills. While reggae and dub elements like those of Bob Marley and Lee "Scratch" Perry would later become prominent in his work through the broader band's sound, Gaugh's initial inspirations were rooted in the aggressive, fast-paced punk ethos prevalent in the area's garage scene. In the early 1980s, during high school, Gaugh formed his first garage bands with Eric Wilson, where they experimented with covers of punk standards and original compositions in a raw, high-energy style. These informal groups allowed Gaugh to hone his abilities in live settings, blending punk's intensity with emerging ska influences from the local circuit. Upon graduating around 1985, Gaugh opted against further formal education, committing fully to music as a career, driven by the thrill of performances and the supportive network in Long Beach's vibrant underground community.Career
1988–1996: Formation and rise of Sublime
In 1988, Bud Gaugh joined forces with bassist Eric Wilson, his childhood neighbor, and vocalist-guitarist Bradley Nowell to form Sublime in Long Beach, California.[14] The trio, who had roots in local punk scenes, quickly developed a signature sound blending ska, punk rock, reggae, and hip-hop elements, drawing from Southern California's beach and street culture.[15] Gaugh, serving as the band's core drummer, provided the rhythmic backbone that fused aggressive punk beats with laid-back reggae grooves, contributing to their high-energy live performances from the outset. Their debut gig on July 4, 1988, at a local park sparked a near-riot, setting the tone for their raw, unpolished appeal.[15] Sublime's early success came through independent releases on their own Skunk Records label. Their debut album, 40oz. to Freedom, was self-recorded and released on June 1, 1992, selling over 60,000 copies initially through grassroots efforts like selling from the back of Nowell's van at shows.[15] The follow-up, Robbin' the Hood, arrived on March 1, 1994, showcasing an experimental approach with a mix of demos, acoustic tracks, rap influences, and dub elements, further highlighting Gaugh's versatile drumming that bridged the band's eclectic styles.[14] Breakthrough came via radio play of "Date Rape" from the debut album, which gained traction on Los Angeles station KROQ and propelled regional popularity.[16] By 1995, the band signed with MCA Records, allowing expanded touring, though they still faced low-budget realities like sleeping in vans during early road trips across the U.S.[14] The band's trajectory peaked with their self-titled third album, released on July 30, 1996, which featured polished production and hits like "Santeria," blending acoustic reggae with poignant storytelling.[17] However, touring challenges persisted, including pervasive drug issues that strained the group; Nowell's escalating heroin addiction, amid the band's rising fame, created internal turmoil.[18] Tragedy struck on May 25, 1996, when Nowell died of a heroin overdose in a San Francisco hotel room just days before the album's release, leading to Sublime's initial disbandment.[19] Gaugh, a recovering addict himself, discovered Nowell's body and later expressed profound frustration and grief, stating he felt like "kicking his ass" for succumbing despite warnings, underscoring the personal devastation amid their breakthrough.[19]1996–2009: Post-Sublime collaborations
Following the death of Sublime frontman Bradley Nowell in 1996, Gaugh channeled his grief into new musical endeavors, seeking to explore fresh sounds while honoring roots in reggae and dub.[20] In 1997, Gaugh co-founded the Long Beach Dub Allstars alongside Sublime bassist Eric Wilson and a rotating cast of collaborators, including vocalist Opie Ortiz and keyboardist/turntablist Field.[4] The band fused dub, ska, hip-hop, and punk elements, expanding on Sublime's eclectic style with heavier emphasis on instrumental grooves and guest appearances from artists like Tippa Irie and Barrington Levy.[4] Their debut album, Right Back, released in 1999 on DreamWorks Records, featured tracks like "Sunny Hours" and "It Was a Summer Day," capturing laid-back West Coast vibes with dub-heavy production. The follow-up, Wonders of the World (2001), continued this fusion, incorporating more experimental hip-hop influences on songs such as "Wishing" and "Rolled Up," though internal tensions led to the band's dissolution in 2002. Seeking further diversification, Gaugh joined the supergroup Eyes Adrift in 2002, teaming with Nirvana bassist Krist Novoselic and Meat Puppets guitarist/vocalist Curt Kirkwood.[5] The trio formed organically when Novoselic and Gaugh contacted Kirkwood during his solo tour, leading to jam sessions that blended alt-rock, country, and punk sensibilities.[5] Their self-titled debut album, released that year on MCA Records, showcased introspective lyrics and melodic hooks on tracks like "Inquiring Minds" and "The Boy I Once Was," reflecting each member's post-grunge influences.[21] Eyes Adrift toured the U.S. extensively in support, performing at venues like the Troubadour in Los Angeles, but disbanded in 2003 after the album underperformed commercially.[5] Building on his Eyes Adrift connection, Gaugh formed Volcano in 2003 with Kirkwood, Sublime sound engineer Miguel "Contraband" Happoldt, and The Ziggens bassist Jon Poutney.[22] The short-lived project leaned into ska-infused rock and psychedelic edges, drawing from Southern California traditions.[22] Their self-titled album, issued in 2004 on Skunk Records, included energetic cuts like "Pine Cone" and "The Grip," highlighting Gaugh's dynamic drumming amid Kirkwood's guitar work, though personal challenges ended the band soon after release.[22] By 2006, Gaugh shifted toward reggae and surf rock with Del Mar, a Reno-based outfit featuring his wife Nicole Gaugh on guitar and vocalist Zach "Zippy" Goodin.[23] The band experimented with world music rhythms, incorporating tropical percussion and melodic hooks inspired by classic Jamaican sounds.[23] Their album After the Quake, released in 2009, embodied this direction through upbeat tracks like "Rasta Road" and "Surf's Up," marking Gaugh's exploration of lighter, groove-oriented reggae during a transitional period.[24] Del Mar toured regionally until 2009, emphasizing live energy over extensive recording.[23]2009–2011: Sublime with Rome
In 2009, after facing a trademark lawsuit from the estate of late Sublime frontman Bradley Nowell that prevented the use of the original band name, drummer Bud Gaugh and bassist Eric Wilson recruited vocalist and guitarist Rome Ramirez to form Sublime with Rome.[25][26] The lineup debuted with a performance at the Smokeout Festival that year and embarked on a national tour in 2010, drawing strong fan enthusiasm through high-energy renditions of Sublime classics that captured a sense of nostalgic revival and celebratory vibe among audiences.[27][28][29] Sublime with Rome released their debut album, Yours Truly, on July 12, 2011, through Fueled by Ramen Records.[30] The record showcased an evolved ska-punk aesthetic, merging the band's foundational punk riffs and jumpy ska rhythms with reggae grooves and a lighter folk-pop sensibility, as heard in standout tracks like the horn-driven opener "Panic," which infused high-tempo energy and updated production while nodding to the group's roots.[31][32][33] Amid growing internal conflicts regarding the legitimacy of performing under the Sublime moniker without Nowell, Gaugh voiced strong reservations in early 2012, criticizing the branding as inauthentic to the original band's spirit and legacy.[34] In a Budz TV interview, he stated, "In hindsight I would not have used the name. I didn't want to in the first place, I was talked into it," and extended an apology to fans for the decision.[35] Gaugh announced his departure from Sublime with Rome in December 2011, immediately after the band's set at KROQ's Almost Acoustic Christmas concert in Los Angeles, attributing the exit to creative differences, frustration with the musical direction and management, and a personal commitment to preserving the authenticity of Sublime's history, compounded by impending family responsibilities as he awaited the birth of his second child.[36][37][38]2011–present: Side projects and Sublime reformation
Following his departure from Sublime with Rome in late 2011, Gaugh focused on family life, including the birth of his child, which prompted a period of reduced musical activity.[39] During this hiatus from 2012 to early 2023, he engaged in sporadic performances and production work while prioritizing personal commitments.[40] Gaugh participated in several side projects during the 2010s, including collaborations with The Yamarone Brothers, a self-described "Bigfoot rock band," and the trio Phil and the Blanx.[38] He also joined the family-oriented band Jelly of the Month Club in 2012, featuring members from Sublime and The Ziggens, and contributed drums to their debut album Introducing, Jelly of the Month Club released in 2013.[41] The group, aimed at introducing music to children through educational and entertaining songs, remained active intermittently, including an online interactive music course in 2022, though no full reunion shows occurred in 2023.[42] In late 2023, Gaugh reunited with bassist Eric Wilson and Bradley Nowell's son Jakob Nowell to reform Sublime, marking the first time the original rhythm section performed with Nowell's direct successor as frontman.[43] Their debut show together took place in December 2023, followed by a high-profile performance at Coachella in April 2024, where they delivered a set blending Sublime classics with new energy from Jakob's vocals and guitar.[44] This reformation was billed as a revival of the original Sublime, distinct from prior iterations, and drew widespread acclaim for its emotional resonance.[45] The band embarked on a 2024 world tour, including festival appearances that showcased their renewed chemistry, with Gaugh noting the trio's dynamic felt "tighter than ever" compared to the 1990s lineup.[40] Performances at events like Riot Fest highlighted Jakob's seamless integration, allowing the group creative freedom akin to influential power trios.[11] In March 2025, Sublime announced they were recording their first new album since 1996, collaborating with producers Travis Barker and John Feldmann, with Gaugh contributing drums alongside Wilson and Jakob.[46] The lead single, "Ensenada," was released on July 18, 2025, marking the band's first fully original track featuring Jakob on lead vocals and establishing a fresh chapter in their catalog.[47] The group continued touring into 2025, including a set at BottleRock Napa Valley in May and dates through December.[48][49] Gaugh has reflected on the reformation as a bittersweet extension of Sublime's legacy, healing old wounds from the band's post-Bradley era while honoring Nowell's influence through Jakob's involvement.[11] He has shared parenting insights, emphasizing how exposing children like his own to music fosters growth, much like Jakob's lifelong immersion in Sublime's sound prepared him for the role without pressure.[44] Regarding band dynamics, Gaugh described working with the younger Nowell as a natural evolution, blending respect for the past with forward momentum, and noted equal songwriting credits as a nod to their collaborative roots.[11] Additionally, Gaugh discussed early involvement in a developing Sublime biopic, aiming for an authentic portrayal inspired by films like Straight Outta Compton.[50]Personal life
Family and relationships
Bud Gaugh married musician Nicole Gaugh in 2013 after forming the surf rock band Del Mar with her in 2006, navigating the challenges of a touring lifestyle through shared musical collaborations that kept them connected despite his commitments with Sublime and related projects.[51][52] Gaugh and Nicole had three children together: daughter Chloe Sue, born around 2009, and two sons, Buddy James and Jackson Elijah, with the latter arriving around 2017.[53][54] Tragically, Nicole passed away in 2021 at age 38, leaving Gaugh to raise the children as a single father in a household steeped in music, where even young family members engage with his catalog.[53] In a 2025 interview, Gaugh recounted discovering his eight-year-old son Jackson listening to Sublime's controversial track "Date Rape" and using the moment to discuss its themes, highlighting the unique dynamics of parenting amid his legacy as a musician.[55] Following the 1996 death of Sublime frontman Bradley Nowell, Gaugh faced personal struggles with addiction and grief, crediting his family's support—particularly during his path to sobriety—as a stabilizing force that helped him rebuild amid the band's dissolution and his own recovery efforts.[18] Born in Hawaii, Gaugh maintains ties to his island heritage through cultural influences in his music and occasional visits, while the band's 2024 reformation with Nowell's son Jakob has deepened extended family connections, fostering a sense of chosen kinship with the Nowell clan that echoes the original Sublime bonds.[44][56]Non-musical interests and activities
Beyond his musical endeavors, Bud Gaugh has engaged in philanthropy focused on community and environmental causes. As a founding member of Sublime, he co-wrote and contributed to the track "Paddle Out" on the 1997 charity compilation album Music for Our Mother Ocean Volume II, which raised funds for the Surfrider Foundation, a nonprofit organization dedicated to protecting oceans, coastlines, and surfing spots worldwide.[57]Musical style
Drumming technique and contributions
Bud Gaugh's drumming style is characterized by a laid-back groove that seamlessly blends the reggae one-drop rhythm—emphasizing the third beat with bass drum and snare accents—with punk's aggressive energy, forming the rhythmic backbone of Sublime's sound.[17] This hybrid approach, evident in tracks like "Santeria," drives the band's fusion of genres, creating an infectious, danceable pulse that underscores their ska-punk-reggae aesthetic.[17] Gaugh's contributions to genre fusion were pivotal in Sublime, where he pioneered dub-punk rhythms by layering reggae and dub influences over punk backbeats, as heard in songs like "Wrong Way," helping define the band's innovative SoCal sound.[17] In Eyes Adrift, Gaugh contributed to the supergroup's punk-rock explorations alongside Krist Novoselic and Curt Kirkwood. With Long Beach Dub Allstars, Gaugh expanded on Sublime's dub roots in a reggae hybrid context. Over his career, Gaugh's technique evolved from the raw, high-energy delivery of Sublime's 1990s era to a more polished precision in the band's 2020s reformation, reflecting years of refinement during his hiatus from major projects. In a 2025 interview, he noted, "I was always trying to lock in tighter with the band," highlighting improved synchronization and control in live and studio settings.[58] Gaugh's influence on Southern California drumming has been recognized in music publications for his tireless hybrid style and innovative reggae methodology, inspiring breakdowns and tutorials that analyze his fills and grooves in Sublime classics.[59] Peers have acknowledged his foundational role in blending reggae precision with punk drive, contributing to his enduring impact on fusion genres. Gaugh has also applied his groove-heavy style across jazz, blues, and zydeco.[58][3]Signature equipment and endorsements
Bud Gaugh has maintained a long-term endorsement with Yamaha Drums, utilizing their kits to achieve the warm, versatile tone essential for his reggae-punk style. His primary setup features the Yamaha PHX "Phoenix" Series acoustic drum kit, constructed with hybrid shells incorporating North American maple, jatoba, and kapur woods, which provide a balanced resonance suitable for both live performances and recordings. These 11- or 12-ply shells, with specific configurations including a 20x18-inch bass drum, 10x5-inch snare, 12x6-inch and 14x12-inch rack toms, and a 16x15-inch floor tom, emphasize durability and projection.[3][60][61] For cymbals, Gaugh endorses Zildjian products, notably the 14-inch K Custom Hi-Hats for their crisp, versatile response in dynamic mixes, and the 18-inch A Custom Projection Crash for explosive accents. His hardware includes DW pedals for reliable double-bass action, though not officially endorsed, and Vic Firth sticks for consistent grip during high-energy sets. Additionally, he incorporates electronic elements like the Roland PD-85 hit pad and Yamaha DTX900 electronic kit for studio triggering and hybrid setups.[61][62][63] Gaugh's equipment has evolved from basic configurations in the 1990s, such as his 1995 Yamaha kit used during Sublime's peak, to modern additions like electronic triggers for precise studio work during his Long Beach Dub Allstars and post-Sublime projects. As a featured Yamaha artist, he has appeared in promotional demos and videos as recently as 2024, highlighting rare snares and his signature setups, reinforcing his role in showcasing the brand's innovations.[3][64][63]Professional output
Discography
Bud Gaugh has contributed as a drummer and occasional co-writer to numerous albums across various projects, spanning ska-punk, reggae rock, dub, and alternative rock genres. His work primarily centers on his role in Sublime and its offshoots, with additional contributions to supergroups and side projects. The following provides a chronological overview of his key album credits, focusing on full-length releases where he performed or co-wrote material.| Year | Band/Project | Album | Credits |
|---|---|---|---|
| 1992 | Sublime | 40oz. to Freedom | Drums; co-writer on "40oz. to Freedom," "Date Rape," "Badfish"[65] |
| 1994 | Sublime | Robbin' the Hood | Drums[66] |
| 1996 | Sublime | Sublime | Drums[67] |
| 1997 | Sublime | Second-Hand Smoke (compilation) | Drums[68] |
| 1998 | Sublime | Stand by Your Van: The Best of Sublime (live/compilation) | Drums on live tracks[69] |
| 1999 | Sublime | Greatest Hits (compilation) | Drums on original tracks; co-writer on select songs including "What I Got" and "Santeria" |
| 1999 | Long Beach Dub Allstars | Right Back | Drums[4] |
| 2001 | Long Beach Dub Allstars | Wishing | Drums[4] |
| 2002 | Eyes Adrift | Eyes Adrift | Drums; composer[70] |
| 2004 | Volcano | Volcano | Drums; co-writer on tracks including "Rave Only"[22] |
| 2009 | Del Mar | After the Quake | Drums[24] |
| 2011 | Sublime with Rome | Yours Truly | Drums; composer[71] |
| 2013 | Jelly of the Month Club | Introducing, Jelly of the Month Club | Drums[72] |
| 2025 | Sublime (reformed) | "Ensenada" (single) | Drums[73] |