Cher
Cher in 2019
Born	Cheryl Sarkisian^[a] (1946-05-20) May 20, 1946 (age 78) El Centro, California, US
Other names	Cherilyn Sarkisian^[a] Cheryl LaPiere^[1] Bonnie Jo Mason Chér Cher Bono Cher Allman
Occupations	Singer actress television personality
Years active	1963–present
Works	Albums singles songs duo discography videography filmography concerts
Spouses	Sonny Bono (m. 1969; div. 1975) Gregg Allman (m. 1975; div. 1979)
Partner	Alexander Edwards
Children	Chaz Bono Elijah Blue Allman
Mother	Georgia Holt
Awards	Full list
Musical career
Genres	Pop rock folk dance
Instrument	Vocals
Labels	Atco Casablanca Columbia Geffen Imperial Kapp MCA Reprise United Artists Warner
Formerly of	Sonny & Cher
Website	cher.com

Signature


Musical artist

Cher^[b] (/ʃɛər/ SHAIR; born Cheryl Sarkisian;^[a] May 20, 1946) is an American singer, actress and television star. Dubbed the "Goddess of Pop", she is known for her androgynous contralto voice, bold visual presentation and multifaceted career, while cultivating a screen persona that mirrors her public image by often portraying strong-willed and outspoken women. An influential figure in popular culture, her continual reinvention has fueled multiple comebacks over a career spanning more than six decades.

Cher gained fame in 1965 as part of the folk rock duo Sonny & Cher, early exponents of 1960s counterculture, while also scoring solo top-ten singles such as "Bang Bang (My Baby Shot Me Down)". In the 1970s, she topped the US Billboard Hot 100 with narrative pop songs "Gypsys, Tramps & Thieves", "Half-Breed" and "Dark Lady". After focusing on acting, she reemerged in a hair metal style with the albums Cher (1987), Heart of Stone (1989) and Love Hurts (1991), producing international number-one singles "If I Could Turn Back Time" and "The Shoop Shoop Song (It's in His Kiss)". At 52, she reached a commercial peak with the dance-pop album Believe (1998), which introduced the "Cher effect"—a stylized use of Auto-Tune to distort vocals. The title track became 1999's number-one song in the US and the UK's best-selling single by a female artist. In the 21st century, she released her highest-charting US Billboard 200 albums, Closer to the Truth (2013) and Dancing Queen (2018), both of which debuted at number three.

Cher became a TV star in the 1970s with The Sonny & Cher Comedy Hour and her solo show Cher, both on CBS, attracting over 30 million weekly viewers. She gained critical acclaim after debuting on Broadway and starring in the film adaptation of Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). Transitioning to film, she earned two Academy Award nominations—for Silkwood (1983) and Moonstruck (1987), winning the Oscar for Best Actress for the latter—and received the Cannes Film Festival's Best Actress Award for Mask (1985). Other starring roles include The Witches of Eastwick (1987), Mermaids (1990), If These Walls Could Talk (1996, her directorial debut), Tea with Mussolini (1999), Burlesque (2010) and Mamma Mia! Here We Go Again (2018). Her life and career inspired the 2018 jukebox musical The Cher Show.

Cher is one of the best-selling music artists of all time, with estimated global sales of over 100 million records. She is a Rock and Roll Hall of Fame inductee and the only solo artist with number-one singles on the US Billboard charts in seven consecutive decades (1960s–2020s).^[c] Her accolades include an Academy Award, a Grammy Award, an Emmy Award, three Golden Globes, the Billboard Icon Award and the Kennedy Center Honors. Her 2002–2005 Living Proof: The Farewell Tour was the highest-grossing concert tour by a female artist at the time, earning $250 million—about $402 million in 2025. Beyond music and acting, Cher is known for her progressive politics and advocacy for causes including LGBTQ rights and HIV/AIDS awareness.

Life and career

[edit]

1946–1961: Early life

[edit]

Cheryl Sarkisian^[a] was born in El Centro, California, on May 20, 1946. Her father, John Sarkisian, an Armenian-American truck driver with drug and gambling problems, was rarely present during her early life.^[8] Her mother, Georgia Holt, was a model and actress of Irish, English, German and Cherokee descent.^[9] Cher's paternal grandparents were survivors of the Armenian Genocide.^[10] Cher's parents divorced when she was ten months old.^[11] Before leaving, her father placed her in an orphanage for several months; Holt was allowed to visit once a week, only able to see Cher through a window.^[12] Both found the experience traumatic.^[13]

In 1951, Holt married actor John Southall, with whom she had Cher's half-sister, Georganne.^[14] Holt's marriage to Southall ended when Cher was nine; Cher later described him as her "real father" and a "good-natured man who turned belligerent when he drank too much".^[13] Holt remarried and divorced several times, frequently moving the family across states, including New York, Texas and California.^[15] They often struggled financially, and Cher recalled using rubber bands to hold her shoes together.^[13] While living in Los Angeles, Holt pursued acting while working as a waitress, occasionally securing minor TV roles for her daughters in shows such as The Adventures of Ozzie and Harriet.^[15]

By fifth grade, Cher organized a class performance of the musical Oklahoma!, taking on male roles when boys refused to participate. At nine, her voice was unusually low for a female child.^[16] Fascinated by film stars, Cher idolized Audrey Hepburn, particularly in Breakfast at Tiffany's (1961), emulating Hepburn's character's unconventional outfits and demeanor.^[17] She also admired Marlene Dietrich, Bette Davis and Katharine Hepburn,^[18] but felt discouraged by the lack of dark-haired actresses in Hollywood.^[17] She recalled, "In the Walt Disney cartoons, all the witches and evil queens were really dark. There was nobody I could look at and think, 'That's who I'm like.'"^[17] As a child, she dreamed of fame but struggled with feelings of inadequacy, describing herself as "unattractive" and "untalented".^[19] Reflecting on her ambitions, she later said, "I couldn't think of anything that I could do ... I just thought, 'I'll be famous'. That was my goal."^[19]

In 1961, Holt married bank manager Gilbert LaPiere, who adopted Cher (under the name Cheryl LaPiere)^[1] and Georganne and enrolled them at Montclair College Preparatory School, a private school in Encino. Coming from a modest background, Cher faced challenges in the upper-class environment, where, as biographer Connie Berman wrote, her "striking appearance" and "outgoing personality" set her apart.^[19] A former classmate recalled, "I'll never forget seeing Cher for the first time. She was so special ... like a movie star, right then and there ... She said she was going to be a movie star and we knew she would."^[19] Known for her creativity and wit, Cher excelled in French and English but struggled with other subjects, later discovering she has dyslexia. Her unconventional behavior also stood out: she performed songs for students during lunch and surprised peers when she wore a midriff-baring top.^[17] Reflecting on her lack of focus in school, Cher said, "I was never really [there]. I was always thinking about when I was grown up and famous."^[15]

1962–1967: Solo breakthrough and Sonny & Cher

[edit]

At 16, Cher left school and moved out of her mother's house to live with a friend. She took acting classes and supported herself by dancing in nightclubs along Hollywood's Sunset Strip, where she introduced herself to performers, managers and agents.^[20] According to Berman, "⁠[Cher] did not hesitate to approach anyone she thought could help her get a break".^[21] Cher met performer Sonny Bono, 11 years her senior, in November 1962 when he was working for record producer Phil Spector.^[21] Cher's friend moved out and Cher accepted Sonny's offer to be his housekeeper.^[22] Sonny introduced Cher to Spector, who used her as a backup singer on many recordings, including the Righteous Brothers' "You've Lost That Lovin' Feelin'" and the Ronettes' "Be My Baby".^[23] Spector produced her first single, "Ringo, I Love You", which Cher recorded under the name Bonnie Jo Mason.^[24] Many radio programmers rejected the song, mistaking Cher's deep contralto for a man's voice and assuming it was a male homosexual singing a love song to the Beatles drummer Ringo Starr.^[25]

Cher and Sonny became close friends, later lovers and held an unofficial wedding ceremony in a hotel room in Tijuana, Mexico, on October 27, 1964.^[23]^[26] Although Sonny had wanted to launch Cher as a solo artist, she encouraged him to perform with her because she suffered from stage fright and he began joining her onstage, singing the harmonies. Cher disguised her nervousness by looking at Sonny; she later commented that she sang to the people through him.^[27] In late 1964, they emerged as a duo called Caesar & Cleo, releasing the poorly received singles "Do You Wanna Dance?", "Love Is Strange" and "Let the Good Times Roll".^[28]

Cher signed with Liberty Records' Imperial imprint in the end of 1964 and Sonny became her producer. The single "Dream Baby", released under the name "Cherilyn", received airplay in Los Angeles.^[24] Imperial encouraged Cher to work with Sonny on her second solo single for the label, a cover of Bob Dylan's "All I Really Want to Do".^[24] It peaked at number 15 on the US Billboard Hot 100 and number nine on the UK singles chart in 1965.^[29]^[30] Meanwhile, the Byrds had released their own version of the same song. When competition on the singles charts started between Cher and the Byrds, the group's record label began to promote the B-side of the Byrds' single. Roger McGuinn of the Byrds commented, "We loved the Cher version ... We didn't want to hassle. So we just turned our record over."^[31] Cher's debut album, All I Really Want to Do (1965), reached number 16 on the US Billboard 200;^[32] it was later described by AllMusic's Tim Sendra as "one of the stronger folk-pop records of the era".^[33]

Following Cher's solo success, the duo rebranded as Sonny & Cher.^[34] After recording "I Got You Babe", they traveled to England in July 1965 at the Rolling Stones' advice; Cher recalled, "⁠[they] had told us ... that Americans just didn't get us and that if we were going to make it big, we were going to have to go to England."^[35] According to writer Cintra Wilson,

English newspaper photographers showed up when S&C were thrown out of the London Hilton [because of their outfits] the night they arrived—literally overnight, they were stars. London went gaga for the heretofore-unseen S&C look, which was neither mod nor rocker.^[36]

Sonny and Cher stand against a stone wall; Sonny wears a vest over a white shirt and dark pants, while Cher wears a striped sleeveless top with matching flared pants. — 1960s publicity photo of Sonny & Cher

"I Got You Babe" reached number one on the Billboard Hot 100 chart^[37] and became, according to AllMusic's Bruce Eder, "one of the biggest-selling and most beloved pop/rock hits of the mid-'60s".^[24] As the song knocked the Beatles off the top of the British charts, English teenagers began to emulate Sonny & Cher's fashion style, such as bell-bottoms, striped pants and fur vests.^[38] Upon their return to the US, the duo debuted on film with a cameo in Wild on the Beach (1965),^[39] made several appearances on the teen-pop showcases Hullabaloo and Shindig!^[40] and completed a tour of some of the largest arenas in the country.^[41] Their shows attracted Cher look-alikes, with girls straightening and dyeing their hair black to emulate her style, often pairing it with vests and bell-bottoms.^[42]

Sonny & Cher's debut album, Look at Us (1965), released under Atco Records,^[24] spent eight weeks at number two on the Billboard 200, behind the Beatles' Help!.^[43] The duo competed successfully with the British Invasion and Motown sounds of the era.^[44] Author Joseph Murrells described them as "leading exponents of the rock-folk-message type of song", blending rock instrumentation, folk themes and protest lyrics,^[45] while The Guardian called their music "the sound of the growing 60s counterculture".^[46] Between 1965 and 1972, Sonny & Cher charted ten Billboard top-40 singles, including five top-ten hits: "I Got You Babe", "Baby Don't Go", "The Beat Goes On", "All I Ever Need Is You" and "A Cowboy's Work Is Never Done".^[47] At one point, they had five songs simultaneously in the top 50—a feat equaled only by the Beatles and Elvis Presley.^[48] According to Time's Ginia Bellafante, they became "rock's 'it' couple".^[49]

The duo's subsequent albums, The Wondrous World of Sonny & Chér (1966) and In Case You're in Love (1967), failed to match their debut's success, as Cher's solo career increasingly overshadowed their collaborations.^[24] Her second solo album, The Sonny Side of Chér (1966), includes "Bang Bang (My Baby Shot Me Down)", which reached number two in the US and number three in the UK and became her first million-selling solo single.^[50] Chér, also released in 1966, contains the international number-one single "Sunny"^[51] and the Burt Bacharach and Hal David composition "Alfie"—the first US recording of the song—featured in the American release of the 1966 film Alfie.^[50] With Love, Chér (1967) presents songs described by biographer Mark Bego as "little soap-opera stories set to rock music" such as the US top-ten single "You Better Sit Down Kids".^[50]

1967–1970: From counterculture icon to lounge act

[edit]

By the late 1960s, Sonny and Cher's music stopped charting. Berman observed that the "heavy, loud sound" of bands such as Jefferson Airplane and Cream made their folk-rock feel "too bland".^[52] Cher later said she "loved" the new electric-guitar-driven sound of Led Zeppelin and Eric Clapton and wanted to adapt, but Sonny refused.^[53] Their monogamous lifestyle during the sexual revolution^[54] and anti-drug stance at the height of widespread drug use alienated American youths.^[55] According to Bego, "in spite of their revolutionary unisex clothes, Sonny and Cher were quite 'square' when it came to sex and drugs."^[55] In an attempt to recapture their young audience, the duo produced and starred in William Friedkin's musical film Good Times (1967), which was commercially unsuccessful.^[52]

Cher's album Backstage (1968), in which she explores diverse musical genres including bossa nova and anti-war protest settings, was not a commercial success.^[56] In 1969, she was dropped by Imperial Records, and Sonny & Cher were dropped by Atco. However, Atco offered Cher a solo recording deal.^[57] Her 1969 album 3614 Jackson Highway, recorded at Muscle Shoals Sound Studio without Sonny's involvement, marked a shift toward R&B and soul music experimentation. AllMusic called it "the finest album of her career" and "a revelation" decades later.^[58] Displeased with the album, Sonny prevented Cher from releasing more recordings for Atco.^[57]

Meanwhile, Sonny dated others and by the end of the 1960s their relationship had begun to unravel. According to People, "⁠[Sonny] tried desperately to win her back, telling her he wanted to marry and start a family."^[59] They officially married after she gave birth to Chaz Bono on March 4, 1969.^[59] The duo spent $500,000 and mortgaged their home to make the film Chastity (1969). Written and produced by Sonny, it tells the story of a young woman, played by Cher, searching for the meaning of life.^[60] The art film failed commercially, putting the couple $190,000 in debt with back taxes. However, some critics noted that Cher showed acting potential;^[41] Cue magazine wrote, "Cher has a marvelous quality that often makes you forget the lines you are hearing."^[52]

At the lowest point of their career, the duo put together a nightclub routine that relied on a more adult approach to sound and style.^[61] According to writer Cintra Wilson, "Their lounge act was so depressing, people started heckling them. Then Cher started heckling back. Sonny ... reprimanded her; then she'd heckle Sonny".^[36] The heckling became a highlight of the act and attracted viewers.^[36] TV executives took note and the couple began making guest appearances on prime-time shows, in which they presented a "new, sophisticated and mature" image.^[62] Cher adopted alluring, low-cut gowns that became her signature outfits.^[62]

1971–1974: TV stardom and first musical comeback

[edit]

CBS head of programming Fred Silverman offered Sonny and Cher their own TV program after he noticed them as guest-hosts on The Merv Griffin Show in 1971.^[63]^[d] The Sonny & Cher Comedy Hour premiered as a summer replacement series on August 1, 1971 and had six episodes. Following its ratings success, the couple returned that December with a full-time show.^[41]

Watched by more than 30 million viewers weekly during its three-year run,^[61] The Sonny & Cher Comedy Hour was praised for the comedic timing, as a deadpan Cher mocked Sonny about his looks and short stature. According to Berman, they "exuded an aura of warmth, playfulness and caring that only enhanced their appeal. Viewers were further enchanted when a young [Chaz] appeared on the show. They seemed like a perfect family."^[65] Cher honed her acting skills through comedy sketches,^[66] including her original character Laverne, a brash and over-the-top housewife,^[67] while her Bob Mackie-designed outfits set 1970s fashion trends.^[68]

In 1971, Sonny and Cher signed with the Kapp Records division of MCA Records and Cher released the single "Classified 1A", in which she sings from the point of view of a soldier who bleeds to death in Vietnam. Written by Sonny, who felt that her first solo single on the label had to be poignant and topical, the song was rejected by radio station programmers as uncommercial.^[69]

Since Sonny's first attempts at reviving their recording career as a duo had also been unsuccessful, Kapp Records recruited Snuff Garrett to work with them. He produced Cher's second US number-one single, "Gypsys, Tramps & Thieves", which "proved that ... Garrett knew more about Cher's voice and her persona as a singer than Sonny did", wrote Bego.^[69] "Gypsys, Tramps & Thieves" was the first single by a solo artist to rank number one on the US Billboard Hot 100 chart at the same time as on the Canadian singles chart.^[70] It was featured on the 1971 album Chér (eventually reissued under the title Gypsys, Tramps & Thieves), which was certified gold by the Recording Industry Association of America (RIAA).^[71] Its second single, "The Way of Love", reached number seven on the Billboard Hot 100 chart^[72] and established Cher's more confident image as a recording artist.^[24]

In 1972, Cher released the all-ballad album Foxy Lady, demonstrating the evolution of her vocal abilities, according to Bego.^[73] Following its release, Garrett quit as producer after disagreeing with Sonny about the kind of material Cher should record.^[74] At Sonny's insistence, Cher released the standards album Bittersweet White Light (1973), which was commercially unsuccessful.^[75] Later that year, lyricist Mary Dean brought Garrett "Half-Breed", a song about the daughter of a Cherokee mother and a white father, which she had written for Cher. Although no longer working with her, Garrett believed the song was a perfect fit and held onto it until Cher dismissed Sonny as producer and rejoined him.^[74] "Half-Breed" became the title track of her next album and her third US number-one single.^[76] Both the album and the single were certified gold by the RIAA.^[77]

In 1974, Cher released "Dark Lady" as the lead single from the album of the same name.^[76] It topped the Billboard Hot 100, tying her with Rosemary Clooney, Patti Page and Connie Francis for the most number-one singles by a female solo artist in US history at the time.^[e] Later that year, she released a Greatest Hits album that, according to Billboard, proved her to be "one of the most consistent hitmakers of the past five years", as well as a "proven superstar who always sells records".^[81] Between 1971 and 1973, Sonny & Cher's recording career was revived with four albums released under Kapp Records and MCA Records: Sonny & Cher Live (1971), All I Ever Need Is You (1972), Mama Was a Rock and Roll Singer, Papa Used to Write All Her Songs (1973) and Live in Las Vegas Vol. 2 (1973).^[82] Cher later commented that her tight schedule during this period required her to record entire albums in just a few days while also touring and filming The Sonny & Cher Comedy Hour.^[83]

1974–1979: Divorce, marriage to Gregg Allman and media scrutiny

[edit]

Cher and Sonny ended their relationship in late 1972 but stayed legally married for two more years to protect their careers.^[84] Their relationship had been troubled for years due to Sonny's infidelity and controlling behavior.^[85] By 1973, they lived in the same house while dating other people. "The public still thinks we are married," Sonny wrote in his diary, "⁠[and] that's the way it has to be."^[84]

In January 1974, Cher won the Golden Globe Award for Best TV Actress for The Sonny & Cher Comedy Hour.^[86] Sonny filed for separation the next month, citing "irreconcilable differences".^[87] A week later, Cher countered with a divorce suit, accusing him of "involuntary servitude" and withholding her rightful share of their earnings.^[87] Their show was cancelled in April 1974.^[88] Later that year, Sonny launched The Sonny Comedy Revue with the same creative team, but it was canceled after 13 weeks.^[89]

During divorce proceedings, Cher learned she was legally an employee of Cher Enterprises, a company 95% owned by Sonny and 5% by his lawyer. She was also required to work exclusively for Sonny's company, leaving her with no career or financial control.^[90] Record executive David Geffen, with whom Cher had begun a relationship in 1973, helped her break free from the contract.^[91] Cher won custody of Chaz after a highly publicized legal battle,^[87] and their divorce was finalized on June 26, 1975.^[92] Geffen hoped to marry Cher, but she ended the relationship due to his possessiveness and struggles with his sexuality.^[f]

Cher signed a $2.5 million deal with Warner Bros. Records in 1975.^[95] According to Bego, she intended for her first album under the label to establish her as a serious rock artist rather than "just a pop singer".^[96] Attempting a more introspective style inspired by singer-songwriters such as Joni Mitchell, Carly Simon and James Taylor, she released Stars (1975), which was a commercial and critical failure.^[96] Janet Maslin of The Village Voice wrote, "Cher is just no rock and roller ... Image, not music, is Cher Bono's main ingredient for both records and TV."^[97] Despite its initial reception, the album later gained cult status and is considered among her best work.^[98]

Cher debuted her solo CBS show, Cher, on February 12, 1975.^[99] The show showcased Cher's music, comedy, monologues and an extensive wardrobe—the largest for a weekly TV series.^[100]^[101] Critics praised it, with the Los Angeles Times stating, "Sonny without Cher was a disaster. Cher without Sonny ... could be the best thing that's happened to weekly television this season."^[101] Musical guests included David Bowie (in his American TV debut), Ray Charles, Elton John, Bette Midler, Tina Turner and the Jackson 5, with Billboard crediting Cher for bringing "a rock sensibility to prime-time TV".^[102] Despite high ratings, the show ended after two seasons, replaced by a reunion show with ex-husband Sonny.^[103] The Ringer's Lindsay Zoladz commented that network censors were stricter with Cher as a single woman, viewing her as more provocative alone than as Sonny's wife.^[104] Cher later reflected, "Doing a show alone was more than I could handle."^[103]

On June 30, 1975, four days after finalizing her divorce from Sonny, Cher married rock musician Gregg Allman, co-founder of the Allman Brothers Band,^[105] whom she had been dating since January, shortly after ending her relationship with Geffen.^[106] She filed for divorce nine days later due to his heroin and alcohol problems, but they reconciled within a month.^[107] Their son, Elijah Blue Allman, was born on July 10, 1976.^[108] Cher's TV reunion with Sonny, The Sonny and Cher Show, debuted on CBS in February 1976—the first show ever to star a divorced couple. Although it premiered to strong ratings,^[109] their biting onscreen banter about the divorce^[103] along with her troubled relationship with Allman sparked a public backlash^[110] that contributed to the show's cancellation in August 1977.^[109]

In 1976, Mego Toys released a line of Sonny & Cher dolls. The Cher doll became the year's best-selling doll, surpassing Barbie.^[111] Cher's next albums, I'd Rather Believe in You (1976) and Cherished (1977)—marking a return to her earlier narrative pop style at Warner's producers' insistence—were commercial failures.^[112] Orange Coast's Keith Tuber commented that Cher's weekly TV shows may have hurt her record sales, as audiences could see and hear her without needing to buy her music.^[113]

In 1977, under the rubric "Allman and Woman", Cher and Allman recorded the duet album Two the Hard Way.^[107] The couple toured Europe to support the album,^[114] though audience reception was mixed.^[115] With a combination of Cher fans and Allman Brothers fans in attendance, fights frequently broke out at venues, prompting Cher to cancel the tour.^[116] Their relationship ended soon after the tour's cancellation,^[117] and their divorce was finalized in 1979.^[118] In 1978, Cher began a two-year live-in relationship with Kiss member Gene Simmons.^[119] She briefly returned to prime-time TV with the specials Cher... Special (1978)—featuring a segment in which she performs all of the roles in her version of West Side Story—and Cher... and Other Fantasies (1979).^[120]^[121]

1979–1982: Second musical comeback—from disco diva to rock frontwoman

[edit]

In 1979, Cher legally adopted her mononym.^[2] Facing financial pressures as a single mother of two, she decided to steer her singing career toward greater commercial success. Temporarily setting aside her desire to be a rock singer, she signed with Casablanca Records and launched a comeback with the single "Take Me Home" and the album of the same name, both of which capitalized on the disco craze.^[122] The album and single became instant successes, remained bestsellers for more than half of 1979 and were certified gold by the RIAA.^[77]^[122] The album's sales were likely enhanced by the image of a scantily clad Cher in a Viking outfit on its cover.^[122]^[123]

Encouraged by the popularity of Take Me Home, Cher sought a return to rock with Prisoner (1979).^[124] The album cover, showing her naked and draped in chains, symbolized her struggle as a "prisoner of the press" amid intense tabloid scrutiny.^[125] The imagery drew criticism from feminist groups for her perceived portrayal of a sex slave, while critics found the album's mix of rock and disco tracks inconsistent, contributing to its commercial failure.^[125] The single "Hell on Wheels", featured on the soundtrack of the film Roller Boogie (1979), reflected Cher's personal embrace of the late 1970s roller-skating craze, which she had helped popularize.^[98] Cher collaborated with Giorgio Moroder to write "Bad Love", her final Casablanca disco track, for the film Foxes (1980).^[126]

In 1980, Cher formed the rock band Black Rose with guitarist and then-partner Les Dudek. To blend in and avoid overshadowing the group with her celebrity status, she adopted a punk-inspired look, cutting her signature long hair. Although she was the lead singer, she chose not to take top billing to present the band as equal. Despite TV appearances, the band struggled to book concerts.^[127] Their album, Black Rose, received poor reviews; Cher told Rolling Stone, "⁠[Critics] didn't attack the record, they attacked me. It was like, 'How dare Cher sing rock & roll?'"^[61] Black Rose disbanded in 1981.^[128]

During Black Rose's run, Cher was also performing a residency at Caesars Palace, Las Vegas, with two shows nightly, seven days a week,^[129] earning $300,000 weekly.^[130] Beginning in June 1979 and running until 1982, the residency evolved into Cher's first solo tour, the Take Me Home Tour, with dates in North America, Europe, South Africa and Australia.^[g] Described by The Press of Atlantic City as "the biggest cabaret act ever seen on any stage",^[139] the concert series yielded two TV specials: Standing Room Only: Cher in Concert (1981)^[140] and Cher... A Celebration at Caesars (1983),^[141] the latter earning her the CableACE Award for Best Actress in a Variety Program.^[142] In 1981, Cher collaborated with Meat Loaf on the duet "Dead Ringer for Love", which peaked at number five on the UK singles chart and was praised by AllMusic's Donald A. Guarisco as "one of the more inspired rock duets of the 1980s".^[143] The following year, Cher released the new wave album I Paralyze, a commercial failure and her only album under Columbia Records.^[144]

1982–1987: Broadway debut, acting breakthrough and musical hiatus

[edit]

With declining record sales and radio airplay, Cher shifted her focus to acting.^[145] Despite earlier aspirations, her only film credits, Good Times and Chastity, were critical and commercial failures, and Hollywood did not take her seriously as an actress.^[145] Reflecting on this period, Cher said, "I was dropped by my [label] and couldn't get a job ... [so] I went to Las Vegas", which she likened to an "elephant's graveyard" for fading stars.^[138] Despite her success performing there, she felt unfulfilled: "I was making a fortune ... but I was dying inside."^[146]

In 1982, Cher moved to New York to study acting with Lee Strasberg at the Actors Studio, but skipped enrollment after auditioning for and being cast in Robert Altman's Broadway production Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean.^[36] Co-starring with Karen Black and Sandy Dennis, she played a James Dean fan club member at a 20-year reunion, earning unexpectedly positive reviews.^[147] Frank Rich of The New York Times praised her "cheery, ingratiating nonperformance" as a refreshing contrast in a dull ensemble, suggesting the play needed more of her and less of her co-stars.^[148] Altman later cast her in the film adaptation of the same title.^[147]

Cher, in a spiked hairstyle and dark outfit, signs an autograph while interacting with a man in a tuxedo. — Cher attending an autograph session in New York, 1985

Director Mike Nichols, who had seen Cher onstage in Jimmy Dean, offered her the part of Dolly Pelliker, the lesbian roommate of Karen Silkwood (played by Meryl Streep) in the 1983 biopic Silkwood.^[147] Audiences initially questioned Cher's acting ability; she later recalled attending a film screening where the crowd laughed upon seeing her name in the opening credits.^[149] For Silkwood, Cher was nominated for the Academy Award for Best Supporting Actress and won a Golden Globe Award in the same category.^[147]

The biopic Mask (1985) marked Cher's first critical and commercial success as a leading actress,^[147] reaching number two at the box office.^[150] During production, Cher clashed with director Peter Bogdanovich, refusing to support his call to boycott the film's promotion in protest of Universal Pictures' edits to the final cut.^[151] While promoting the film, she remarked, "From working with Peter, it's no surprise to me that he would serve his own interests before those of the film."^[152]

For her portrayal of Rusty Dennis, a drug-addicted biker raising a disfigured teenage son, Cher won the Cannes Film Festival Award for Best Actress.^[147] Despite critical predictions, she was ultimately left off the Oscar nomination list.^[153] Bego suggested that her public feud with Bogdanovich and unconventional image may have contributed to the Academy's decision.^[154] At the 58th Academy Awards, she wore a dramatic, tarantula-like outfit, which Vanity Fair's Esther Zuckerman later called Cher's "Oscar revenge dress".^[155] Presenting the Best Supporting Actor nominees, Cher quipped, "As you can see, I did receive my Academy booklet on how to dress like a serious actress".^[156] The incident garnered her much publicity.^[157]

Cher's May 1986 guest appearance on Late Night with David Letterman, during which she called David Letterman "an asshole", attracted much media coverage. Letterman later recalled, "It did hurt my feelings. Cher was one of the few people I've really wanted to have on the show ... I felt like a total fool, especially since I say all kinds of things to people."^[158] She returned in November 1987, reuniting with Sonny for the last time before his death for an impromptu performance of "I Got You Babe". Reflecting in 2015, Rolling Stone's Andy Greene wrote, "They weren't exactly the best of friends at this point, but both of them knew it would make for unforgettable television. Had YouTube existed back then, this would have gone insanely viral the next morning."^[159] That same month, Cher released The Ugly Duckling, an audiobook adaptation of the 1843 fairy tale. The Washington Post praised her as "a warm, unaffected storyteller" whose voice was "particularly suited for very young listeners."^[160]

1987–1992: Hollywood stardom and third musical comeback

[edit]

Cher starred in three films in 1987.^[147] In Peter Yates' legal thriller Suspect, she portrayed a public defender aided and romanced by a juror (Dennis Quaid) in a homicide case. In George Miller's comedy horror The Witches of Eastwick, she played one of three small-town divorcees—alongside Michelle Pfeiffer and Susan Sarandon—seduced by a mysterious, wealthy visitor (Jack Nicholson). In Norman Jewison's romantic comedy Moonstruck, she starred as an Italian widow who falls for her fiancé's younger brother (Nicolas Cage).^[147] The latter two films ranked among 1987's top ten highest-grossing movies.^[161]

The New York Times' Janet Maslin wrote Moonstruck "offers further proof that Cher has evolved into the kind of larger-than-life movie star who's worth watching whatever she does".^[162] For that film, Cher won the Academy Award for Best Actress^[163] and the Golden Globe Award for Best Actress in a Musical or Comedy.^[86] By 1988, Cher had become one of the most bankable actresses of the decade, commanding $1 million per film.^[147] That year, she released the fragrance Uninhibited, which earned about $15 million in its first year sales.^[164]

By the late 1980s, Cher had developed a reputation for her exhibitionist fashion, plastic surgeries and relationships with younger men.^[165] She dated actors Val Kilmer, Eric Stoltz and Tom Cruise, Bon Jovi guitarist Richie Sambora, hockey player Ron Duguay, film producer Joshua Donen and Rob Camilletti, a baker 18 years her junior—dubbed the "Bagel Boy" by the media—whom she was with from 1986 to 1989.^[166]

In 1987, Cher signed with Geffen Records and revived her musical career with what music critics Johnny Danza and Dean Ferguson described as "her most impressive string of hits to date", establishing her as a "serious rock and roller ... a crown that she'd worked long and hard to capture".^[98] Jon Bon Jovi, Michael Bolton, Richie Sambora and Desmond Child produced her first Geffen album, Cher.^[98] Despite facing strong retail and radio airplay resistance upon its release,^[167] the album proved to be a commercial success, certified platinum by the RIAA.^[77] Cher features the hair metal power ballad "I Found Someone",^[168] her first US top-ten single in eight years.^[98]

Cher won the Favorite All-Around Female Star Award at the 1989 People's Choice Awards.^[169] Her 19th studio album, Heart of Stone (1989), reached number one in Australia^[170] and entered the top ten in Canada,^[171] New Zealand,^[172] the UK^[30] and the US,^[32] where it was certified triple platinum.^[77] The album yielded three US top-ten singles: "After All" (with Peter Cetera), "Just Like Jesse James" and "If I Could Turn Back Time".^[32] The latter spent seven weeks at number one in Australia,^[173] became one of her signature songs^[174] and drew controversy for its sexually suggestive music video, filmed aboard the battleship USS Missouri.^[175]^[176] Cher launched the Heart of Stone Tour in 1989, which continued through 1990. Critics praised the tour for its nostalgic appeal and her showmanship.^[177] The TV special Cher... at the Mirage, filmed during a Las Vegas concert, aired in February 1991.^[178]

In Mermaids (1990), Cher's first film in three years, she drew inspiration from her mother to portray a woman who moves her daughters (Winona Ryder, Christina Ricci) from town to town after failed relationships.^[179] She clashed with the film's first two directors, Lasse Hallström and Frank Oz, who were replaced by Richard Benjamin.^[180] Producers, seeing Cher as the star attraction, granted her creative control.^[181] The film was a box office success and received positive reviews.^[182]^[183] One of the two songs Cher recorded for the film's soundtrack, a cover of Betty Everett's "The Shoop Shoop Song (It's in His Kiss)", topped the UK singles chart for five weeks.^[184]

Cher's final Geffen studio album, Love Hurts (1991),^[185] spent six weeks at number one in the UK and was certified gold by the RIAA.^[77] It produced the UK top-ten single "Love and Understanding".^[30] Writing for Entertainment Weekly, Jim Farber praised Cher's "sexually autonomous persona" as "one of the surest of any pop female", noting how she turned heartbreak lyrics into expressions of revenge rather than victimhood.^[186] She then launched the Love Hurts Tour (1991–1992)^[187] and released the UK-only^[188] compilation album Greatest Hits: 1965–1992 (1992), which topped the UK chart for seven weeks.^[30] She also capitalized on public interest in her youthful looks with the wellness book Forever Fit (1991)^[189] and the exercise videos CherFitness: A New Attitude (1991) and CherFitness: Body Confidence (1992).^[95]

1992–1998: From A-list actress to "Infomercial Queen"; death of Sonny Bono

[edit]

In the early 1990s, Cher contracted the Epstein–Barr virus and developed myalgic encephalomyelitis/chronic fatigue syndrome, leaving her too exhausted for music or film projects.^[180]^[190] She declined leading roles in Thelma & Louise and The War of the Roses.^[180] Her next film appearances were cameos in Robert Altman's The Player (1992) and Prêt-à-Porter (1994).^[187] To generate income, she appeared in infomercials for health, beauty and diet products, earning nearly $10 million.^[191]^[192] Critics saw it as a sellout and speculated her film career was over,^[192]^[193] with Entertainment Weekly stating she had eroded her "hard-won A-list actress status".^[180] The ads were parodied on Saturday Night Live and referenced in Clueless (1995), where protagonist Cher Horowitz jokes she was named after a "great [singer] of the past who now does infomercials".^[194]^[195] Cher later reflected, "Suddenly I became the Infomercial Queen ... people stripped me of all my other things."^[191]

In 1993, Cher re-recorded "I Got You Babe" with MTV's animated duo Beavis and Butt-Head, mocking her own image as they introduce her as "a chick that's got tattoos on her butt ... who's older ... done it a lot of times [and] used to be married to some dork" (referring to Sonny Bono).^[196] She topped the UK singles chart in 1995 with the charity single "Love Can Build a Bridge", alongside Chrissie Hynde, Neneh Cherry and Eric Clapton.^[197] After signing with Warner Music UK's WEA label, Cher released It's a Man's World (1995), an album of songs originally performed by men.^[185] Critics praised its R&B influences and Cher's vocal growth,^[198] with Stephen Holden of The New York Times calling it a "soulful collection of grown-up pop songs".^[199] The album features "Walking in Memphis", certified silver by the British Phonographic Industry (BPI), and the UK top-ten single "One by One".^[30] Man's World reached the top ten in Austria^[200] and the UK.^[30] A remixed US version, shifting from rock to a more radio-friendly sound, was commercially unsuccessful, peaking at number 64 on the Billboard 200.^[201]^[202]

In 1996, Cher starred alongside Demi Moore and Sissy Spacek in If These Walls Could Talk, a three-part anthology TV film about abortion. The project marked Cher's directorial debut, as she both directed and starred in the film's final segment, playing a doctor targeted by an anti-abortion group.^[198] Walls became HBO's highest-rated original movie to date, drawing 6.9 million viewers.^[203]^[204] Cher's first leading role in a theatrical release in six years came with Paul Mazursky's dark comedy Faithful (1996), in which she played a suicidal woman whose husband hires a hitman (Chazz Palminteri) to kill her.^[205] Although praised for her performance, with The New York Times noting she "does her game best to find comic potential in a victim's role", Cher refused to promote the film, calling it "horrible".^[180] Faithful was both a critical failure and a box-office bomb, grossing $2 million.^[206]

Following Sonny Bono's death in a skiing accident in 1998, Cher delivered a tearful eulogy at his funeral, calling him "the most unforgettable character" she had met.^[207] She paid tribute to him by hosting the CBS special Sonny & Me: Cher Remembers, which aired on May 20, 1998.^[208] That month, Sonny and Cher received a star on the Hollywood Walk of Fame for their work on television.^[209] Later that year, Cher published The First Time, a collection of autobiographical essays of "first-time" events in her life. Critics praised the book as sincere and relatable.^[210] The manuscript was nearly complete when Sonny died, and Cher was initially reluctant to include his death, concerned it might appear exploitative. She told Rolling Stone, "I might have [ignored it] if I cared more about what people think than what I know is right for me."^[211]

1998–2002: Fourth musical comeback and songwriting debut

[edit]

Cher's 22nd studio album, Believe (1998), marked a shift from her previous rock sound to 1970s disco-inspired dance-pop.^[98] It sold 11 million copies worldwide,^[212] earning quadruple platinum certification in the US and gold or platinum status in 39 countries.^[77]^[213] Entertainment Weekly described the album as "the most dramatic comeback Hollywood has seen", emphasizing its role in introducing her to a new generation of fans who "hadn't yet been born when 'I Got You Babe' ruled the charts in 1965".^[214]

The album's title track reached number one in 23 countries and sold over 10 million copies globally.^[215]^[216]^[217] It was the best-selling single of 1998 in the UK and of 1999 in the US.^[215]^[218] "Believe" debuted at number one in the UK, held the position for seven weeks and became the country's best-selling single by a female artist.^[219] In the US, it led the Billboard Hot 100 for four weeks,^[220] making Cher, at 52, the oldest woman to top the chart.^[h]^[222] Pitchfork wrote that "coming from Cher—a confident, charismatic, and massively talented woman who'd been subjected to frequent public ridicule over her personal life—'Believe' took on an extra survivalist edge".^[223]

"Believe" won the Grammy Award for Best Dance Recording and the 1999 Billboard Music Award for Hot 100 Single of the Year.^[224]^[225] The album's second single, "Strong Enough", reached number one in Hungary^[226] and entered the top five in Austria,^[227] Belgium,^[226] France,^[226] Germany,^[228] Iceland,^[229] Poland,^[230] Scotland,^[30] Spain,^[228] Switzerland^[227] and the UK.^[30] In 1999, Cher starred in Franco Zeffirelli's critically acclaimed war film Tea with Mussolini,^[231] playing a flamboyant American socialite unwelcome among Englishwomen (Judi Dench, Maggie Smith) in Italy.^[232] Lisa Schwarzbaum of Entertainment Weekly described her performance as "always likable, always soft-focus, always strange",^[233] while Film Comment wrote that she proved "how sorely she's been missed from movie screens".^[234]

On January 31, 1999, Cher sang "The Star-Spangled Banner", the US national anthem, at the Super Bowl XXXIII.^[235] She co-headlined the TV special VH1 Divas Live '99, which drew 19.4 million viewers and became the highest-rated program in VH1's history at the time.^[236]^[237] Her Do You Believe? Tour (1999–2000) sold out in every American city it visited,^[238] drawing a global audience of over 1.5 million.^[239] The tour's TV special, Cher: Live in Concert – From the MGM Grand in Las Vegas (1999), became HBO's top-rated original program of 1998–1999.^[240]^[241] Billboard named Cher the top dance artist of 1999.^[218] Capitalizing on her success, former label Geffen released the US-only compilation If I Could Turn Back Time: Cher's Greatest Hits (1999),^[242] certified gold by the RIAA.^[77] Meanwhile, Cher oversaw The Greatest Hits (1999) for international markets, reaching number one on the European Top 100 Albums chart.^[243]

In 2000, Cher released Not Commercial, an album she wrote after attending a songwriting conference in 1994. She chose the title after her label's chief dismissed the project as "nice, but not commercial" and rejected it for its explicit language and unsparing themes, including the suicide of Kurt Cobain, homelessness, veteran neglect and personal trauma. She sold it independently on her website, an unusual move for an artist under contract with a major label. The song "Sisters of Mercy", which describes the nuns who prevented her mother from retrieving her from a Catholic orphanage as "daughters of hell", drew condemnation from the Catholic Church.^[244]

Cher's dance-focused follow-up to Believe,^[245] Living Proof (2001), reached number one in Greece^[246] and number nine in the US,^[247] where it was certified gold.^[77] It features the UK top-ten single "The Music's No Good Without You",^[30] the Grammy-nominated "Love One Another"^[248] and "Song for the Lonely", a tribute to "the courageous people of New York" after the September 11 attacks.^[245] Named Billboard's top dance artist of 2002, Cher received the Artist Achievement Award from Steven Tyler at the 2002 Billboard Music Awards for having "helped redefine popular music with massive success on the Billboard charts".^[249]^[250] That year, her wealth was estimated at $600 million.^[251]

2002–2015: Farewell tours, musical film comeback and return to dance-pop

[edit]

In June 2002, Cher launched Living Proof: The Farewell Tour,^[252] promoted as her final concert tour, though she planned to keep recording and acting.^[253] Jon Pareles of The New York Times praised it as a celebration of Cher's resilience, highlighting her ability to "triumph over restraint, aging and gravity" and calling her "a hit machine immune to sagging flesh".^[254] Initially set for 49 shows, the tour was repeatedly extended.^[255] By October 2003, it had become the most successful tour by a female artist, grossing $145 million from 200 shows with 2.2 million attendees.^[256] The NBC special Cher: The Farewell Tour drew 17 million viewers,^[257] becoming the highest-rated network concert special of 2003 and earning Cher the Primetime Emmy Award for Outstanding Variety, Music or Comedy Special.^[258]^[259]

After leaving Warner UK in 2002, Cher signed a global deal with Warner Bros. Records in September 2003.^[260] Forbes named her the highest-paid female musician of 2003, earning $33.1 million.^[261] The compilation album The Very Best of Cher (2003) peaked at number four on the Billboard 200^[262] and was certified double platinum by the RIAA.^[77] In the Farrelly brothers' comedy Stuck on You (2003), Cher played a satirical version of herself in a relationship with a high schooler (Frankie Muniz), referencing media scrutiny of her relationships with younger men.^[263] Cher's Farewell Tour concluded in April 2005 after 325 shows, drawing over 3.5 million attendees and grossing $250 million, ranking among the top-ten highest-grossing tours of the 2000s.^[264]^[265]

After three years of retirement,^[266] Cher signed a $60 million deal for a 200-show residency at the Colosseum at Caesars Palace in Las Vegas.^[267] Titled Cher (2008–2011), the production featured advanced stage effects and over 20 costume changes.^[268]^[269] She returned to film in Burlesque (2010)—her first musical since Good Times (1967)—playing an intimidating nightclub owner who mentors an aspiring performer (Christina Aguilera).^[270] Initially met with mixed reviews and modest box office results, the film was later reassessed; Entertainment Weekly called it "a campy, niche classic [that] inspired everything, from drag queen revues to viral internet moments".^[271] Her ballad "You Haven't Seen the Last of Me", from the soundtrack, topped the Billboard Dance Club Songs chart in January 2011, making her the only artist with Billboard number-one singles in six consecutive decades (1960s–2010s).^[c]

After voicing Janet the Lioness in Zookeeper (2011),^[272] Cher produced the documentary Dear Mom, Love Cher (2013). It follows her efforts to support her mother Georgia Holt's dream of becoming a singer, culminating in the release of Holt's debut album at age 87.^[273] Closer to the Truth (2013), Cher's first studio album since 2001's Living Proof, debuted at number three on the Billboard 200—her highest position on that chart to date^[43]—and reached the top ten in Canada,^[32] Germany,^[32] Scotland^[30] and the UK.^[30] The Boston Globe wrote that "Cher's 'Goddess of Pop' sash remains in little danger of undue snatching; at 67, she sounds more convincing than J-Lo or Madonna reporting from 'the club'".^[274] She premiered the lead single "Woman's World" during the season four finale of The Voice—her first live TV performance in over a decade^[275]—and returned in season five as team adviser to judge Blake Shelton.^[276]

In June 2013, Cher headlined the annual Dance on the Pier benefit, celebrating LGBTQ Pride Day, achieving the event's first full-capacity crowd in five years.^[277] She embarked on the Dressed to Kill Tour in March 2014, over a decade after announcing her "farewell tour",^[278] joking during shows that this would actually be her last farewell tour while crossing fingers.^[279] The tour's first leg, comprising 49 sold-out shows in North America, grossed $54.9 million.^[278] Later that year, she canceled all remaining dates due to a kidney infection.^[280] Cher collaborated with American hip hop group Wu-Tang Clan on their 2015 album Once Upon a Time in Shaolin, credited under her 1964 alias, Bonnie Jo Mason.^[281] The album, produced as a single copy and sold via online auction,^[282] became the most expensive album ever sold.^[283]

2015–2022: ABBA-inspired projects and fashion ventures

[edit]

Classic Cher, a three-year concert residency at the Park Theater in Las Vegas and The Theater at MGM National Harbor in Washington, D.C., began in February 2017.^[284] At the 2017 Billboard Music Awards, Cher performed "Believe" and "If I Could Turn Back Time", her first awards show performance in over 15 years. Gwen Stefani presented Cher with the Billboard Icon Award, calling her the "definition of the word Icon" and a role model of strength and authenticity.^[285] In March 2018, Cher headlined the 40th Sydney Gay and Lesbian Mardi Gras, with tickets selling out in three hours after she hinted at her involvement on Twitter.^[286]

Cher returned to film after nearly a decade in Mamma Mia! Here We Go Again (2018), a jukebox musical romantic comedy based on the songs of ABBA. Serving as both a prequel and a sequel to the 2008 film Mamma Mia!, it features Cher as Ruby Sheridan, the grandmother of Sophie (Amanda Seyfried) and mother of Donna (Meryl Streep).^[287] Director Ol Parker addressed casting Cher as Streep's mother despite their three-year age difference by stating, "Cher exists outside of time."^[288] Critics highlighted her performance as a standout, with Vulture remarking, "Every single movie ... would be infinitely better if it included Cher."^[289] For the soundtrack, she recorded two ABBA songs, "Fernando" and "Super Trouper".^[290] Björn Ulvaeus of ABBA commented, "She makes 'Fernando' her own. It's her song now."^[291]

While promoting Mamma Mia! Here We Go Again, Cher announced she was working on an album of ABBA covers.^[292] Released in September 2018, Dancing Queen debuted at number three on the Billboard 200, tying with 2013's Closer to the Truth as Cher's highest-charting solo album in the US.^[293] With first-week sales of 153,000 units, it achieved the year's biggest sales week for a pop album by a female artist.^[293] Dancing Queen received widespread critical acclaim; Rolling Stone commented that Cher makes the ABBA songs sound as if they were written for her,^[294] while Entertainment Weekly praised it as her "most significant release since 1998's Believe".^[295]

Cher's Here We Go Again Tour ran from 2018 until its indefinite postponement in 2020 due to the COVID-19 pandemic lockdowns.^[296]^[297] Rolling Stone deemed the tour proof that Cher "can wipe the floor with any pop star from any generation".^[298] The Cher Show, a jukebox musical with three actresses playing Cher at different stages of her life, premiered in Chicago in June 2018 and ran on Broadway from December 2018 to August 2019,^[299]^[300] later touring the UK, Ireland and the US.^[301]^[302] On December 2, 2018, Whoopi Goldberg presented Cher with the Kennedy Center Honors for her "extraordinary contributions to culture",^[303] with tribute performances by Adam Lambert, Cyndi Lauper and Little Big Town.^[304] In 2019, she launched Cher Eau de Couture, a "genderless" follow-up to her 1988 fragrance Uninhibited.^[305]

During the COVID-19 pandemic in 2020, Cher focused on projects that could be completed from home. In May, she released her first Spanish-language song, a cover of ABBA's "Chiquitita", with proceeds donated to UNICEF.^[306] Later that year, she voiced a bobblehead version of herself in Bobbleheads: The Movie^[307] and joined the charity supergroup BBC Radio 2 Allstars for a cover of Oasis' "Stop Crying Your Heart Out". The recording, made in support of the Children in Need charity,^[308] became a UK top-ten single.^[309] Cher was featured in The New York Times Magazine's annual "Best Actors" list for 2020,^[310] becoming the first actor included without appearing in a theatrical release that year;^[311] her performance in Moonstruck (1987) was praised as "radiant" and a source of comfort during quarantine.^[310]

In the late 2010s and early 2020s, Cher collaborated with major fashion brands. After attending the 2015 Met Gala as Marc Jacobs' guest, Cher became the face of his Fall/Winter campaign.^[312] She then starred alongside rapper Future in Gap's Fall 2017 campaign,^[313] followed by Dsquared2's Spring/Summer 2020 campaign,^[314] MAC Cosmetics' "Challenge Accepted" campaign in January 2022 and UGG's "Feel" campaign the same month.^[315]^[316] For Pride Month in June 2022, Cher partnered with Versace to launch the "Chersace" capsule collection, with proceeds benefiting the LGBTQIA+ charity Gender Spectrum.^[317] In September 2022, she walked the runway at Paris Fashion Week, closing Balmain's Spring/Summer 2023 show, and in November, she starred in the brand's "Balmain Blaze" campaign.^[318]^[319] That month, Cher began dating music executive Alexander Edwards, 40 years her junior. Their age gap sparked criticism online, which she addressed by tweeting, "Love doesn't know math."^[320]

2023–present: Christmas album, Rock Hall induction and memoirs

[edit]

Cher's first holiday album, Christmas (2023), features duets with Cyndi Lauper, Stevie Wonder, Michael Bublé, Darlene Love and rapper Tyga.^[321] It reached number one at the Billboard Top Holiday Albums chart,^[32] as well as the top ten in Austria,^[322] Germany,^[32] Scotland^[30] and the UK.^[32] The album's lead single, "DJ Play a Christmas Song", topped the Billboard Adult Contemporary and Dance/Electronic Digital Song Sales charts in December 2023,^[323] extending Cher's record as the only solo artist with Billboard number-one singles in seven consecutive decades (1960s–2020s).^[c]

In December 2023, Cher criticized the Rock and Roll Hall of Fame for excluding her since becoming eligible in 1990, saying, "I wouldn't be in it now if they gave me a million dollars", and suggesting the institution "can just you-know-what themselves".^[324] Two months later, she received her first nomination and was inducted on October 19, 2024, becoming the first musician-actor to win an Academy Award for acting and join the Hall of Fame.^[325]^[326]^[327] Cher decided to accept the honor out of admiration for her fellow inductees.^[326] At the ceremony, she performed "If I Could Turn Back Time" and "Believe", the latter as a duet with Dua Lipa.^[326]

In November 2024, Cher published Cher: The Memoir, Part One, the first of a two-part autobiography covering her childhood, early career and marriages to Sonny Bono and Gregg Allman.^[328] Written over seven years,^[328] it debuted at number one on The New York Times Best Seller list, holding the position for three weeks.^[329] The second part is set for release in 2025.^[330] To celebrate 60 years in music, Cher released the greatest hits album Forever (2024), available as a 21-track standard edition and a 40-track digital edition, Forever Fan, featuring Sonny & Cher songs and lesser-known tracks curated by Cher.^[331] Rolling Stone noted the absence of "Half-Breed", her third Billboard Hot 100 number-one, linking it to a trend of artists reevaluating their catalogs in light of changing cultural sensitivities.^[331]

Artistry

[edit]

Music and voice

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Cher has explored diverse musical styles, including rock (folk, punk, arena and pop subgenres), soul, jazz, disco, new wave, power ballads, hip hop and electronic dance music,^[327]^[332] aiming to "remain relevant and do work that strikes a chord".^[333] Music historian Annie Zaleski wrote in Cher's Rock and Roll Hall of Fame induction essay that she sings "nearly every style of music" effortlessly.^[327] Cher's music often centers on heartbreak, independence and women's empowerment, making her a "brokenhearted symbol of a strong but decidedly single woman", according to Out's Judy Wieder.^[334] Goldmine's Phill Marder credited Cher's musical success to her "nearly flawless" song selection, noting that while Sonny Bono contributed to early hits, most of her solo successes came from independent songwriters she chose.^[335] Her 2000 album Not Commercial, largely self-written, has a "1970s singer-songwriter feel" that highlights her storytelling skills, according to AllMusic's Jose F. Promis.^[336]

Robert Hilburn of the Los Angeles Times wrote, "There were a lot of great records by female singers in the early days of rock ... None, however, reflected the authority and command that we associate with rock 'n' roll today as much as [Cher's] key early hits".^[337] Some of Cher's early songs discuss subjects rarely addressed in American popular music such as divorce, prostitution, unplanned and underaged pregnancy, and racism.^[335] According to AllMusic's Joe Viglione, the 1972 single "The Way of Love" is "either about a woman expressing her love for another woman or a woman saying au revoir to a gay male she loved".^[338] Her ability to carry both male and female ranges allowed her to sing solo in androgynous and gender-neutral songs.^[338]

Cher's contralto voice has been praised for its distinctiveness.^[339] Ann Powers of The New York Times described it as "a quintessential rock voice: impure, quirky [and] a fine vehicle for projecting personality."^[340] Zaleski called her timbre "recognizable, dusky and sultry, like exquisite black velvet", with a wide range and "warbling" vibrato.^[327] AllMusic's Bruce Eder stated that her voice's "intensity and passion" are amplified by her acting skills, creating "an incredibly powerful experience for the listener".^[341] The Guardian's Laura Snapes called her voice "miraculous", capable of expressing "vulnerability, vengeance and pain" simultaneously.^[342] Zaleski added that her vocal delivery feels like "a direct line to her soul",^[327] while author Paul Simpson observed that "she spits out the words ... with such conviction you'd think she was delivering an eternal truth about the human condition".^[343]

"Believe" (1998)

"Believe" pioneered the use of Auto-Tune to intentionally distort vocals—a technique later known as the "Cher effect".

"Believe" without Auto-Tune

For comparison, Auto-Tune is not applied in this section.

Problems playing these files? See media help.

Writing about Cher's musical output during the 1960s, Hilburn stated that "no one matched the pure, seductive wallop of Cher".^[337] By contrast, her vocal performances during the 1970s were described by Eder as "dramatic, highly intense ... [and] almost as much 'acted' as sung".^[24] First heard in the 1980 record Black Rose,^[344] Cher employed sharper, more aggressive vocals on her hard rock-oriented albums, establishing her sexually confident image.^[186] For the 1995 album It's a Man's World, she restrained her vocals, singing in higher registers and without vibrato.^[185]

Cher's 1998 song "Believe" was the first commercial recording to use Auto-Tune—an audio processor for correcting off-key vocals—as a stylistic effect, creating a robotic, futuristic sound.^[345]^[346] Cher, who proposed the effect,^[347] faced resistance from her label but insisted it remain, saying, "You can change [the song] over my dead body".^[347] Dubbed the "Cher effect",^[345] the technique was later described by Pitchfork's Simon Reynolds as having "revolutionized the sound of popular music" and as "the sound of the 21st century".^[348] Cher used Auto-Tune extensively on Living Proof (2001) and subsequent albums.^[295]

Acting style and screen persona

[edit]

Maclean's magazine's Barbara Wickens described Cher as "probably the most fascinating movie star of her generation", highlighting her "magnetic" screen presence and her ability to be both "boldly shocking" and "ultimately enigmatic".^[349] Film Comment wrote, "For Cher is a star. That is, she manages the movie star trick of being at once a character and at the same time never allowing you to forget: that's Cher."^[234] New York Post critic David Edelstein attributed Cher's "top-ranking star quality" to her capacity for projecting "honesty, rawness and emotionality", adding that she "wears her vulnerability on her sleeve".^[349] New York magazine's David Denby pointed to her distinctive appearance as a key factor in her appeal, describing her look as "odd, a bit oriental and snaky" and suggesting that it aligns with "the traditional definition of a Hollywood star—that you always want to see more".^[349]

Author Yvonne Tasker noted that Cher's film roles mirror her public image as a rebellious, sexually autonomous and self-made woman.^[350] She often portrays women who help marginalized male characters navigate mainstream society.^[351] This perception was reinforced in The X-Files episode "The Post-Modern Prometheus" (1997), which follows a scientist's grotesque creature who idolizes Cher because of her role in Mask (1985), where her character cares for her disfigured son.^[352]^[353] Film critic Kathleen Rowe wrote of Moonstruck (1987) that the depiction of Cher's character as "a 'woman on top' [is] enhanced by the unruly star persona Cher brings to the part'".^[354]

Cher was ranked first by Billboard on its list of "The 100 Best Acting Performances by Musicians in Movies" for her role in Moonstruck, with the performance described as "the standard by which you mentally check all others".^[355] The film was named the eighth-greatest romantic comedy of all time by the American Film Institute.^[356] People included Cher among its "100 Greatest Movie Stars of our Time"^[357] and Biography ranked her the third-favorite leading actress of all time, behind Katharine Hepburn and Audrey Hepburn.^[358]

Music videos and performances

[edit]

Cher's music videos and live performances have frequently reflected her public image, addressing themes such as self-construction, female sexuality and the pursuit of perfection.^[359] Her concerts often include biographical montages and self-referential visuals. Author Diane Negra described them as multimedia retrospectives that merge different phases of her career into a cohesive stage narrative and frame performance as a form of autobiography.^[360] The New York Times observed that Cher's onstage appearances alongside projected images of her younger selves function to reaffirm and reclaim earlier identities,^[254] while the Los Angeles Times described her shows as rooted in "her larger-than-life story [and] mythology of self-reinvention".^[361]

In her 1991 Cher... at the Mirage concert video, she subverted the typical staging of female pop performances by replacing female backup dancers with a male dancer impersonating her. Dressed in a replica of her 1986 Academy Awards outfit, the impersonator initially appeared to be Cher. Cher then emerged in a different costume and began performing, while the impersonator interacted with oversized props symbolizing fame and media attention.^[359] Negra interpreted this segment as Cher casting herself as the narrator of her own life story, using the impersonator to emphasize her status as a "fictionalized production" shaped by media and performance—a dynamic she described as offering audiences a "pleasurable plurality".^[360] Commenting on the scale of her shows, Tony Spilde of The Bismarck Tribune wrote that "⁠[Cher's] lavish concerts have become bigger than the music they're meant to promote".^[362] James Sullivan of the San Francisco Chronicle credited her with influencing the development of stadium-scale concerts, stating, "She's comfortable enough to see such imitation as flattery, not theft."^[363]

Cher's 1980 video for "Hell on Wheels" employed cinematic techniques,^[364] and film historian Lawrence J. Quirk described it as one of the earliest examples of a modern music video.^[365] The 1989 music video for "If I Could Turn Back Time" was the first to be banned by MTV,^[359] due to controversy over Cher's performance aboard the battleship USS Missouri, where she straddled a cannon in a leather thong that revealed her tattooed buttocks,^[176] accompanied by homoerotic imagery featuring sailors.^[366]

Public image

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Fashion icon status

[edit]

Time described Cher as a "cultural phenomenon [who] has forever changed the way we see celebrity fashion".^[367] She emerged as a fashion trendsetter in the 1960s, popularizing "hippie fashion with bell-bottoms, bandanas and Cherokee-inspired tunics".^[368] In 1967, she caught the attention of then-Vogue editor Diana Vreeland at a party for Jacqueline Kennedy and began modeling for photographer Richard Avedon.^[368] She subsequently appeared five times as the cover model for US Vogue.^[369]

Avedon photographed Cher in a beaded and feathered nude gown by Bob Mackie for the cover of Time in 1975;^[370] Billboard called it "one of the most recreated and monumental looks of all time".^[371] Cher had first worn the gown to the 1974 Met Gala. According to André Leon Talley of Vogue, "it was really the first time a Hollywood celebrity attended and it changed everything. We are still seeing versions of that look on The Met red carpet 40 years later."^[371] Billboard wrote that Cher has "transformed fashion and [become] one of the most influential style icons in red carpet history".^[371]

The Hamilton Spectator declared Cher "the It Girl of the '70s".^[372] She became a sex symbol through her TV shows, wearing inventive and revealing Mackie-designed outfits and successfully fighting network censors to bare her navel.^[165] Because she did so by choice rather than at the direction of male producers, Cher is often credited as the first woman to expose her navel on TV.^[i]^[374] People dubbed Cher the "pioneer of the belly beautiful".^[375] In 1972, after she was featured on the International Best Dressed Hall of Fame List, Mackie stated: "There hasn't been a girl like Cher since [Marlene] Dietrich and [Greta] Garbo. She's a high-fashion star who appeals to people of all ages."^[376]

In 1999, after the Council of Fashion Designers of America (CFDA) honored Cher with its Influence on Fashion Award, Robin Givhan of the Los Angeles Times called her a "fashion visionary" for "striking just the right note of contemporary wretched excess".^[377] Givhan noted that designers such as Tom Ford, Anna Sui and Dolce & Gabbana have cited Cher as "source of inspiration and guidance".^[377] She added that "Cher's Native American showgirl sexpot persona now seems to epitomize the fashion industry's rush to celebrate ethnicity, adornment and sex appeal."^[377] Vogue proclaimed Cher "⁠[their] favorite fashion trendsetter", calling her "eternally relevant [and] the ruler of outré reinvention".^[378] The Independent's Alexander Fury traced her influence on celebrities including Beyoncé, Halle Berry, Jennifer Lopez and Kim Kardashian, stating, "They all graduated from the Cher school of never sharing the stage with anyone."^[379]

Physical appearance

[edit]

Cher has attracted media attention for her physical appearance, including her youthful looks, hairstyles and tattoos. Journalists have often called Cher the "poster girl" of plastic surgery.^[380] Cher has admitted to plastic surgery but criticized media speculation, denying most rumored procedures. She stated she doesn't need to justify her choices, saying in 2002, "If I want to put my tits on my back, it's nobody's business but my own."^[381]

Author Caroline Ramazanoglu wrote that Cher's appearance has evolved from "a strong, decidedly 'ethnic' look [to] a more symmetrical, delicate ... and ever-youthful version of female beauty". She argued that Cher's idealized beauty "now acts as a standard against which other women will measure, judge, discipline and 'correct' themselves".^[382] Paddy Calistro of the Los Angeles Times wrote that during Cher's rise as a movie star in the 1980s, her "highly articulated bone structure captured audience attention", which led to an increased number of medical requests for "surgically inserted 'cheekbones'".^[383]

"The Cher Hair", Cher's signature hairstyle, in 1971

Cher with a blonde wig at a 2019 performance

Cher's signature hairstyle, known as "the Cher hair"—long, straight, jet-black hair parted in the center—was a 1970s fashion trend that saw multiple revivals in later decades.^[377]^[384]^[385] In the 1970s, she started wearing wigs on her TV shows to play various characters in the same episode.^[386] By the 1990s, wigs became a staple of her public appearances, enabling her to experiment with colors and lengths.^[387] She has stated that wigs help her "stay current" while protecting her natural hair.^[387] Professor Katrin Horn from University of Greifswald wrote that Cher's use of wigs has surpassed typical celebrity fashion, elevating her into "the realms of feminine drag".^[366]

Cher has six tattoos. The Baltimore Sun called her the "Ms. Original Rose Tattoo".^[388] She got her first tattoo in 1972.^[388] According to Sonny Bono, "Calling her butterfly tattoos nothing was like ignoring a sandstorm in the Mojave. That was exactly the effect Cher wanted to create. She liked to do things for the shock they created."^[389] In the late 1990s, she began having laser treatments to remove her tattoos.^[390] The process was still underway in the 2000s. She commented, "When I got tattooed, only bad girls did it: me and Janis Joplin and biker chicks. Now it doesn't mean anything. No one's surprised."^[391]

Cher was the inspiration for Mother Gothel, a fictional character who appears in Walt Disney Pictures' animated feature film Tangled (2010). Director Byron Howard stated that Gothel's exotic appearance was based on Cher's "exotic and Gothic looking" appearance, continuing that the singer "definitely was one of the people we looked at visually, as far as what gives you a striking character".^[392] In 1992, Madame Tussauds wax museum honored Cher as one of the five "most beautiful women of history" by creating a life-size statue.^[393]

Social media presence

[edit]

Cher's social media presence has been noted for its unconventional and candid style. Time named Cher "Twitter's most outspoken (and beloved) commentator",^[367] while The New York Times' J Wortham highlighted her authenticity, contrasting it with the heavily curated online personas typical of celebrity accounts. Wortham described Cher as "an outlier, perhaps the last unreconstructed high-profile Twitter user", whose posts combine "nakedness and honesty" that is "rarely celebrated" in mainstream culture.^[394] Similarly, The Guardian's Monica Heisey described Cher's Twitter account as "a jewel in the bizarro crown of the internet", noting, "While many celebrities use Twitter for carefully crafted self-promotion, Cher just lets it all hang out."^[395] Journalists have also remarked on her frequent use of emojis, which Cher has linked to her dyslexia, describing them as intuitive tools for visualizing emotions.^[396]

Gay icon status

[edit]

Cher is revered by the LGBTQ community, a status attributed to her career accomplishments, distinctive style and enduring longevity.^[397] Many of her songs are considered gay anthems, including "If I Could Turn Back Time",^[398] "Believe",^[399] "Strong Enough"^[400] and "Song for the Lonely".^[401] She is regarded as a gay icon and is frequently imitated by drag queens.^[402] According to Salon writer Thomas Rogers, drag queens emulate figures like Judy Garland, Dolly Parton and Cher because they "overcame insult and hardship on their path to success"—narratives that resonate with the struggles many gay men face when coming out.^[402]

Maclean's journalist Elio Iannacci stated that Cher was "one of the first to bring drag to the masses", hiring two drag queens to perform with her during her Las Vegas residency in 1979.^[403] The Advocate's Jeff Yarbrough described Cher as "one of the first superstars to 'play gay' with compassion and without a hint of stereotyping", as she portrays a lesbian in the 1983 film Silkwood.^[404] Cher's social activism have further solidified her status as a gay icon.^[405] As the mother of a trans man, Chaz Bono, Cher has advocated for visibility and support for trans families.^[406]

Cher's influence on LGBTQ culture was highlighted in the NBC sitcom Will & Grace, where she was the idol of gay character Jack McFarland. She appeared as herself in two episodes, including "Gypsies, Tramps and Weed" (2000)—referencing her 1971 song "Gypsys, Tramps & Thieves"—which became the show's second-highest-rated episode.^[407]^[408] Cher's impact on the drag community is also evident in the reality competition RuPaul's Drag Race, which has honored her through challenges like the musical performance "Cher: The Unauthorized Rusical" in season 10 and the runway theme "Everything Every-Cher All at Once" in season 16.^[409]^[410]

Legacy

[edit]

Ann Powers of the Los Angeles Times called Cher a "mainstream translator" of 1960s counterculture, underscoring her role as the link between teenage rebellion and marketability.^[361] Music critic Jeff Miers credited Cher with setting the template for generations of female pop artists, citing her mastery of theatrical presentation, seamless genre shifts and knack for provoking without losing mainstream appeal.^[411] According to The New York Times, Cher has "earned her mononym" and inspired "an entire industry of imitators, both figurative and literal".^[412] Shon Faye of Dazed wrote that her legacy underpins many modern pop stars: "If Madonna and Lady Gaga and Kylie Minogue and Cyndi Lauper were playing football, Cher would be the stadium they played on and the sun that shone down on them."^[288] Rob Sheffield of Rolling Stone called her "the one-woman embodiment" of pop music.^[168] Cher has been referred to as the "Goddess of Pop" in publications such as The Washington Post, Time and Billboard.^[j]

Cher's career has been marked by continual reinvention;^[429] professor Richard Aquila described her as "the ultimate pop chameleon",^[430] while The New York Times dubbed her the "Queen of the Comeback".^[199] Cher remarked, "It's a thousand times harder to come back than to become."^[431] Billboard highlighted her role in expanding visual storytelling in pop music, noting that her ability to shift personas on and off stage redefined the scope of image-making for performers.^[371] The Boston Globe described her as a forerunner of transformation in pop music, crediting her with driving her own evolution and turning reinvention into a deliberate strategy rather than a survival instinct.^[432] Author Craig Crawford described Cher as "a model of flexible career management", highlighting how she adapted her image to align with cultural trends while maintaining a rebellious persona that made her transformations both strategic and authentic.^[433] Author Lucy O'Brien saw her as embodying the American Dream of self-reinvention by challenging assumptions around aging in the entertainment industry.^[434]

Cher's sustained success in a male-dominated entertainment industry has invited discussion around gender roles and autonomy in entertainment.^[411]^[435] Billboard credited her with establishing an "androgynous musical identity" that predated and influenced artists such as David Bowie and Patti Smith.^[436] Goldmine's Phill Marder said Cher advanced "feminine rebellion" in 1960s rock, calling her "the prototype of the female rock star".^[335] Billboard described her as a "pioneer of female autonomy" in the music industry, as her unconventional themes—including racism and prostitution^[335]—challenged expectations for female artists in a "male-driven" era.^[437] Marder tied this perception of autonomy to her commanding, "near dominatrix" stage persona alongside Sonny Bono and her subsequent rise to greater prominence as a solo act.^[335]

Early in her career, Cher's critics often framed her output as an extension of male collaborators,^[438] a view Cher addressed directly: "It was a time when girl singers were patted on the head for being good and told not to think".^[199] Over time, her image evolved, reflecting what professor Yvonne Tasker described as her ambition to build an acting career "on her own terms" by rejecting both "dependence on a man [and] the conventional role assigned to women [over 40] in an industry that fetishises youth".^[439] AllMusic noted that during her popular 1970s TV shows with Sonny Bono, "he was a diminutive foil to Cher's sexually provocative comedienne", reversing traditional gender dynamics and positioning her as the comedic lead.^[440] Director George Schlatter credited Cher with redefining women's roles in TV comedy, stating, "Until Cher, women have been the joke, not done the joke ... She's the first female star to carry a show in the same way that men have".^[441]

Following her 1988 Academy Award win, The New York Times' Stephanie Brush compared Cher's impact on women to Jack Nicholson's cultural appeal among men, stating that she embodied women's "revenge fantasies" by confronting those who underestimated her: "You need to be more than beautiful to get away with this. You need to have been Cher for 40 years."^[54] Later that year, Ms. magazine praised her as an "authentic feminist hero" and "the quintessential woman of the '80s", emphasizing her refusal to conform to expectations of feminine decorum—both in appearance and behavior.^[442] It cited her flamboyant self-presentation, her public confrontations with David Letterman, TV censors and patronizing film directors, as well as her candor about single motherhood, younger partners, cosmetic surgery and her struggle to be taken seriously as a rock singer and actress.^[442] A 1996 Dateline NBC interview clip featuring Cher's response to her mother's advice to "marry a rich man"—"Mom, I am a rich man"—went viral in 2016.^[443] Bustle magazine described the quote as a subversion of traditional gender norms and a landmark feminist statement.^[444]

Cher's public image—marked by defiance, flamboyance and an unwavering sense of self—has itself become a subject of cultural study and popular fascination.^[445]^[397] In Rolling Stone, Jancee Dunn noted her enduring coolness, attributing it to her refusal to conform: "Her motto is, 'I don’t give a shit what you think, I'm going to wear this multicolored wig.'"^[446] Alexander Fury of The Independent described her celebrity as "seemingly immortal" and operating at a "omnipotent, uni-monikered level",^[379] while Frank Bruni of The New York Times wrote that she personifies "a magnitude of celebrity for which the word fame is pathetically insufficient".^[447] Bego emphasized her multifaceted career: "No one in the history of show business has had a career of the magnitude and scope of Cher's. She has been a teenage pop star, a television hostess, a fashion model, a rock star, a Broadway actress, an Oscar-winning movie star, a disco diva and the subject of a mountain of press coverage."^[448] Lynch concluded, "The world would certainly be different if she hadn't stayed so irrevocably Cher from the start."^[436]

Achievements

[edit]

Cher has sold over 100 million records as a solo artist, ranking among the best-selling music artists of all time.^[49]^[449]^[450] She is one of five singer-actors to have earned both an Academy Award for acting and a US number-one single^[67] and the only Academy Award-winning actor inducted into the Rock and Roll Hall of Fame.^[325]^[326]^[327] Her breakthrough single "I Got You Babe" (1965) is a Grammy Hall of Fame inductee^[451] and appeared on Rolling Stone's 2003 list of the "500 Greatest Songs of All Time".^[452] Billboard named "Gypsys, Tramps & Thieves" (1971) one of the greatest songs of the 20th century^[453] and listed "If I Could Turn Back Time" (1989) among its "500 Best Pop Songs" in 2023.^[454] "Believe" (1998), the UK's best-selling single by a female artist,^[219] was included on Rolling Stone's updated "500 Greatest Songs of All Time" list in 2021^[455] and ranked eighth in a 2003 BBC poll of the world's favorite songs—the only American entry.^[456]

Cher is the only solo artist to have achieved a number-one single on a US Billboard chart in seven consecutive decades^[c]^[457] and the only solo artist to have released new material that reached the Official UK Top 40 in seven consecutive decades (1960s–2020s).^[458] She held the previous record for the longest span between a first and most recent number-one single on the US Billboard Hot 100—33 years, seven months and three weeks—from "I Got You Babe" (August 14, 1965) to the final week at number one for "Believe" (April 3, 1999).^[k]^[220] At 52, she became the oldest female artist to top the Hot 100.^[h]^[222] In 2023, "DJ Play a Christmas Song" made her the oldest female artist–at 77–to enter the Official UK Top 40.^[458]

Cher has received numerous lifetime and career achievement honors, including the Vanguard Award at the 1998 GLAAD Media Awards,^[460] the Legend Award at the 1999 World Music Awards,^[461] the Influence on Fashion Award from the Council of Fashion Designers of America (CFDA) in 1999,^[377] the Lucy Award for Innovation in Television at the 2000 Women in Film Awards,^[462] the Icon Award at the 2017 Billboard Music Awards^[285] and the Ambassador for the Arts Award at the 2019 Chita Rivera Awards for Dance and Choreography.^[463] Her handprints and footprints are set in the forecourt of Grauman's Chinese Theatre in Hollywood.^[464] She has a star on the Hollywood Walk of Fame as part of Sonny & Cher^[209] and was offered a solo star in 1983 but declined the required personal appearance.^[465] In 2018, Cher received the Kennedy Center Honors, the highest cultural recognition in the US,^[303] and in 2024, she was inducted into the Rock and Roll Hall of Fame.^[466]

Political views

[edit]

Cher has said that she is not a registered Democrat, but has attended many Democratic events.^[467] Her progressive political views have attracted media attention and she has been an outspoken critic of the conservative movement.^[449] She has commented that she did not understand why anyone would be a Republican because eight years under the administration of George W. Bush "almost killed [her]".^[468] During the 2000 United States presidential election, ABC News wrote that she was determined to do "whatever possible to keep [Bush] out of office".^[467] She said, "If you're black ... a woman [or] any minority in this country at all, what could possibly possess you to vote Republican? ... You won't have one fucking right left."^[467] She added, "I don't like Bush. I don't trust him ... He's stupid. He's lazy."^[467]

On October 27, 2003, Cher anonymously called a C-SPAN phone-in program to recount a visit she made to maimed soldiers at the Walter Reed Army Medical Center and criticized the lack of media coverage and government attention given to injured servicemen. Although she identified herself as an unnamed entertainer, she was recognized by the C-SPAN host, who subsequently questioned her about her 1992 support for independent presidential candidate Ross Perot. She said:

When I heard him talk right in the beginning, I thought that he would bring some sort of common-sense business approach and also less partisanship, but then ... I was completely disappointed like everyone else when he just kind of cut and run and no one knew exactly why ... Maybe he couldn't have withstood all the investigation that goes on now.^[469]

In a 2006 Stars and Stripes interview, Cher elaborated on her "against the war in Iraq but for the troops" position: "I don't have to be for this war to support the troops because these men and women do what ... they're told to do ... They do the best they can. They don't ask for anything."^[470]

Cher supported Hillary Clinton in her 2008 presidential campaign.^[449] After Obama won the Democratic nomination, she supported his candidacy.^[471]^[472] However, in a 2010 interview with Vanity Fair, she commented that she "still thinks Hillary would have done a better job", although she "accepts the fact that Barack Obama inherited insurmountable problems".^[449] During the 2012 United States presidential election, Cher and comedian Kathy Griffin released a public service announcement titled "Don't Let Mitt Turn Back Time on Women's Rights", criticizing Republican presidential nominee Mitt Romney for his support of Richard Mourdock, the US Senate candidate who suggested that pregnancies resulting from rape were "part of God's plan".^[473]

In September 2013, Cher declined an invitation to perform at the 2014 Winter Olympics opening ceremony in Russia due to the country's controversial anti-LGBTQ legislation that overshadowed preparations for the event.^[474] In June 2015, after Donald Trump announced his candidacy for president, she made critical comments on Twitter, stating that "Donald Trump's punishment is being Donald Trump".^[475] In 2018, after the victory in Brazil's presidential election of right-wing populist Jair Bolsonaro, Cher called him a "pig" and "a politician from hell", before declaring that Bolsonaro should be "locked in prison for the rest of his life".^[476]

Cher has advocated for recognition of the Armenian Genocide. At the 2016 premiere of The Promise, a war film depicting the genocide, she criticized Turkey's denial and highlighted the general public's lack of awareness. She cited the Obersalzberg Speech and the line, "Who, after all, speaks today of the annihilation of the Armenians?" She also discussed her Armenian heritage and her grandparents' survival of the genocide.^[477] Cher expressed support for Armenia and Artsakh on Twitter during the 2020 Nagorno-Karabakh war.^[478] The following year, she congratulated Joe Biden for being the first US President to formally recognize the Armenian Genocide.^[479]

In September 2020, Cher raised nearly $2 million for Biden's presidential campaign at a virtual LGBTQ-themed fundraiser.^[480] In October, she campaigned for Biden in Nevada and Arizona^[481] and released a cover of "Happiness Is a Thing Called Joe", originally from the 1943 musical Cabin in the Sky, with lyrics updated to be about Biden.^[482] In 2022, following Russia's invasion of Ukraine, Cher voiced support for Ukraine on Twitter and called for humanitarian aid.^[483] She referred to Russian President Vladimir Putin as a despot seeking to restore the Soviet Union^[484] and announced plans to provide shelter to Ukrainian refugees in her home.^[485]

Philanthropy

[edit]

Cher's philanthropic work is channeled through the Cher Charitable Foundation, which focuses on combating poverty, advancing medical research, improving health care and supporting the rights of vulnerable groups such as veterans, children, LGBTQ individuals, elders and animals.^[486] She has been a vocal advocate for American soldiers, returning veterans and communities affected by war. In 1993, she joined a humanitarian mission to Armenia, delivering food and medical supplies to the war-torn region.^[487] She has supported Operation Helmet, which provides free helmet upgrade kits to troops in Iraq and Afghanistan, and contributed to the Intrepid Fallen Heroes Fund, aiding military personnel severely injured in war-related operations.^[488]

Beginning in 1990, Cher served as a donor and as the National Chairperson and Honorary Spokesperson for the Children's Craniofacial Association, whose mission is to "empower and give hope to facially disfigured children and their families".^[488] The annual Cher's Family Retreat is held each June to provide craniofacial patients and their families an opportunity to interact with others with similar experiences. She supports the Get A-Head Charitable Trust, which aims to improve the quality of life for people with head and neck diseases.^[488]

Cher is a donor, fundraiser and international spokesperson for Keep a Child Alive, which seeks to combat AIDS, including providing antiretroviral medicine to children and their families.^[488] In 1996, she hosted the American Foundation for AIDS Research (amfAR) Benefit alongside Elizabeth Taylor at the Cannes Film Festival.^[489] In 2015, she received the amfAR Award of Inspiration for "her willingness and ability to use her fame for the greater good" and for being "one of the great champions in the fight against AIDS".^[490]

Cher has served as the Honorary National Chair of Habitat for Humanity's "Raise the Roof" fundraising initiative, aimed at supporting the construction and repair of affordable homes for families in need.^[488] In 2007, Cher became the primary supporter of the Peace Village School (PVS) in Ukunda, Kenya, which "provides nutritious food, medical care, education and extracurricular activities for more than 300 orphans and vulnerable children".^[488] Her support enabled the school to acquire land and build permanent housing and school facilities and in partnership with Malaria No More and other organizations, she piloted an effort to eliminate malaria mortality and morbidity for the children, their caregivers and the surrounding community.^[488]

In 2016, after the discovery of lead contamination in the drinking water of Flint, Michigan, Cher donated more than 180,000 bottles of water to the city.^[491] During the COVID-19 pandemic, Cher launched the CherCares Pandemic Resource and Response Initiative (CCPRRI) alongside Dr. Irwin Redlener, the head of Columbia University's Pandemic Resource and Response Center, to distribute $1 million to "chronically neglected and forgotten people" through the Entertainment Industry Foundation (EIF). Cher told Billboard, "There are rural areas where people of color and Latinos and Native Americans were getting no services. It's not a lot of money—$1 million goes in the blink of an eyelash!—so now I'm trying to get my friends to make it a lot more so we can do something that will really meet people's needs."^[306]

In 2017, Cher weighed in on the need to protect elder rights as she executive produced Edith+Eddie, a documentary about a nonagenarian interracial couple, which was nominated for the Academy Award for Best Documentary Short.^[492] That same year, she co-founded Free the Wild, an international charity dedicated to protecting wild animals in captivity.^[493]^[494] In 2020, Free the Wild partnered with Four Paws International, prompting Cher to travel to Pakistan to advocate for and work with the country's government for the transfer of Kaavan, an elephant confined to a zoo for 35 years, to a wildlife sanctuary in Cambodia.^[495] This effort was chronicled in the documentary Cher & the Loneliest Elephant, released on Paramount+ in 2021, which detailed her collaboration with animal aid groups and veterinarians to free Kaavan.^[496]

Cher's older child, Chaz Bono, first came out as a lesbian at age 17, which reportedly caused Cher to feel "guilt, fear and pain".^[405] However, she soon came to accept Chaz's sexual orientation and came to the conclusion that LGBTQ people "didn't have the same rights as everyone else, [and she] thought that was unfair".^[497] Cher was the keynote speaker for the 1997 national Parents, Families, & Friends of Lesbians and Gays (PFLAG) convention and has since become one of the LGBTQ community's most vocal advocates.^[497] In May 1998, she received the GLAAD Vanguard Award for having "made a significant difference in promoting equal rights for lesbians and gay men".^[460] On June 11, 2009, Chaz came out as a transgender man and his transition from female to male was legally finalized on May 6, 2010.^[498]

Discography

[edit]

Solo studio albums

[edit]

All I Really Want to Do (1965)
The Sonny Side of Chér (1966)
Chér (1966)
With Love, Chér (1967)
Backstage (1968)
3614 Jackson Highway (1969)
Chér (reissued as Gypsys, Tramps & Thieves) (1971)
Foxy Lady (1972)
Bittersweet White Light (1973)
Half-Breed (1973)
Dark Lady (1974)
Stars (1975)
I'd Rather Believe in You (1976)
Cherished (1977)
Take Me Home (1979)
Prisoner (1979)
I Paralyze (1982)
Cher (1987)
Heart of Stone (1989)
Love Hurts (1991)
It's a Man's World (1995)
Believe (1998)
Not Commercial (2000)
Living Proof (2001)
Closer to the Truth (2013)
Dancing Queen (2018)
Christmas (2023)

Collaborative studio albums

[edit]

Two the Hard Way (with Gregg Allman as Allman and Woman) (1977)
Black Rose (as lead vocalist of Black Rose) (1980)

Filmography

[edit]

Films

[edit]

Wild on the Beach (1965)
Good Times (1967)
Chastity (1969)
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)
Silkwood (1983)
Mask (1985)
Suspect (1987)
The Witches of Eastwick (1987)
Moonstruck (1987)
Mermaids (1990)
The Player (1992)
Prêt-à-Porter (1994)
Faithful (1996)
If These Walls Could Talk (1996)
Tea with Mussolini (1999)
Stuck on You (2003)
Burlesque (2010)
Zookeeper (2011)
Mamma Mia! Here We Go Again (2018)
Bobbleheads: The Movie (2020)

Headlining TV shows and specials

[edit]

The Sonny & Cher Nitty Gritty Hour (1971)
The Sonny & Cher Comedy Hour (1971–1974)
Cher (1975–1976)
The Sonny and Cher Show (1976–1977)
Cher... Special (1978)
Cher... and Other Fantasies (1979)
Standing Room Only: Cher in Concert (1981)
Cher... A Celebration at Caesars (1983)
Cher... at the Mirage (1991)
Sonny & Me: Cher Remembers (1998)
Cher: Live in Concert – From the MGM Grand in Las Vegas (1999)
Cher: The Farewell Tour (2003)
Dear Mom, Love Cher (2013)
Cher & the Loneliest Elephant (2021)

Tours and residencies

[edit]

Headlining tours

[edit]

Take Me Home Tour (1979–1982)
Heart of Stone Tour (1989–1990)
Love Hurts Tour (1991–1992)
Do You Believe? Tour (1999–2000)
Living Proof: The Farewell Tour (2002–2005)
Dressed to Kill Tour (2014)
Here We Go Again Tour (2018–2020)

Co-headlining tours

[edit]

Two the Hard Way Tour (with Gregg Allman as Allman and Woman) (1977)

Residencies

[edit]

Take Me Home Tour (1979–1982)^[g]
Cher (2008–2011)
Classic Cher (2017–2020)

Published works

[edit]

See also

[edit]

Notes

[edit]

^ ^a ^b ^c ^d Cher's birth certificate lists her name as Cheryl Sarkisian, contrary to the long-reported Cherilyn. Cher later discovered this when formally changing her name to "Cher", attributing the discrepancy to her mother's recollection of naming her after actress Lana Turner's daughter, Cheryl Crane, and her grandmother, Lynda.^[3]
^ Cher legally adopted her mononym in 1979.^[2]
^ ^a ^b ^c ^d Cher has achieved 16 number-one singles across US Billboard charts over seven decades. In the 1960s, she topped the Hot 100 with "I Got You Babe" (1965) as part of Sonny & Cher.^[4] She scored three solo Hot 100 number-ones in the 1970s: "Gypsys, Tramps & Thieves" (1971), "Half-Breed" (1973) and "Dark Lady" (1974), while Sonny & Cher's "All I Ever Need Is You" led Adult Contemporary in 1972.^[4] In the 1980s, she topped Adult Contemporary with "After All" and "If I Could Turn Back Time" (both 1989).^[4] The 1990s saw "Believe" (1998) lead multiple charts, including the Hot 100, followed by Dance Club Songs number-ones "Strong Enough" and "All or Nothing" (both 1999).^[4] In the 2000s and 2010s, she topped Dance Club Songs with "Song for the Lonely"^[5] and "A Different Kind of Love Song"^[4] (both 2002), "When the Money's Gone" (2003),^[4] "You Haven't Seen the Last of Me" (2011)^[4] and "Woman's World" (2013).^[6] In the 2020s, "DJ Play a Christmas Song" (2023) led multiple charts, including Adult Contemporary.^[7]
^ On May 31, 1971, Sonny and Cher starred in The Sonny & Cher Nitty Gritty Hour, a Canadian TV special recorded in 1970 and sometimes described as a precursor to their CBS series. In 2015, David Winters claimed he created the comedy-music format and pitched it to ABC, which opted for the Smothers Brothers instead. Winters said CBS later used his concept to develop The Sonny & Cher Comedy Hour. He considered legal action but ultimately did not pursue it, maintaining that the show was based on his idea.^[64]
^ Some sources credit Cher as the female solo artist with the most US Billboard Hot 100 number-one singles by the time she released "Dark Lady" in 1974—counting Sonny & Cher's "I Got You Babe" as her first number one.^[78]^[79] This claim likely stems from Billboard's current rules, which credit a song to a solo artist if their name appears in the official billing. However, Billboard's reporting in 1974 did not include "I Got You Babe" among Cher's solo number ones, suggesting that the current rules did not apply at the time and are not applied retroactively.^[80]
^ According to biographer Tom King, Cher's relationship with David Geffen began when he confided in her about his struggles with his sexual identity and his hope that a relationship with a woman might lead to true love. Moved by his honesty, she entered the relationship while in the final stages of her marriage to Sonny Bono. They planned to marry within a year, but Cher reconsidered due to Geffen's controlling behavior—similar to Sonny's—and his persistent attraction to men. Geffen later came out as gay.^[93]^[94]
^ ^a ^b Cher's 1979–1982 concert series had no official name but was promoted under various titles, such as "Cher",^[131] "Cher in Concert",^[132] "The Cher Show"^[133] and "The Cher Tour".^[134] It later became known as the Take Me Home Tour, a name adopted by Cher^[135] and biographers.^[136] The tour had dates in North America, Europe, South Africa and Australia, with extended stays in venues including Caesars Palace in Las Vegas.^[136] Though combining elements of both tours and residencies, the media often called it a Vegas residency, referring to shows outside Las Vegas as extensions of her "Vegas act".^[137] At the time, Vegas residencies were seen as signs of career decline, influencing public perception and Cher's career choices.^[138] Consequently, the concert series is also listed among her residencies.
^ ^a ^b Cher's record as the oldest woman to top the US Billboard Hot 100 was surpassed by Mariah Carey, who was 53 when "All I Want for Christmas Is You" (1994) reached number one in December 2023, and Brenda Lee, who was 78 when "Rockin' Around the Christmas Tree" (1958) topped the chart that same month. Excluding catalog songs, Cher remains the oldest female artist to top the chart.^[221]
^ The first woman to expose her navel on TV was Yvette Mimieux in 1964.^[373]
^ Cher has been referred to as the "Goddess of Pop" in various publications. Primary sources using the title include Billboard,^[413] Harper's Bazaar,^[414] Los Angeles Times,^[415] Love,^[416] The Mercury News,^[417] Rolling Stone,^[418] Time,^[367]^[419] USA Today,^[420] Vogue España^[421] and The Washington Post.^[422] Secondary sources describing her as "often called", "nicknamed" or "known as" the "Goddess of Pop" include ABC News,^[423] CR Fashion Book,^[424] The Cut,^[425] E!,^[426] The Independent^[427] and New York Post.^[428]
^ Brenda Lee surpassed Cher's record for the longest span between a first and most recent number-one single on the US Billboard Hot 100 in December 2023, when "Rockin' Around the Christmas Tree" reached number one for the first time since its 1958 release. Until then, Lee's only number-one hits had been "I'm Sorry" and "I Want to Be Wanted", both released in 1960.^[459]

References

[edit]

Citations

[edit]

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Multiple sources:
- Sarkisian's nationality and personal problems: Berman 2001, p. 17.
- Sarkisian's profession: Bego 2001, p. 11.
- Sarkisian's absence during Cher's infancy: Parish & Pitts 2003, p. 147.
^
Multiple sources:
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^ Epstein, Dan (May 7, 2015). "DaveWatch: Countdown to Letterman's Last Late Show, Day 11". Rolling Stone. Archived from the original on August 16, 2022. ... the evening's biggest surprise [was] an appearance by Cher, the real Armenian goddess of pop culture[.]
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^ Hernando, Sara (June 30, 2020). "5 veces en las que Cher se adelantó a las tendencias del verano 2020" [5 times Cher was ahead of summer 2020 trends]. Vogue España (in Spanish). Archived from the original on July 4, 2020. Excéntrica y osada, la diosa del pop se atrevió, en los años 70, con los colores y las prendas más arriesgadas de esta temporada. [Eccentric and daring, the goddess of pop boldly experimented in the '70s with this season's most daring colors and garments.]
^ Polus, Sarah (April 22, 2016). "Celeb endorsement of the week: Cher for Hillary Clinton". The Washington Post. Archived from the original on January 16, 2025. While it's unclear whether [Cher's] endorsement will noticeably help Clinton's campaign, it's safe to say the free publicity from the goddess of pop won't hurt the Democratic front-runner.
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Literary sources

[edit]

Allman, Gregg; Light, Alan (2012). My Cross to Bear. William Morrow and Company. ISBN 978-0-06-211203-3.
Bego, Mark (2001). Cher: If You Believe. Taylor Trade Publishing. ISBN 0-8154-1153-7.
Berman, Connie (2001). Cher. Infobase Publishing. ISBN 978-0-7910-5907-4.
Bernstein, Robert A. (2003). Straight Parents, Gay Children: Keeping Families Together. Thunder's Mouth Press. ISBN 1-56025-452-1.
Bono, Sonny (1992). And the Beat Goes On. Pocket Books. ISBN 0-671-69367-0.
Bronson, Fred (1997). The Billboard Book of Number One Hits. Billboard Books. ISBN 0-8230-7641-5.
Carson, Mina; Lewis, Tisa; Shaw, Susan M. (2004). Girls Rock! Fifty Years of Women Making Music. University Press of Kentucky. ISBN 0-8131-2904-4.
Cher; Coplon, Jeff (1998). The First Time. Simon & Schuster. ISBN 0-684-80900-1.
Cher (2024). Cher: The Memoir, Part One. HarperCollins. ISBN 9780062863102.
Chunovic, Louis (2000). One Foot on the Floor: The Curious Evolution of Sex on Television from I Love Lucy to South Park. TV Books. ISBN 1-57500-186-1.
Crampton, Luke; Rees, Dafydd (1999). Rock Stars Encyclopedia. Dorling Kindersley. ISBN 0-7894-4613-8.
Crawford, Craig (2007). The Politics of Life: 25 Rules for Survival in a Brutal and Manipulative World. Rowman & Littlefield. ISBN 978-1-4422-1297-8.
Hochman, Steve (1999). Popular Musicians. Salem Press. ISBN 0-89356-990-9.
Horn, Katrin [in German] (2017). Women, Camp, and Popular Culture: Serious Excess. Palgrave Macmillan. ISBN 9783319648453.
Howard, Josiah (2014). Cher: Strong Enough. Plexus Publishing. ISBN 978-0-85965-897-3.
Hyatt, Wesley (2003). Short-Lived Television Series, 1948–1978: Thirty Years of More Than 1,000 Flops. McFarland. ISBN 1-4766-0515-7.
Larkin, Colin (2011). The Encyclopedia of Popular Music. Omnibus Press. ISBN 978-0-85712-595-8.
Laufenberg, Norbert B. (2005). Entertainment Celebrities. Trafford Publishing. ISBN 1-4120-5335-8.
Lonergan, David F.; Studwell, William Emmett (1999). The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s. Psychology Press. ISBN 0-7890-0151-9.
Mansour, David (2005). From Abba to Zoom: A Pop Culture Encyclopedia of the Late 20th Century. Andrews McMeel Publishing. ISBN 0-7407-9307-1.
McCracken, Grant David (2008). Transformations: Identity Construction in Contemporary Culture. Indiana University Press. ISBN 978-0-253-21957-2.
Murrells, Joseph (1978). The Book of Golden Discs. Barrie & Jenkins. ISBN 0214204804.
Negra, Diane (2001). Off-White Hollywood: American Culture and Ethnic Female Stardom. Psychology Press. ISBN 0-415-21678-8.
Parish, James Robert; Pitts, Michael R. (2003). Hollywood Songsters: Allyson to Funicello. Routledge. ISBN 0-415-94332-9.
Paul, Alan (2014). One Way Out: The Inside History of the Allman Brothers Band. St. Martin's Press. ISBN 978-1-250-04049-7.
Plumez, Jacqueline Hornor (2002). Mother Power: Discover the Difference That Women Have Made All Over the World. EBSCO Publishing. ISBN 1-4022-5247-1.
Quirk, Lawrence J. (1991). Totally Uninhibited: The Life and Wild Times of Cher. William Morrow and Company. ISBN 0-688-09822-3.
Ramazanoglu, Caroline (1993). Up Against Foucault: Explorations of Some Tensions Between Foucault and Feminism. Routledge. ISBN 0-415-05011-1.
Roedy, Bill (2011). What Makes Business Rock: Building the World's Largest Global Networks. John Wiley & Sons. ISBN 978-1-118-00476-0.
Semonche, John E. (2007). Censoring Sex: A Historical Journey Through American Media. Rowman & Littlefield. ISBN 978-0-7425-5132-9.
Simpson, Paul (2003). The Rough Guide to Cult Pop. Rough Guides. ISBN 1-84353-229-8.
Sonneborn, Liz (2002). A to Z of American Women in the Performing Arts. Facts on File. ISBN 0-8160-4398-1.
Tasker, Yvonne (2002). Working Girls: Gender and Sexuality in Popular Cinema. Routledge. ISBN 1-134-82660-5.
Tawa, Nicholas E. (2005). Supremely American: Popular Song in the 20th Century. Scarecrow Press. ISBN 0-8108-5295-0.
Trier-Bieniek, Adrienne (2014). Gender & Pop Culture: A Text-Reader. Springer Science+Business Media. ISBN 978-94-6209-575-5.
Ullman, Dana (2007). The Homeopathic Revolution: Why Famous People and Cultural Heroes Choose Homeopathy. North Atlantic Books. ISBN 978-1-55643-671-0.
Wheway, Daniel (2018). The Cher Bible. ISBN 978-0463773024.

External links

[edit]

Cher discography at Discogs
Cher at Emmys.com
Cher in the Hollywood Walk of Fame Directory
Cher at the Internet Broadway Database
Cher at IMDb
Cher discography at MusicBrainz
Cher at Playbill Vault
"Cher". Rock and Roll Hall of Fame.
Cher at the TCM Movie Database

v t e Cher
Albums Singles Songs Films Concerts Videos Awards
Studio albums	All I Really Want to Do The Sonny Side of Chér Chér With Love, Chér Backstage 3614 Jackson Highway Chér / Gypsys Tramps & Thieves Foxy Lady Bittersweet White Light Half-Breed Dark Lady Stars I'd Rather Believe in You Cherished Take Me Home Prisoner I Paralyze Cher Heart of Stone Love Hurts It's a Man's World Believe Not Commercial Living Proof Closer to the Truth Dancing Queen Christmas
Collaborative albums	Sonny & Cher discography Two the Hard Way Black Rose
Soundtrack albums	Chastity Mermaids Burlesque Mamma Mia! Here We Go Again
Live albums	VH1 Divas Live '99 VH1 Divas Las Vegas Live! The Farewell Tour
Compilation albums	Cher's Golden Greats Superpak Vol. I and II Greatest Hits Greatest Hits: 1965–1992 If I Could Turn Back Time: Cher's Greatest Hits The Greatest Hits The Very Best of Cher Gold Icon Forever
Tours and residencies	Two the Hard Way Tour Take Me Home Tour Heart of Stone Tour Love Hurts Tour Do You Believe? Tour Living Proof: The Farewell Tour Cher Dressed to Kill Tour Classic Cher Here We Go Again Tour
Video releases	CherFitness: A New Attitude CherFitness: Body Confidence Extravaganza: Live at the Mirage The Video Collection Live in Concert The Farewell Tour The Very Best of Cher: The Video Hits Collection
Films directed	If These Walls Could Talk
Television	The Sonny & Cher Nitty Gritty Hour The Sonny & Cher Comedy Hour Cher The Sonny and Cher Show Cher... Special Cher... and Other Fantasies Standing Room Only: Cher in Concert Cher... A Celebration at Caesars Cher... at the Mirage Sonny & Me: Cher Remembers Cher: Live in Concert – From the MGM Grand in Las Vegas Cher: The Farewell Tour Dear Mom, Love Cher Cher & the Loneliest Elephant
Books authored	The Ugly Duckling Forever Fit The First Time Cher: The Memoir, Part One
In popular media	"The Post-Modern Prometheus" "Gypsies, Tramps and Weed" "A.I.: Artificial Insemination" "The Unauthorized Rusical" "RDR Live!" The Cher Show
Related	Sonny & Cher Sonny Bono Gregg Allman Chaz Bono Elijah Blue Allman Sonny & Cher dolls 9: The Last Resort
Category

v t e Cher singles
1960s singles	"All I Really Want to Do" "Where Do You Go" "Bang Bang (My Baby Shot Me Down)" "Alfie" "I Feel Something in the Air" "Sunny" "Behind the Door" "Mama (When My Dollies Have Babies)" "Hey Joe" "You Better Sit Down Kids" "The Click Song" "Take Me for a Little While" "Yours Until Tomorrow" "Chastity's Song (Band of Thieves)" "I Walk on Guilded Splinters" "For What It's Worth"
1970s singles	"Gypsys, Tramps & Thieves" "The Way of Love" "Living in a House Divided" "Don't Hide Your Love" "Am I Blue?" "Half-Breed" "Dark Lady" "Train of Thought" "I Saw a Man and He Danced with His Wife" "Rescue Me" "Geronimo's Cadillac" "Long Distance Love Affair" "Pirate" "War Paint and Soft Feathers" "Take Me Home" "Wasn't It Good" "It's Too Late to Love Me Now" "Hell on Wheels"
1980s singles	"I Paralyze" "I Found Someone" "We All Sleep Alone" "Skin Deep" "After All" "If I Could Turn Back Time" "Just Like Jesse James"
1990s singles	"Heart of Stone" "You Wouldn't Know Love" "Baby I'm Yours" "The Shoop Shoop Song (It's in His Kiss)" "Love and Understanding" "Save Up All Your Tears" "Love Hurts" "Could've Been You" "When Lovers Become Strangers" "Oh No Not My Baby" "Whenever You're Near" "Many Rivers to Cross" "Walking in Memphis" "One by One" "Not Enough Love in the World" "The Sun Ain't Gonna Shine Anymore" "Paradise Is Here" "Believe" "Strong Enough" "All or Nothing" "Dov'è l'amore"
2000s singles	"The Music's No Good Without You" "Song for the Lonely" "Alive Again" "A Different Kind of Love Song" "When the Money's Gone" "Love One Another"
2010s singles	"You Haven't Seen the Last of Me" "Woman's World" "I Hope You Find It" "Take It Like a Man" "I Walk Alone" "Fernando" "Gimme! Gimme! Gimme! (A Man After Midnight)" "SOS"
2020s singles	"Chiquitita" "DJ Play a Christmas Song"
Promotional singles	"Ringo, I Love You" "Superstar" "Classified 1A" "Carousel Man" "Holdin' Out for Love" "Bad Love" "Rudy" "Bang Bang" "Main Man" "Human" "Sirens" "Ooga Boo" "One of Us"
Other songs	"Our Day Will Come" "Fernando" "Dressed to Kill"
Guest singles	"A Love Like Yours (Don't Come Knocking Everyday)" "Dead Ringer for Love" "I Got You Babe" "It Ain't Necessarily So" "Love Can Build a Bridge" "Più che puoi" "Bewitched, Bothered and Bewildered" "Stop Crying Your Heart Out"
Category

v t e Sonny & Cher
Sonny Bono Cher
Studio albums	Look at Us The Wondrous World of Sonny & Chér In Case You're in Love All I Ever Need Is You Mama Was a Rock and Roll Singer, Papa Used to Write All Her Songs
Live albums	Sonny & Cher Live Live in Las Vegas Vol. 2
Compilations	The Best of Sonny & Chér Sonny & Cher's Greatest Hits The Two of Us Greatest Hits All I Ever Need Is You The Beat Goes On: The Best of Sonny & Cher The Definitive Pop Collection
Soundtracks	Good Times
Other albums	Baby Don't Go – Sonny & Cher and Friends
Singles	"Baby Don't Go" "Just You" "I Got You Babe" "But You're Mine" "What Now My Love" "Little Man" "The Beat Goes On" "All I Ever Need Is You" "A Cowboy's Work Is Never Done" "When You Say Love"
Television	The Sonny & Cher Nitty Gritty Hour The Sonny & Cher Comedy Hour The Sonny Comedy Revue Cher The Sonny and Cher Show
Films	Good Times
Related topics	Sonny & Cher dolls
Discography

Awards for Cher

v t e Academy Award for Best Actress
1928–1950	Janet Gaynor (1928) Mary Pickford (1929) Norma Shearer (1930) Marie Dressler (1931) Helen Hayes (1932) Katharine Hepburn (1933) Claudette Colbert (1934) Bette Davis (1935) Luise Rainer (1936) Luise Rainer (1937) Bette Davis (1938) Vivien Leigh (1939) Ginger Rogers (1940) Joan Fontaine (1941) Greer Garson (1942) Jennifer Jones (1943) Ingrid Bergman (1944) Joan Crawford (1945) Olivia de Havilland (1946) Loretta Young (1947) Jane Wyman (1948) Olivia de Havilland (1949) Judy Holliday (1950)
1951–1975	Vivien Leigh (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Joanne Woodward (1957) Susan Hayward (1958) Simone Signoret (1959) Elizabeth Taylor (1960) Sophia Loren (1961) Anne Bancroft (1962) Patricia Neal (1963) Julie Andrews (1964) Julie Christie (1965) Elizabeth Taylor (1966) Katharine Hepburn (1967) Katharine Hepburn / Barbra Streisand (1968) Maggie Smith (1969) Glenda Jackson (1970) Jane Fonda (1971) Liza Minnelli (1972) Glenda Jackson (1973) Ellen Burstyn (1974) Louise Fletcher (1975)
1976–2000	Faye Dunaway (1976) Diane Keaton (1977) Jane Fonda (1978) Sally Field (1979) Sissy Spacek (1980) Katharine Hepburn (1981) Meryl Streep (1982) Shirley MacLaine (1983) Sally Field (1984) Geraldine Page (1985) Marlee Matlin (1986) Cher (1987) Jodie Foster (1988) Jessica Tandy (1989) Kathy Bates (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Jessica Lange (1994) Susan Sarandon (1995) Frances McDormand (1996) Helen Hunt (1997) Gwyneth Paltrow (1998) Hilary Swank (1999) Julia Roberts (2000)
2001–present	Halle Berry (2001) Nicole Kidman (2002) Charlize Theron (2003) Hilary Swank (2004) Reese Witherspoon (2005) Helen Mirren (2006) Marion Cotillard (2007) Kate Winslet (2008) Sandra Bullock (2009) Natalie Portman (2010) Meryl Streep (2011) Jennifer Lawrence (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Emma Stone (2016) Frances McDormand (2017) Olivia Colman (2018) Renée Zellweger (2019) Frances McDormand (2020) Jessica Chastain (2021) Michelle Yeoh (2022) Emma Stone (2023) Mikey Madison (2024)

v t e Billboard Icon Award
Billboard Music Awards	2011: Neil Diamond 2012: Stevie Wonder 2013: Prince 2014: Jennifer Lopez 2016: Celine Dion 2017: Cher 2018: Janet Jackson 2019: Mariah Carey 2020: Garth Brooks 2021: Pink
Billboard Latin Music Music Awards	2021: Maná 2022: Chayanne 2023: Ivy Queen
Billboard Music Awards Billboard Latin Music Awards

v t e Cannes Film Festival Award for Best Actress
1946–1975	Michèle Morgan (1946) Isa Miranda (1949) Bette Davis (1951) Lee Grant (1952) Iya Arepina / Elena Dobronravova / Larisa Kronberg / Vera Kuznetsova / Klara Luchko / Ekaterina Savinova (1955) Susan Hayward (1956) Giulietta Masina (1957) Bibi Andersson / Eva Dahlbeck / Barbro Hiort af Ornäs / Ingrid Thulin (1958) Simone Signoret (1959) Melina Mercouri / Jeanne Moreau (1960) Sophia Loren (1961) Katharine Hepburn / Rita Tushingham (1962) Marina Vlady (1963) Anne Bancroft / Barbara Barrie (1964) Samantha Eggar (1965) Vanessa Redgrave (1966) Pia Degermark (1967) Vanessa Redgrave (1969) Ottavia Piccolo (1970) Kitty Winn (1971) Susannah York (1972) Joanne Woodward (1973) Marie-José Nat (1974) Valerie Perrine (1975)
1976–2000	Dominique Sanda / Mari Törőcsik (1976) Shelley Duvall / Monique Mercure (1977) Jill Clayburgh / Isabelle Huppert (1978) Sally Field / Eva Mattes (1979) Anouk Aimée / Milena Dravić / Carla Gravina (1980) Isabelle Adjani / Elena Solovey (1981) Jadwiga Jankowska-Cieślak (1982) Hanna Schygulla (1983) Helen Mirren (1984) Norma Aleandro / Cher (1985) Barbara Sukowa / Fernanda Torres (1986) Barbara Hershey (1987) Barbara Hershey / Jodhi May / Linda Mvusi (1988) Meryl Streep (1989) Krystyna Janda (1990) Irène Jacob (1991) Pernilla August (1992) Holly Hunter (1993) Virna Lisi (1994) Helen Mirren (1995) Brenda Blethyn (1996) Kathy Burke (1997) Élodie Bouchez / Natacha Régnier (1998) Séverine Caneele / Émilie Dequenne (1999) Björk (2000)
2001–present	Isabelle Huppert (2001) Kati Outinen (2002) Marie-Josée Croze (2003) Maggie Cheung (2004) Hana Laszlo (2005) Yohana Cobo / Penélope Cruz / Lola Dueñas / Chus Lampreave / Carmen Maura / Blanca Portillo (2006) Jeon Do-yeon (2007) Sandra Corveloni (2008) Charlotte Gainsbourg (2009) Juliette Binoche (2010) Kirsten Dunst (2011) Cristina Flutur / Cosmina Stratan (2012) Bérénice Bejo (2013) Julianne Moore (2014) Emmanuelle Bercot / Rooney Mara (2015) Jaclyn Jose (2016) Diane Kruger (2017) Samal Yeslyamova (2018) Emily Beecham (2019) Renate Reinsve (2021) Zar Amir Ebrahimi (2022) Merve Dizdar (2023) Karla Sofía Gascón / Selena Gomez / Adriana Paz / Zoe Saldaña (2024)

David di Donatello Award for Best Foreign Actress

Ingrid Bergman (1957)
Deborah Kerr (1959)
Audrey Hepburn (1960)
Brigitte Bardot (1961)
Audrey Hepburn (1962)
Geraldine Page (1963)
Shirley MacLaine (1964)
Audrey Hepburn (1965)
Julie Andrews (1966)
Julie Christie / Elizabeth Taylor (1967)
Faye Dunaway / Katharine Hepburn (1968)
Mia Farrow / Barbra Streisand (1969)
Liza Minnelli (1970)
Ali MacGraw (1971)
Elizabeth Taylor (1972)
Liza Minnelli (1973)
Barbra Streisand / Tatum O'Neal (1974)
Liv Ullmann (1975)
Isabelle Adjani / Glenda Jackson (1976)
Faye Dunaway / Annie Girardot (1977)
Jane Fonda / Simone Signoret (1978)
Ingrid Bergman / Liv Ullmann (1979)
Isabelle Huppert (1980)
Catherine Deneuve (1981)
Diane Keaton (1982)
Julie Andrews (1983)
Shirley MacLaine (1984)
Meryl Streep (1985)
Meryl Streep (1986)
Norma Aleandro (1987)
Cher (1988)
Jodie Foster (1989)
Jessica Tandy (1990)
Anne Parillaud (1991)
Geena Davis / Susan Sarandon (1992)
Emmanuelle Béart / Tilda Swinton / Emma Thompson (1993)
Emma Thompson (1994)
Jodie Foster (1995)
Susan Sarandon (1996)

GLAAD Vanguard Award

v t e Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy
1950–1975	Judy Holliday (1950) June Allyson (1951) Susan Hayward (1952) Ethel Merman (1953) Judy Garland (1954) Jean Simmons (1955) Deborah Kerr (1956) Kay Kendall / Taina Elg (1957) Rosalind Russell (1958) Marilyn Monroe (1959) Shirley MacLaine (1960) Rosalind Russell (1961) Rosalind Russell (1962) Shirley MacLaine (1963) Julie Andrews (1964) Julie Andrews (1965) Lynn Redgrave (1966) Anne Bancroft (1967) Barbra Streisand (1968) Patty Duke (1969) Carrie Snodgress (1970) Twiggy (1971) Liza Minnelli (1972) Glenda Jackson (1973) Raquel Welch (1974) Ann-Margret (1975)
1976–2000	Barbra Streisand (1976) Diane Keaton / Marsha Mason (1977) Ellen Burstyn / Maggie Smith (1978) Bette Midler (1979) Sissy Spacek (1980) Bernadette Peters (1981) Julie Andrews (1982) Julie Walters (1983) Kathleen Turner (1984) Kathleen Turner (1985) Sissy Spacek (1986) Cher (1987) Melanie Griffith (1988) Jessica Tandy (1989) Julia Roberts (1990) Bette Midler (1991) Miranda Richardson (1992) Angela Bassett (1993) Jamie Lee Curtis (1994) Nicole Kidman (1995) Madonna (1996) Helen Hunt (1997) Gwyneth Paltrow (1998) Janet McTeer (1999) Renée Zellweger (2000)
2001–present	Nicole Kidman (2001) Renée Zellweger (2002) Diane Keaton (2003) Annette Bening (2004) Reese Witherspoon (2005) Meryl Streep (2006) Marion Cotillard (2007) Sally Hawkins (2008) Meryl Streep (2009) Annette Bening (2010) Michelle Williams (2011) Jennifer Lawrence (2012) Amy Adams (2013) Amy Adams (2014) Jennifer Lawrence (2015) Emma Stone (2016) Saoirse Ronan (2017) Olivia Colman (2018) Awkwafina (2019) Rosamund Pike (2020) Rachel Zegler (2021) Michelle Yeoh (2022) Emma Stone (2023) Demi Moore (2024)

v t e Golden Globe Award for Best Actress in a Television Series – Musical or Comedy
1962–1979	Donna Reed (1962) Inger Stevens (1963) Mary Tyler Moore (1964) Anne Francis (1965) Marlo Thomas (1966) Carol Burnett (1967) Diahann Carroll (1968) Carol Burnett / Julie Sommars (1969) Mary Tyler Moore (1970) Carol Burnett (1971) Jean Stapleton (1972) Cher / Jean Stapleton (1973) Valerie Harper (1974) Cloris Leachman (1975) Carol Burnett (1976) Carol Burnett (1977) Linda Lavin (1978) Linda Lavin (1979)
1980–1999	Katherine Helmond (1980) Eileen Brennan (1981) Debbie Allen (1982) Joanna Cassidy (1983) Shelley Long (1984) Estelle Getty / Cybill Shepherd (1985) Cybill Shepherd (1986) Tracey Ullman (1987) Candice Bergen (1988) Jamie Lee Curtis (1989) Kirstie Alley (1990) Candice Bergen (1991) Roseanne Barr (1992) Helen Hunt (1993) Helen Hunt (1994) Cybill Shepherd (1995) Helen Hunt (1996) Calista Flockhart (1997) Jenna Elfman (1998) Sarah Jessica Parker (1999)
2000–2019	Sarah Jessica Parker (2000) Sarah Jessica Parker (2001) Jennifer Aniston (2002) Sarah Jessica Parker (2003) Teri Hatcher (2004) Mary-Louise Parker (2005) America Ferrera (2006) Tina Fey (2007) Tina Fey (2008) Toni Collette (2009) Laura Linney (2010) Laura Dern (2011) Lena Dunham (2012) Amy Poehler (2013) Gina Rodriguez (2014) Rachel Bloom (2015) Tracee Ellis Ross (2016) Rachel Brosnahan (2017) Rachel Brosnahan (2018) Phoebe Waller-Bridge (2019)
2020–present	Catherine O'Hara (2020) Jean Smart (2021) Quinta Brunson (2022) Ayo Edebiri (2023) Jean Smart (2024)

v t e Golden Globe Award for Best Supporting Actress – Motion Picture
1943–1975	Katina Paxinou (1943) Agnes Moorehead (1944) Angela Lansbury (1945) Anne Baxter (1946) Celeste Holm (1947) Ellen Corby (1948) Mercedes McCambridge (1949) Josephine Hull (1950) Kim Hunter (1951) Katy Jurado (1952) Grace Kelly (1953) Jan Sterling (1954) Marisa Pavan (1955) Eileen Heckart (1956) Elsa Lanchester (1957) Hermione Gingold (1958) Susan Kohner (1959) Janet Leigh (1960) Rita Moreno (1961) Angela Lansbury (1962) Margaret Rutherford (1963) Agnes Moorehead (1964) Ruth Gordon (1965) Jocelyne LaGarde (1966) Carol Channing (1967) Ruth Gordon (1968) Goldie Hawn (1969) Karen Black / Maureen Stapleton (1970) Ann-Margret (1971) Shelley Winters (1972) Linda Blair (1973) Karen Black (1974) Brenda Vaccaro (1975)
1976–2000	Katharine Ross (1976) Vanessa Redgrave (1977) Dyan Cannon (1978) Meryl Streep (1979) Mary Steenburgen (1980) Joan Hackett (1981) Jessica Lange (1982) Cher (1983) Peggy Ashcroft (1984) Meg Tilly (1985) Maggie Smith (1986) Olympia Dukakis (1987) Sigourney Weaver (1988) Julia Roberts (1989) Whoopi Goldberg (1990) Mercedes Ruehl (1991) Joan Plowright (1992) Winona Ryder (1993) Dianne Wiest (1994) Mira Sorvino (1995) Lauren Bacall (1996) Kim Basinger (1997) Lynn Redgrave (1998) Angelina Jolie (1999) Kate Hudson (2000)
2001–present	Jennifer Connelly (2001) Meryl Streep (2002) Renée Zellweger (2003) Natalie Portman (2004) Rachel Weisz (2005) Jennifer Hudson (2006) Cate Blanchett (2007) Kate Winslet (2008) Mo'Nique (2009) Melissa Leo (2010) Octavia Spencer (2011) Anne Hathaway (2012) Jennifer Lawrence (2013) Patricia Arquette (2014) Kate Winslet (2015) Viola Davis (2016) Allison Janney (2017) Regina King (2018) Laura Dern (2019) Jodie Foster (2020) Ariana DeBose (2021) Angela Bassett (2022) Da'Vine Joy Randolph (2023) Zoe Saldaña (2024)

v t e Hasty Pudding Woman of the Year
1951–1975	Gertrude Lawrence (1951) Barbara Bel Geddes (1952) Mamie Eisenhower (1953) Shirley Booth (1954) Debbie Reynolds (1955) Peggy Ann Garner (1956) Carroll Baker (1957) Katharine Hepburn (1958) Joanne Woodward (1959) Carol Lawrence (1960) Jane Fonda (1961) Piper Laurie (1962) Shirley MacLaine (1963) Rosalind Russell (1964) Lee Remick (1965) Ethel Merman (1966) Lauren Bacall (1967) Angela Lansbury (1968) Carol Burnett (1969) Dionne Warwick (1970) Carol Channing (1971) Ruby Keeler (1972) Liza Minnelli (1973) Faye Dunaway (1974) Valerie Harper (1975)
1976–2000	Bette Midler (1976) Elizabeth Taylor (1977) Beverly Sills (1978) Candice Bergen (1979) Meryl Streep (1980) Mary Tyler Moore (1981) Ella Fitzgerald (1982) Julie Andrews (1983) Joan Rivers (1984) Cher (1985) Sally Field (1986) Bernadette Peters (1987) Lucille Ball (1988) Kathleen Turner (1989) Glenn Close (1990) Diane Keaton (1991) Jodie Foster (1992) Whoopi Goldberg (1993) Meg Ryan (1994) Michelle Pfeiffer (1995) Susan Sarandon (1996) Julia Roberts (1997) Sigourney Weaver (1998) Goldie Hawn (1999) Jamie Lee Curtis (2000)
2001–present	Drew Barrymore (2001) Sarah Jessica Parker (2002) Anjelica Huston (2003) Sandra Bullock (2004) Catherine Zeta-Jones (2005) Halle Berry (2006) Scarlett Johansson (2007) Charlize Theron (2008) Renée Zellweger (2009) Anne Hathaway (2010) Julianne Moore (2011) Claire Danes (2012) Marion Cotillard (2013) Helen Mirren (2014) Amy Poehler (2015) Kerry Washington (2016) Octavia Spencer (2017) Mila Kunis (2018) Bryce Dallas Howard (2019) Elizabeth Banks (2020) Viola Davis (2021) Jennifer Garner (2022) Jennifer Coolidge (2023) Annette Bening (2024) Cynthia Erivo (2025)

v t e Kennedy Center Honorees (2010s)
2010	Merle Haggard Jerry Herman Bill T. Jones Paul McCartney Oprah Winfrey
2011	Barbara Cook Neil Diamond Yo-Yo Ma Sonny Rollins Meryl Streep
2012	Buddy Guy Dustin Hoffman David Letterman Led Zeppelin Natalia Makarova
2013	Martina Arroyo Herbie Hancock Billy Joel Shirley MacLaine Carlos Santana
2014	Al Green Tom Hanks Patricia McBride Sting Lily Tomlin
2015	Carole King George Lucas Rita Moreno Seiji Ozawa Cicely Tyson
2016	Martha Argerich Eagles Al Pacino Mavis Staples James Taylor
2017	Carmen de Lavallade Gloria Estefan LL Cool J Norman Lear Lionel Richie
2018	Cher Philip Glass Reba McEntire Wayne Shorter Hamilton (Lin-Manuel Miranda, Thomas Kail, Alex Lacamoire, and Andy Blankenbuehler)
2019	Earth, Wind & Fire Sally Field Linda Ronstadt Sesame Street Michael Tilson Thomas
Complete list 1970s 1980s 1990s 2000s 2010s 2020s

v t e Rock and Roll Hall of Fame – Class of 2024
Performers	Mary J. Blige Cher Dave Matthews Band (Carter Beauford, Jeff Coffin, Stefan Lessard, Dave Matthews, LeRoi Moore, Tim Reynolds, Rashawn Ross, Boyd Tinsley) Foreigner (Dennis Elliott, Ed Gagliardi, Lou Gramm, Al Greenwood, Mick Jones, Ian McDonald, Rick Wills) Peter Frampton Kool & the Gang (Robert "Kool" Bell, Ronald Bell, George Brown, Robert "Spike" Mickens, Claydes Charles Smith, James "J.T." Taylor, Dennis "Dee Tee" Thomas, Ricky Westfield) Ozzy Osbourne A Tribe Called Quest (Ali Shaheed Muhammad, Phife Dawg, Q-Tip, Jarobi White)
Non-performers (Ahmet Ertegun Award)	Suzanne de Passe
Award for Musical Excellence	Jimmy Buffett MC5 (Michael Davis, Wayne Kramer, Fred "Sonic" Smith, Dennis Thompson, Rob Tyner) Dionne Warwick Norman Whitfield
Award for Musical Influence	Alexis Korner John Mayall Big Mama Thornton

Billboard Year-End number one singles (1980–1999)

1980: "Call Me" – Blondie
1981: "Bette Davis Eyes" – Kim Carnes
1982: "Physical" – Olivia Newton-John
1983: "Every Breath You Take" – The Police
1984: "When Doves Cry" – Prince
1985: "Careless Whisper" – Wham! featuring George Michael
1986: "That's What Friends Are For" – Dionne & Friends
1987: "Walk Like an Egyptian" – The Bangles
1988: "Faith" – George Michael
1989: "Look Away" – Chicago
1990: "Hold On" – Wilson Phillips
1991: "(Everything I Do) I Do It for You" – Bryan Adams
1992: "End of the Road" – Boyz II Men
1993: "I Will Always Love You" – Whitney Houston
1994: "The Sign" – Ace of Base
1995: "Gangsta's Paradise" – Coolio featuring L.V.
1996: "Macarena (Bayside Boys Mix)" – Los del Río
1997: "Candle in the Wind 1997"/"Something About the Way You Look Tonight" – Elton John
1998: "Too Close" – Next
1999: "Believe" – Cher

v t e Best-selling singles by year in the United Kingdom
1950s	1952: "Here in My Heart" – Al Martino 1953: "I Believe" – Frankie Laine 1954: "Secret Love" – Doris Day 1955: "Rose Marie" – Slim Whitman 1956: "I'll Be Home" – Pat Boone 1957: "Diana" – Paul Anka 1958: "Jailhouse Rock" – Elvis Presley 1959: "Living Doll" – Cliff Richard (UK)
1960s	1960: "It's Now or Never" – Elvis Presley 1961: "Wooden Heart" – Elvis Presley 1962: "I Remember You" – Frank Ifield (UK) 1963: "She Loves You" – The Beatles (UK) 1964: "Can't Buy Me Love" – The Beatles (UK) 1965: "Tears" – Ken Dodd (UK) 1966: "Green, Green Grass of Home" – Tom Jones (UK) 1967: "Release Me" – Engelbert Humperdinck (UK) 1968: "Hey Jude" – The Beatles (UK) 1969: "Sugar, Sugar" – The Archies
1970s	1970: "The Wonder of You" – Elvis Presley / "In the Summertime" – Mungo Jerry (UK) 1971: "My Sweet Lord" – George Harrison (UK) 1972: "Amazing Grace" – Royal Scots Dragoon Guards (UK) 1973: "Tie a Yellow Ribbon Round the Ole Oak Tree" – Dawn featuring Tony Orlando 1974: "Tiger Feet" – Mud (UK) 1975: "Bye Bye Baby" – Bay City Rollers (UK) 1976: "Save Your Kisses for Me" – Brotherhood of Man (UK) 1977: "Mull of Kintyre" / "Girls' School" – Wings (UK) 1978: "Rivers of Babylon" / "Brown Girl in the Ring" – Boney M. 1979: "Bright Eyes" – Art Garfunkel
1980s	1980: "Don't Stand So Close to Me" – The Police (UK) 1981: "Tainted Love" – Soft Cell (UK) / "Don't You Want Me" – The Human League (UK) 1982: "Come On Eileen" – Dexys Midnight Runners (UK) 1983: "Karma Chameleon" – Culture Club (UK) 1984: "Do They Know It's Christmas?" – Band Aid (UK) 1985: "The Power of Love" – Jennifer Rush 1986: "Don't Leave Me This Way" – The Communards (UK) 1987: "Never Gonna Give You Up" – Rick Astley (UK) 1988: "Mistletoe and Wine" – Cliff Richard (UK) 1989: "Ride on Time" – Black Box
1990s	1990: "Unchained Melody" – The Righteous Brothers 1991: "(Everything I Do) I Do It for You" – Bryan Adams 1992: "I Will Always Love You" – Whitney Houston 1993: "I'd Do Anything for Love (But I Won't Do That)" – Meat Loaf 1994: "Love Is All Around" – Wet Wet Wet (UK) 1995: "Unchained Melody" – Robson & Jerome (UK) 1996: "Killing Me Softly" – Fugees 1997: "Something About the Way You Look Tonight" / "Candle in the Wind 1997" – Elton John (UK) 1998: "Believe" – Cher 1999: "...Baby One More Time" – Britney Spears
2000s	2000: "Can We Fix It?" – Bob the Builder (UK) 2001: "It Wasn't Me" – Shaggy featuring Rikrok (UK) 2002: "Anything Is Possible" / "Evergreen" – Will Young (UK) 2003: "Where Is the Love?" – Black Eyed Peas 2004: "Do They Know It's Christmas?" – Band Aid 20 (UK) 2005: "(Is This the Way to) Amarillo" – Tony Christie featuring Peter Kay (UK) 2006: "Crazy" – Gnarls Barkley 2007: "Bleeding Love" – Leona Lewis (UK) 2008: "Hallelujah" – Alexandra Burke (UK) 2009: "Poker Face" – Lady Gaga
2010s	2010: "Love the Way You Lie" – Eminem featuring Rihanna 2011: "Someone like You" – Adele (UK) 2012: "Somebody That I Used to Know" – Gotye featuring Kimbra 2013: "Blurred Lines" – Robin Thicke featuring T.I. & Pharrell Williams 2014: "Happy" – Pharrell Williams 2015: "Uptown Funk" – Mark Ronson (UK) featuring Bruno Mars 2016: "One Dance" – Drake featuring Wizkid and Kyla (UK) 2017: "Shape of You" – Ed Sheeran (UK) 2018: "One Kiss" – Calvin Harris and Dua Lipa (UK) 2019: "Someone You Loved" – Lewis Capaldi (UK)
2020s	2020: "Blinding Lights" – The Weeknd 2021: "Bad Habits" – Ed Sheeran (UK) 2022: "As It Was" – Harry Styles (UK) 2023: "Flowers" – Miley Cyrus 2024: "Stick Season" - Noah Kahan

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