Recent from talks
Nothing was collected or created yet.
Colin Gordon
View on Wikipedia
Colin Gordon (27 April 1911 – 4 October 1972) was a British actor. Although primarily a stage actor he made numerous appearances on television and in cinema films, generally in comedies. His stage career was mainly in the West End, but he was seen in the provinces in some touring productions.
Key Information
Biography
[edit]Early years
[edit]Gordon was born in British Ceylon, the son of William Arthur Gordon and his wife Lily Vera, née Troup.[1] He was educated at Marlborough College and Christ Church, Oxford.[1] He first appeared on the professional stage in repertory at the Palace Theatre, Watford from January to December 1934.[1] He made his first West End appearance in 1934 as the hind legs of Alfred, the carthorse, in a production of Toad of Toad Hall at the Royalty Theatre.[1] At the same theatre he played James in Frolic Wind (March 1935, described by The Stage as "a distinguished failure"),[2] and Peter in Closing At Sunrise (September 1935).[1] From 1936 to 1939 he directed the Fred Melville Repertory Company in Brixton.[1] He served in the army during the Second World War for six years.[1]
Gordon was taken ill whilst working in South Africa and brought home to Surrey, where he died at the age of 61. He was buried with his wife at St Andrew's Church, Didling in West Sussex.
Stage roles 1948–1970
[edit]| Date | Theatre | Play | Role | Notes |
|---|---|---|---|---|
| Mar 1948 | Apollo | The Happiest Days of Your Life | Rupert Billings | received the Clarence Derwent Award |
| Mar 1951 | Wyndham's | The Love of Four Colonels | Colonel Desmond De S Rinder-Sparrow | |
| Mar 1953 | Globe | The White Carnation | Sir Horace Duncan | |
| Oct 1953 | Coronet | The Little Hut | Henry | Broadway debut |
| Mar 1955 | Duchess | Misery Me! | Julius Ring | |
| Jul 1955 | Duke of York's | Wild Thyme | Seymour Verity | |
| Dec 1956 | Aldwych | The Touch of Fear | Alec Barnes | |
| Mar 1957 | Arts | The Wit to Woo | Percy Trellis | |
| Mar 1959 | Guildford Repertory | Members Only | Percy | Also director |
| May 1960 | Theatre Royal, Windsor | Handful of Tansy | Sir Matthew Carr | |
| Jun 1960 | Everyman, Cheltenham | I Seem to Know Your Face | Percy | Also director |
| Oct 1961 | Theatre Royal, Windsor | Mr Rhodes | Dr Jameson | |
| Mar 1964 | On tour | March Hares | Dr Unwin | |
| Aug 1964 | On tour | Alibi For a Judge | Thomas Empton QC | |
| Aug 1965 | Savoy | Alibi For a Judge | Thomas Empton QC | |
| Nov 1967 | Duke of York's | Relatively Speaking | Philip | took over the part from Michael Hordern |
| Jun 1969 | Belgrade, Coventry | Never Say Die | Richard Blake | |
| Mar 1970 | Royal Court | A Who's Who of Flapland | Cast member |
- Source: Who's Who in the Theatre.[1]
Screen
[edit]Gordon had a long career in British cinema and television from the 1940s to the 1970s, often playing government officials. His films include The Pink Panther and Casino Royale (both with Peter Sellers, alongside whom he made five films). In the ITC series The Prisoner (1967) he portrayed Number Two twice, in "The General" and "A. B. and C." .[3] Gordon was a regular in another ITC production, The Baron, playing civil servant Templeton-Green opposite Steve Forrest.[4] He also starred in The Invisible Man (1958 TV series) episode "Play to Kill", (series 1, episode 6, 1959); was the host and occasional narrator of the 1969 London Weekend Television series The Complete and Utter History of Britain, (which arose from a pre-Monty Python collaboration between Michael Palin and Terry Jones); and was the airport commandant in the 1967 Doctor Who story The Faceless Ones.[5][6] He was also in Bachelor Father and made two guest appearances in Steptoe and Son. In 1961 he appeared as the doctor in "The Lift" episode of Hancock's Half Hour.[7] In 1970 he appeared in the UFO episode "The Cat with Ten Lives". He also appeared as Walpole Gibb in the ATV/ITC series Hine in 1971.
Radio
[edit]For many years, from 1953 onwards, he played Tony Fellows, fictional husband to wife 'Ann ', played by Diana Churchill (actress), and brother-in-law to David Alexander Bliss, (played by George Cole (actor)), in ' A Life of Bliss '.
Film roles
[edit]- Jim the Penman (1947) (by Charles Lawrence Young) as Roberts
- Bond Street (1948) as Clerk in Travel Agency
- The Winslow Boy (1948) (uncredited)
- It's Hard to Be Good (1948) as Neighbour with Baby (uncredited)
- Edward, My Son (1949) as Ellerby
- Helter Skelter (1949) as Chadbeater Longwick
- Golden Arrow (1949) as Connelly
- Traveller's Joy (1949) as Tom Wright
- The Third Visitor (1951) as Bill Millington
- The Long Dark Hall (1951) as Pound
- Circle of Danger (1951) as Col. Fairbairn
- Laughter in Paradise (1951) as Station Constable
- The Man in the White Suit (1951) as Hill
- The Lady with a Lamp (1951)
- Green Grow the Rushes (1951) as Roderick Fisherwick
- Mandy (1952) as Woollard (Junior)
- The Hour of 13 (1952) as MacStreet
- Folly to Be Wise (1952) as Prof. James Mutch
- Grand National Night (1953) as Buns Darling
- Innocents in Paris (1953) as Customs Officer
- The Heart of the Matter (1953) as Secretary (uncredited)
- Up to His Neck (1955) as Lt. Cmdr. Sterning
- Little Red Monkey (1955) as Harry Martin, reporter
- John and Julie (1955) as Mr. Swayne
- Escapade (1955) as Deeson, reporter
- Jumping for Joy (1956) as Max, 1st Commentator
- Keep It Clean (1956) as Peter, Marquess of Hurlingford
- The Green Man (1956) as Reginald Willoughby-Cruft
- A Touch of the Sun (1956) as Cecil Flick
- Up in the World (1956) as Fletcher Hetherington
- The Extra Day (1956) as Sir George Howard
- The Key Man (1957) as Larry Parr
- The One That Got Away (1957) as Army Interrogator
- The Safecracker (1958) as Dakers
- Virgin Island (US: Our Virgin Island, 1958) as The Commissioner
- The Doctor's Dilemma (1958) as Newspaper Man
- The Crowning Touch (1959) as Stacey
- Alive and Kicking (1959) as Bird Watcher
- The Mouse That Roared (1959) as BBC Announcer
- Bobbikins (1959) as Dr. Phillips
- Please Turn Over (1959) as Maurice
- Carry On Constable (1960) (uncredited)
- The Day They Robbed the Bank of England (1960) as Benge
- The Big Day (1960) as George Baker
- Make Mine Mink (1960) (uncredited)
- His and Hers (1961) as TV Announcer
- Seven Keys (1961) as Mr. Barber
- House of Mystery (1961) as Burdon
- Very Important Person (1961) as Briggs
- Don't Bother to Knock (1961) as Rolsom
- Three on a Spree (1961) as Mitchell
- Crooks Anonymous (1962) as Drunk
- Night of the Eagle (1962) as Lindsay Carr
- Strongroom (1962) as Mr. Spencer
- In the Doghouse (1962) as Dean
- The Devil's Agent (1962) as Count Dezsepalvy
- The Boys (1962) as Gordon Lonsdale
- The Running Man (1963) as Solicitor
- Heavens Above! (1963) as Prime Minister
- Bitter Harvest (1963) as Charles
- The Pink Panther (1963) as Tucker
- The Counterfeit Constable (1964) as Le dentiste W. Martin
- The Liquidator (1965) as Vicar
- The Psychopath (1966) as Dr. Glyn
- The Great St Trinian's Train Robbery (1966) as Noakes
- The Trygon Factor (1966) as Dice
- The Family Way (1966) as Mr. Hutton
- Casino Royale (1967) as Casino Director
- Don't Raise the Bridge, Lower the River (1968) as Mr. Hartford
- Subterfuge (1968) as Kitteridge
- Mischief (1969) as Mr. Crawford
- The Body Beneath (1970) as Graham Ford
References
[edit]- ^ a b c d e f g h Herbert, pp. 843–844
- ^ "Colin Gordon", The Stage, 12 October 1972, p. 20
- ^ "Colin Gordon - Movies and Filmography". AllMovie.
- ^ Terrace, Vincent (10 January 2014). Encyclopedia of Television Shows, 1925 through 2010, 2d ed. McFarland. ISBN 9780786486410 – via Google Books.
- ^ "BFI Screenonline: Complete and Utter History of Britain, The (1969)". www.screenonline.org.uk.
- ^ "Doctor Who Classic Episode Guide – The Faceless Ones – Details". www.bbc.co.uk.
- ^ "The Lift (1961)". BFI. Archived from the original on 26 January 2019.
Sources
[edit]- Herbert, Ian, ed. (1977). Who's Who in the Theatre (sixteenth ed.). London and Detroit: Pitman Publishing and Gale Research. ISBN 978-0-273-00163-8.
- Obituary, The Stage, 12 October 1972, page 20.
External links
[edit]- Colin Gordon at IMDb
Colin Gordon
View on GrokipediaEarly Life
Family Background and Childhood
Colin Gordon was born Colin Fraser Gordon on 27 April 1911 in British Ceylon, now Sri Lanka.[5][10][8] Little is documented about his immediate family, but he was the son of William Arthur Gordon and Lily Vera (née Troup). As a child of British colonial subjects, Gordon spent his early years in Ceylon. His family relocated to England sometime in his childhood, transitioning him from the tropical island setting to the British mainland.[3][9] This move paved the way for his formal education at Marlborough College.[10]Education and Initial Career Steps
Gordon was educated at Marlborough College, a public school in Wiltshire, England, before attending Christ Church, Oxford, where he developed an early interest in the performing arts.[11][12] Following his university studies, Gordon made his professional stage debut in repertory theater in 1934.[11] Later that year, he achieved his West End debut at the Royalty Theatre, taking on the role of the hind legs of Alfred, the carthorse, in A. A. Milne's adaptation of Toad of Toad Hall.[11] From 1936 to 1939, Gordon served as a director and producer with the Fred Melville Repertory Company at the Brixton Theatre, where he also acted in various productions, gaining practical experience in all aspects of regional theater management.[11][13] His burgeoning career was interrupted by the outbreak of World War II, during which he enlisted in the British Army and served for six years, contributing to the war effort until 1945.[11][12]Stage Career
Pre-War and Wartime Roles (1934–1947)
Gordon made his professional stage debut in 1934, appearing in a West End production of Toad of Toad Hall at the Royalty Theatre, where he played the hind legs of the carthorse Alfred.[14] This early role, following his classical education at Christ Church, Oxford—which provided a strong foundation in dramatic arts—marked the beginning of his commitment to theater amid the interwar cultural scene.[10] From 1936 to 1939, Gordon shifted focus to repertory theater, serving as director, producer, and actor with the Fred Melville Repertory Company at the Melville Theatre in Brixton, south London.[10] In this provincial setting, he contributed to a diverse repertoire of plays, honing his multifaceted skills in a hands-on environment that contrasted with the glamour of West End productions. The outbreak of World War II profoundly disrupted Gordon's burgeoning career; he enlisted in the British Army and served for six years, from 1939 to 1945, primarily in non-combat roles that left little opportunity for theatrical involvement.[14] This extended military service halted his stage activities, as wartime conditions— including theater closures, rationing, and evacuations—severely limited repertory operations across Britain, forcing many actors into alternative contributions to the war effort. By 1947, as demobilization progressed, Gordon began transitioning back to civilian life, though his full return to the stage would not occur until the following year.[10]Post-War Roles and Directing Work (1948–1970)
Following his wartime service, Colin Gordon resumed his stage career with a standout performance as Rupert Billings, the mild-mannered schoolmaster, in John Dighton's farce The Happiest Days of Your Life at the Apollo Theatre in London, which opened on 29 March 1948 and ran for over two years.[15] For this role, Gordon received the inaugural UK Clarence Derwent Award for best supporting male performance in a West End production, marking a significant post-war breakthrough that solidified his reputation in British theatre.[16] The production's success highlighted Gordon's skill in portraying flustered, bureaucratic characters, a trait that became a hallmark of his later work. In the early 1950s, Gordon appeared in several notable West End comedies, including the role of Colonel Desmond De S Rinder-Sparrow in Peter Ustinov's satirical The Love of Four Colonels at Wyndham's Theatre, which premiered on 28 March 1951 and explored themes of post-war disillusionment through fantastical allegory.[17] He followed this with Sir Horace Duncan, a Home Office official, in R.C. Sherriff's The White Carnation at the Globe Theatre from 5 January to 25 April 1953, a play blending mystery and social commentary.[18] Later that year, Gordon made his Broadway debut as Henry in André Roussin's The Little Hut (adapted by Nancy Mitford), first at the Lyric Theatre in London in October 1953 before transferring to the Coronet Theatre in New York on 7 October 1953, where the lighthearted farce about a love triangle on a desert island ran for 24 performances.[19] These roles at prestigious venues like the Globe and Savoy Theatre underscored his versatility in ensemble comedies during the decade. By the late 1950s, Gordon expanded into directing while continuing to perform, notably helming G.C. Chambers' Members Only at the Guildford Theatre on 9 March 1959 as part of his work with the Guildford Repertory Theatre, where he served as actor-director from 1957 onward.[20] This period reflected a broader career arc toward character roles—often eccentric officials or hapless everymen—in touring and repertory productions, allowing him to balance acting and creative control amid the evolving British stage landscape of the 1960s.[18]Screen Career
Film Roles
Colin Gordon made his film debut in the late 1940s, transitioning from stage acting to cinema where his precise, often cynical portrayals of authority figures quickly found a niche in British productions.[5] His early roles, influenced by his theatrical background in comedy and drama, emphasized haughty officials and bureaucrats, contributing to the era's Ealing Studios-style satires on British society.[10] Throughout the 1950s and 1960s, Gordon appeared in over 30 feature films, typically in supporting capacities that highlighted his talent for dry humor and subtle menace.[7] Notable examples include his performance as the pompous Reginald Willoughby-Cruft in the black comedy The Green Man (1956), where he played a bumbling accomplice to a hitman.[21] He also featured as the Bank Manager in the crime drama Strongroom (1962), underscoring his suitability for roles involving institutional rigidity.[22] Gordon's most prominent cinematic associations came through five collaborations with Peter Sellers, spanning light-hearted adventures and farces that amplified his reputation in international comedies.[5] These included John and Julie (1955), a family road trip film; The Mouse That Roared (1959), where he voiced the BBC Announcer in the satirical invasion tale; The Pink Panther (1963), as the embassy official Tucker aiding Inspector Clouseau's bungled investigation; Casino Royale (1967), portraying the suave Casino Director amid the chaotic spy spoof; and Don't Raise the Bridge, Lower the River (1968), in a supporting comic role.[23][24] Other significant films from the 1960s further exemplified his typecasting as government or professional figures, such as Mr. Hutton in the domestic comedy The Family Way (1966).[25] His work in these productions, often in ensemble casts, helped cement his status as a dependable character actor whose understated performances added depth to post-war British film's exploration of class and authority.[4] He also appeared as Hill in the Ealing comedy The Man in the White Suit (1951).[26]| Year | Film Title | Role |
|---|---|---|
| 1949 | Edward, My Son | Minor role |
| 1951 | Circle of Danger | Col. Fairbairn |
| 1956 | The Green Man | Reginald Willoughby-Cruft |
| 1963 | Heavens Above! | Prime Minister |
| 1963 | The Pink Panther | Tucker |
| 1967 | Casino Royale | Casino Director |
