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Cent (music)

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Cent (music)

The cent is a logarithmic unit of measure used for musical intervals. Twelve-tone equal temperament divides the octave into 12 semitones of 100 cents each. Typically, cents are used to express small intervals, to check intonation, or to compare the sizes of comparable intervals in different tuning systems. For humans, a single cent is too small to be perceived between successive notes.

Cents, as described by Alexander John Ellis, follow a tradition of measuring intervals by logarithms that began with Juan Caramuel y Lobkowitz in the 17th century. Ellis chose to base his measures on the hundredth part of a semitone, , at Robert Holford Macdowell Bosanquet's suggestion. Making extensive measurements of musical instruments from around the world, Ellis used cents to report and compare the scales employed, and further described and utilized the system in his 1875 edition of Hermann von Helmholtz's On the Sensations of Tone. It has become the standard method of representing and comparing musical pitches and intervals.

Alexander John Ellis' paper On the Musical Scales of Various Nations, published by the Journal of the Society of Arts in 1885, officially introduced the cent system to be used in exploring, by comparing and contrasting, musical scales of various nations. The cent system had already been defined in his History of Musical Pitch, where Ellis writes:

Ellis defined the pitch of a musical note in his 1880 work History of Musical Pitch to be

He later defined musical pitch to be "the pitch, or V [for "double vibrations"] of any named musical note which determines the pitch of all the other notes in a particular system of tunings." He notes that these notes, when sounded in succession, form the scale of the instrument, and an interval between any two notes is measured by "the ratio of the smaller pitch number to the larger, or by the fraction formed by dividing the larger by the smaller". Absolute and relative pitches were also defined based on these ratios.

Ellis noted that

He further gives calculations to approximate the measure of a ratio in cents, adding that

Ellis presents applications of the cent system in this paper on musical scales of various nations, which include: (I. Heptatonic scales) Ancient Greece and Modern Europe, Persia, Arabia, Syria and Scottish Highlands, India, Singapore, Burmah and Siam,; (II. Pentatonic scales) South Pacific, Western Africa, Java, China and Japan. And he reaches the conclusion that

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