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Checkerboard Lounge
Checkerboard Lounge
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The Checkerboard Lounge was a blues club on the South Side of Chicago, Illinois, established in 1972 at 423 E. 43rd St. by L.C. Thurman and Buddy Guy.[1][2] In 1985, Guy left the partnership and later established Buddy Guy's Legends in Chicago's South Loop neighborhood.

The club hosted musical acts including Lefty Dizz, Stevie Ray Vaughan, Eric Clapton, Magic Slim, Vance Kelly, Muddy Waters, The Rolling Stones, James Cotton, Little Johnny Christian and the Chicago Playboys, Scotty and the Rib Tips, Jerry Lucky Lee and the Groove Machine, Willie Buck, Joe Carter, Dave Myers, James Cotton, John Primer, and Chuck Berry.[3][4] The Rolling Stones video and album Live at the Checkerboard Lounge, Chicago 1981 included the Stones performing with Muddy Waters, Buddy Guy, Junior Wells, and members of Muddy Waters' band.[4][5]

In 2003, the Checkerboard Lounge, in danger of closing due to structural issues with the building,[6] moved to a newly renovated building at 5201 S. Harper Court in Hyde Park.[2] The club experienced declining attendance and it closed its doors in 2015, after the death of L.C. Thurman.[7]

References

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from Grokipedia
The Checkerboard Lounge was a historic blues club in Chicago, Illinois, renowned for hosting legendary performances and serving as a vital hub for the city's blues scene from its opening in 1972 until its closure in 2015. Founded by blues guitarist Buddy Guy and L.C. Thurman at 423 E. 43rd Street in the Bronzeville neighborhood on Chicago's South Side, the venue quickly became a cultural institution known for its intimate atmosphere and low cover charge of $1, attracting both local musicians and international stars. In 1985, Guy parted ways with Thurman to open his own club downtown, leaving Thurman as the sole proprietor. The club featured regular appearances by iconic blues artists such as Muddy Waters, Junior Wells, Lefty Dizz, and James Cotton, while also recording notable live albums, including Buddy Guy's The Dollar Done Fell in 1979 (released in 1980). One of its most famous events occurred on November 22, 1981, when Muddy Waters joined The Rolling Stones—including Mick Jagger, Keith Richards, Ronnie Wood, and Ian Stewart—onstage alongside Guy, Wells, and Dizz, a collaboration later released as the 2012 album and DVD Live at the Checkerboard Lounge, Chicago 1981. Other renowned performers at the venue included Eric Clapton, Stevie Ray Vaughan, Chuck Berry, and Robert Plant. Due to urban redevelopment and declining interest in traditional blues, the Checkerboard relocated in November 2005 to Harper Court in the Hyde Park neighborhood near the University of Chicago, where it operated until Thurman's death from illness on July 22, 2015, at age 79, leading to its permanent closure in late August of that year. Throughout its history, the lounge not only preserved Chicago's blues legacy but also functioned as a training ground for emerging musicians, blending raw authenticity with a welcoming vibe that drew diverse crowds despite its location in challenging areas.

History

Founding and Early Years

The Checkerboard Lounge was established in 1972 at 423 E. 43rd Street in Chicago's Bronzeville neighborhood, a historically Black area on the city's South Side, by co-owners L.C. Thurman, a lab technician, and renowned blues guitarist Buddy Guy. The venue emerged as an intimate blues club amid the urban decline affecting the neighborhood in the 1970s, providing a space for live performances that preserved and showcased Chicago's electric blues tradition in a modest, dive-bar environment. With its narrow room layout accommodating roughly 100 patrons, the club quickly became a cultural anchor for local musicians and fans navigating economic challenges in the area. Early operations emphasized accessibility and community, featuring a nominal $1 cover charge, a jukebox filled with blues records for off-performance entertainment, and simple amenities like spaghetti served at the door. Under Thurman's hands-on management, the lounge functioned not just as a music spot but as a gathering place that bridged South Side residents with University of Chicago students, fostering a welcoming atmosphere for interracial crowds in an era when such integration was rare in blues venues. Buddy Guy, who often joined acts onstage with unannounced cameos, helped elevate the club's profile through his frequent presence until 1985, when he departed the partnership. Guy opened his own club, Buddy Guy's Legends, in 1989, leaving Thurman as sole proprietor. Throughout the 1970s, the Checkerboard built a strong reputation as a hub for authentic Chicago blues, attracting local talent eager to perform in its unpretentious setting despite the surrounding neighborhood's hardships. This era solidified its role in sustaining the genre's raw, community-driven spirit, with the lounge's dive-bar charm—complete with affordable drinks and a focus on electric guitar-driven sets—drawing steady crowds of blues enthusiasts.

Relocation and Later Operations

In April 2003, the original Checkerboard Lounge at 423 E. 43rd Street in Bronzeville was forced to close temporarily after a spot inspection by the Chicago Fire Department on April 4 revealed a collapsed roof in the adjacent parking garage, raising significant safety concerns for the aging structure. Following over two years of closure amid financial strains and code violations, the club reopened on November 18, 2005, at 5201 S. Harper Court in the Hyde Park neighborhood, occupying a renovated space within the Harper Court mall adjacent to the University of Chicago campus; the relocation was facilitated by university efforts to revitalize the area and preserve the venue's cultural role. The new site offered adaptations including a doubled capacity of up to 200 patrons compared to the original location, enhanced facilities with a modern, spacious interior and stage setup, and programming adjustments such as incorporating jazz acts alongside blues to sustain authenticity while broadening appeal to a younger demographic, including University of Chicago students who formed a key portion of the audience. Despite these changes, post-relocation operations encountered persistent challenges, including declining attendance attributed to competition from established blues clubs like Buddy Guy's Legends and evolving music tastes that diminished urban blues' popularity, though the venue continued under the stewardship of longtime owner L.C. Thurman. By the 2010s, Thurman's health deterioration further strained operations, resulting in scaled-back programming and fewer live acts while the club endeavored to uphold its blues-centric identity amid ongoing economic pressures.

Closure

L.C. Thurman, the primary owner and operator of the Checkerboard Lounge, died on July 22, 2015, after a prolonged illness, which directly led to the club's closure. The venue had already been struggling with declining attendance, shifting from blues performances to house music events, and operating only one day a week in its final year, exacerbated by building maintenance issues and limited parking from ongoing Hyde Park construction. The permanent closure was announced in September 2015, with the club shuttered in late August following Thurman's death, as his brother Maloid Jones, who managed daily operations, could not sustain it without an immediate successor. These challenges were compounded by broader urban changes in Hyde Park, where the University of Chicago's redevelopment of Harper Court— including its partial conversion to an office tower in 2012—obstructed access and transformed the area's entertainment landscape, signaling the end of an era for South Side blues venues. In the aftermath, the building at 5201 S. Harper Court, owned by the University of Chicago, stood vacant initially before its demolition between October and December 2022 as part of the Harper Court Phase II project, which constructed a new 215-foot-tall mixed-use development with retail, office, and residential spaces. The new development, known as Hyde Park Labs, opened in September 2025. Some of the club's artifacts, such as a photograph from the 1981 Rolling Stones performance featuring Muddy Waters and Buddy Guy, have been preserved at Lee's Unleaded Blues, another South Side venue. The blues community honored the club's legacy through ongoing commemorative efforts, including the Logan Center for the Arts' Blues Series at the University of Chicago, which continues to celebrate South Side blues traditions.

Musical Significance

Notable Performers

The Checkerboard Lounge served as a vital stage for Chicago's electric blues scene, particularly through its core roster of performers who helped define the club's raw, South Side sound. Lefty Dizz, a dynamic guitarist known for his fiery solos and energetic stage presence, led the house band during the 1970s and 1980s, anchoring numerous nights with his West Side blues style that blended sharp riffs and vocal intensity. Magic Slim and the Teardrops brought their gritty, no-frills approach to the venue in the late 1980s, delivering powerful sets that emphasized traditional Chicago shuffle rhythms and harmonica-driven grooves. Junior Wells, the acclaimed harmonica player and vocalist, frequently collaborated with Buddy Guy at the club, contributing his soul-infused performances that bridged postwar blues with R&B elements. James Cotton, another harmonica virtuoso, added his explosive, full-toned style to the lounge's lineup, often engaging in extended jams that highlighted the venue's role in preserving electric blues traditions. The club also attracted visiting legends, elevating its status as a blues pilgrimage site. Muddy Waters made frequent appearances in the 1970s, performing his signature Delta-rooted electric sound that influenced generations of Chicago artists. Stevie Ray Vaughan, in his early career, played sets there in the early 1980s, honing his Texas blues interpretations amid the lounge's intimate atmosphere. Eric Clapton joined impromptu jams in the mid-1980s, drawing on his admiration for Chicago blues to trade guitar licks with local players. Chuck Berry made occasional rock-blues crossover appearances, infusing the space with his duck-walk energy and riff-heavy sets. After the club's relocation to Hyde Park in 2005, performers like John Primer continued to shape its offerings, serving as house bandleader from the early 1980s onward and blending traditional blues with subtle modern touches to appeal to diverse crowds. The lounge played a key role in nurturing local talent, with established artists such as Wells, Cotton, and Dizz often inviting young musicians onstage for late-night spots, fostering the next wave of Chicago blues practitioners. This emphasis on electric Chicago blues, rooted in postwar amplification and ensemble interplay, underscored the club's enduring commitment to authentic, community-driven performances.

Key Recordings and Events

One of the earliest significant recordings from the Checkerboard Lounge was Buddy Guy's live album The Dollar Done Fell, captured during a 1979 performance at the venue and released in 1980 by JSP Records. This album, later reissued in 1988 as Live at the Checkerboard Lounge, showcased Guy's intense guitar work and the venue's raw, energetic South Side blues atmosphere, with tracks like "Justifyin'" and "Hound Dog" highlighting the unfiltered interaction between performer and a small, responsive crowd. The recording emphasized the lounge's intimate scale, where microphones captured the natural reverb of the cramped space, prioritizing authentic crowd noise and instrumental grit over studio refinement. The venue gained international prominence with the , , surprise featuring joined onstage by , , and members of , including , , , and Stewart. Initially circulated as bootlegs among blues enthusiasts, the was professionally recorded using a mobile setup parked outside the tiny club, allowing for high-fidelity capture of the 106-minute set despite the limited . It was officially released in by (a Universal Music Group label) as Live at the Checkerboard Lounge, Chicago 1981, featuring tracks such as "Mannish Boy" and "Baby Please Don't Go" that blended Waters' classic Chicago sound with the Stones' rock energy. Other notable events included Stevie Ray Vaughan's July 27, 1983, appearance with Double Trouble, which drew fans of Texas blues to the South Side and exemplified the lounge's role in cross-regional exchanges. Throughout the 1990s and 2000s, the venue hosted regular jam sessions and special blues nights that fostered emerging talent, though specific annual festivals were not formalized. These recordings and events played a crucial role in preserving Chicago's post-war electric blues traditions, which were fading due to urban decline, by bringing the genre's raw essence to global audiences through accessible live albums. The lounge's modest recording conditions—often relying on portable equipment in a room holding just 100-150 people—ensured an unpolished authenticity that contrasted with mainstream productions, helping to document and sustain these endangered styles.

Cultural Impact

Atmosphere and Community Role

The Checkerboard Lounge in its original Bronzeville location at 423 E. 43rd Street featured a dimly lit, divey interior that evoked an intimate atmosphere, with a checkered floor, wooden bar, small stage, and walls adorned with posters of icons, fostering close musician-audience interactions in a smoky, raw setting. Long, narrow tables and wooden or molded plastic chairs contributed to its unassuming, underadorned feel, often described as a neighborhood spot frozen in time, complete with nicotine-hued walls displaying aging photos of legends. This setup created a casual, funky vibe akin to a living room or basement den, where patrons could share drinks, ashtrays, and elbows in close proximity. After relocating to 5201 S. Harper Court in Hyde Park in 2005, the lounge evolved into a cleaner, more accessible space with improved lighting and seating arrangements, while retaining memorabilia like framed photos to preserve echoes of its original grit. The relocation enhanced its reach for students, transforming it into a blend of and , though some noted a loss of the kinetic, urban authenticity. As a community hub on Chicago's South Side during the and , the Checkerboard served as a gathering spot for local residents, hosting non-music events such as neighborhood meetings and casual suppers like affordable spaghetti specials that complemented its offerings. It welcomed diverse crowds, including Black working-class locals, white blues enthusiasts from the (comprising 60-70% of patrons by 1989), and tourists, though the original site occasionally faced racial tensions amid its mixed clientele. Daily operations emphasized with weeknight jam sessions, weekend headliners, and low-cost drinks like $1 beers (later $1.75 during performances), cultivating a "home away from home" environment for South Side denizens. The relocation briefly improved for broader audiences before the club's closure in 2015.

Legacy in Chicago Blues

The Checkerboard Lounge played a pivotal role in preserving during a period of decline on the South Side, serving as one of the last authentic venues after the closure of historic clubs like Theresa's Lounge in the 1980s. As South Side establishments diminished amid urban changes and economic pressures, the Checkerboard, originally opened in 1972 by and L.C. Thurman at 423 E. 43rd Street, maintained a space for traditional blues performances by masters such as and , who occasionally invited young musicians onstage as a training ground. This continuity helped sustain the genre's raw, electrified Delta influences during the 1980s and 1990s revival efforts, when interest from rock audiences and recordings like the 1981 jam session with and brought renewed attention to authentic South Side blues. The club's legacy extended to educational and inspirational impacts, fostering blues tourism and learning through its intimate setting and association with figures like . It inspired generations of musicians and audiences, with educators such as poet Sterling Plumpp bringing University of at Chicago students to performances in the 1980s to immerse them in the genre's cultural depth, describing it as "the school where the masters performed." The Checkerboard's story has been featured in the 2012 release of footage from the 1981 Muddy Waters and concert, as well as books such as David Grazian's Blue Chicago: The Search for Authenticity in Urban Blues Clubs (2003), which examines its role in shaping perceptions of blues authenticity. Additionally, tributes at the annual Chicago Blues Festival, including 's 2024 headline performance honoring South Side traditions, underscore the club's enduring influence on blues education and tourism. Following its permanent closure in 2015 after Thurman's death, the Checkerboard received post-closure recognition tied to broader preservation initiatives, including its documentation in the American Folklife Center's and Story Map at the , which features photographs and accounts of performances there. Blues organizations and city efforts, such as the proposed designation for Bronzeville in 2021, highlight the club's historic value, with its relocated Hyde Park site (opened 2005) symbolizing adaptation amid challenges. Its model of intimate, community-focused spaces has influenced modern Chicago venues like , which emulates the Checkerboard's role in nurturing emerging talent and attracting diverse crowds while preserving blues intimacy. On a broader level, the symbolized the resilience of Black music culture in urban , bridging the gritty South Side scene with 21st-century accessibility and serving as a for African American expression amid socioeconomic shifts. As noted by cultural observers, it embodied the checkerboard pattern's historical journey from African ritual symbols to markers of spaces like corner bars, representing endurance in the face of venue closures and . Archival efforts have preserved its legacy through recordings and photographs held in institutions such as the Chicago Blues Archives at the and the Library of Congress's folklife collections, ensuring access to its contributions for researchers and future generations.

References

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