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Carla Harryman
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Carla Harryman
Carla Harryman (born January 11, 1952) is an American poet, essayist, and playwright often associated with the Language poets. She teaches Creative Writing at Eastern Michigan University and serves on the MFA faculty of the Milton Avery School of the Arts at Bard College.
She was born in Orange, California. Harryman earned a Bachelor of Arts in Literature from the University of California, Santa Barbara in 1975, studying in the College of Creative Studies. She later completed a Master of Arts in Creative Arts Interdisciplinary Studies at San Francisco State University in 1978.
Harryman taught at Wayne State University from 1996 to 2008, first as lecturer and later as senior lecturer in the Department of English. She has also held appointments as MFA Summer Faculty at Bard College’s Milton Avery Graduate School of the Arts from 1998 to 2019, Senior Consulting Artist in the MFA Program in Poetics at the University of Washington Bothell, Visiting Writer at Ohio University, MFA faculty at Goddard College, and teaching appointments at Naropa Institute, the University of California, San Diego, and California College of Arts and Crafts.
Harryman has been a professor in the Department of English Language and Literature at Eastern Michigan University since 2008, where she has held tenured faculty appointments in creative writing and literary studies. Her teaching and scholarship have been noted for integrating poetry, performance, philosophy, experimental prose, and dramaturgy, with particular emphasis on interdisciplinary forms of textual and performative composition.
Harryman is associated with Language poetry, although her work has extended beyond the movement’s formal concerns through performance, fiction, theatrical writing, and philosophical inquiry.
Harryman's writing explores the instability of voice, narrative fragmentation, feminist critique, political discourse, and the performativity of language. Her texts challenge distinctions between poetry, prose, criticism, and drama, often employing procedural constraints and collaborative structures. Her works include Memory Play (1994), There Never Was a Rose Without a Thorn (1995), Gardener of Stars (2001), Adorno’s Noise (2008), W—/M— (2013), Artifact of Hope (2017), A Voice to Perform (2020), and Cloud Cantata (2022).
Harrymann has also undertaken collaborative writing projects, most notably The Grand Piano, a ten-volume collective autobiography written with writers including Lyn Hejinian and Rae Armantrout documenting the San Francisco Language poetry community.
Several of Harryman’s works have appeared in French translation.
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Carla Harryman
Carla Harryman (born January 11, 1952) is an American poet, essayist, and playwright often associated with the Language poets. She teaches Creative Writing at Eastern Michigan University and serves on the MFA faculty of the Milton Avery School of the Arts at Bard College.
She was born in Orange, California. Harryman earned a Bachelor of Arts in Literature from the University of California, Santa Barbara in 1975, studying in the College of Creative Studies. She later completed a Master of Arts in Creative Arts Interdisciplinary Studies at San Francisco State University in 1978.
Harryman taught at Wayne State University from 1996 to 2008, first as lecturer and later as senior lecturer in the Department of English. She has also held appointments as MFA Summer Faculty at Bard College’s Milton Avery Graduate School of the Arts from 1998 to 2019, Senior Consulting Artist in the MFA Program in Poetics at the University of Washington Bothell, Visiting Writer at Ohio University, MFA faculty at Goddard College, and teaching appointments at Naropa Institute, the University of California, San Diego, and California College of Arts and Crafts.
Harryman has been a professor in the Department of English Language and Literature at Eastern Michigan University since 2008, where she has held tenured faculty appointments in creative writing and literary studies. Her teaching and scholarship have been noted for integrating poetry, performance, philosophy, experimental prose, and dramaturgy, with particular emphasis on interdisciplinary forms of textual and performative composition.
Harryman is associated with Language poetry, although her work has extended beyond the movement’s formal concerns through performance, fiction, theatrical writing, and philosophical inquiry.
Harryman's writing explores the instability of voice, narrative fragmentation, feminist critique, political discourse, and the performativity of language. Her texts challenge distinctions between poetry, prose, criticism, and drama, often employing procedural constraints and collaborative structures. Her works include Memory Play (1994), There Never Was a Rose Without a Thorn (1995), Gardener of Stars (2001), Adorno’s Noise (2008), W—/M— (2013), Artifact of Hope (2017), A Voice to Perform (2020), and Cloud Cantata (2022).
Harrymann has also undertaken collaborative writing projects, most notably The Grand Piano, a ten-volume collective autobiography written with writers including Lyn Hejinian and Rae Armantrout documenting the San Francisco Language poetry community.
Several of Harryman’s works have appeared in French translation.
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