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Czech animation
Czech animation has been a tradition for over 100 years. Czech animators are considered pioneers in film animation. Czech animation dates back to the 1920s, and its "Golden Era" spans between the 1950s and the 1980s. Notable Czech animators include Jiří Trnka, Karel Zeman, Břetislav Pojar, Jan Švankmajer, Vera Neubauer, Hermína Týrlová, and Jiří Barta. Czech animators have employed cel animation, cutout animation, puppet animation, and clay animation. 3D animation is seldom used due to lack of finances and trained 3D animators. This led to a decline in the years following 1989.
Though the "Golden Era" has ended for Czech animation, a new generation of animators remain who sustain Czech animation traditions. Training in Czech animation is supported by some Czech universities, such as The Film and TV School of the Academy of Performing Arts in Prague, The Academy of Arts, Architecture and Design in Prague, and The University of West Bohemia.
The production of Czech animation began in the 1920s. Czech animated production from the 1920s to 1945 was created primarily as advertisements for products and as works for children, with the earliest Czech animation being Bohuslav Šula's unfinished 1920 film Broučci, an adaptation of the classic children's book of the same name by Jan Karafiát. Most of the films produced in this era were shorter than 10 minutes. In 1927, the animator Karel Dodal began creating a series of advertisements starring the popular character Felix the Cat. The advertisements were predominantly for savings banks.
By the 1930s, puppet animations were also in production. Spejblovo filmové opojení (1931), a thirty-two minute satirical work featuring Spejbl, was one of the first puppet animations released in Czech cinemas. The first experimental animated film was Karel Dodal's Myšlenka hledající světlo (1938). In 1937, Czech animation gained international attention when Dodal's work was shown at the 1937 Exhibition in Paris. In 1943, the first mixed live-action puppet animation production, Vánoční sen, directed by Hermína Týrlová, was released. The film was lost in a 1944 laboratory fire, and a recreation was subsequently produced by Karel Zeman in 1944.
Significant animators who began their careers during this period include Břetislav Pojar, Stanislav Látal, Jiří Trnka, Karel Zeman, and Hermína Týrlová, who previously worked as an assistant to Dodal.
The roots of the Czech "Golden Age" of animation began in 1945 when puppet theater operators Eduard Hofman and Jiří Trnka founded the animation studio Bratři v triku. In 1945, the studio released its first production, Zasadil dědek řepu, directed by Trnka. The film was a ten minute long adaptation of a popular Czech folk tale. In the same year, Zeman's recreation of Vánoční sen was released. In 1946, Jiří Trnka directed Zvířátka a petrovští; both films brought critical acclaim to the Czech animation industry by winning short film awards at the 1st annual Cannes Film Festival. Czech animation also expanded following World War II due to the nationalization of Czechoslovak film industry, which allowed the development of feature-length films and more consistent studio output due to an increased amount of resources.
In the late 1940s, Jiří Trnka expanded from two-dimensional animation to puppet animation and created the first feature-length Czech puppet animation film, Špalíček (1947). The film was also Trnka's first feature-length production. By the end of the 1950s, Trnka had made 6 full-length films and 12 short animated films, and was one of the most productive animators in the world. His films produced in the 1950s such as Prince Bayaya, Old Czech Legends and A Midsummer Night's Dream earned him worldwide acclaim and the nickname "the Walt Disney of Eastern Europe". His final film The Hand was declared the 5th best animated picture in history.
Other important figures in Bratři v triku include Zdeněk Miler, who created the popular cartoon character Mole, and Josef Kábrt, who worked on the film Fantastic Planet. The children's animated series Pohádky z mechu a kapradí was also developed by Bratři v triku. Another notable animator was Břetislav Pojar, who worked under Trnka, known for his animated series Pojďte pane, budeme si hrát.
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Czech animation
Czech animation has been a tradition for over 100 years. Czech animators are considered pioneers in film animation. Czech animation dates back to the 1920s, and its "Golden Era" spans between the 1950s and the 1980s. Notable Czech animators include Jiří Trnka, Karel Zeman, Břetislav Pojar, Jan Švankmajer, Vera Neubauer, Hermína Týrlová, and Jiří Barta. Czech animators have employed cel animation, cutout animation, puppet animation, and clay animation. 3D animation is seldom used due to lack of finances and trained 3D animators. This led to a decline in the years following 1989.
Though the "Golden Era" has ended for Czech animation, a new generation of animators remain who sustain Czech animation traditions. Training in Czech animation is supported by some Czech universities, such as The Film and TV School of the Academy of Performing Arts in Prague, The Academy of Arts, Architecture and Design in Prague, and The University of West Bohemia.
The production of Czech animation began in the 1920s. Czech animated production from the 1920s to 1945 was created primarily as advertisements for products and as works for children, with the earliest Czech animation being Bohuslav Šula's unfinished 1920 film Broučci, an adaptation of the classic children's book of the same name by Jan Karafiát. Most of the films produced in this era were shorter than 10 minutes. In 1927, the animator Karel Dodal began creating a series of advertisements starring the popular character Felix the Cat. The advertisements were predominantly for savings banks.
By the 1930s, puppet animations were also in production. Spejblovo filmové opojení (1931), a thirty-two minute satirical work featuring Spejbl, was one of the first puppet animations released in Czech cinemas. The first experimental animated film was Karel Dodal's Myšlenka hledající světlo (1938). In 1937, Czech animation gained international attention when Dodal's work was shown at the 1937 Exhibition in Paris. In 1943, the first mixed live-action puppet animation production, Vánoční sen, directed by Hermína Týrlová, was released. The film was lost in a 1944 laboratory fire, and a recreation was subsequently produced by Karel Zeman in 1944.
Significant animators who began their careers during this period include Břetislav Pojar, Stanislav Látal, Jiří Trnka, Karel Zeman, and Hermína Týrlová, who previously worked as an assistant to Dodal.
The roots of the Czech "Golden Age" of animation began in 1945 when puppet theater operators Eduard Hofman and Jiří Trnka founded the animation studio Bratři v triku. In 1945, the studio released its first production, Zasadil dědek řepu, directed by Trnka. The film was a ten minute long adaptation of a popular Czech folk tale. In the same year, Zeman's recreation of Vánoční sen was released. In 1946, Jiří Trnka directed Zvířátka a petrovští; both films brought critical acclaim to the Czech animation industry by winning short film awards at the 1st annual Cannes Film Festival. Czech animation also expanded following World War II due to the nationalization of Czechoslovak film industry, which allowed the development of feature-length films and more consistent studio output due to an increased amount of resources.
In the late 1940s, Jiří Trnka expanded from two-dimensional animation to puppet animation and created the first feature-length Czech puppet animation film, Špalíček (1947). The film was also Trnka's first feature-length production. By the end of the 1950s, Trnka had made 6 full-length films and 12 short animated films, and was one of the most productive animators in the world. His films produced in the 1950s such as Prince Bayaya, Old Czech Legends and A Midsummer Night's Dream earned him worldwide acclaim and the nickname "the Walt Disney of Eastern Europe". His final film The Hand was declared the 5th best animated picture in history.
Other important figures in Bratři v triku include Zdeněk Miler, who created the popular cartoon character Mole, and Josef Kábrt, who worked on the film Fantastic Planet. The children's animated series Pohádky z mechu a kapradí was also developed by Bratři v triku. Another notable animator was Břetislav Pojar, who worked under Trnka, known for his animated series Pojďte pane, budeme si hrát.