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Craig Lee
Craig Lee
Craig Lee
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Craig Andrew Lee (born 9 May 1977) is a Scottish professional golfer who played on the European Tour. He lost to Thomas Bjørn in a playoff for the 2013 Omega European Masters.

Key Information

Career

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Lee had a successful amateur career in his home country, culminating with a win in the national Boys Stroke Play event in 1995.[1] He turned professional the following year, but struggled to replicate his success, spending many years working as a club professional in the Stirling area.

In 2007, despite not having a sponsor, Lee advanced through all three stages of qualifying school to gain his European Tour card for the first time. However, a poor debut season left Lee without a tour to play on at the start of 2009.[2] He battled back to the second tier Challenge Tour in 2010 courtesy of a runner-up finish in the English Challenge, and his good form on that tour continued through 2011: another second-place finish at the Saint-Omer Open, a tournament co-sanctioned by the European Tour, helped Lee to 14th place in the season-end standings and a return to the European Tour.

From 2012 Lee played primarily on the European Tour before retiring as a touring professional at the end of 2017. He never won on the tour, losing to Thomas Bjørn in a playoff for the 2013 Omega European Masters at Crans-sur-Sierre, when Bjørn holed at 12-foot birdie putt at the first extra hole. Lee had led after at the start of the final round after a third round 61. Lee tied for third place in the 2015 Tshwane Open in South Africa. His best season was 2013 when he finished 59th in the Order of Merit.[3] Lee was a captain's pick for the 2019 PGA Cup team.[4]

Amateur wins

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  • 1995 Scottish Boys Stroke Play Championship

Professional wins (8)

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PGA EuroPro Tour wins (1)

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No. Date Tournament Winning score Margin of
victory		 Runner-up
1 18 Jun 2010 Dunlop Masters −18 (68-63-61=192) 6 strokes England Steve Uzzell

EPD Tour wins (2)

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No. Date Tournament Winning score Margin of
victory		 Runner(s)-up
1 29 Jan 2009 Sueno Pines Classic −4 (72-69-71=212) 2 strokes England Paul Hendriksen
2 2 Feb 2009 Sueno Dunes Classic −8 (71-64-64=199) 1 stroke Netherlands Richard Kind, Austria Christoph Pfau

Tartan Pro Tour wins (1)

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No. Date Tournament Winning score Margin of
victory		 Runner-up
1 3 May 2023 Barassie Links Classic −14 (68-67-67=202) Playoff Scotland Paul O'Hara

Other wins (4)

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Playoff record

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European Tour playoff record (0–1)

No. Year Tournament Opponent Result
1 2013 Omega European Masters Denmark Thomas Bjørn Lost to birdie on first extra hole

Team appearances

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Amateur

Professional

  • PGA Cup (representing Great Britain and Ireland): 2019

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Craig Lee

View on Grokipedia
from Grokipedia
Craig Lee was an American writer, music critic, producer, and musician known for his influential role in the Los Angeles punk rock scene during the late 1970s and 1980s. He provided sharp, insightful commentary on underground music and culture through his contributions to the LA Weekly, establishing himself as a key voice in the punk movement. Lee also worked in music production, performed as a musician, and appeared in the seminal documentary The Decline of Western Civilization (1981), which chronicled the LA punk scene. Born on April 13, 1953, in Ventura County, California, Lee studied at Interlochen Academy in Michigan and later at CalArts, though he often described his real education as coming from immersion in the punk bands and clubs of Los Angeles. His writing was noted for its wit and uncompromising perspective, making him a prominent figure in underground cultural circles. Lee died on October 8, 1991, at age 38 from AIDS-related complications.

Early life

Family background and birth

Craig Lee was born on April 13, 1953, in Ventura County, California, USA. He was the son of Joanna Lee, an actress, writer, and director known for her work in film and television. Lee was the older brother of Christopher Ciampa. His mother's involvement in the entertainment industry placed him in a Hollywood environment from an early age.

Music career

Punk rock involvement and bands

Craig Lee emerged as a key figure in the late 1970s Los Angeles punk rock scene, actively participating as a guitarist, drummer, songwriter, and band organizer during the first wave of the movement. He joined The Bags—later billed as the Alice Bag Band—as a guitarist after responding to an advertisement in the Recycler, becoming the group's primary songwriter and composing most of their material following the departure of earlier members. He also took on significant responsibilities for booking shows and steering the band's direction, described by bandmate Alice Bag as a driving force who kept the group active. The Bags performed at seminal venues in the early L.A. punk underground, including The Masque, where they played early gigs that helped define the local scene. While still involved with The Bags, Lee co-founded Catholic Discipline in late August 1979 alongside Slash fanzine editor Claude Bessy (Kickboy Face), switching to drums for the project despite his usual role on guitar. The experimental post-punk band focused on Bessy's poetry and featured a rotating lineup that included Phranc on guitar; they debuted at the Hong Kong Café on September 14, 1979, which became their primary venue for a series of Los Angeles shows. Catholic Discipline disbanded in spring 1980 after limited activity, including turning down a European tour opportunity. Lee appeared as a performer with Catholic Discipline in Penelope Spheeris's 1981 documentary The Decline of Western Civilization, which also featured the Alice Bag Band and captured the raw energy of the era's L.A. punk scene. His hands-on involvement in multiple bands exemplified the fluid, multi-project nature of the early Los Angeles punk community.

Documentary appearances

Craig Lee appeared as himself in the documentary film The Decline of Western Civilization (1981), directed by Penelope Spheeris, which chronicled the raw energy and DIY ethos of the late 1970s and early 1980s Los Angeles punk rock scene. In the film, he performed guitar with the Alice Bag Band during renditions of "Gluttony" and "Prowlers in the Night" and drums with Catholic Discipline for "Barbee Doll Lust" and "Underground Babylon." These performances captured his active role in the vibrant and confrontational LA punk community that the documentary sought to document. No other on-camera documentary appearances as himself have been widely documented in reliable sources.

Journalism career

Work as a music critic

Craig Lee served as music editor of the LA Weekly for two years during the 1980s, a pivotal period in the publication's development, and remained a regular contributor for a decade. His tenure ushered in an era of provocative, untamed music journalism, bringing in and fostering writers such as Don Bolles, Shredder, Felicia Dominguez, and John Payne. Lee focused his coverage on the Los Angeles punk, new wave, and broader underground music scenes, emphasizing advocacy for local talent and positioning Los Angeles as an emerging cultural force in music. His writing style was impish, catty, incendiary, and unapologetically opinionated—qualities that occasionally sparked controversy but underscored his commitment to promoting hometown artists and the city's vibrant, often fringe music communities. Beyond LA Weekly, Lee contributed music reviews and articles to the Los Angeles Times, LA Style, The Advocate, and fanzines including Flip Side, extending his documentation of the underground punk movement. He co-authored Hardcore California: A History of Punk and New Wave (1983), a key text chronicling the punk and new wave developments in California. As a practitioner-turned-critic from his earlier involvement in bands like The Bags, Lee maintained deep connections to the scene he covered, which informed his passionate and insider-driven commentary. Lee also initiated and produced the LA Weekly Rock Music Awards, a reader-poll-based event honoring the best Los Angeles-based musicians, which became an annual institution reflecting his influence on local music recognition.

Film and television career

Acting credits

Craig Lee had a limited acting career, appearing in minor roles in two independent films connected to Los Angeles' underground cultural scenes. He made an uncredited appearance as Drummer at Madam Wang's in Paul Morrissey's Madame Wang's (1981). Lee also portrayed Ralphs Couple in Gregg Araki's The Living End (1992), a role featured in the film's posthumous release following his death in 1991.

Death

Craig Lee died on October 8, 1991, in Los Angeles, California, from an AIDS-related illness at the age of 38. He passed away at home after a prolonged battle with progressive multifocal leukoencephalopathy (PML), an opportunistic brain infection associated with AIDS that caused slow, irreversible paralysis. Lee had been reluctant to publicly disclose his HIV-positive status or discuss his illness for many months, a reticence compounded by the nature of his condition and fears of how others might react after testing positive five years earlier. He was cared for by his partner and a small circle of close friends during this difficult period. One month before his death, a benefit concert was held at the Hollywood Palace to support him.

Legacy

Tributes and cultural remembrance

Craig Lee's death from AIDS-related illness in 1991 prompted tributes within the punk rock and independent film communities, particularly among those affected by the epidemic. Gregg Araki's 1992 film The Living End features a pointed dedication in its end credits to "Craig Lee (1954-1991) and the hundreds of thousands who've died and the hundreds of thousands more who will die because of a big white house down the road from here," reflecting both personal loss and political outrage over the inadequate response to AIDS. This dedication underscores Lee's place in the intersecting worlds of queer cinema and the Los Angeles underground scene, where he had appeared in a supporting role. Shortly after his passing, LA Weekly published an obituary tribute titled "The Big Sleep" on October 18, 1991, honoring him as a longtime contributor, music editor, and co-author of Hardcore California: A History of Punk and New Wave. The piece celebrated his influence in documenting and shaping the LA punk landscape through his journalism and organizational efforts, including initiating the LA Weekly Rock Music Awards. Such remembrances positioned Lee as a significant voice in the early punk and hardcore movements, with his work continuing to be referenced in histories of the era's music and cultural resistance.
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