Chandogya Upanishad
Chandogya Upanishad
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Chandogya Upanishad

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Chandogya Upanishad

The Chandogya Upanishad (Sanskrit: छान्दोग्योपनिषद्, IAST: Chāndogyopaniṣad) is a Sanskrit text embedded in the Chandogya Brahmana of the Sama Veda of Hinduism. It is one of the oldest Upanishads. In the Muktika canon of 108 Upanishads, it is listed as the ninth.

The Upanishad belongs to the Tandya school of the Samaveda. Like Brihadaranyaka Upanishad, the Chandogya is an anthology of texts that must have pre-existed as separate texts, and were edited into a larger text by one or more ancient Indian scholars. The precise chronology of Chandogya Upanishad is uncertain, and it is variously dated to have been composed by the 8th to 6th century BCE in India.

As one of the most extensive Upanishadic compilations, it comprises eight Prapathakas (literally 'lectures' or 'chapters'), each divided into multiple sections containing numerous verses. The volumes include a diverse array of stories and themes. As part of the poetic and chants-focused Samaveda, the broad unifying theme of the Upanishad is the importance of speech, language, song and chants to man's quest for knowledge and salvation, to metaphysical premises and questions, as well as to rituals.

Chandogya Upanishad is one of the most cited texts in later Bhasyas (reviews and commentaries) by scholars from the diverse schools of Hinduism, with chapter six verse 8-16 containing the famous dictum Tat Tvam Asi, "that('s how) you are." According to Deutsch and Dalvi, "the entire sixth chapter is no doubt the most influential of the entire corpus of the Upanishads."

The name of the Upanishad is derived from the word Chanda or chandas, which means "poetic meter, prosody". The nature of the text relates to the patterns of structure, stress, rhythm and intonation in language, songs and chants. The text is sometimes known as Chandogyopanishad.

Chandogya Upanishad was in all likelihood composed in the earlier part of 1st millennium BCE, and is one of the oldest Upanishads. The exact century of the Upanishad composition is unknown, uncertain and contested.

The chronology of early Upanishads is difficult to resolve due to scant evidence, an analysis of archaism, style, and repetitions across texts, driven by assumptions about likely evolution of ideas, and on presumptions about which philosophy might have influenced which other Indian philosophies. Patrick Olivelle states, "in spite of claims made by some, in reality, any dating of these documents (early Upanishads) that attempts a precision closer than a few centuries is as stable as a house of cards".

The chronology and authorship of Chandogya Upanishad, along with the Brihadaranyaka and Kaushitaki Upanishads, is further complicated because they are compiled anthologies of literature that must have existed as independent texts before they became part of these Upanishads.

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