| Build Me Up From Bones | ||||
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| Studio album by | ||||
| Released | 2013 | |||
| Studio | Minutia Studios in Nashville, Tennessee | |||
| Genre | Bluegrass, progressive bluegrass, folk | |||
| Length | 44:07 | |||
| Language | English | |||
| Label | Sugar Hill Records | |||
| Producer | Gary Paczosa, Sarah Jarosz | |||
| Sarah Jarosz chronology | ||||
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| Singles from Build Me Up From Bones | ||||
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Build Me Up From Bones is the third studio album by American folk and bluegrass singer-songwriter Sarah Jarosz, released on September 24, 2013, on Sugar Hill Records. It was recorded and mixed at Minutia Studios in Nashville, Tennessee, by Gary Paczosa.[1] This is the third studio collaboration between Jarosz and Paczosa. Build Me Up from Bones was nominated for Best Folk Album at the 56th Annual Grammy Awards, and its title track was nominated for Best American Roots Song.[2]
| No. | Title | Songwriter(s) | Length |
|---|---|---|---|
| 1. | "Over the Edge" | Sarah Jarosz, Jedd Hughes | 3:18 |
| 2. | "Fuel the Fire" | Jarosz | 3:34 |
| 3. | "Mile on the Moon" | Jarosz, Hughes | 3:49 |
| 4. | "Build Me Up From Bones" | Jarosz | 3:36 |
| 5. | "Dark Road" | Jarosz | 3:31 |
| 6. | "Simple Twist of Fate" | Bob Dylan | 4:54 |
| 7. | "1,000 Things" | Jarosz, Darrell Scott | 3:27 |
| 8. | "Gone Too Soon" | Jarosz, Alyssa Bonagura | 3:35 |
| 9. | "Anything Else" | Jarosz | 4:55 |
| 10. | "The Book of Right-On" | Joanna Newsom | 5:38 |
| 11. | "Rearrange the Art" | Jarosz | 3:50 |
| Total length: | 44:07 | ||
Critic Jon Pareles writing in The New York Times praised the growth demonstrated by Jarosz, saying "with Build Me Up From Bones (Sugar Hill) her third album, she moves past precocity toward the full bloom of artistry: the singing is more deeply self-assured, and the songs are grounded in truer emotional terrain."[3]
Writing in The Boston Globe, music critic James Reed was similarly impressed with the increased complexity of Jarosz's work: "Her latest is more organic, a trio setting that emphasizes the value of space. The songs breathe. From the perspective of composition and structure, the music is more complex and nuanced, too. Jarosz's voice, warm and elastic, rings out strong and clear."[4]
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