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Chris Commons
Chris Commons
Chris Commons
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For the Scottish international footballer see Kris Commons

Key Information

Christopher John Commons (born 9 December 1950) is a retired long jumper from Australia, who represented his country in the 1976 Summer Olympics in Montreal.[1]

Commons won silver medals in the 1974 and 1978 Commonwealth Games during his career. A four-time national champion in the men's long jump (1973–1976), he held the Australian Residential Long Jump Record of 8.08 metres. He won the Pacific Conference Games in 1977 and was second in the event in 1973.

Commons was ranked sixth in the world by the magazine Track & Field News in 1975. He received the Athlete of the Year award from the Athletics International organisation for the 1974–5 season.

As a young athlete, Commons was the Australian Junior Champion (under 19 years of age) in the triple jump for three consecutive years (1967–9).

His brothers, Don Commons, a triple jumper, and David Commons, were also notable athletes.

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Chris Commons

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''Chris Commons'' is an American writer and director known for his independent short films and branded commercial content. Commons is a graduate of New York University's Tisch School of the Arts. He is based in Los Angeles and works as a freelance multi-disciplinary filmmaker, taking on roles including producer, cinematographer, and editor in addition to writing and directing. His notable narrative works include directing and writing The '51 Dons (2015), Zero at the Bone, and the in-development LATIN_X, along with earlier shorts such as Sword of Honor (2014), Claude (2014), Excelsior (2013), Lucky Penny (2013), and Korengal (2012). Commons has also contributed to various branded projects for clients like Hallmark, CrossFit, and Tru Niagen. His career reflects a focus on short-form storytelling across independent and commercial formats.

Early life and education

Early life and education

Chris Commons was born on February 16, 1985, in Las Vegas, Nevada, USA. He graduated from New York University's Tisch School of the Arts film program in 2007. He stands 5 feet 10 inches (1.78 m) tall. Limited additional details about his family background, childhood, or pre-college experiences are publicly documented in credible sources.

Career

Early career

Chris Commons began his career in filmmaking with his directorial debut in 2005, co-directing (with Mark Bull) the music video for Arctic Monkeys' "Fake Tales of San Francisco," which holds an IMDb rating of 7.3. He graduated from New York University in 2007, marking a transition toward more consistent professional work in the industry. This early period featured limited credits compared to his later prolific output in short films and documentaries, reflecting the initial stages of establishing himself as a director.

Short films and documentaries (2010–2015)

During the period from 2010 to 2015, Chris Commons experienced his most prolific phase of independent filmmaking, directing and writing over a dozen short films and documentaries while occasionally contributing as editor or camera operator. This era followed his graduation from New York University and early music video work, concentrating on personal and narrative-driven projects without any feature-length productions. Commons frequently handled multiple creative roles on these works, serving as both writer and director on most titles. His output included narrative shorts such as Long Awaited (2010), Shackleton (2011), Kamikaze (2012), Korengal (2012), Excelsior (2013), Sword of Honor (2014), and Claude (2014), alongside documentary-style pieces like The Saint of Auschwitz (2014), which earned an IMDb rating of 8.0, The '51 Dons (2015), and Circus (2015). He also took on additional camera duties for projects including the TV series InspireWire (2012–2014, 10 episodes) as well as the shorts Phantom (2014) and Superhero (2014). These independent shorts and documentaries marked a focused period of creative exploration for Commons, emphasizing concise storytelling in short formats before his later shift toward branded and freelance content.

Branded content and freelance work

Chris Commons is currently based in Los Angeles, where he works as a freelance writer, director, producer, cinematographer, and editor. This phase of his career has focused on creating branded content for various clients, including Hallmark, CrossFit, and Tru Niagen. His freelance work builds on the filmmaking skills developed during his earlier short film and documentary period. Commons maintains a portfolio on his official website, where he presents himself through these multi-role capacities in commercial and branded projects. Since approximately 2016, his professional output has centered on such freelance and branded endeavors, with no major new independent films noted in available credits.

Notable works

Key projects

Chris Commons is known for a selection of ambitious projects spanning music videos, short films, and upcoming features. His most prominent credits include LATIN_X, an original feature film where he serves as both writer and director, currently listed in pre-production. Zero at the Bone represents another directing credit, though limited public details are available regarding its status or release. Among his completed shorts, The '51 Dons (2015) stands out as a project Commons wrote and directed. The 8-minute film dramatizes the undefeated 1951 University of San Francisco football team, which received an Orange Bowl invitation on the condition that it leave behind its two Black players. The Saint of Auschwitz (2014), directed by Commons, is a 9-minute short that has achieved an IMDb rating of 8.0 based on 1,025 votes. Earlier in his career, Commons co-directed the music video for Arctic Monkeys' "Fake Tales of San Francisco" (2005), which holds an IMDb rating of 7.3.

Personal life

Chris Commons is currently based in Los Angeles, California.
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