Cal Performances
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Cal Performances

Cal Performances is the performing arts presenting, commissioning and producing organization based at the University of California, Berkeley in Berkeley, California.

The origins of Cal Performances date from 1906, when stage actress Sarah Bernhardt appeared at the William Randolph Hearst Greek Theatre to help rebuild public morale after the devastating San Francisco earthquake and fire in April of that year.

Cal Performances presents approximately 80 performances annually in five primary venues—Zellerbach Hall, Zellerbach Playhouse, Hertz Hall, and the Greek Theatre on the UC Berkeley campus, and First Church of Berkeley—and in site-specific locations and other spaces. The performances range among Modern and Classical Dance, Theater, Instrumental and Vocal Recital, Early Music, Opera, Chamber Music, Jazz, New Music, World Music, Dance & Theater, and a speaking series. Cal Performances serves some 150,000 patrons annually through performances and arts education, residency and community programs. The organization also operates a robust venue rental program in multiple spaces as a service to the University and other clients.

Cal Performances at the University of California, Berkeley unites exceptional artists, ideas, and audiences through live performance to enlighten and enrich lives.

Cal Performances is the performing arts presenting, commissioning and producing organization based at the University of California, Berkeley. The origins of Cal Performances date from 1906, when stage actress Sarah Bernhardt appeared at the William Randolph Hearst Greek Theater to help rebuild public morale after the devastating San Francisco earthquake and fire in April of that year.

Over the subsequent century, Cal Performances grew to become the largest, multi-discipline performing arts presenter in Northern California, and one of the largest university-based arts presenters in the United States.

The San Francisco earthquake and fire of April 18, 1906 proved momentous to the rise of this arts institution in Berkeley. Sarah Bernhardt’s landmark performance in Racine’s Phèdre on May 17, 1906, was a testament to the restorative powers of the performing arts for the thousands of citizens who had been impacted by the earthquake, and the atmosphere of expectancy surrounding the appearance of “The Divine Sarah” was rewarded by her decision to donate the proceeds of her performance to the Emergency Relief Fund. Bernhardt’s wild popularity combined with the Greek Theatre’s spectacular design and atmosphere, set in motion the tradition of performing arts presentation in Berkeley. In the words of theater director Samuel Hume, it was the event that “placed the Greek Theatre definitely in the field of the commercial theatre.”

William Dallam Armes, Chair of the Musical and Dramatic Committee, realized that the Theatre’s large seating area (of about 6,500) made it economically feasible to invite big-name artists of national and international standing such as Bernhardt. Major stars of the time such as Margaret Anglin and Maude Adams brought notoriety to the campus through the Hearst Greek Theatre, in conjunction; the theatre also burnished their reputations as well.

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