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Georgina Cates
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Georgina Elaine Cates (born Clare Elaine Woodgate; 4 April 1975) is an English film and television actress.
Key Information
Life and career
[edit]Born Clare Elaine Woodgate in Colchester, Cates attended Colchester County High School for Girls and broke into television acting when she was 16 years old, playing the role of Jenny Porter on the BBC's 2point4 Children.[2]
In 1995, Cates (then still known as Clare Woodgate) auditioned for the role of Stella in the film An Awfully Big Adventure but was not cast. On returning home, she dyed her hair red and reinvented herself as a 17-year-old Liverpudlian girl called Georgina Cates who had no previous acting experience. When she re-applied for the same role, the casting director hired her. She went on to appear in such films as Frankie Starlight (1995), Illuminata (1998), and A Soldier's Sweetheart (1998). She received critical acclaim for her role as Amanda in Clay Pigeons (1998) with Vince Vaughn and Joaquin Phoenix. After a seven-year break from the film industry, Cates returned to the independent film genre to co-star in Sinner, for which she won a Best Actress award at the Brooklyn Arts Council International Film & Video Festival.[citation needed]
Awards
[edit]- Best Actress in a Leading Role, Sinner, 41st Annual Brooklyn Arts Council International Film & Video Festival
- Actress of the Year (Nominee), An Awfully Big Adventure, 1996 London Critics Circle Film Awards
Filmography
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1991–1992 | 2point4 Children | Jenny Porter | TV series |
| 1992 | The Ruth Rendell Mysteries | Sophie Stacey | Episode: "An Unwanted Woman: Part 2" |
| 1993 | Casualty | Emily Russell | Episode: "Life in the Fast Lane" |
| 1993 | An Exchange of Fire | Olga Slajek | TV film |
| 1993 | The Debutante | Amber | Short film |
| 1993 | The Bill | Susie Harper | Episode: "The Price of Fame" |
| 1994 | The Bill | Lorraine Lee | Episode: "House Arrest" |
| 1994 | Au Pair | Susan | |
| 1994 | Chris Cross | Annette Morton | Episode: "Politics" |
| 1995 | Loving | Edith | TV film |
| 1995 | Ghosts | Maureen / Young Margaret | Episode: "The Shadowy Third" |
| 1995 | An Awfully Big Adventure | Stella | |
| 1995 | Frankie Starlight | Young Emma | |
| 1997 | Big City Blues | Angela | |
| 1998 | Illuminata | Simone | |
| 1998 | A Soldier's Sweetheart | Marianne Bell | |
| 1998 | Stiff Upper Lips | Emily | |
| 1998 | The Treat | Mimi | |
| 1998 | Clay Pigeons | Amanda | |
| 2007 | Sinner | Lil | |
| 2008 | The Upshot | Samantha | TV film |
| 2009 | The Closer | Kim Sherman | Episode: "Elysian Fields" |
| 2013 | Jackass Presents: Bad Grandpa | Kimmie | |
| 2014 | Jackass Presents: Bad Grandpa.5 | Kimmie | Direct-to-video |
| 2014 | Everlasting | Elaine Insane |
References
[edit]External links
[edit]
Georgina Cates
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Early life
Family and upbringing
Georgina Cates was born Clare Elaine Woodgate on 14 January 1975 in Colchester, Essex, England.[2] She spent her childhood in Colchester, a historic market town in eastern England known for its Roman heritage and proximity to London. Specific details about her family background, such as her parents' professions or the presence of siblings, remain private and are not documented in public records or interviews. Her upbringing in this regional setting provided the backdrop for her early years before she pursued opportunities in the performing arts.Education
Georgina Cates, born Clare Elaine Woodgate, attended Colchester County High School for Girls, a selective grammar school in her hometown of Colchester, Essex, England.[3][8] This formal education provided the foundation for her early development before she transitioned into professional acting.[9]Career
Early acting roles
Georgina Cates, born Clare Elaine Woodgate, began her professional acting career at the age of 16 with a breakout role in British television. She debuted as Jenny Porter, the sarcastic teenage daughter in the BBC sitcom 2point4 Children, appearing in 14 episodes across the first two seasons from 1991 to 1992.[10] This role established her in the comedy genre, portraying a typical rebellious adolescent in a dysfunctional family setting, which garnered her early recognition in the UK entertainment industry.[11] Following her stint on 2point4 Children, Woodgate sought to diversify her portfolio by pursuing more dramatic parts, transitioning away from comedic fare. She secured guest appearances on prominent British police and medical dramas, including two episodes of the long-running series The Bill: as Susie Harper in "The Price of Fame" (1993) and as Lorraine Lee in "House Arrest" (1994). Additionally, she played the troubled teenager Emily Russell in the Casualty episode "Life in the Fast Lane" (1993), depicting a character dealing with overdose and terminal illness, which highlighted her ability to handle intense emotional scenes.[12] These television roles, often involving vulnerable or conflicted young women, helped build her resume amid the competitive landscape of early 1990s British broadcasting.[5] Prior to her name change in 1995, Woodgate also gained experience in British theater, performing in stage productions that contributed to her reputation as an emerging talent. Although specific regional or youth theater credits from this period are not extensively documented, her theatrical work was noted for providing foundational training in live performance before her focus shifted to screen opportunities.[13] As a young actress navigating the industry, Woodgate faced typical challenges, including securing agent representation and auditioning for roles that aligned with her ambitions beyond sitcom comedy. Her early experiences involved persistent casting efforts, as she aimed to prove versatility in an era when typecasting was common for child stars entering adulthood. This determination laid the groundwork for her later professional pivot.[11]Breakthrough and name change
In 1994, at the age of 19, Clare Woodgate auditioned for the role of the 16-year-old Stella Bradman in Mike Newell's adaptation of Beryl Bainbridge's novel An Awfully Big Adventure (1995), but she was not selected.[14] Undeterred, Woodgate returned for a second audition after reinventing her persona: she dyed her hair red to match the character's description, adopted the stage name Georgina Cates, and falsely claimed to be 17 years old to better fit the part.[15] This bold transformation succeeded, securing her the role opposite Alan Rickman and Hugh Grant, though it later caused tension on set when her true age was revealed, reportedly upsetting Rickman who had treated her with particular care assuming her youth.[15] Cates' portrayal of Stella, a naive and impressionable teenager joining a struggling Liverpool theater troupe in post-World War II England, marked her feature film debut and showcased her ability to convey vulnerability and emotional depth. Director Mike Newell praised her as "a great original," noting how her fresh presence transformed during production.[13] Critics highlighted her talent, with Empire magazine stating that Cates "has talent to spare" in navigating the film's dark, elliptical narrative.[16] Following the film's release in 1995, Cates legally adopted her new name, solidifying the change from Clare Woodgate.[13] This breakthrough not only launched her international career but also shifted her focus from British television toward Hollywood film opportunities, establishing her as a rising star in cinema.[14]Film career
Cates' feature film debut came with her breakthrough role in An Awfully Big Adventure (1995). She followed with Frankie Starlight (1995), portraying the young Emma, the daughter of the protagonist Jack Kelly, in a drama directed by Michael Lindsay-Hogg that explores themes of love and loss during World War II.[17] The film featured an international cast, including Anne Parillaud as the enigmatic Bernadette, marking Cates' entry into more prominent cinematic roles following her early theater work.[18] She appeared in additional 1990s films including Stiff Upper Lips (1997) and Illuminata (1998). Transitioning to Hollywood, Cates relocated to the United States in the mid-1990s to pursue larger opportunities, appearing in the black comedy Clay Pigeons (1998) as Amanda, the bold and unfaithful wife of a small-town deputy.[13] Directed by David Dobkin, the film starred Vince Vaughn as the manipulative Lester Long and Joaquin Phoenix as the hapless Clay Bidwell, with Cates' performance highlighting the dark humor and moral ambiguity of her character's infidelity and eventual demise.[19] This role showcased her ability to embody complex, provocative female leads in American independent cinema, though she later faced typecasting as feisty, youthful ingenues in subsequent projects.[20] After a seven-year hiatus from major films, during which she focused on personal life and television, Cates returned to the screen in a supporting capacity as Kimmie in the comedy Jackass Presents: Bad Grandpa (2013), directed by Jeff Tremaine, playing the mother of a young beauty pageant contestant amid the film's prank-heavy narrative. Her comeback continued with a smaller role as Elaine Insane in the psychological thriller Everlasting (2016), where she portrayed a character entangled in a young filmmaker's obsessive quest for a serial killer, contributing to the film's exploration of grief and reality.[21] These later appearances reflected a shift toward independent productions, underscoring her enduring presence in niche Hollywood films despite challenges in securing lead roles post-relocation.Producing and other pursuits
In addition to her acting career, Cates transitioned into producing, with credits including the 2016 film Everlasting, where she served as a producer alongside her acting role as Elaine Insane.[22] She also produced the 2016 short film Save Me from the Sound of the Siren, a neo-noir thriller directed by Niki Simone, in which Cates appeared as Madeleine. These projects marked her entry into behind-the-scenes roles in independent cinema, focusing on narrative-driven stories. In 1998, Cates established Georgina Cates Couture as a creative venture in Los Angeles incorporating elements of fashion design, photography, and bespoke services, reflecting her artistic interests beyond film.[23] Cates began her professional photography career in 1998, establishing Georgina May Cates Photography in Los Angeles, where she has built a reputation for fine art and commercial work.[1] Her photography is frequently described as timeless and emotive, with a dramatic flair, capturing fleeting moments in celebrity portraits, advertising campaigns, and solo exhibitions.[7] Cates has been actively involved in industry networks, including WrapWomen, an organization supporting women in entertainment, where she contributes as a fine art photographer and advocate for creative professionals.[7] Her participation in events like TheWrap's Power Women Summit in 2018 underscores her commitment to fostering opportunities for women in the arts and media.[24]Personal life
Marriage and divorce
Georgina Cates met actor Skeet Ulrich at an Academy Awards party in 1996.[25] The couple dated for one year before marrying on October 5, 1997, in a small private ceremony on their farmland property in Madison County, Virginia.[26][27] During their marriage, Cates and Ulrich, both established actors navigating Hollywood's demands, relocated to a 500-acre farm in Virginia to seek a quieter life away from the industry's intensity.[28] Their shared experiences included balancing rising careers—Ulrich with roles in films like Scream and Cates with her own projects—while building a family, welcoming twins Jakob and Naiia in 2001.[29][30] The marriage lasted eight years, but Cates and Ulrich separated in 2004 and formally filed for divorce in 2005, citing irreconcilable differences.[31][32] No major public statements were issued by either party regarding the split, which proceeded amicably with joint custody arrangements for their children.[28]Children and residence
Georgina Cates and her ex-husband, actor Skeet Ulrich, have fraternal twins born on March 9, 2001: son Jakob Dylan Ulrich and daughter Naiia Rose Ulrich.[33][34] Following their divorce in 2005, Cates and Ulrich share joint custody of the twins.[35] In 2013, Ulrich was charged with contempt of court for failing to pay approximately $285,000 in delinquent child support to Cates.[35] Details of their ongoing co-parenting arrangements remain private, with both parents prioritizing the children's well-being away from public scrutiny.[28] Cates currently resides in Los Angeles, California, where she has established her home base since the mid-2000s.[23] This location allows her to seamlessly integrate family responsibilities with her professional endeavors in fine art photography and couture design, operating Georgina Cates Photography and Georgina Cates Couture from studios in North Hollywood.[6] In recent years, she has maintained a low public profile, focusing on creative projects and family life while occasionally sharing glimpses of her work through social media and professional networks.[36]Filmography
Film roles
Georgina Cates began her film career in the mid-1990s, appearing in a range of independent dramas, comedies, and thrillers, often portraying young women navigating complex relationships and personal growth.| Year | Title | Role | Description |
|---|---|---|---|
| 1995 | An Awfully Big Adventure | Stella | A teenage girl who joins a struggling Liverpool theater troupe in 1945, aspiring to become an actress alongside mentors played by Alan Rickman and Hugh Grant.[37] |
| 1995 | Frankie Starlight | Young Emma | The younger version of a single mother raising a son with dwarfism, in this Irish-American drama co-starring Anne Parillaud and Matt Dillon. |
| 1997 | Stiff Upper Lips | Emily | An innocent young woman in Edwardian England subjected to a matchmaking scheme, in this satirical take on Merchant Ivory films, with co-stars Peter Ustinov and Prunella Scales. |
| 1997 | Big City Blues | Angela / Sybil | Dual roles as a lounge singer and her alter ego in a New York crime story involving jazz and murder, alongside Burt Reynolds and William Forsythe. |
| 1998 | Illuminata | Simone | A passionate young actress in a 19th-century Italian theater company, entangled in artistic and romantic rivalries, with John Turturro and Christopher Walken. |
| 1998 | A Soldier's Sweetheart | Marianne Bell | A young woman brought to a Vietnam outpost by her boyfriend, in this adaptation of Tim O'Brien's story, co-starring Skeet Ulrich and Kiefer Sutherland.[38] |
| 1998 | Clay Pigeons | Amanda | A woman involved with a man accused of murder in this black comedy thriller set in Montana, featuring Joaquin Phoenix and Vince Vaughn. |
| 1998 | The Treat | Mimi | A British prostitute navigating danger and alliances with hitmen in New York City, co-starring Daniel Baldwin and Julie Delpy. |
| 2007 | Sinner | Lil | A seductive con artist who seeks asylum with a priest, testing his vows, in this psychological drama with Nick Chinlund and Brad Dourif.[39] |
| 2013 | Jackass Presents: Bad Grandpa | Kimmie | A minor role as a mother in a roadside encounter scene within the comedy road trip, alongside Johnny Knoxville and Jackson Nicoll. |
| 2014 | Jackass Presents: Bad Grandpa .5 | Kimmie | Extended scenes from the film, reprising the role as a mother in a roadside scene.[40] |
| 2016 | Everlasting | Elaine Insane | A role in a thriller about a high school student investigating a friend's disappearance, co-starring Valentina de Angelis and Adam Perez.[41] |
| 2016 | Save Me from the Sound of the Siren | Madeleine | Role in this drama short.[42] |
| 2017 | Il colore nascosto delle cose (The Hidden Color of Things) | Emma | A blind woman exploring romance and vulnerability, in this Italian drama directed by Silvio Soldini, with co-star Adriano Giannini.[43] |