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Connee Boswell
Constance Foore "Connee" Boswell (December 3, 1907 – October 11, 1976) was an American vocalist born in Kansas City, Missouri, but raised in New Orleans, Louisiana. With sisters Martha and Helvetia "Vet", she performed in the 1920s and 1930s as the trio The Boswell Sisters. They started as instrumentalists but became a highly influential singing group via their recordings and film and television appearances.
Connee Boswell is considered one of the great female jazz vocalists and was a major influence on Ella Fitzgerald, who said "My mother brought home one of her records, and I fell in love with it...I tried so hard to sound just like her." In 1936, Connee's sisters retired and Connee continued on as a solo artist (having also recorded solos during her years with the group).
Boswell was born in Kansas City, Missouri. The Boswells came to be well known locally while still in their early teens, making appearances in New Orleans theaters and on radio. They made their first recordings for Victor Records in 1925, which included "Cryin' Blues", wherein Connee is featured singing in the style of her early influence, African-American singer Mamie Smith. The Boswell Sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans' Orpheum Theatre. They received an invitation to go to Chicago and perform in 1928 and honed their act on the Western vaudeville circuit. When their tour ended, they traveled to San Francisco. The hotel that had been recommended had a less than savory reputation, and the man at the desk suggested that the three young ladies might be better off in another hotel. That man, Harry Leedy, part owner of Decca Records, became the sisters' manager on a handshake and later Connee's husband.
The sisters traveled to Los Angeles, where they performed on local radio and "side-miked" for the soundies, including the 1930 production Under Montana Skies. They did not attain national attention, however, until they moved to New York City in 1930 and started making national radio broadcasts. After a few recordings with Okeh Records, they made numerous recordings for Brunswick Records from 1931 to 1935. In addition to the Boswell Sisters recordings for Brunswick, Connee herself was recorded as a solo artist and experienced several successful singles. In 1935, the Boswell Sisters had a No. 1 hit with "The Object of My Affection", the biggest of twenty top 20 records they would enjoy. In 1936, the group signed to Decca Records, but after just three releases called it quits (the last recording took place on February 12, 1936). Connee continued to have a successful solo career as a singer for Decca, but also later recorded for the new Apollo label (1947), RCA Victor (1956), and Decca subsidiary, Design (1958).
In addition to being a co-star on NBC Radio's Kraft Music Hall in 1940–1941, Boswell starred in her own radio show on the NBC Blue Network (later ABC Radio), The Connee Boswell Show, (1944). In 1946 she was featured on CBS Radio's Tonight On Broadway (1946).
Her other guest appearances on radio included The Salute To Irving Berlin/Alexander's Ragtime Band (the feature film), CBS, August 5, 1938; America Calling (appeal for Greek War Relief), February 8, 1941; March of Dimes Special, January 11, 1940; CBC Fourth Annual Victory Loan, May 21, 1943; and "Philco Radio Time", ABC, June 4, 1947.
Boswell also sang in a number of Hollywood films, including It's All Yours (1937), Artists and Models (1937), Syncopation (1942) and Swing Parade of 1946, as well as with the Boswell Sisters in 1932's The Big Broadcast and 1934's Moulin Rouge.
Boswell was interviewed via phone by Bill Fisher on WOWO (Fort Wayne, Indiana). The acetate disk's label contained no date. However, since her then-new Decca single of "Begin The Beguine" was promoted in it, the date should be presumed to be 1952. All through her career with The Boswell Sisters and into the early 1940s, her name was spelled "Connie". She later changed the spelling to Connee. Stories vary as to why she made the change (e.g., because it made it easier to sign autographs or that she felt it was unique and would bring good luck).
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Connee Boswell
Constance Foore "Connee" Boswell (December 3, 1907 – October 11, 1976) was an American vocalist born in Kansas City, Missouri, but raised in New Orleans, Louisiana. With sisters Martha and Helvetia "Vet", she performed in the 1920s and 1930s as the trio The Boswell Sisters. They started as instrumentalists but became a highly influential singing group via their recordings and film and television appearances.
Connee Boswell is considered one of the great female jazz vocalists and was a major influence on Ella Fitzgerald, who said "My mother brought home one of her records, and I fell in love with it...I tried so hard to sound just like her." In 1936, Connee's sisters retired and Connee continued on as a solo artist (having also recorded solos during her years with the group).
Boswell was born in Kansas City, Missouri. The Boswells came to be well known locally while still in their early teens, making appearances in New Orleans theaters and on radio. They made their first recordings for Victor Records in 1925, which included "Cryin' Blues", wherein Connee is featured singing in the style of her early influence, African-American singer Mamie Smith. The Boswell Sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans' Orpheum Theatre. They received an invitation to go to Chicago and perform in 1928 and honed their act on the Western vaudeville circuit. When their tour ended, they traveled to San Francisco. The hotel that had been recommended had a less than savory reputation, and the man at the desk suggested that the three young ladies might be better off in another hotel. That man, Harry Leedy, part owner of Decca Records, became the sisters' manager on a handshake and later Connee's husband.
The sisters traveled to Los Angeles, where they performed on local radio and "side-miked" for the soundies, including the 1930 production Under Montana Skies. They did not attain national attention, however, until they moved to New York City in 1930 and started making national radio broadcasts. After a few recordings with Okeh Records, they made numerous recordings for Brunswick Records from 1931 to 1935. In addition to the Boswell Sisters recordings for Brunswick, Connee herself was recorded as a solo artist and experienced several successful singles. In 1935, the Boswell Sisters had a No. 1 hit with "The Object of My Affection", the biggest of twenty top 20 records they would enjoy. In 1936, the group signed to Decca Records, but after just three releases called it quits (the last recording took place on February 12, 1936). Connee continued to have a successful solo career as a singer for Decca, but also later recorded for the new Apollo label (1947), RCA Victor (1956), and Decca subsidiary, Design (1958).
In addition to being a co-star on NBC Radio's Kraft Music Hall in 1940–1941, Boswell starred in her own radio show on the NBC Blue Network (later ABC Radio), The Connee Boswell Show, (1944). In 1946 she was featured on CBS Radio's Tonight On Broadway (1946).
Her other guest appearances on radio included The Salute To Irving Berlin/Alexander's Ragtime Band (the feature film), CBS, August 5, 1938; America Calling (appeal for Greek War Relief), February 8, 1941; March of Dimes Special, January 11, 1940; CBC Fourth Annual Victory Loan, May 21, 1943; and "Philco Radio Time", ABC, June 4, 1947.
Boswell also sang in a number of Hollywood films, including It's All Yours (1937), Artists and Models (1937), Syncopation (1942) and Swing Parade of 1946, as well as with the Boswell Sisters in 1932's The Big Broadcast and 1934's Moulin Rouge.
Boswell was interviewed via phone by Bill Fisher on WOWO (Fort Wayne, Indiana). The acetate disk's label contained no date. However, since her then-new Decca single of "Begin The Beguine" was promoted in it, the date should be presumed to be 1952. All through her career with The Boswell Sisters and into the early 1940s, her name was spelled "Connie". She later changed the spelling to Connee. Stories vary as to why she made the change (e.g., because it made it easier to sign autographs or that she felt it was unique and would bring good luck).