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Cinema of Finland
The Finnish cinema has a long history, with the first public screenings starting almost as early as modern motion picture technology was invented (the first screening in the world was in 1895, and in Finland in 1896). It took over a decade before the first Finnish film was produced and screened in 1907. After these first steps of Finnish cinema, the progress was very slow. After 1907 there were two periods (1909–1911 and 1917–1918) when no Finnish films were produced. This was partly caused by the political situation, as Finland held a status as an autonomous part of the Russian Empire and was thus influenced by the worldwide political situation.
In 1917 Finland became an independent country and in 1918 there was a civil war. After the political situation had stabilized, Finnish society and its cultural life began to develop. This was very clear with cinematic arts. More films were produced and they became an important part of Finnish society. The culmination of this development came soon after the silent era, around the 1940s and 1950s, when three major studios were producing films and competing for the market. When society changed in the 1960s, partly because of political trends and partly because of new forms of entertainment, like television, the appeal of films was threatened, practically all studios were closed, and films became political and too artistic for the masses, as commercial production was considered a thing of the past and distasteful. However, a few filmmakers were opposed to this development, and kept producing popular films that were bashed by the critics but loved by the people.
The most significant Finnish films include The Unknown Soldier, directed by Edvin Laine in 1955, which is shown on television every Independence Day. Here, Beneath the North Star from 1968, also directed by Laine, which includes the Finnish Civil War from the perspective of the Red Guards, is also one of the most significant works in Finnish cinematic history. A 1960 crime comedy film Inspector Palmu's Mistake, directed by Matti Kassila, was voted in 2012 the best Finnish film of all time by Finnish film critics and journalists.
A revival in Finnish cinema came in the 1990s, which was partly influenced by the new generation of filmmakers bringing in new ideas, and partly because commercial success was no longer considered to be "non-artistic," thus commercial film projects started to receive support from governmental funds. In the 2000s the Finnish cinema is alive and well, with some films and filmmakers gaining global success and many films receiving a good response from audiences and critics. Today, around 15–20 Finnish full-length feature films are produced every year, and the Finnish cinema is gaining new forms from global influence, such as action and wuxia.
The Lumière company screened the first moving images at Helsinki in 1896, but it wasn't until 1904 that the first films were actually filmed in Finland. It is unknown who made the first film (called Novelty from Helsinki: School youth at break), but it was shown by American Bioscope in December. The first Finnish film company, Atelier Apollo, was founded in 1906 by engineer K. E. Ståhlberg. It produced mainly documentary shorts, but also the first Finnish feature film, The Moonshiners (1907). From the very beginning, Finnish film production was centered to the country's capital, although for few years starting from 1907 there was a noteworthy company Oy Maat ja Kansat producing short documentaries in Tampere.
The Moonshiners was directed by Teuvo Puro, who was also in charge of directing the first full-length Finnish feature, Sylvi, based on a play by Minna Canth. The film was shot in 1911 with two other full-length literature adaptations, but it didn't premiere until 1913. The filmmakers didn't have enough money to send films to the nearest laboratory in Copenhagen at once, so the material remained undeveloped too long, and two out of three films were ruined.[citation needed]
The years following Sylvi saw the formation of the first active feature film company, Hjalmar V. Pohjanheimo's Lyyra-Filmi, which produced both short farces and "art films". There was also an attempt to create larger-scale film production by Erik Estlander, who build a studio with glass walls and roof in Helsinki in 1916. At the end of the same year the Russian officials forbid all filming activity in Finland, so nothing much was made anymore before the country's independence in 1917.
The Finnish film industry of the first two decades of the 20th century was never even near the creativity or the productiveness of its Scandinavian neighbours, Sweden and Denmark – one might even say that it there was barely no industry or production at all. In addition, most of the footage filmed before independence is lost. Of feature films, only thirteen minutes of Sylvi still remains.[citation needed]
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Cinema of Finland
The Finnish cinema has a long history, with the first public screenings starting almost as early as modern motion picture technology was invented (the first screening in the world was in 1895, and in Finland in 1896). It took over a decade before the first Finnish film was produced and screened in 1907. After these first steps of Finnish cinema, the progress was very slow. After 1907 there were two periods (1909–1911 and 1917–1918) when no Finnish films were produced. This was partly caused by the political situation, as Finland held a status as an autonomous part of the Russian Empire and was thus influenced by the worldwide political situation.
In 1917 Finland became an independent country and in 1918 there was a civil war. After the political situation had stabilized, Finnish society and its cultural life began to develop. This was very clear with cinematic arts. More films were produced and they became an important part of Finnish society. The culmination of this development came soon after the silent era, around the 1940s and 1950s, when three major studios were producing films and competing for the market. When society changed in the 1960s, partly because of political trends and partly because of new forms of entertainment, like television, the appeal of films was threatened, practically all studios were closed, and films became political and too artistic for the masses, as commercial production was considered a thing of the past and distasteful. However, a few filmmakers were opposed to this development, and kept producing popular films that were bashed by the critics but loved by the people.
The most significant Finnish films include The Unknown Soldier, directed by Edvin Laine in 1955, which is shown on television every Independence Day. Here, Beneath the North Star from 1968, also directed by Laine, which includes the Finnish Civil War from the perspective of the Red Guards, is also one of the most significant works in Finnish cinematic history. A 1960 crime comedy film Inspector Palmu's Mistake, directed by Matti Kassila, was voted in 2012 the best Finnish film of all time by Finnish film critics and journalists.
A revival in Finnish cinema came in the 1990s, which was partly influenced by the new generation of filmmakers bringing in new ideas, and partly because commercial success was no longer considered to be "non-artistic," thus commercial film projects started to receive support from governmental funds. In the 2000s the Finnish cinema is alive and well, with some films and filmmakers gaining global success and many films receiving a good response from audiences and critics. Today, around 15–20 Finnish full-length feature films are produced every year, and the Finnish cinema is gaining new forms from global influence, such as action and wuxia.
The Lumière company screened the first moving images at Helsinki in 1896, but it wasn't until 1904 that the first films were actually filmed in Finland. It is unknown who made the first film (called Novelty from Helsinki: School youth at break), but it was shown by American Bioscope in December. The first Finnish film company, Atelier Apollo, was founded in 1906 by engineer K. E. Ståhlberg. It produced mainly documentary shorts, but also the first Finnish feature film, The Moonshiners (1907). From the very beginning, Finnish film production was centered to the country's capital, although for few years starting from 1907 there was a noteworthy company Oy Maat ja Kansat producing short documentaries in Tampere.
The Moonshiners was directed by Teuvo Puro, who was also in charge of directing the first full-length Finnish feature, Sylvi, based on a play by Minna Canth. The film was shot in 1911 with two other full-length literature adaptations, but it didn't premiere until 1913. The filmmakers didn't have enough money to send films to the nearest laboratory in Copenhagen at once, so the material remained undeveloped too long, and two out of three films were ruined.[citation needed]
The years following Sylvi saw the formation of the first active feature film company, Hjalmar V. Pohjanheimo's Lyyra-Filmi, which produced both short farces and "art films". There was also an attempt to create larger-scale film production by Erik Estlander, who build a studio with glass walls and roof in Helsinki in 1916. At the end of the same year the Russian officials forbid all filming activity in Finland, so nothing much was made anymore before the country's independence in 1917.
The Finnish film industry of the first two decades of the 20th century was never even near the creativity or the productiveness of its Scandinavian neighbours, Sweden and Denmark – one might even say that it there was barely no industry or production at all. In addition, most of the footage filmed before independence is lost. Of feature films, only thirteen minutes of Sylvi still remains.[citation needed]