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Réginald Charles Gagnon (7 January 1949 – 29 May 2024), known professionally as Cayouche, was a Canadian singer and songwriter of Acadian descent. He is credited with creating Acadian French country music.

Early life

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Réginald Charles Gagnon was born in Moncton, New Brunswick on 7 January 1949.[1][2] When he was 13 years old, Gagnon moved with his mother to the suburbs of Boston, Massachusetts.[3] At the age of 19, he joined the United States Marine Corps and served in the Vietnam War, though he never saw combat.[4][5] Following his time in the US military, Gagnon returned to Massachusetts. In 1979, Gagnon returned to Canada with only his backpack and a guitar, and traveled nomadically for the next eight years. That became the first step in his country-folk music career.[6]

Career

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Gagnon's performance moniker Cayouche stems from the US, where he says that people would tell him "You're not Acadian, you're La Cayouche!", or the opposite of an Acadian. "La Cayouche" later became "Cayouche."[7]

Even before the release of his first album, a Radio-Canada team had observed that Cayouche was already popular in the Acadian Peninsula. More than 25 years later, he remains popular the region.[2] His first album, Un Vieux Hippy, released in 1994, sold more than 15,000 copies in a small market, and songs such as "La chaîne de mon Tracteur", "Export A", and "L'alcool au volant" attained relative popularity.[8]

Cayouche has had consistent popularity throughout Canada and Europe and remains one of the few Acadian artists to have sold over 100,000 albums.[9]

A few of his other hits are "Fume Fume", "C'est ça mon Acadie", and "La reine du bingo". Gagnon, who later came to live in Maisonnette on the Acadian Peninsula, was the subject of the documentary film Cayouche: Le Temps d'une bière (English: Cayouche: Time for a beer) by Maurice André Aubin in 2009.[10]

Personal life and death

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Gagnon motorcycled as a hobby. One of his songs, "L'Alcool au volant" (Drinking and driving), was created to warn others of drunk driving; though in 2008, Gagnon was stopped by a Codiac RCMP officer and received charges of impaired driving and driving with blood alcohol content over the legal limit the following year, receiving a $2,000 fine for the incident.[11][12]

Gagnon died from cancer in Maisonnette, on 29 May 2024, at the age of 75.[13][14]

Discography

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  • Un Vieux Hippy (1994)
  • Moitié-moitié (1996)
  • Roule, roule (1999)
  • Last Call (2003)
  • Le rappel (2011)
  • Les Meilleures Tounes (2019)[15]

Filmography

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  • Cayouche, Le Temps d'une bière (2009)[16]
  • Pour l'amour du country (2001–2012)[17]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Cayouche

View on Grokipedia
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Cayouche was a Canadian singer-songwriter of Acadian descent known for his country and folk music performed in the Acadian French language, blending western influences with humorous and relatable depictions of everyday life in New Brunswick's Acadian communities. His distinctive style helped popularize Acadian-themed country music, earning him a dedicated following through energetic live performances that united generations in song and dance. Born Réginal Charles Gagnon on January 7, 1949, in Moncton, New Brunswick , Cayouche moved to the Boston area at age 13, served in the United States Marine Corps from 1967 to 1970 (including a non-combat posting in Vietnam), and later lived nomadically across Canada after returning in 1979. He launched his music career relatively late, at age 45, self-producing his debut album Un Vieux Hippy in 1994 near Caraquet, which drew inspiration from artists such as Johnny Cash, Paul Brunelle, and Willie Lamothe while focusing on Acadian stories and humor. Over the following decades, Cayouche released several albums—including Moitié-Moitié (1996), Roule roule (1999), Last Call (2003), and Le Rappel (2011)—and became a staple of festivals and concerts in Acadia, Quebec, and beyond, with his work resonating strongly in Acadian cultural circles. He resided in Maisonnette on the Acadian Peninsula and was celebrated for his approachable, festive stage presence until his death on May 29, 2024.

Early life

Childhood in Moncton

Cayouche, born Réginald Charles Gagnon on January 7, 1949, in Moncton, New Brunswick, Canada, was raised in the heart of the Acadian community in the region. Of Acadian descent, his early life was shaped by the cultural traditions and French-speaking heritage prevalent in southeastern New Brunswick during that period. Details about his family background, parents, or specific early influences in Moncton remain limited in available records. He spent his childhood in Moncton until the age of 13, when he relocated to the United States with his mother.

Relocation to the United States

Réginald Charles Gagnon, known professionally as Cayouche, relocated with his mother to the suburbs of Boston, Massachusetts, at the age of 13 around 1962. He lived in the area throughout his teenage years, experiencing life in the United States during this formative period. At age 18, he was drafted into the United States Marine Corps. Following the completion of his military service in 1970, Gagnon returned to Massachusetts, where he resided for approximately the next ten years. During this time, he married and had two sons while continuing his life in the Boston suburbs region. It was during his extended residence in the United States that Gagnon acquired the nickname that would become his stage name. In later interviews, he explained that in the final years of his time in the US, a friend referred to another individual from New Brunswick as "John l’Acadien," leading Gagnon to assert his own Acadian roots, only to be told "toi t’es pas un Acadien, t’es un Acayouche. Un Acadien qui fait tout à l’envers," portraying him as a "mixed-up" or backwards Acadian due to his American experiences. A similar account describes people telling him "t’es pas Acayen t’es Acayouche," emphasizing his blended identity after years in the States, with "Acayouche" later shortened to "Cayouche." This moniker thus originated from his U.S. experiences and interactions reflecting his Acadian heritage in an American context.

Military service

Cayouche, born Réginald Charles Gagnon, was drafted into the United States Marine Corps at age 18. He served from 1967 to 1970 during the Vietnam War. His military role was non-combat and restricted to unloading boats, with no active participation in fighting. In a 2000 interview, Cayouche explicitly stated that he never shot anyone during his service, remarking, « J'ai tiré sur personne. Pourquoi l'aurais-je fait? Y m'ont rien fait, eux autres! » (translated: "I didn't shoot anyone. Why would I have? They didn't do anything to me!"). Following his discharge in 1970, he immediately returned to civilian life in Massachusetts.

Return to Canada

Nomadic years

In 1979, at the age of 30, Réginald Charles Gagnon returned to Canada after spending over a decade in the United States following his military service. He embarked on eight years of nomadic travel across the country, hitchhiking from coast to coast with only his backpack and guitar for company. During this period, Gagnon associated with biker and motard circles, where his nickname "Cayouche"—originally derived from "l'Acayouche," a teasing term for a displaced or "failed" Acadian—was refined and adopted as his enduring stage name. In a 2000 interview with the magazine Voir, a journalist compared his wandering lifestyle to that of Jack Kerouac; Gagnon responded that he did not know who Kerouac was, stating "Jack Kerouac? Connais pas," with the article noting that he is analphabète. This nomadic phase, marked by simplicity and rootlessness, lasted eight years and preceded his transition to self-producing music in 1994.

Music career

Debut and early albums

Cayouche began his music career at the age of 45 in 1994 when he self-produced and released his debut album Un vieux hippy, recorded near Caraquet in partnership with Jean-Marc Dufour. The album drew from the everyday experiences of Acadians and introduced his distinctive style to listeners. He continued with a series of early releases, including Moitié-moitié in 1996, Roule, roule in 1999, and Last Call in 2003. These albums featured key early hits such as "Export “A”", "La Chaîne de mon tracteur", "L’alcool au volant", "La Reine du bingo", and "La 6/49", which captured the humor and realities of working-class life. Initial critical reception was mixed, but the songs quickly gained strong grassroots appeal among the "p’tit monde" – the ordinary people whose lives he portrayed in his lyrics. Last Call was presented as a retirement album, marking the end of this initial phase of his recording career.

Peak popularity and major releases

Cayouche reached the height of his commercial success in the mid-2000s, when cumulative sales of his first four albums exceeded 100,000 copies, establishing him as one of the most successful popular music artists in Acadian history. This figure, based on estimates from that period, highlighted his status among the few Acadian artists to achieve such sales in the history of popular music in the region. His popularity remained strong and consistent across Acadian communities in New Brunswick, Quebec, and northern Ontario, particularly in smaller towns and areas with significant Acadian populations. Cayouche also maintained a steady following throughout Canada and Europe, contributing to his reputation as a enduring figure in Acadian French country music. Dubbed the "Phénomène Cayouche," he became a cultural phenomenon capable of uniting people of all generations in song and dance, even among those previously unfamiliar with his work, reflecting his broad appeal among ordinary audiences. This grassroots resonance occurred despite the limited mainstream exposure typical of Acadian popular music, allowing his recordings and performances to resonate deeply within francophone and Acadian cultural circles.

Tours and live performances

Cayouche built much of his reputation on his dynamic live performances, which often overshadowed his recorded work. Active on stage since 1994, he delivered hundreds of spectacles throughout his career, earning recognition primarily as a live performer rather than a studio artist. His tours concentrated on grassroots venues in Acadian communities and small towns, particularly in New Brunswick, where he maintained a strong local following. He extended his reach beyond New Brunswick with performances in Quebec and northern Ontario, though these were fewer in number. Cayouche became celebrated for his high-energy presence at festivals and local events, captivating audiences across generations and prompting them to sing along and dance to his country-infused Acadian repertoire. His shows fostered a communal atmosphere in intimate settings, contributing to his status as a beloved figure in Acadian cultural circles.

Retirements and later activities

In 2003, Cayouche announced that his album Last Call would serve as his fourth and final studio release, marking his retirement from recording music. Despite this intention to step away from the studio, he continued to perform live in the years that followed, appearing at various venues and events. He took the stage at Le Petit Olympia in Montréal on March 28, 2015, among other performances during this period. Cayouche returned to recording with the album Le Rappel in 2011 and later issued the compilation Les meilleures tounes in 2020, collecting some of his most popular tracks. In 2023, he announced his retirement a second time.

Musical style and influences

Media appearances

Death

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