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Corey Allen (born Alan Cohen; June 29, 1934 – June 27, 2010) was an American film and television director, writer, producer, and actor. He began his career as an actor but eventually became a television director. He is best known for playing the character Buzz Gunderson in Nicholas Ray's Rebel Without a Cause (1955). He was the son of Carl Cohen.

Key Information

Early life

[edit]

Allen was born as Alan Cohen in Cleveland, Ohio, on June 29, 1934. He was the son of Carl and Frances Freudenreich Cohen; his father was an illegal bookie and gambling operator for the Mayfield Road Mob in Cleveland,[2] and later became an important gambling executive at the Sands Hotel and Casino in Las Vegas, Nevada.[3][4] Cohen attended the University of California, Los Angeles, where he received his start in acting and was awarded a Bachelor of Fine Arts in 1954.[4]

Career

[edit]

Allen was best known for his role as gang leader Buzz Gunderson in Nicholas Ray's 1955 film Rebel Without A Cause. James Dean starred as Jim Stark, a disaffected teenager who has moved to Los Angeles to start a new life, only to find more problems in his new home. After a show at the Griffith Observatory, Buzz challenges Jim to a knife fight, which Stark wins by subduing Buzz with his switchblade. During the filming of the knife fight both Allen and Dean, aficionados of method acting, used real knives and Dean was injured when Allen lunged at him with his knife.[4] The gang challenges Jim to a chicken run, in which two stolen cars will be raced towards a cliff and the winner will be the last one to jump out.[4] Before the two embark on their death race, Buzz and Jim stand at the edge of the cliff, looking down at the fall they might face if they remain in their cars to the end. Buzz, realizing Jim’s moxie in accepting the car challenge and actually besting him in the earlier knife confrontation, discloses Jim has earned his respect, that he “likes him.” It’s a poignant moment where social acceptance is within the grasp of perpetual misfit Jim Stark. Jim had passed an initiation where he would be accepted in with the “wheels.” Jim thus questions why then go ahead with this race. Buzz underwhelmingly responds, "You got to do something, don't you".[1] Allen would later recall that his classic line was "the underlying question of each generation. Here we are: What do we do?".[5] As the cars are heading to the cliff, Buzz attempts to jump out but is unable to escape when his leather jacket gets caught on the car door handle; he is killed in the crash on the beach below.[4]

He appeared in some minor film roles before Rebel and afterward was seen in The Chapman Report, Darby's Rangers, Juvenile Jungle (film), Party Girl, Sweet Bird of Youth, in addition to guest appearances on Bonanza, Dr. Kildare, Gunsmoke, Have Gun, Will Travel and Perry Mason.[1] In 1960 Allen played murderer Rennie Foster in "The Case of the Red Riding Boots", and in 1962 he played murder victim Lester Menke in "The Case of the Borrowed Baby".

He was actively involved in theatrical productions in the Los Angeles area, creating the touring company Freeway Circuit Inc. in 1959 and the Actors Theater in 1965. He was also involved in teaching theater at The Actors Workshop.[1]

Allen turned to directing starting in the 1960s, where he worked on such television programs as Dallas, Hawaii Five-O, Hill Street Blues, Ironside, Mannix, Murder, She Wrote, Police Woman, The Rockford Files, Star Trek: Deep Space Nine, Star Trek: The Next Generation and The Streets of San Francisco.[4] He won an Emmy Award, in 1984, for directing an episode of Hill Street Blues.[6]

In 1967, Corey and his business partner Gary Stromberg met with Charles Manson early in both of their careers, as new director and cult leader respectively. Manson was invited to help them write a film treatment called Black Jesus (later produced by an Italian company in 1968) and Manson's "family" was allowed to live briefly in Corey's small acting studio on Western Avenue in Los Angeles. After Corey's then-girlfriend expressed her concerns about Manson, he broke ties with him.[7]

Personal life

[edit]

Toward the end of his life, a fire burnt his home in the Hollywoods Hills above the Sunset Strip, and all of his belongings were lost. The only thing that the fire department recovered from the flames was his molten Emmy.[citation needed]

Death

[edit]

Allen died from complications of Parkinson's disease at his home in Hollywood on June 27, 2010, two days before his 76th birthday.[1][4] He is buried in grave 7-51-2 in the Sunset Slope section of Hillside Memorial Park Cemetery in Los Angeles.[8]

Allen was survived by his daughter Robin Duncan, four grandchildren and two great grandchildren. He was also survived by his brother Steve Cohen.[citation needed]

Filmography

[edit]

As director

[edit]

As actor

[edit]
Title Year Role Notes
The Mad Magician 1954 Gus the Stagehand Uncredited
A Time Out of War 1954 Connor Short
The Bridges at Toko-Ri 1954 Enlisted Man Uncredited
The Night of the Hunter 1955 Young Man in Town Uncredited
Rebel Without a Cause 1955 Buzz Gunderson
Alfred Hitchcock Presents 1956 Gil Dalliford Season 2 Episode 10: "Jonathan"
The Shadow on the Window 1957 Gil Ramsey
The Big Caper 1957 Roy
The Restless Gun 1958 George Episode "Friend in Need"
Darby's Rangers 1958 Private Pittsburgh Tony Sutherland
Juvenile Jungle 1958 Hal McQueen
Party Girl 1958 Cookie La Motte
Private Property 1960 Duke Top Card Lead Billing
Key Witness 1960 Magician
Sea Hunt 1961 Young Episode: "Quicksand"
Sweet Bird of Youth 1962 Scotty
The Chapman Report 1962 Wash Dillon
Combat! 1964 Private Garrett Episode: A Rare Vintage
Original: Do Not Project 1972 Psychiatrist
The Works 2004 Mr. M
Quarantined 2009 Mr. Eagle Voice, (final film role)

References

[edit]
[edit]
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Corey Allen

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Corey Allen (born ; June 29, 1934 – June 27, 2010) was an American actor, film and television director, producer, and writer, best known for his role as the rebellious Buzz Gunderson in the iconic 1955 film opposite . Born in , , Allen began his career as an actor, earning acclaim for his portrayal of troubled youth characters in films like Party Girl (1958) and (1962), as well as co-starring in the Academy Award-winning short film A Time Out of War (1954). Transitioning to directing in the , Allen became a prolific television director, helming episodes of acclaimed series such as , —for which he won a Primetime Emmy Award for Outstanding Directing in a Series in 1984—and Star Trek: The Next Generation. His directing career spanned over three decades, including pilots for shows like and , as well as the feature film (1978) and the TV movie (1988). Allen also founded the Freeway Circuit Theatre and served as an acting instructor, contributing to the arts community until his death from in at age 75.

Early life and education

Family background and childhood

Corey Allen was born Alan Cohen on June 29, 1934, in , . He was the son of Carl Cohen, a gambling executive who began his career as a bookie and operator in illegal clubs run by the Mayfield Road Mob in , and later became a casino manager and part-owner of the Sands Hotel in , and Fran Cohen. Allen had a younger brother, Steve Cohen. Allen's early childhood unfolded in amid the backdrop of his father's involvement in the city's organized gambling scene, which connected the family to influential figures in the and provided indirect exposure to the high-stakes entertainment world that would later define . The family's dynamics were shaped by Carl Cohen's profession, which reportedly included notorious incidents, such as a 1967 altercation where he punched singer during a dispute at the Sands. This environment may have fostered Allen's nascent interest in performance and storytelling, though he spent his formative years in before the family relocated to .

University years at UCLA

In his mid-teens, relocated with his family from , , to the area in the early , where he pursued higher education and began developing his interest in the . He enrolled at the (UCLA), majoring in theatre, and immersed himself in the school's dramatic programs. During his studies, Cohen honed his skills through participation in campus productions, including a notable co-starring role alongside in the student film A Time Out of War that showcased his emerging talent. These experiences, along with other starring roles in UCLA theatre works, provided practical training that emphasized character development and performance technique. Cohen's academic excellence culminated in his graduation with a in from UCLA in 1954. That same year, he was honored with the UCLA Department's Best Actor award, recognizing his standout contributions to student performances and his potential as a professional. As he prepared to transition into professional acting, Cohen adopted the stage name Corey Allen, a change mandated by studio casting requirements to mitigate the ethnic implications associated with his birth surname, , which reflected his Jewish heritage. This rebranding marked the end of his university phase and the start of his entry into Hollywood under a more industry-friendly identity.

Acting career

Debut and early roles

Corey Allen made his screen debut in the 1954 short film A Time Out of War, portraying Connor (credited as ) in the Academy Award-winning Civil War drama directed by . He followed this with a role as the Gus in the 1954 horror film . Directed by and starring , the film was a low-budget 3D production typical of ' output in the early , providing Allen an entry point into Hollywood's B-movie scene. Born to a Jewish family in , , Allen changed his name early in his career to better align with Hollywood's prevailing norms, a practice common among Jewish performers in the post-World War II era to mitigate and enhance marketability. This transition, undertaken as he pursued acting after graduating from UCLA in 1954, reflected broader industry challenges for young ethnic actors navigating a landscape dominated by studio contracts and . Throughout the early 1950s, Allen secured subsequent minor appearances, often uncredited, in B-movies and emerging television programs, including a role in the crime drama Dragnet (1955) and an episode of (1956). These opportunities, amid Hollywood's shift toward television amid postwar economic recovery, allowed him to forge initial industry connections through bit parts and supporting work in low-profile productions.

Breakthrough in Rebel Without a Cause

Corey Allen was cast as Buzz Gunderson, the charismatic yet volatile leader of a rival high school gang, in the 1955 film , directed by . Ray discovered Allen, then a recent UCLA theater graduate with minor television credits, during a Los Angeles stage production and selected him to portray the antagonist to James Dean's troubled protagonist, Jim Stark. This role marked Allen's breakthrough in feature films, positioning him as a key figure in the story's exploration of teenage alienation and conflict. Allen's character drives much of the film's tension through pivotal confrontations with Jim, including a tense knife fight at the , where the two rivals clash with switchblades in a raw display of bravado and vulnerability. This sequence escalates to the infamous "chickie run," a deadly drag race in stolen cars hurtling toward a coastal bluff, from which Buzz fails to escape, plunging to his death and leaving Jim haunted by guilt. These scenes, blending physical intensity with emotional undercurrents, underscore the film's themes of reckless youth and the search for identity. Behind the scenes, Allen navigated a dynamic set under Ray's guidance, who fostered camaraderie among the young cast, including Dean, as Judy, and as Plato. Allen initially clashed with fellow gang member portrayer Frank Mazzola during auditions but bonded through Ray's improvisational techniques, contributing to authentic group chemistry. The knife fight was filmed using real switchblades, with actors wearing chainmail for safety; Dean sustained a , and a slight cut to his ear briefly halted production, highlighting the era's gritty approach. Critics praised Allen's portrayal for its brooding menace and subtle depth, particularly in moments revealing Buzz's underlying insecurity, such as his intimate exchange with Jim where he admits, "I like you," before their fatal challenge. The performance solidified Allen's image as a quintessential juvenile delinquent archetype, influencing the subgenre of teen rebellion s and leading to typecasting in similar tough-guy roles throughout the decade. In later reflections, Allen described the role as a defining moment that captured generational angst, stating it posed the enduring question, "Here we are: What are we going to do?" The film's release on October 27, 1955—just weeks after Dean's fatal car crash on September 30—amplified its cultural resonance, with Allen noting how Dean's death mirrored the on-screen and immortalized their rivalry, profoundly shaping his early career trajectory.

Transition to other pursuits

Following the success of Rebel Without a Cause, Allen continued to secure supporting roles in films, often portraying tough-guy characters that echoed his earlier breakthrough performance. In 1958, he appeared in Party Girl, directed by , playing a mob enforcer in the crime . He followed with Darby's Rangers that same year, as a in the war film, and in 1960 starred in the independent thriller Private Property as a drifter involved in a tense psychological standoff. By 1962, Allen had roles in , a about sexual surveys, and Sweet Bird of Youth, where he played a minor antagonist in the adaptation directed by . Allen's television work during this period included guest spots on popular Westerns and dramas, where he frequently embodied rugged or antagonistic figures. He appeared in an episode of Gunsmoke in 1958 as Ben Tennis, a character entangled in a frontier conflict. These roles, while steady, reinforced the pattern of typecasting Allen as a brash young tough, limiting him to peripheral parts in episodic series. Despite the initial momentum from , Allen grew frustrated with the persistent and scarcity of lead opportunities in Hollywood during the late and early . The industry's preference for him in stereotypical tough-guy archetypes stifled his versatility, leading to dissatisfaction with the quality and prominence of available scripts. By the mid-, his credits began to dwindle significantly, with fewer film and television appearances as he sought broader creative outlets beyond performing. This shift marked the gradual conclusion of his primary focus on , paving the way for new professional directions.

Directing career

Initial forays into television

Following a successful but increasingly typecast career, where he often portrayed tough, rebellious characters reminiscent of his breakthrough role in , Corey Allen transitioned to directing in the late 1960s due to frustrations with limited opportunities for diverse roles. By 1969, after years of theater direction—including founding the touring Freeway Circuit Theatre—Allen made his television directing debut on the ABC anthology drama , a short-lived series developed by and produced by that explored the dynamics of shipwrecked college students on a remote . This shift allowed him greater creative control, moving from on-screen appearances in shows like and to behind-the-camera work in the demanding episodic television landscape. Allen's initial credits on The New People included three episodes, marking his adaptation to the tight production schedules and collaborative environment of 1960s network TV. He directed "Comes the Revolution, We Use the Girls' Shower" (airdate: October 20, 1969), which examined group debates over resource allocation on the island; "The Prisoner of Bomano" (airdate: December 29, 1969), focusing on racial tensions and isolation within the castaways; and the series finale "On the Horizon" (airdate: January 12, 1970), where the survivors confronted choices about rescue and returning to society. Working under Spelling's production oversight, Allen honed his skills in the anthology format, emphasizing character-driven conflicts within confined settings—a style that echoed his theater background while requiring quick adjustments to weekly deadlines and ensemble casts. During this overlap period, Allen occasionally took small acting roles, such as in a 1969 episode of Lancer, but increasingly prioritized directing as his primary pursuit. His early television experience extended to the CBS detective series Mannix later that year, where he helmed "The Sound of Darkness" (airdate: December 6, 1969), a tense story involving a blind witness and urban crime, followed by "Time Out of Mind" (airdate: October 3, 1970), centering on a search for a missing boxer. These assignments introduced him to established showrunners like Bruce Geller, teaching him to navigate procedural storytelling and action sequences within the rigid 60-minute format, solidifying his reputation for efficient, actor-focused direction.

Major series and collaborations

Allen directed multiple episodes of the crime drama during its run from 1967 to 1975, including the 1969 installment "The Sound of Darkness," where he showcased his ability to build suspense in procedural narratives. He also helmed several episodes of the medical-crime series , from 1976 to 1983, such as season 2's "An Unfriendly Radiance" and season 3's "A Blow to the Head... a Blow to the Heart," contributing to the show's focus on forensic investigations through tight pacing and character-driven tension. A significant portion of Allen's work came from his collaboration with producer on the groundbreaking police drama (1981–1987), where he directed at least three episodes, including the Emmy-winning "Goodbye, Mr. Scripps" in 1983. His direction emphasized the series' innovative ensemble dynamics and overlapping storylines, capturing the chaotic realism of urban policing. Allen's contributions to science fiction were particularly notable in the Star Trek franchise, where he worked closely with producer . He directed five episodes of Star Trek: The Next Generation (1987–1994), starting with the pilot "" and including "" and "," blending exploratory themes with intricate interpersonal conflicts among the crew. Additionally, he helmed four episodes of (1993–1995), including "Paradise" (1994), which explored isolation and societal breakdown through tense, character-focused storytelling. Beyond these, Allen directed episodes of the long-running soap Dallas (1978–1991), such as the 1985 episode "The Wind of Change," adeptly handling the show's sprawling family intrigues and dramatic confrontations. His overall style in these collaborations favored managing large casts with emotional depth and sustaining narrative momentum in high-stakes environments, earning praise from peers like Roddenberry for his efficiency on set.

Awards and critical recognition

Corey Allen received significant recognition for his directing work on , culminating in a Primetime Emmy Award for Outstanding Directing in a Series in for the episode "Goodbye, Mr. Scripps." This win highlighted his ability to handle complex ensemble dynamics within the show's innovative narrative structure. In addition to the Emmy, Allen earned a from the (DGA) for Outstanding Directorial Achievement in Dramatic Series in 1984 for "Goodbye, Mr. Scripps" from . He also received a Primetime Emmy in 1981 for an from the same series. These honors underscored his contributions to the procedural genre, where he was noted for employing multi-camera setups to capture the chaotic, overlapping interactions in ensemble police dramas, enhancing the realism and pacing of scenes. Allen's broader legacy in television endures through his direction of approximately 80 episodes across drama and sci-fi genres, influencing subsequent directors with his efficient handling of large casts and high-stakes storytelling. His work on series like Star Trek: The Next Generation and Deep Space Nine extended his impact into , where his techniques for building tension in serialized formats inspired later productions in both drama and genre television.

Personal life

Family and relationships

Allen was the father of one daughter, Robin Duncan, who resided in . At the time of his death in 2010, he was also survived by four grandchildren and two great-grandchildren. His younger brother, Stephen Cohen (also known as Steve Cohen), a medical educator based in , predeceased him in 2023.

Later challenges and interests

Allen suffered from health challenges, including for the last two decades of his life, which progressively limited his ability to take on new directing projects, marking a shift toward more selective involvement in his professional life. Despite these difficulties, he sustained his passion for by directing community and regional theater productions well into his later years, finding fulfillment in mentoring emerging talent and exploring stage narratives outside the demands of television. Allen's retirement activities emphasized a quieter engagement with the world, including occasional acting workshops where he shared insights from his Emmy-winning tenure on series like Hill Street Blues.

Death

Illness and passing

In his later years, Corey Allen was diagnosed with , a condition he battled for approximately the last two decades of his life, resulting in progressive mobility issues and overall health deterioration. The neurodegenerative disorder gradually impaired his physical abilities, though he continued directing theater productions until a few years prior to his . Allen passed away on June 27, 2010, at the age of 75, in his home in , due to complications from . His death occurred privately, surrounded by family members, and was announced by family spokesman Mickey Cottrell. Allen was buried at Hillside Memorial Park in . Allen's passing came less than a month after the death of his co-star on May 29, 2010, leaving Allen as the last surviving principal cast member of the 1955 film prior to his own demise.

Tributes and aftermath

Following Corey Allen's death on June 27, 2010, major newspapers published obituaries that celebrated his dual legacy as an and television director. The obituary emphasized his iconic portrayal of Buzz Gunderson, the rival gang leader in the 1955 film , and his prolific directing career on series such as , Star Trek: The Next Generation, and , noting how he transitioned from a promising to a respected figure in episodic television. Similarly, highlighted his breakthrough role opposite and his Emmy-winning direction of the episode "Hill Street Station," portraying him as a mentor who shaped modern TV storytelling through his work on over 100 episodes across genres. Tributes from colleagues underscored Allen's influence as a teacher and collaborator in the entertainment industry. Acting coach Margie Haber, who met Allen in the early 1970s, credited him with revolutionizing her approach to the craft by emphasizing authentic human relationships over mere dialogue, a philosophy that informed her own teaching and book How to Get the Part…Without Falling Apart!. She described him as a "prince" whose wisdom continued to guide actors long after his passing, with a memorial service held on July 18, 2010, at the Howard Fine Acting Studio in Hollywood. Allen was survived by his daughter, Robin Duncan, of ; his brother, Steve Cohen, of New York; four grandchildren; and two great-grandchildren, who remembered him as a devoted family man amid the personal loss. Allen's passing coincided with a renewed cultural appreciation for Rebel Without a Cause, which has seen increased visibility through streaming platforms since 2010, for rent or purchase on platforms such as Amazon Video, Apple TV, and Fandango at Home (as of November 2025), allowing new generations to engage with its themes of teenage alienation and post-war disillusionment. The film's enduring impact, as explored in analyses of youth culture, positions Allen's performance as a cornerstone of modern teen cinema, influencing depictions of adolescent rebellion in media well into the 21st century.

Filmography

As actor

Corey Allen accumulated approximately 25 acting credits between 1954 and the early 1960s, primarily in supporting roles that often cast him as tough gang members, delinquents, or criminals in films and episodic television. His film appearances, listed chronologically, included the following:
  • A Time Out of War (1954): Connor, in the short film that won the Academy Award for Best Short Subject.
  • The Mad Magician (1954): Small role in the Vincent Price 3D horror film.
  • Rebel Without a Cause (1955): Buzz Gunderson, the leader of a rival teenage gang who challenges the protagonist to a deadly "chickie run."
  • The Shadow on the Window (1957): Member of a gang that breaks into a house and kidnaps a woman.
  • The Big Caper (1957): Jerry, part of a criminal gang planning a bank robbery.
  • Darby's Rangers (1958): Sgt. Tony Sutton, a soldier in the World War II drama.
  • Juvenile Jungle (1958): Hal McIntyre, a young delinquent involved in a kidnapping.
  • Party Girl (1958): Cookie La Motte, a petty gangster in the Prohibition-era crime story.
  • Private Property (1960): Duke, a drifter who becomes obsessed with a housewife; Allen also co-produced the film.
  • Key Witness (1960): The Magician, a minor role in the crime drama.
  • The Chapman Report (1962): Wash Dillon, a supporting character in the sexual survey film.
  • Sweet Bird of Youth (1962): Scotty, one of the local toughs who helps disfigure the protagonist.
Allen also had several uncredited or minor roles in other B-movies and features of the period, contributing to his reputation for portraying edgy, youthful antagonists. In television, he made guest appearances in over a dozen popular series, often as cowboys, outlaws, or tough characters, including (1955), (1957), (1958), Rawhide (1959), Maverick, , , , , , , , The Virginian, Kraft Suspense Theatre, and .

As director

Corey Allen's directing credits encompass approximately 80 television episodes and 20 television movies, spanning from the late 1960s through the 1990s.

Television Series

  • Dallas (1985–1988): 6 episodes.
  • Hill Street Blues (1981–1984): 4 episodes, including "Choice Cut" (1981), "Jungle Madness" (1981), "Goodbye, Mr. Scripps" (1983), and "Hair Apparent" (1984). He won a Primetime Emmy Award for Outstanding Directing in a Drama Series for "Goodbye, Mr. Scripps".
  • Star Trek: The Next Generation (1987–1993): 5 episodes, including the pilot "Encounter at Farpoint" (1987), "Home Soil" (1988), "Final Mission" (1990), "The Game" (1991), and "Journey's End" (1993).
  • Star Trek: Deep Space Nine (1993–1994): 4 episodes, including "Captive Pursuit" (1993), "The Circle" (1993), "The Maquis, Part II" (1994), and "Paradise" (1994).
  • L.A. Law (1986–1994): Multiple episodes across seasons 1–5.
  • Magnum, P.I. (1987): 1 episode.
  • Murder, She Wrote (1980s–1990s): Several episodes.
  • Other series: Credits include episodes of Simon & Simon (3 episodes, 1981–1983), J.J. Starbuck (1 episode, 1987), The Cosby Mysteries (1994–1995), and Unsub (1985).

Television Movies and Features

  • Avalanche (1978): Feature film.
  • The Last Fling (1987): TV movie.
  • Destination: America (1987): TV movie.
  • The Ann Jillian Story (1988): TV movie.
  • Moment of Truth: Stalking Back (1993): TV movie.
No documented uncredited or assistant directing work was found in available sources. All credits listed are verified through professional databases and obituaries.

References

  1. https://www.theguardian.com/film/2010/jul/05/corey-allen-obituary
  2. https://www.imdb.com/name/nm0001904/
  3. https://www.nytimes.com/2010/07/01/arts/01allen.html
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  5. https://www.the-independent.com/news/obituaries/corey-allen-actor-and-television-director-who-starred-alongside-james-dean-in-rebel-without-a-cause-2036147.html
  6. https://www.latimes.com/local/obituaries/la-me-corey-allen-20100630-story.html
  7. https://www.findagrave.com/memorial/54252497/corey-allen
  8. https://www.imdb.com/name/nm0001904/bio/
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  19. https://www.tcm.com/tcmdb/title/16115/rebel-without-a-cause
  20. https://www.thebluegrassspecial.com/archive/2010/july10/corey-allen-news-notes.php
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  22. https://www.televisionacademy.com/features/news/news/emmy-winning-director-corey-allen-dies-76
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  29. https://www.televisionacademy.com/bios/corey-allen
  30. https://trekmovie.com/2010/06/29/encounter-at-farpoint-director-allen-dead-at-75/
  31. https://memory-alpha.fandom.com/wiki/Corey_Allen
  32. https://www.imdb.com/title/tt0708574/
  33. https://www.imdb.com/title/tt0553490/
  34. https://trektoday.com/content/2010/06/corey-allen-passes/
  35. https://www.infoplease.com/awards/tv-radio/1983-1984-emmy-awards
  36. https://www.imdb.com/title/tt0081873/awards/
  37. https://www.legacy.com/us/obituaries/nytimes/name/stephen-cohen-obituary?id=47767455
  38. https://www.backstage.com/magazine/article/loving-tribute-corey-allen-63792/
  39. https://www.justwatch.com/us/movie/rebel-without-a-cause
  40. https://medium.com/cinenation-show/the-birth-of-the-modern-teenager-65127e8bb20
  41. https://dallas.fandom.com/wiki/Corey_Allen
  42. https://www.imdb.com/title/tt0601708/
  43. https://www.imdb.com/title/tt0601688/
  44. https://www.imdb.com/title/tt0601693/
  45. https://www.imdb.com/title/tt0708630/
  46. https://www.themoviedb.org/person/2775-corey-allen
  47. https://www.rottentomatoes.com/celebrity/corey_allen
  48. https://www.imdb.com/title/tt0094660/
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