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Caroline era
The Caroline era is the period in English and Scottish history named for the 24-year reign of Charles I (1625–1649). The term is derived from Carolus, Latin for Charles. The Caroline era followed the Jacobean era, the reign of Charles's father James I & VI (1603–1625), overlapped with the English Civil War (1642–1651), and was followed by the English Interregnum until The Restoration in 1660. It should not be confused with the Carolean era, which refers to the reign of Charles I's son King Charles II.
The Caroline era was dominated by growing religious, political, and social discord between the King and his supporters, termed the Royalist party, and the Parliamentarian opposition that evolved in response to particular aspects of Charles's rule. While the Thirty Years' War was raging in continental Europe, Britain had an uneasy peace, growing more restless as the civil conflict between the King and the supporters of Parliament worsened.
Despite the friction between King and Parliament dominating society, there were developments in the arts and sciences. The period also saw the colonisation of North America with the foundation of new colonies between 1629 and 1636 in Carolina, Maryland, Connecticut and Rhode Island. Development of colonies in Virginia, Massachusetts, and Newfoundland also continued. In Massachusetts, the Pequot War of 1637 was the first major armed conflict between the people of New England and the Pequot tribe.
The highest standards of the arts and architecture all flourished under the patronage of the King, although drama slipped from the previous Shakespearean age. All the arts were greatly impacted by the enormous political and religious controversies, and the degree to which they were themselves influential is a matter of ongoing debate among scholars. Patrick Collinson argues that an emerging Puritan community was highly suspicious of the fine arts. Edward Chaney argues that Catholic patrons and professionals were quite numerous and greatly influenced the direction of the arts.
The Caroline period saw the flourishing of the cavalier poets (including Thomas Carew, Richard Lovelace, and John Suckling) and the metaphysical poets (including George Herbert, Henry Vaughan, Katherine Philips), movements that produced figures like John Donne, Robert Herrick and John Milton.
Cavalier poetry differs from traditional poetry in subject matter. Instead of tackling issues such as religion, philosophy and the arts, cavalier poetry aims to express the joys and celebrations in a much livelier way than did its predecessors. The intent was often to promote the crown, and they often spoke outwardly against the Roundheads. Most cavalier works had allegorical or classical references, drawing on knowledge of Horace, Cicero, and Ovid. By using these resources they were able to produce poetry that impressed King Charles I. The cavalier poets strove to create poetry where both pleasure and virtue thrived. They were rich in reference to the ancients, and most poems "celebrate beauty, love, nature, sensuality, drinking, good fellowship, honor, and social life".
Cavalier poets wrote in a way that promoted seizing the day and the opportunities presented to them and their kinsmen. They wanted to revel in society and come to be the best that they possibly could within the bounds of that society. Living life to the fullest, for cavalier writers, often included gaining material wealth and having sex with women. These themes contributed to the triumphant and boisterous tone and attitude of the poetry. Platonic love was also another characteristic of cavalier poetry, where the man would show his divine love for a woman, and where she would be worshipped as a creature of perfection.
George Wither (1588–1667) was a prolific poet, pamphleteer, satirist and writer of hymns. He is best known for "Britain's Remembrancer" of 1625, with its wide range of contemporary topics including the plague and politics. It reflects on nature of poetry and prophecy, explores the fault lines in politics, and rejects tyranny of the sort the king was denounced for fostering. It warns about the wickedness of the times and prophesizes that disasters are about to befall the kingdom.
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Caroline era
The Caroline era is the period in English and Scottish history named for the 24-year reign of Charles I (1625–1649). The term is derived from Carolus, Latin for Charles. The Caroline era followed the Jacobean era, the reign of Charles's father James I & VI (1603–1625), overlapped with the English Civil War (1642–1651), and was followed by the English Interregnum until The Restoration in 1660. It should not be confused with the Carolean era, which refers to the reign of Charles I's son King Charles II.
The Caroline era was dominated by growing religious, political, and social discord between the King and his supporters, termed the Royalist party, and the Parliamentarian opposition that evolved in response to particular aspects of Charles's rule. While the Thirty Years' War was raging in continental Europe, Britain had an uneasy peace, growing more restless as the civil conflict between the King and the supporters of Parliament worsened.
Despite the friction between King and Parliament dominating society, there were developments in the arts and sciences. The period also saw the colonisation of North America with the foundation of new colonies between 1629 and 1636 in Carolina, Maryland, Connecticut and Rhode Island. Development of colonies in Virginia, Massachusetts, and Newfoundland also continued. In Massachusetts, the Pequot War of 1637 was the first major armed conflict between the people of New England and the Pequot tribe.
The highest standards of the arts and architecture all flourished under the patronage of the King, although drama slipped from the previous Shakespearean age. All the arts were greatly impacted by the enormous political and religious controversies, and the degree to which they were themselves influential is a matter of ongoing debate among scholars. Patrick Collinson argues that an emerging Puritan community was highly suspicious of the fine arts. Edward Chaney argues that Catholic patrons and professionals were quite numerous and greatly influenced the direction of the arts.
The Caroline period saw the flourishing of the cavalier poets (including Thomas Carew, Richard Lovelace, and John Suckling) and the metaphysical poets (including George Herbert, Henry Vaughan, Katherine Philips), movements that produced figures like John Donne, Robert Herrick and John Milton.
Cavalier poetry differs from traditional poetry in subject matter. Instead of tackling issues such as religion, philosophy and the arts, cavalier poetry aims to express the joys and celebrations in a much livelier way than did its predecessors. The intent was often to promote the crown, and they often spoke outwardly against the Roundheads. Most cavalier works had allegorical or classical references, drawing on knowledge of Horace, Cicero, and Ovid. By using these resources they were able to produce poetry that impressed King Charles I. The cavalier poets strove to create poetry where both pleasure and virtue thrived. They were rich in reference to the ancients, and most poems "celebrate beauty, love, nature, sensuality, drinking, good fellowship, honor, and social life".
Cavalier poets wrote in a way that promoted seizing the day and the opportunities presented to them and their kinsmen. They wanted to revel in society and come to be the best that they possibly could within the bounds of that society. Living life to the fullest, for cavalier writers, often included gaining material wealth and having sex with women. These themes contributed to the triumphant and boisterous tone and attitude of the poetry. Platonic love was also another characteristic of cavalier poetry, where the man would show his divine love for a woman, and where she would be worshipped as a creature of perfection.
George Wither (1588–1667) was a prolific poet, pamphleteer, satirist and writer of hymns. He is best known for "Britain's Remembrancer" of 1625, with its wide range of contemporary topics including the plague and politics. It reflects on nature of poetry and prophecy, explores the fault lines in politics, and rejects tyranny of the sort the king was denounced for fostering. It warns about the wickedness of the times and prophesizes that disasters are about to befall the kingdom.