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Compilation album
Compilation album
Compilation album
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A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one performer or by several performers. If the recordings are from one artist, then generally the tracks were not originally intended for release together as a single work,[1] but may be collected together as a greatest hits album or box set.[2] If the recordings are from several artists, there may be a theme, topic, time period, or genre which links the tracks,[3][4] or they may have been intended for release as a single work –such as a tribute album.[5] When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology.[6]

Content and scope

[edit]

Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album, singles album or box set. Compilation albums may employ traditional product bundling strategies.[citation needed]

According to sound technician Richard King, classical music compilations "may require more processing to match tracks coming from various sources and recording venues, as well as the different sizes of ensembles."[7]

In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said, "While compilation albums by album artists (as opposed to stylistically unified singles specialists) are often useless, sometimes they present themselves as events", citing as examples the 1971 Ray Charles LP A 25th Anniversary in Show Business Salute to Ray Charles, The Kink Kronikles (1972), and Changesonebowie (1976).[8]

Common types

[edit]

Common types of compilation include:

  • "Greatest hits", "best of", or "singles collection" LPs, gathering together an artist's or a group's best-known songs. If the artist or group continues to record, compilers commonly include one or more previously unreleased tracks as an incentive for fans to buy the album, even if they already have the other material on the compilation.[9]
  • Other single-artist compilations, such as rarities or B-side collections, albums compiled from radio sessions, songs performed by an artist exclusively for a film soundtrack or collections that combine multiple releases, such as LPs and EPs together on one or more compact discs. Such compilations generally target existing fans of the artist and have little mainstream appeal, though postmortem compilations of unreleased materials from recently deceased artists have significant popularity.[citation needed]
  • Box sets, elaborate multi-disc collections, often covering the entire breadth of an artist's career or the full sweep of an entire record label or genre. Many anthologies are released in this format.[citation needed]
  • Various artists themed compilations, e.g. love songs, Christmas songs, songs featuring a particular instrument (such as saxophone or piano), one-hit wonders, and countless other variations. This does not include original work by various artists for a new album or single, such as Phil Spector's A Christmas Gift for You from Phil Spector or Band-Aid's "Do They Know It's Christmas?".[10]
  • Various artists genre compilations, e.g. jazz, synth-pop or funk. These may be from the same time period (year, decade or era, for example), or may incorporate a common theme, as a soundtrack exemplifies well.[11]
  • Various artists hit compilations. This has been a very successful part of the album market since the early 1970s. Recent hit singles would be sourced, given an eye-catching name (e.g. "Power Hits '72!") and tightly packed on to a single vinyl LP with around ten tracks per side. This was achieved by truncating the songs with harsh edits, or through the grooves being closer together than the norm - frequently a combination of the two. Thus, while the album might live up to the title of "20 Mind Blowing Hits", they would not be the full-length full-quality releases the end listener expected. Released by budget record labels as means to make money from a small budget, they were treated with derision, jeer and disdain by audiophiles due to the brevity of each track and the poor dynamic range. By the 1980s, a double album with six or eight tracks on each side became the norm. Now that CDs are the dominant format, these compilations are usually released on one, two, or three CDs. As streaming became the dominant music format, hit compilations gave way to digital playlists of current hits.[12]
  • Promotional compilations or samplers. These are creative, successful forms of promotion for artists or record labels to promote their music. Generally, these types of releases are free or cost very little for the consumer or end listener. Elektra Records released the first sampler albums in the 1950s.
  • Private label promotional compilations. Promotional compilation CDs can be private labeled for products, retail outlets, or commercial organizations or non-profit organizations. Artists and labels like to co-brand themselves with well-known brands for marketing purposes, and transversely, well-known brands like to co-brand themselves with artists.
  • Business-to-business promotional compilations. The music industry may use other types of promotional compilations within a business-to-business context to promote artists to media concerns (radio stations, music supervisors for TV, film or video games for synchronization).
  • Composer/producer albums/record label. Many hip hop producers will release a compilation album which features various artists, but with each track composed by the same producer or it is under the same record label.
  • Collaborative compilation albums These are albums that have the theme of the artist or group collaborating on each track with different artists. Ed Sheeran's No.6 Collaborations Project and Jay-Z and Linkin Park's Collision Course are examples of this.

Royalties

[edit]

For multi-artist compilations, royalties are usually prorated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999)[13] is divided by the number of artists on the album. Some record companies simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999, these rates were around 0.5% to 1% or 15–16 cents per record.[13] When a compilation album includes a track from a different record company, the royalties are split between the artist and the original record company.[13] Unless specifically limited by a contract, record companies may release as many greatest hits albums by their recording artist as they wish without requiring the artist's agreement or permission.[14]

Charts

[edit]

In the United Kingdom, the Official Charts Company compiles a weekly compilation albums chart, limited to various artists compilations and soundtrack compilations.[15]

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Compilation album

View on Grokipedia
from Grokipedia
A compilation album is a music release that assembles multiple tracks, often previously released or unreleased, drawn from various sources such as singles, earlier albums, or different recording sessions by one or more artists, without forming a unified original work. These albums differ from standard studio albums by prioritizing curation over new composition, serving purposes like highlighting popular songs, exploring themes, or introducing diverse material to listeners. Compilation albums encompass several key types, including single-artist collections such as greatest hits or best-of sets that gather an artist's most successful tracks from prior releases. Another prominent category features various artists compilations, which unite songs from multiple performers around a shared genre, era, or concept, such as genre anthologies or holiday collections. Soundtrack albums represent a specialized subset, compiling music composed or selected for films, television shows, or other media, often blending original scores with licensed popular songs. The format emerged prominently in the mid-20th century, with compilations gaining widespread popularity in the amid the explosion of hit singles on radio and television, enabling consumers to acquire multiple favorites in a single affordable package rather than individual records. By the and , labels like K-Tel capitalized on this trend with mass-market various artists releases, while single-artist retrospectives became staples for established acts. In the modern music industry, compilations continue to thrive through streaming platforms and digital distribution, aiding artist discovery, catalog monetization, and cultural preservation by recontextualizing archival material.

Types and Formats

Single-Artist Compilations

Single-artist compilations focus on the body of work produced by one performer, gathering tracks from various points in their career to create a cohesive or highlight specific aspects of their output. These releases primarily serve as career retrospectives, such as greatest hits collections that assemble an artist's most commercially successful singles, offering both longtime fans a nostalgic overview and newcomers an accessible entry point into their . For instance, they often aim to encapsulate the evolution of an artist's sound while boosting sales during periods of waning new material. Thematic collections represent another key purpose, compiling non-album tracks like B-sides from singles or rarities that might otherwise remain obscure, allowing artists to repackage overlooked material into a dedicated project. Holiday specials, meanwhile, curate seasonal recordings, drawing from scattered singles or album cuts to form festive sets tailored for end-of-year markets. Examples include Elvis Presley's If Every Day Was Like Christmas (1994), which compiles his holiday tracks from across decades into a single festive package. In terms of structure and content, single-artist compilations usually contain 10 to 20 tracks selected from an artist's broader catalog, balancing popular staples with deeper cuts to maintain broad appeal. Tracks are frequently ordered chronologically to reflect career milestones, from early breakthroughs to later hits, or thematically to emphasize genres, eras, or moods within the artist's oeuvre. Michael Jackson's : Past, Present and Future – Book I (1995), for example, devotes its first disc to 15 greatest hits like "" and "," spanning his work from the to the in roughly chronological sequence, while blending in new material on the second disc for a hybrid retrospective. Similarly, Taylor Swift's 1989 (Taylor's Version) (2023) incorporates five "vault tracks"—previously unreleased songs from the original 2014 album's sessions—as a compilation element, ordered to fit seamlessly after re-recorded hits and evoking the pop era's thematic energy. The evolution of single-artist compilations traces back to the vinyl era, where they emerged in the early as straightforward "hits packages" crammed with top-charting singles from 7-inch releases, capitalizing on the format's dominance to extend an artist's market presence. By the 1970s and 1980s, labels like Epic and Capitol routinely issued these for pop and rock acts to fill shelves between studio albums, often limited to 12-16 tracks due to LP constraints. In the digital era, however, compilations have expanded into deluxe editions and streaming-optimized releases, incorporating unreleased demos, live versions, and remixes to leverage platforms like , where bonus content enhances integration and fan . This shift reflects broader industry changes, from physical drivers to value-added digital bundles that prolong catalog relevance.

Multi-Artist Compilations

Multi-artist compilations, unlike single-artist collections that focus on one performer's catalog, bring together tracks from diverse musicians to create cohesive anthologies often centered on shared themes or purposes. These albums foster across s and eras, serving as accessible entry points for listeners to explore broader musical landscapes. Common subtypes include samplers, which hits from various acts within a specific style, such as the ongoing "Now That's What I Call Music!" series launched in 1983 by and to capture contemporary chart-toppers. Tribute albums honor a particular artist or composer through reinterpretations by multiple performers, exemplified by ": A Tribute to " (1993), featuring covers by artists like and to celebrate Hendrix's legacy. Soundtracks compile songs tied to films, like ": Awesome Mix Vol. 1" (2014), a retro collection of 1960s and 1970s tracks that enhanced the movie's narrative and revived interest in forgotten hits. Charity collections rally artists for social causes, such as "" (1990), a tribute benefiting AIDS research and relief, with contributions from , , and Sinead O'Connor. These compilations are thematically curated around events, historical eras, or humanitarian efforts, with track selection emphasizing stylistic cohesion to unify disparate voices. For instance, ' soul compilations in the 1970s, such as various "Best of" anthologies drawing from acts like and , showcased the label's signature Philly soul sound and helped define the genre's polished, orchestral essence during its peak commercial era. Culturally, multi-artist compilations play a key role in discovering niche genres by aggregating obscure or regional sounds for wider audiences, as seen in genre-specific releases that introduce listeners to underrepresented styles like Venezuelan prog or Iraqi folk. They also promote social issues by leveraging involvement to raise and funds, with series like Red Hot's AIDS-focused projects mobilizing the music industry for global health advocacy since 1990.

Production Process

Track Selection

Track selection for compilation albums involves a combination of creative curation and practical considerations, guided by the album's intended purpose, whether to highlight an artist's career highlights or capture a genre's . Key criteria include popularity, measured by chart performance, sales figures, radio airplay, and streaming metrics, which ensure the inclusion of commercially successful tracks to appeal to broad audiences. For instance, in multi-artist compilations like the Now That's What I Call Music! series, songs are chosen based on current rankings, recent radio rotation, and emerging streaming trends to reflect contemporary hits, with tracks categorized as current successes, recent chart-toppers, or anticipated breakouts. Thematic fit is another essential factor, where selections align with the compilation's narrative, such as era-specific retrospectives or genre tributes, ensuring cohesive flow without redundancy. Rarity adds exclusive value, particularly in single-artist compilations, by incorporating unreleased material, alternate versions, or B-sides that were not on original , incentivizing purchases among dedicated fans. Balance is prioritized to mix high-profile hits with deeper album cuts, avoiding overexposure of a few top singles while providing variety in tempo, style, and emotional range. This approach prevents and offers a representative overview of an artist's output. For example, ' (1988) was curated to include all non-album singles, EPs, and rarities omitted from their core discography, completing the catalog for the CD era and highlighting lesser-known tracks alongside hits like "." The selection process typically involves collaboration among artists, record labels, and professional curators, with labels often driving decisions based on market data and contractual obligations. Artists may contribute input to ensure artistic integrity, as seen in 's Everything Hits at Once: The Best of Spoon (2019), where frontman reviewed the band's 25-year catalog, debating choices with to balance early indie tracks with later mainstream successes, ultimately selecting 13 songs for their fan recognition and evolutionary representation. Challenges include negotiating clearances for multi-artist projects and maintaining chronological or thematic coherence without repeating overplayed singles. In modern cases post-2010, fan involvement has grown through social media polls and online voting, democratizing the process; for the Grand Ole Opry's OPRY 100: Country's Greatest Songs (2025), fans globally voted on a list of 100 iconic tracks, with the top selections—such as ' ""—featured in live archival recordings to create a fan-curated historical compilation.

Remastering and Editing

Remastering in compilation albums involves enhancing the audio quality of selected tracks to ensure consistency across the collection, often addressing issues from original recordings made decades earlier. This process typically begins with audio cleanup to remove , clicks, and distortions accumulated over time, followed by equalization to balance frequencies and improve clarity. For instance, stereo-to-mono conversions may be applied to tracks originally recorded in for compatibility with mono playback systems or to unify the sound profile in multi-era compilations. Since the , digital noise reduction tools have become standard, utilizing algorithms like those in CEDAR Audio systems to suppress hiss and rumble without altering the core musical elements, allowing for higher fidelity in CD and later digital formats. These techniques enable producers to adapt older analog masters—often sourced from vinyl or tape—to modern standards, such as increased and louder overall volume through compression. As of 2025, AI-powered tools are increasingly utilized for remastering, automating , dynamic processing, and sonic matching to achieve professional consistency across diverse source material in compilation albums, often processing entire collections efficiently while preserving original intent. Editing practices focus on refining the flow and cohesion of the compilation once tracks are remastered. Common methods include applying fades or crossfades between songs to create seamless transitions, particularly in DJ mixes or thematic collections, and shortening intros or outros to maintain a tight runtime without disrupting the artistic intent. Bonus content, such as spoken-word interviews or live snippets, may be edited in to provide context, often sourced from archival material and trimmed for brevity. Key considerations in remastering and editing balance preserving the original artistic vision with adaptations for contemporary playback. For example, transitioning from vinyl-era warmth to the precision of streaming services in the might involve subtle enhancements like expanded , yet engineers prioritize avoiding over-processing that could homogenize diverse source material. The 2009 remasters of ' catalog, including compilations like , exemplified this by using digital technology to restore analog tapes while retaining the band's raw energy, resulting in brighter highs and deeper bass for and releases.

Royalties and Payments

In compilation albums, artists typically receive royalties through a prorated system based on the proportion of their track's contribution to the overall release, such as a 1/15th share for a single track on a 15-track album, derived from the total royalty pool after deductions for costs like and distribution. This applies to both mechanical royalties, which compensate for the and distribution of the recordings (paid at statutory rates like 12.7 cents per unit in the U.S. for physical copies as of 2025, split between publishers and songwriters), and performance royalties collected by organizations like ASCAP for public plays of the tracks. For multi-artist compilations, the overall royalty rate—often expressed as a of net sales or wholesale price—is divided among contributors, ensuring each receives a aligned with track count or duration. Compared to original album releases, where artist royalties commonly range from 10% to 25% of the suggested retail price with fewer deductions, compilation royalties are frequently lower due to licensing arrangements that treat the release as a derivative product. Rates for compilations often fall to 50-75% of standard levels, particularly in budget or mid-line editions where production costs are minimized and advances are rare, resulting in reduced payouts per unit sold; premium, artist-approved compilations may align closer to original rates but still incorporate prorated splits. Mechanical royalties in compilations follow the same statutory framework as originals but can be capped under controlled composition clauses, limiting songwriter payments to 75% of the full rate (e.g., approximately 9.525 cents per unit as of 2025) when the artist controls the publishing. Since 2021, digital mechanical royalties for interactive streams and downloads have been administered by the Mechanical Licensing Collective (MLC) under the Music Modernization Act, ensuring collections and distributions for compilations in streaming formats. Historical disputes over royalties arose prominently in the amid widespread unauthorized compilations and tape , which duplicated tracks without permission, prompting lawsuits like those leading to the Sound Recording Amendment of 1971 that established federal protection for new recordings and imposed penalties for infringement. These cases highlighted inequities in artist compensation, as pirates bypassed royalty payments entirely, eroding revenues estimated in millions annually. In the 2020s, digital rights organizations like ASCAP have implemented reforms to enhance transparency and distribution efficiency for compilation royalties, including expanded streaming collections (up 28% in 2020) and tools like SONGVIEW for tracking multi-work performances, ensuring more accurate prorated payouts in the digital era.

Licensing Agreements

Licensing agreements for compilation albums form the legal foundation for including individual tracks, requiring the acquisition of specific rights to avoid infringement. Producers must secure a master use license from the or owner of the sound recording, which permits the reproduction and distribution of the particular recorded version of the track. Simultaneously, a is obtained from the music publisher to reproduce the underlying , covering the and . These dual permissions ensure that both the recording and the song's creative elements are cleared for use in the compilation format. The negotiation process for these licenses often includes artist approval clauses, particularly in underlying recording contracts, where performers retain veto rights over inclusions in compilations to protect their artistic integrity. Territorial rights are another critical aspect, with agreements specifying whether the license applies globally or is limited to specific regions, such as versus , due to varying laws and collection societies. Challenges frequently arise with deceased artists' , where heirs or executors must grant approvals amid complex issues and posthumous right-of-publicity claims. Similarly, defunct labels complicate matters, as locating current rights holders requires extensive , sometimes involving archival searches or interventions to trace ownership chains. High-profile examples illustrate these dynamics. The "Now That's What I Call Music!" series, originating in the UK in 1983 through a collaboration between and , secured licensing deals from multiple major labels including , enabling the inclusion of diverse hits despite initial reluctance from some rights holders wary of cannibalizing single sales. In more recent developments as of 2025, blockchain technology in platforms like Audius has facilitated direct payments and global licensing deals for music distribution, reducing intermediaries though traditional negotiations remain common. These agreements also tie into broader royalty frameworks, where licensed usage directly influences payment calculations to rights holders.

Commercial Impact

Chart Performance

Compilation albums chart on major music rankings such as the based on a combination of traditional album sales, track equivalent albums (TEA) from individual song downloads, and streaming equivalent albums (), where 1,500 on-demand audio/video streams or 10 individual track sales equate to one album unit. Various artists compilations, a common format, are eligible for the but face restrictions; since 2017, they primarily chart through pure album sales rather than streaming or track sales to prevent manipulation, though they can appear on the dedicated Compilation Albums chart that ranks top-selling compilations weekly. Eligibility requires registration through Luminate, Billboard's data provider, ensuring only U.S. consumption of officially released counts, excluding imports not licensed for retail sale. Success on charts often stems from nostalgia-driven single-artist greatest hits collections, which leverage familiar tracks to drive sales and streams, as seen with the ' 1 (2000), a compilation of number-one singles that debuted at No. 1 on the and has sold over 12 million copies in the U.S. alone. Multi-artist series like Now That's What I Call Music! have also excelled; the original UK volume 1 (1983) topped the and spent 50 weeks there, while the U.S. series reached its 50th installment in 2014 still charting highly due to bundled physical formats appealing to collectors. Bundling compilations with merchandise, permitted under updated rules allowing up to two variations per release since 2023, further boosts eligibility and performance by combining album sales with fan incentives. Post-2000, physical compilation sales declined amid the shift to digital downloads and streaming, with overall U.S. pure sales dropping from peaks in the CD era to 105 million in 2023 (87 million physical formats), while total equivalent units reached 1.1 billion driven by streaming; compilations saw slower growth compared to new releases. However, streaming has revived interest, particularly for retro compilations; in 2024, TikTok virality propelled older tracks like Alphaville's 1984 hit "Forever Young" into nine weeks on the , driving streams for related greatest hits packages and helping them re-enter top s. As of 2025, equivalent units continued rising to approximately 1.2 billion in the U.S., with series like Now That's What I Call Music! 85 topping the Compilation Albums upon release. This trend underscores how platforms amplify nostalgic content, with compilations benefiting from algorithmic discovery to achieve renewed commercial peaks despite reduced physical dominance.

Marketing Strategies

Marketing strategies for compilation albums often capitalize on their repackaged format to appeal to both existing fans and new audiences, emphasizing value, accessibility, and cultural relevance. A primary tactic involves leveraging , particularly through television advertisements that highlight hit tracks from past eras. In the 1970s, pioneered this approach with infomercial-style TV ads featuring song snippets and promises of multiple hits at affordable prices, which by accounted for 80% of the company's business after spending $33 million on advertising. These campaigns directed viewers to retail outlets, creating urgency with limited-time offers and transforming compilations into household staples. In the digital age, core tactics have shifted to bundles and social media teasers that bundle compilations with exclusive content or discounted digital formats to boost sales and streams. For instance, platforms like iTunes have historically offered compilation bundles pairing albums with bonus tracks or merchandise, enhancing perceived value without high production costs. Social media teasers, such as short video clips of rare tracks or fan polls on favorites, generate buzz on platforms like Instagram and TikTok, driving pre-release engagement. Tie-ins with films, events, or brands further amplify reach; the 2014 Guardians of the Galaxy: Awesome Mix Vol. 1 soundtrack, a multi-artist compilation of 1970s hits, benefited from Marvel's film promotion, including trailers and merchandise integrations that propelled it to No. 1 on the Billboard 200. This synergy not only revived interest in older tracks but also contributed to over 2 million U.S. album sales by year's end. Artist involvement plays a crucial role in authentication and promotion, with endorsements or contributions like new adding fresh appeal to reissued material. Artists may provide personal anecdotes or updated commentary in booklet inserts, fostering emotional connections and justifying for collector editions. For budget-conscious campaigns, especially multi-artist sets, free streaming previews on services like allow listeners to sample full tracks, lowering barriers to purchase and increasing conversion rates compared to single previews. Premium strategies, by contrast, invest in artist-led endorsements, such as video testimonials or live event appearances, to target dedicated fanbases and command higher retail prices. Evolving methods in the 2020s emphasize influencer collaborations and algorithm-optimized playlists to navigate streaming dominance. Labels partner with influencers for unboxing videos or themed content series that showcase compilation tracks, reaching niche demographics like Gen Z through platforms like and . Algorithm-optimized playlists involve curating compilations to align with Spotify's editorial or user-generated lists, such as "Throwback Hits" or genre-specific bundles, which can generate millions of streams by prioritizing cohesive track flows. For example, Warner Music's 2016 strategy withheld individual tracks from playlists to encourage full-album streams, a tactic adapted in the for viral playlist placements that have helped compilations like or decade-themed sets dominate charts. These approaches, when tied to promotions, have occasionally led to top-10 debuts on , underscoring their commercial efficacy.

References

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