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Cotehele
Cotehele
Cotehele
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Cotehele and its Italian garden terrace

Key Information

Arms of Edgcumbe, Earls of Mount Edgcumbe: Gules, on a bend ermines cotised or three boar's heads couped argent

Cotehele is a medieval house with Tudor additions, situated in the parish of Calstock in the east of Cornwall, England, and now belonging to the National Trust. It is a rambling granite and slate-stone manor house on the banks of the River Tamar that has been little changed over five centuries. It was built by the Edgecumbe family in 1485 after the original Manor House was pulled down. Sir Richard Edgecumbe came into the property after fighting for Henry Tudor in the Battle of Bosworth. He was gifted with money and the original Manor House and estate and then proceeded to build Cotehele.

History

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The house was acquired by William Edgcumbe through his marriage to Hilaria, heiress of Cotehele.[1] The house is one of the least altered of the Tudor houses in the United Kingdom. The outbuildings include a stone dovecote in a remarkable state of preservation.[2]

For centuries a second home of the Edgcumbe family, hosting a royal visit from King George III in 1788,[1] it was the first property to be accepted by the Treasury in payment of death duty. The house and estate are now under the care of the National Trust.[3] Notable contents include the Cotehele cupboard[4][5] and the Cotehele clock. The house contains many tapestries that came, along with much of the furniture, from Mount Edgcumbe House. Regrettably, some have had pieces cut out to fit them in their new locations.[6]

The site

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The house is a Grade I listed building, having been so designated on 21 July 1951. The house was probably founded around 1300 and various alterations were made in the early fifteenth century. Sir Richard Edgcumbe seems to have been involved in the first phase of development from 1486 to 1489, with his son Sir Piers Edgcumbe taking over for the second phase, from 1489 to 1520.[7]

The grounds stretch down to a quay on the River Tamar where there is an outpost of the National Maritime Museum. There are a number of formal gardens and a richly planted area in the valley; features include a medieval dovecote, a stewpond, a Victorian summerhouse and the eighteenth century Prospect Tower.[3] The gardens and parkland are listed as Grade II* on the Register of Parks and Gardens of Special Historic Interest in England.[8] The south west side of the estate is bordered by the Morden stream which joins the Tamar at the quay. The estate mill is fed by this stream. The mill was used to grind grain bought in Plymouth and brought up river on the barge Myrtle, and also to drive a sawmill and a generator for electricity. The Grade II listed mill[9] has been restored to working order, producing flour for use in the restaurant as well as for sale.[10]

In 2008 a 'Mother Orchard' of over 250 apple trees, mainly of West-country varieties, was planted. The 8 acre orchard site is divided into eating, culinary and cider varieties.[11]

Cotehele's chapels

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Cotehele House Chapel

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In Cotehele, on the west side of Hall Court are the Vicarage and the chapel, the chapel is connected to the main building via a small passageway leading to the dining room. The patron saints are St. Katharine and St. Anne. The chapel is among the oldest rooms in the house, alongside the Great Hall. In the chapel, there is a very rare and the original clock, still in operation today, it dates back to the Tudor period.

Cotehele Woodland Chapel

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In the grounds of Cotehele, directly East of the House close to the River Tamar, lies a peaceful, basic chapel. inside there are pews going around the walls, two minister's benches and a very ornate table. the patron saints of the chapel are St George and St Thomas Becket. The chapel was built by Sir Richard Edgcumbe (died 1489) between 1485 and 1489 as a thanksgiving for his escape from forces loyal to Richard III in 1483.[12]

The Edgcumbe Chapel

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The Edgcumbe Chapel is located in the East of the Northern aisle at St. Andrew's Church Calstock, it contains two monuments of the late 17th- century: to Piers Edgcumbe (1666) and to Jemima, Countess of Sandwich (1674). it is no longer a chapel, but used by ministers to store religious items.

Film location

[edit]

Cotehele was used in the filming of Trevor Nunn's 1996 film adaptation of Twelfth Night. it was used for scenes taking place in the quayside tavern and the inside of Orsino's castle.[13]

[edit]
  • Main building and garden
    Main building and garden
  • Flower garlands at Cotehele
    Flower garlands at Cotehele
  • Flower garlands at Cotehele
    Flower garlands at Cotehele

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Cotehele

View on Grokipedia
from Grokipedia
Cotehele is a medieval with significant Tudor additions, located in the parish of in southeastern , , overlooking the River Tamar. Acquired by the Edgcumbe family in 1353 through and developed extensively after 1485 by Sir Richard Edgcumbe following his role in the Battle of Bosworth, it served as the family's ancestral home until 1947, when it was gifted to the . The estate encompasses a 1,300-acre landscape including formal gardens, ancient woodlands, a working , and a historic quay, preserving an atmospheric snapshot of Tudor life with largely unaltered interiors. The house's core structure dates to the medieval period, centered around the and a constructed in 1411, with Tudor expansions including granite-faced walls and a prominent tower added in the late 15th and early 16th centuries. Later modifications included 18th-century Georgian renovations and 19th-century adaptations to the east range in 1862, reflecting the family's evolving status as Earls of Mount Edgcumbe. Notable historical events include a 1789 visit by King George III and Queen Charlotte, and its designation as a war memorial following the 1940 death of Piers Edgcumbe in . Cotehele's collections highlight its connections to global trade, featuring artifacts such as 18th-century mahogany furniture, 17th-century woodwork, rare tapestries, and even Victorian whale jawbones used as an archway. Today, managed by the , the property attracts visitors for its seasonal gardens—famed for autumn foliage—and estate trails, while recent filming for productions like has spotlighted its dramatic medieval landscape. As one of the Trust's earliest acquisitions, it remains a key site for understanding Cornish heritage and aristocratic history.

History

Origins and Early Development

The Edgcumbe family acquired the medieval estate of Cotehele in 1353 when William Edgcumbe married Hilaria de Cotehele, the heiress of the previous owners from the Cotehele family. This union brought the property into Edgcumbe hands, where it remained for centuries, forming the foundation of their regional influence in and . By the mid-15th century, the estate had developed into a manor centered around a and an enclosed , with the construction of an initial consecrated in 1411. These early structures utilized local for walls and for roofing, creating a robust, weather-resistant design typical of . A pivotal moment came in 1483 when Sir Richard Edgcumbe, then owner of Cotehele, joined a rebellion against King Richard III in support of Henry Tudor during the Wars of the Roses. Pursued by royal forces, Edgcumbe famously evaded capture by hiding in the woods near the River Tamar, a legend commemorated by the construction of a woodland chapel after the Battle of Bosworth. Following Henry's victory at the Battle of Bosworth in 1485, Edgcumbe was knighted and rewarded with additional lands, prompting a major rebuilding of the house around the existing courtyard from 1485 to 1520, led initially by Sir Richard and continued by his son Sir Piers Edgcumbe. This phase enhanced the medieval core with Tudor-style extensions, maintaining the granite ashlar and construction for durability.

Edgcumbe Family Era

Following the Battle of Bosworth in 1485, Sir Richard Edgcumbe and his son Sir Piers Edgcumbe oversaw significant expansions at Cotehele, transforming it into a prominent Tudor manor. The additions included a solar block for private family quarters, a fortified providing secure entry to the , and remodeling of the existing to enhance its liturgical and architectural features in the early 1500s. These developments reflected the family's growing status after Richard's loyalty to Henry VII, with Piers further modifying the by widening it and repositioning its south wall before 1520. By the mid-16th century, the Edgcumbe family shifted their primary residence to the newly constructed around 1550–1600, relegating Cotehele to the role of a for widowed family members and an early . This transition preserved Cotehele's medieval and Tudor character with minimal alterations, as the family favored the more modern Mount Edgcumbe for daily living while using Cotehele to showcase antiquarian collections like outdated furnishings relocated from their main estate in the . The site's appeal as a secondary residence grew, drawing visitors intrigued by its unaltered historic fabric. The Edgcumbe family's prominence peaked in the late with the creation of the Earldom of Mount Edgcumbe in 1789 for George Edgcumbe, 3rd Baron Edgcumbe, marking their elevation in the British peerage. That same year, on 25 August, King George III and Queen Charlotte visited Cotehele, hosted by the new earl; the royal party landed at the quay around 10:30 a.m., toured the house, and enjoyed breakfast served on ancient family and silver, which the queen remarked upon as a touch of antiquity before departing shortly after noon. This event underscored Cotehele's role as a valued heritage site within the family's portfolio. In the 19th century, under continued Edgcumbe stewardship, Victorian-era enhancements included the construction of a quay in the early 19th century to facilitate estate trade and transport along the River Tamar, alongside the establishment of a tea room in a former inn to accommodate visitors. These additions supported Cotehele's function as a bustling secondary estate, with the quay handling imports like timber and exports of local produce during its industrial peak, while the tea room—originally the Edgcumbe Arms—served workers and tourists alike.

Modern Preservation

During the Second World War, Cotehele became the primary residence of the Edgcumbe family in 1941 following the severe damage inflicted on Mount Edgcumbe by bombing during the . The death of Lieutenant Piers Edgcumbe, grandson of the 5th Earl and son of Kenelm and Lilian Edgcumbe, on 27 May 1940 near , prompted his parents to gift the estate as a war memorial; his sword remains on display at the house. In 1947, the estate was transferred to the in lieu of death duties owed by the 5th Earl, marking the first time the accepted a historic house in this manner. This pioneering arrangement preserved Cotehele for public benefit while alleviating the family's financial burdens associated with inheritance taxes. Following the transfer, the undertook extensive restorations to revive Cotehele's Tudor character, including the reintroduction of traditional crafts such as milling and artisan workshops at Cotehele Mill, where visitors can observe and participate in heritage skills like flour grinding. Artifacts from Mount Edgcumbe, including tapestries and armor, were relocated to enhance the house's collections, with full contents transfer completed in 1974. In 2007–2008, the Mother Orchard was established as a , planting over 300 trees representing 125 heritage apple varieties, primarily from the , to safeguard local . Today, remains under management since 1947, holding Grade I listed status granted on 21 July 1951 for its architectural and historical significance. Conservation efforts emphasize maintaining the site's atmospheric Tudor essence through ongoing maintenance of the house, gardens, and estate features.

Site and Architecture

The House

Cotehele House stands as a prime example of a medieval fortified manor substantially rebuilt during the , featuring a core structure dating to the 14th and 15th centuries enhanced with additions between approximately 1485 and 1565. Constructed primarily from local slatestone and , the house incorporates defensive elements such as battlements and thick walls, reflecting its origins on a high bluff overlooking the River Tamar for strategic protection. The overall design revolves around two courtyards—the more formal Hall Court and the plainer Retainers' Court—creating an intimate, enclosed layout typical of late medieval English adapted for Tudor comfort and status. The house's layout centers on key communal and private spaces, including the , which serves as the ceremonial heart with its timber-framed roof and heraldic stained-glass windows; the adjacent kitchen, equipped for large-scale Tudor-era entertaining; the solar block above for family withdrawal; and the Retainers' Court housing staff quarters. A 17th-century tower addition provides further accommodation with three bedrooms, while the structure spans four floors accessible to visitors, allowing exploration from ground-level service areas to upper private chambers. This arrangement preserves the house's hierarchical flow without significant structural alterations in the 18th or 19th centuries, maintaining its authentic medieval-Tudor character as a secondary residence for the Edgcumbe family. Interior highlights emphasize 16th-century craftsmanship, with extensive paneling adorning walls in principal rooms like the and solar, complemented by intricate ceilings featuring heraldic motifs and floral designs. Monumental fireplaces, some with carved overmantels, dominate the kitchens and halls, underscoring the scale of hospitality. Notable artifacts include the faceless Tudor clock from the 1520s, a rare early timepiece mechanism originally in a turret; and the "Cotehele cupboard," a finely carved 17th-century cabinet displaying Elizabethan-style strapwork and foliage, symbolizing the house's continuity of decorative traditions. Rooms throughout showcase period furnishings, including tapestries and antiques, curated to evoke the Tudor atmosphere without modern intrusions.

Gardens and Estate

The gardens at Cotehele encompass 5.5 hectares of designed landscapes, originating in the as part of the estate's deer parks and evolving through subsequent additions. These formal and informal areas feature terraced herbaceous borders on the east side, planted with hydrangeas, roses, and geraniums, providing panoramic views of the Tamar Valley and the nearby . The upper garden includes a central stocked with red and white water lilies, attracting frogs and supporting local . Descending into the valley garden, the landscape becomes steeper and more naturalistic, incorporating a medieval stewpond used historically for storage and a 17th-century that once housed up to 500 birds. In the , the enhanced the woodland garden elements, with borders redesigned in the 1960s by plantsman Graham Stuart Thomas to emphasize seasonal interest, such as spring daffodils and summer blooms. Adjacent orchards span 5 hectares, including the Old Orchard within a remnant of the 16th-century deer park, planted with heritage apple varieties, cherries, plums, and medlars, alongside the Mother Orchard boasting over 300 trees of 125 rare apple types. The broader estate covers 526 hectares of and fields, remnants of two 16th-century deer parks that once supported and . Expansive walks trace the River Tamar through mixed woodlands of , , sweet , and , highlighting with habitats for eight species, including the lesser horseshoe and pipistrelle. Seasonal displays are prominent, particularly the vivid autumn colors from acers, dogwoods, and trees, which draw visitors to paths like the Cotehele and Bohetherick route. Under management since 1947, the estate prioritizes conservation, including monitoring dormice populations with 50 nesting boxes and tracking to inform habitat enhancements like and removal. Rare plant collections, such as the heritage orchards, are preserved to maintain , while paths—dog-friendly and rated for ease—facilitate exploration of the 111 hectares of woodland without compromising ecological integrity. Deer culls and fencing protect shrub layers, ensuring the estate's woodlands support birds like sparrowhawks and other .

Quay and Mill

The quay at Cotehele, situated on the Cornish bank of the River Tamar, served as a vital Victorian for estate access and local , facilitating the loading and unloading of goods including those linked to the booming transatlantic commerce of the 1750s. During this period, the quay supported the Edgcumbe family's economic activities, with vessels docking to transport estate produce and imported items that enriched the household collections. Key features include historic lime kilns, constructed to burn imported by sea for agricultural and building lime, which now function as roosts for bats and exemplify the site's industrial heritage. Boating facilities remain active, offering visitor trips along the river to highlight the quay's maritime past. Associated structures, such as the quay-side houses, are Grade II listed, preserving their role in the Tamar Valley's riverine economy. Adjacent to the quay lies Cotehele Mill, a 19th-century overshot powered by the stream, originally built to grind corn for local use and estate needs. The mill's design, with its large waterwheel filling buckets from above for efficient power, reflects Victorian engineering adapted to the wooded valley setting. The has restored the mill to operational condition, enabling it to produce flour from local grains using traditional methods. Today, it demonstrates milling processes for educational purposes, with workshops and baking displays that connect visitors to the estate's agrarian history; access involves a short walk from the quay parking area. The mill and quay together underscore Cotehele's river-based industrial legacy, integrated into estate walks that explore the surrounding valleys.

Chapels

House Chapel

The House Chapel at Cotehele is situated on the west side of the house, integrated into the medieval structure and connected to the main building via a small hallway. It is dedicated to St. Katharine and St. Anne, as evidenced by its key stained glass depictions of St. Catherine of and St. Anne teaching the Virgin Mary to read. The chapel was first consecrated in 1411, marking its completion as part of the early development of the fortified manor. In the early 1500s, it underwent remodeling in the Tudor style, characteristic of late medieval with its emphasis on vertical lines and large windows. Architecturally, the chapel consists of a small and , reflecting its modest scale as a private space within the estate. Notable features include a rare Tudor dating to around 1490, mounted on an oak beam with wrought-iron mechanisms; it remains the oldest unaltered, running clock in Britain and strikes the hour on a bell without a face or hands. Remnants of medieval , inserted in the 1520s by Flemish glaziers, survive in the nave's south window and represent pre-Dissolution artistry, though restored in the . Historically, the served as a private family for the Edgcumbe family, who owned the estate from the onward, with features like peep holes allowing discreet observation of services. Today, managed by the since 1947, it is accessible to visitors for tours and occasional religious services, preserving its role in the site's spiritual heritage.

Woodland Chapel

The Woodland Chapel, formally dedicated to Saints George and Thomas à Becket, stands as a secluded late medieval structure within the ancient woodlands of the Cotehele estate, positioned about 240 metres east of the main house on a steep rocky cliff that overlooks the River Tamar. Constructed circa 1490 from coursed slate and stone rubble, the chapel measures 6.3 metres by 4.6 metres and serves as a single-cell building, reflecting the modest scale typical of private commemorative chapels of the period. It was built by Sir Richard Edgcumbe (c. 1443–1489) as an act of thanksgiving for his survival amid political turmoil. The chapel's origins are tied to the legend of Edgcumbe's narrow escape during the 1483 rebellion against King Richard III, where he supported an uprising led by , following rumours of the murder of the . Pursued by royal forces under Sir Henry Trenowth into the dense woods near the River Tamar, Edgcumbe is said to have thrown his hat into the water to feign drowning, allowing him to evade capture and flee to ; he returned after Henry Tudor's triumph at the Battle of Bosworth in 1485, which secured the Tudor dynasty. This site, marking the location of his hiding place, prompted the chapel's erection between 1485 and 1489 as a personal memorial to divine protection. The interior remains characteristically austere, featuring simple wooden benches—several with original 15th-century bench ends—a plain wooden altar table, scattered fragments of medieval stonework, and a shallow niche likely intended for a statue. A wooden bellcote crowns the west end, while a notable 1769 panel above the entrance door, added during an early restoration, illustrates and narrates Edgcumbe's escape in carved relief. The chapel, Grade II* listed since 1984, has been preserved by the National Trust since the estate's transfer in 1947, ensuring its role as a quiet testament to the estate's layered history amid the surrounding valley gardens and woodlands.

Edgcumbe Chapel

The Edgcumbe Chapel is situated within St. Andrew's Church in , , functioning as a dedicated and mortuary space for the Edgcumbe family, who owned the nearby Cotehele estate. It was constructed in 1558 by Sir Richard Edgcumbe of Cotehele, extending the east end of the church's north aisle to serve as a family memorial site during the . This addition reflects the Edgcumbe family's rising influence in the region, as detailed in their broader historical ownership of local properties. Architecturally aligned with the church's late 14th-century style, the chapel includes a three-light mullioned with a and houses significant family memorials. Key features encompass elaborate 17th-century monuments, such as the tomb to Piers Edgcumbe (died 1666) and that to , Countess of Sandwich (died 1674), which commemorate prominent family members through detailed stonework typical of the period. Today, the chapel is integrated into the active and no longer serves regular worship functions, though it remains part of the historic fabric open to visitors. Access is available during the church's public hours, typically from 12 to 2 p.m. on weekdays, allowing exploration alongside the broader site.

Cultural and Modern Use

Film Locations

Cotehele has served as a picturesque filming location for several notable productions, leveraging its medieval , quay, and surrounding estate to depict historical and fantasy settings. In 1996, director Trevor Nunn's adaptation of Shakespeare's utilized the estate's quayside tavern scenes at the historic quay and castle interiors in the retainers' court, capturing the Elizabethan-era atmosphere of . More recently, in May 2024, the estate was transformed for Netflix's Season 4, with over 300 cast and crew members on site for two weeks, closing the property to visitors to minimize disruption. The quay and adjacent Edgcumbe tea-room were reimagined as the fictional "Yargua Village Quay," while the retainers' court stood in for the Nilfgaard-occupied city of ; riverbanks along the Tamar provided backdrops for royal processions and sorcerer confrontations, enhancing the series' medieval fantasy landscapes. These filmings have provided an economic boost to the local area through crew spending and related , while the coordinated logistics to ensure minimal long-term impact on the site's preservation and public access.

Collections and Visitor Experience

Cotehele houses a notable collection of artifacts that reflect its historical ties to the Edgcumbe family and broader Tudor-era influences. Among the highlights are medieval , many of which originated from , including the rare 15th- to 16th-century Boars' Heads featuring motifs and foliage, commissioned during Sir Piers Edgcumbe's tenure in the late 15th and early 16th centuries. The collection also includes arms and armor, such as a late 16th- or early 17th-century designed for amputees with movable fingers, alongside a touchable for visitors. Complementing these are 18th-century items linked to transatlantic trade, exemplified by mahogany furniture that arrived during the booming trade period of the 1750s and evokes the era's global exchanges. These pieces, including fine furnishings from the Georgian period, are displayed throughout the house to recreate an atmospheric Tudor lifestyle, with rooms like the and bedrooms furnished to highlight the family's antique passions from 1750 to 1860. Visitor experiences at Cotehele emphasize exploration and accessibility, managed by the to promote educational engagement with the site's heritage. Self-guided tours allow visitors to wander through the house's rooms, such as the Victorian (open seasonally from late to early January), with volunteer stewards providing insights into the collections. Garden and estate tours cover the expansive grounds, including woodland paths and the quay, often with free maps to aid navigation. Seasonal events enhance the visit, such as the annual decorations featuring a massive garland in the from mid-, complete with crafts and lights, and the Swashbuckling Scarecrows trail in the gardens during half-term, where pirate-themed figures created by local schools tell adventurous tales. The prioritizes inclusive preservation and education at Cotehele, fostering appreciation of its cultural significance. Dogs are welcome on short leads in garden areas, cafes, and , with off-lead roaming permitted on many estate paths under close control, earning the site a two-pawprint rating for pet-friendliness. Mobility access is supported through all-terrain Tramper vehicles available for hire to navigate rough garden and woodland terrain, bookable in advance at a low fee, alongside shuttle buses between key sites and accessible toilets. This approach underscores the Trust's educational mission, as evidenced by over 1,272 reviews praising the atmospheric rooms, well-maintained grounds, and immersive historical experience as of 2025.

References

  1. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/history-of-cotehele
  2. https://www.nationaltrust.org.uk/visit/cornwall/cotehele
  3. https://historicengland.org.uk/listing/the-list/list-entry/1000648
  4. https://www.nationaltrust.org.uk/visit/houses-buildings/places-with-tudor-connections
  5. https://www.regencyhistory.net/blog/cotehele-regency-history-guide
  6. https://www.cornwallheritage.com/ertach-kernow-blogs-2022-2023/tamar-valley-a-medieval-jewel/
  7. https://artuk.org/visit/venues/national-trust-cotehele-4961
  8. https://www.nationaltrust.org.uk/visit/cornwall/cotehele-mill
  9. https://www.nationaltrustcollections.org.uk/place/cotehele
  10. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/our-work-coteheles-orchards
  11. https://historicengland.org.uk/listing/the-list/list-entry/1140255
  12. https://www.britainexpress.com/counties/cornwall/houses/cotehele.htm
  13. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/things-to-do-in-cotehele-house
  14. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/visiting-the-garden-at-cotehele
  15. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/things-to-do-on-cotehele-estate-and-cotehele-quay
  16. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/our-work-on-coteheles-estate
  17. https://www.flickr.com/photos/bazrichardson/52118924068/
  18. https://www.nationaltrust.org.uk/visit/cornwall/cotehele-mill/things-to-do-at-cotehele-mill
  19. https://www.cornishstainedglass.org.uk/mgsdb/window.xhtml?churchid=30&locid=61
  20. https://www.cambridge.org/core/journals/antiquaries-journal/article/three-late-fifteenth-early-sixteenthcentury-chapel-furnishings-belonging-to-the-edgcumbe-family-in-cornwall/0A9282B05C6E26483ADEA7B7BD5324BB
  21. https://www.nationaltrustcollections.org.uk/object/347888
  22. https://www.cornwall-calling.co.uk/national-trust/cotehele.htm
  23. https://www.britainexpress.com/counties/cornwall/churches/cotehele-chapel-in-the-woods.htm
  24. https://opc-cornwall.org/Par_new/a_d/calstock.php
  25. https://www.genuki.org.uk/big/eng/CON/Calstock
  26. https://acornishjourney.uk/the-churches/calstock-church/
  27. https://historicengland.org.uk/listing/the-list/list-entry/1140252
  28. https://www.achurchnearyou.com/church/2551/about-us/
  29. https://www.imdb.com/title/tt0117991/locations/
  30. https://www.cornwall-calling.co.uk/film-television/twelfth-night.htm
  31. https://www.cornwalllive.com/whats-on/whats-on-news/cotehele-national-trust-property-turned-10622498
  32. https://www.bbc.com/news/articles/ce9d4d5gm3go
  33. https://cornwall.muddystilettos.co.uk/things-to-do/film-tv/the-witcher-netflix-season-four-filming-locations/
  34. https://www.tavistock-today.co.uk/news/cotehele-shut-for-major-filming-686563
  35. https://www.nationaltrustcollections.org.uk/object/348249
  36. https://www.nationaltrustcollections.org.uk/object/347324
  37. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/christmas-at-cotehele
  38. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/events/64367062-f7b0-4514-94f4-225562971421
  39. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/visiting-cotehele-with-your-dog
  40. https://www.nationaltrust.org.uk/visit/cornwall/cotehele/the-tramper-at-cotehele
  41. https://www.tripadvisor.com/Attraction_Review-g1936961-d214975-Reviews-Cotehele-St_Dominick_Cornwall_England.html
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