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Cold Cave
Cold Cave is the solo project for musician Wesley Eisold, described as a "collage of darkwave, noise, and synthpop." A number of reviewers note the affinity with early 1980s post-punk and early synthpop, in particular Joy Division and New Order.
Cold Cave was founded in 2007 by Wesley Eisold, vocalist of hardcore groups Give Up the Ghost (previously known as American Nightmare), Some Girls, and Heartworm Press founder. Cold Cave represents Eisold's first venture into instrumentation. Eisold was born with one hand which led him to electronic music.
After initial releases on Dais Records, Hospital Productions, What's Your Rupture?, and Eisold's own Heartworm Press, he signed to Matador Records, who re-released his self-released debut album, Love Comes Close, on November 3, 2009.
In April 2011, Matador Records released his second album, Cherish the Light Years.
In July 2011, Cold Cave remixed "I Didn't See It Coming" by the band Belle and Sebastian. The song appeared on their 12-inch single "Come On Sister" released by Matador Records and Rough Trade Records.
In April 2012, Cold Cave performed at the Solomon R. Guggenheim Museum between John Chamberlain sculptures as part of the museum's Divine Ricochet series.
In October 2012, Cold Cave performed at the Getty Center.
In September 2012, Eisold announced Cold Cave would be touring the US later in the year, he would be recording a new album, and that the new live lineup included: Hunter Burgan (AFI), London May (Samhain), Jessie Nelson, and Cody Votolato (The Blood Brothers). This lineup was exclusive to this two-and-a-half-week tour and Eisold said performing with a full band was something that failed to materialize during Cherish the Light Years tours. While continuing to work on a follow-up to Cherish the Light Years and not under contract with a label, Eisold began independently releasing a series of stand-alone singles. Eisold wrote and recorded these new songs by himself similar to how songs on Cremations and Love Comes Close were crafted. He said they were created "by myself, at a desk in my apartment. It was freeing and exciting in a way because I didn't owe anyone an album. I got to just make them to make them. The songs were minimal, honest, electronic and without help."
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Cold Cave
Cold Cave is the solo project for musician Wesley Eisold, described as a "collage of darkwave, noise, and synthpop." A number of reviewers note the affinity with early 1980s post-punk and early synthpop, in particular Joy Division and New Order.
Cold Cave was founded in 2007 by Wesley Eisold, vocalist of hardcore groups Give Up the Ghost (previously known as American Nightmare), Some Girls, and Heartworm Press founder. Cold Cave represents Eisold's first venture into instrumentation. Eisold was born with one hand which led him to electronic music.
After initial releases on Dais Records, Hospital Productions, What's Your Rupture?, and Eisold's own Heartworm Press, he signed to Matador Records, who re-released his self-released debut album, Love Comes Close, on November 3, 2009.
In April 2011, Matador Records released his second album, Cherish the Light Years.
In July 2011, Cold Cave remixed "I Didn't See It Coming" by the band Belle and Sebastian. The song appeared on their 12-inch single "Come On Sister" released by Matador Records and Rough Trade Records.
In April 2012, Cold Cave performed at the Solomon R. Guggenheim Museum between John Chamberlain sculptures as part of the museum's Divine Ricochet series.
In October 2012, Cold Cave performed at the Getty Center.
In September 2012, Eisold announced Cold Cave would be touring the US later in the year, he would be recording a new album, and that the new live lineup included: Hunter Burgan (AFI), London May (Samhain), Jessie Nelson, and Cody Votolato (The Blood Brothers). This lineup was exclusive to this two-and-a-half-week tour and Eisold said performing with a full band was something that failed to materialize during Cherish the Light Years tours. While continuing to work on a follow-up to Cherish the Light Years and not under contract with a label, Eisold began independently releasing a series of stand-alone singles. Eisold wrote and recorded these new songs by himself similar to how songs on Cremations and Love Comes Close were crafted. He said they were created "by myself, at a desk in my apartment. It was freeing and exciting in a way because I didn't owe anyone an album. I got to just make them to make them. The songs were minimal, honest, electronic and without help."