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D12 World
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| D12 World | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | April 27, 2004 | |||
| Recorded | 2002–2004 | |||
| Studio |
| |||
| Genre | ||||
| Length | 77:49 | |||
| Label | ||||
| Producer |
| |||
| D12 chronology | ||||
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| Singles from D12 World | ||||
D12 World is the second and final studio album by American hip-hop group D12, released on April 27, 2004. The album sold 544,000 copies in its first week on the U.S. Billboard 200.[1] The album is also the last D12 release to feature Proof before his death in 2006, and the final D12 album to feature Bugz on a track as well as Eminem as a D12 member prior to his departure in 2018.[2]
Background
[edit]In memory of Bugz, who was killed prior to a concert on May 21, 1999, the group recorded the track "Good Die Young" in memory of him. The album also includes a skit entitled "Bugz '97", which is a 1997 recording of Bugz, originally taken from the song "Desperados". The group was often overshadowed by Eminem's massive success, and as such, the group toured without him for promotion of the album (but the album still reached the top of the US Billboard chart). At the time, Eminem was busy recording Encore. Although shadowed by Eminem's success, members Bizarre and Proof managed to prevail with mildly successful solo careers following D12 World, with the releases of Hannicap Circus and Searching for Jerry Garcia, respectively, in 2005. Before the album's release, "6 in the Morning" was featured on Eminem's 2003 mixtape Straight from the Lab and was entitled "Come On In". Group member Kuniva stated in a podcast that most of Denaun's verses were recorded in his home studio as opposed to with the rest of the group, due to frequent arguments with Proof.
Production
[edit]The album was executively produced by Eminem, who also handled most of the audio production for the album along with Denaun Porter, Dr. Dre, Essman, Hi-Tek, Kanye West, Luis Resto, Mike Elizondo, Night & Day, Red Spyda, Trackboyz and Witt & Pep. Guest appearances on the album included Obie Trice, Dina Rae, Young Zee and B-Real.
Commercial performance
[edit]Heavily anticipated,[3] D12 World debuted at the top of the US, UK, Irish, Canadian, Australian and NZ albums charts. It debuted at number 2 in Germany and also in the top 5 in Switzerland and Norway. It debuted in the top 10 in Sweden, Denmark, France, Belgium and the Netherlands.
It sold about 544,000 records in its first week of release in the United States alone. Debuting at number one on the Billboard 200, the album ended the first five-week run of singer Usher's best-selling album, Confessions.[4] On the week of May 22, 2004, Usher's Confessions regained the Billboard 200's number-one spot, sending D12 World to number two.[5] The album went on to have the best performing first-week sales for a hip hop release of that year until the release of Eminem's Encore that November. Ultimately the album was certified double platinum, having a twenty-eight week stay on the chart overall.[6]
The album debuted at number one on the UK Albums Chart with approximately 76,666 copies sold during the first week of release. Ultimately the album was certified platinum; total sales of the album stand at 323,649 as of December 2017.[7]
"My Band", the first single, was also successful, reaching number one in Australia[8] and on the US Rhythmic Top 40,[9] the Top 5 in the UK[10] and Germany,[11] and Top 10 on the Billboard Hot 100.[12]
Critical reception
[edit]| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 58/100[13] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Blender | |
| Entertainment Weekly | B+[16] |
| The Guardian | |
| HipHopDX | |
| PopMatters | 6/10[19] |
| Rolling Stone | |
| Spin | B−[21] |
| Stylus | 3/10[22] |
| Vibe | |
Upon release, D12 World received mixed reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 58, based on 13 reviews, indicating "mixed or average reviews".[13]
Track listing
[edit]| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Git Up" |
| 4:03 | |
| 2. | "Loyalty" (featuring Obie Trice) |
|
| 5:54 |
| 3. | "Just Like U" |
| 3:31 | |
| 4. | "I'll Be Damned" |
|
| 4:21 |
| 5. | "Dude" (skit) | Mathers | Eminem | 1:14 |
| 6. | "My Band" |
|
| 4:58 |
| 7. | "U R the One" |
| Mr. Porter | 4:19 |
| 8. | "6 in the Morning (Come on In)" |
|
| 4:38 |
| 9. | "How Come" |
| Witt & Pep | 4:09 |
| 10. | "Leave Dat Boy Alone" |
| 5:23 | |
| 11. | "Get My Gun" |
|
| 4:34 |
| 12. | "Bizarre" (skit) |
| Eminem | 1:21 |
| 13. | "Bitch" (featuring Dina Rae) |
|
| 4:56 |
| 14. | "Steve's Coffee House" (skit) |
| Eminem | 0:51 |
| 15. | "D-12 World" |
| Kanye West | 3:10 |
| 16. | "40 Oz." |
| Trackboyz | 4:02 |
| 17. | "Commercial Break" (featuring Young Zee) |
| Mr. Porter | 1:12 |
| 18. | "American Psycho II" (featuring B-Real) |
| 3:44 | |
| 19. | "Bugz '97" (skit; performed by Bugz) |
| Eminem | 1:05 |
| 20. | "Good Die Young" |
| 5:56 | |
| 21. | "Keep Talkin'" (bonus track) |
| 4:28 | |
| Total length: | 77:49 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Barbershop" |
| Mr. Porter | 4:23 |
| 2. | "Slow Your Roll" |
| Eminem | 4:25 |
| Total length: | 86:37 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Making of the Album/Behind the Scenes" (featurette) | 29:14 | ||
| 2. | "My Band" (uncensored music video) |
| 5:44 | |
| 3. | "40 Oz." (uncensored music video) |
| Trackboyz | 4:02 |
| Total length: | 116:49 | |||
Notes
- ^[a] signifies an additional producer.
- ^[b] signifies a co-producer.
- "Bugz" is taken from the song "Desperados", performed by DJ Butter, Eminem, Proof, Bugz & the Almighty Dreadnaughtz.
- "Just Like U" does not appear on the clean version of the album.
- "Leave Dat Boy Alone" features additional vocals by 50 Cent.
- "Get My Gun" is an unlockable song in the 2006 open-world game Scarface: The World Is Yours.
- "Barbershop" can be found on the Barbershop 2: Back in Business soundtrack.
- The clean version of the album allows "ass" to be uncensored but few uses of the word "hell", some references to alcohol use, most references to drugs, sexual content, and violence are edited out, although all sound effects remain intact.
- "6 in the Morning (Come on In)" was leaked in the bootleg mixtape Straight From The Lab
Sample credits
- "Git Up" contains a sample from "The Name Game" by Shirley Ellis
- "Just Like U" contains a sample from "Sir Galahad" by Rick Wakeman.
- "U R the One" contains a sample from "Girl Callin'" by Chocolate Milk
- "Good Die Young" contains a sample from "Screen Kiss" by Thomas Dolby
- "Keep Talkin'" contains samples from "Tortuga" by Starwood and "Halftime" by Nas
Personnel
[edit]- B-Real – guest appearance
- Steve Baughman – mixing
- Rondell Beene – skit
- Bizarre – skit
- Joe Borges – assistant
- Bugz – skit
- Tony Campana – engineer
- Richard Castro – skit
- Larry Chatman – project coordinator
- Mike "Chav" Chavarria – engineer
- D12 – group
- Dr. Dre – producer, mixing
- Mike Elizondo – keyboards
- Eminem – producer, executive producer, mixing, skit
- Essman – producer
- 50 Cent – skit
- Brian "Big Bass" Gardener – mastering
- Richard Hunt – engineer
- Steven King – bass, guitar, engineer, mixing, skit
- Kuniva – skit
- Night and Day – producer
- Red Spyda – keyboards, producer
- Luis Resto – keyboards, producer
- Michael Strange – engineer
- Obie Trice – guest appearance
- Sacha Waldman – photography
- Young Zee – skit
- Kanye West – producer
- Paul Williams – songwriter
- J.R. Rotem – keyboards, songwriter
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[60] | Platinum | 70,000^ |
| Denmark (IFPI Danmark)[61] | Platinum | 20,000‡ |
| Germany (BVMI)[62] | Gold | 100,000^ |
| Japan (RIAJ)[63] | Platinum | 250,000^ |
| New Zealand (RMNZ)[64] | Platinum | 15,000^ |
| United Kingdom (BPI)[65] | Platinum | 323,649[7] |
| United States (RIAA)[66] | 2× Platinum | 2,000,000^ |
|
^ Shipments figures based on certification alone. | ||
References
[edit]- ^ "D12's Opening Sales Rate Retail Raves". Retrieved December 11, 2001.
- ^ Billboard. October 5, 2002. p. 68. Retrieved December 11, 2001 – via Internet Archive.
the eminem show first time lyrics included.
- ^ "Winans, Prince Can't Stop Usher's No. 1 Run". Billboard. April 28, 2004. Archived from the original on September 10, 2023. Retrieved November 5, 2025.
- ^ Billboard Staff (May 5, 2004). "D12 Ends Usher's Chart Reign". Billboard. Retrieved February 8, 2022.
- ^ Archive-Joe-DAngelo. "Usher Sends D12 Packing". MTV News. Archived from the original on December 22, 2014. Retrieved February 8, 2022.
- ^ "D12 D12 World Chart History - Billboard". Billboard. Archived from the original on November 27, 2018.
- ^ a b Jones, Alan (December 22, 2017). "Charts Analysis: Eminem's Revival debuts at No.1". Music Week. Intent Media. Retrieved October 22, 2018.
- ^ "australian-charts.com - D12 - My Band". australian-charts.com. Retrieved December 27, 2024.
- ^ devops (November 28, 2013). "Rhythmic Airplay". Billboard. Retrieved December 27, 2024.
- ^ "Official Singles Chart on 18/4/2004". Official Charts. Retrieved December 27, 2024.
- ^ "Offizielle Deutsche Charts". www.offiziellecharts.de. Retrieved December 27, 2024.
- ^ tolsen (January 2, 2013). "Billboard Hot 100™". Billboard. Retrieved December 27, 2024.
- ^ a b "Critic Reviews for D12 World - Metacritic". Metacritic.
- ^ AllMusic review
- ^ Catucci, Mick (April 27, 2004). "D12: D12 World". Blender. Archived from the original on August 15, 2004. Retrieved September 26, 2018.
- ^ Endelman, Michael (April 27, 2004). "D12 World". Entertainment Weekly. Archived from the original on April 26, 2009.
- ^ Caroline Sullivan (May 14, 2004). "CD: D12, D12 World". the Guardian. Archived from the original on July 5, 2004.
- ^ J-23 (April 30, 2004). "D12 - D12 World". HipHopDX. Archived from the original on May 31, 2004. Retrieved December 13, 2011.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ^ "D12". PopMatters.
- ^ "Rolling Stone review". Rolling Stone. Archived from the original on November 30, 2007. Retrieved June 16, 2006.
- ^ Norris, Chris (June 2004), "D12: D12 World", Spin, vol. 20, no. 6, p. 103
- ^ McKeating, Scott (April 29, 2004). "D12 - D12 World". Stylus. Archived from the original on December 20, 2004. Retrieved June 18, 2012.
- ^ Callahan-Bever, Noah (June 2004), "D12: D12 World", Vibe, vol. 12, no. 6, p. 157[permanent dead link]
- ^ "D12 World: Amazon.co.uk: Music". amazon.co.uk. 2004.
- ^ "D12 World". amazon.co.uk.
- ^ "D12 discography in Australia". australian-charts.com. and "The ARIA Report – Issue 740" (PDF). Australian Recording Industry Association (ARIA). Archived from the original on February 22, 2008. Retrieved October 27, 2023.
{{cite web}}: CS1 maint: bot: original URL status unknown (link) - ^ "ARIA Urban Chart – Week Commencing 2nd August 2004" (PDF). Australian Recording Industry Association (753): 16. August 2, 2004. Archived from the original (PDF) on February 22, 2008. Retrieved April 16, 2023 – via Pandora Archive.
- ^ "Austriancharts.at – D12 – D12 World" (in German). Hung Medien. Retrieved August 4, 2020.
- ^ "Ultratop.be – D12 – D12 World" (in Dutch). Hung Medien. Retrieved August 4, 2020.
- ^ "Ultratop.be – D12 – D12 World" (in French). Hung Medien. Retrieved August 4, 2020.
- ^ "Billboard Canadian Albums : May 15, 2004". Billboard. Retrieved September 17, 2020.
- ^ "R&B : Top 50". Jam!. May 27, 2004. Archived from the original on June 3, 2004. Retrieved January 29, 2023.
- ^ "Danishcharts.dk – D12 – D12 World". Hung Medien. Retrieved August 4, 2020.
- ^ "Dutchcharts.nl – D12 – D12 World" (in Dutch). Hung Medien. Retrieved August 4, 2020.
- ^ "D12: D12 World" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved August 4, 2020.
- ^ "Lescharts.com – D12 – D12 World". Hung Medien. Retrieved August 4, 2020.
- ^ ERROR in "Germany": Missing parameters: id. "Offiziellecharts.de – {artist} – {album}" (in German). GfK Entertainment charts. Retrieved August 4, 2020.
- ^ "Irish-charts.com – Discography D12". Hung Medien. Retrieved August 4, 2020.
- ^ "Italiancharts.com – D12 – D12 World". Hung Medien. Retrieved August 4, 2020.
- ^ "D12・ワールド" (in Japanese). Oricon. Archived from the original on April 16, 2023. Retrieved April 16, 2023.
- ^ "Charts.nz – D12 – D12 World". Hung Medien. Retrieved August 4, 2020.
- ^ "Norwegiancharts.com – D12 – D12 World". Hung Medien. Retrieved August 4, 2020.
- ^ "Official Scottish Albums Chart on 2/5/2004 – Top 100". Official Charts Company. Retrieved April 16, 2023.
- ^ "Top 100 Albumes – Lista de los titulos mas vendidos del 03.05.04 al 09.05.04" (PDF) (in Spanish). Productores de Música de España.
- ^ "Swedishcharts.com – D12 – D12 World". Hung Medien. Retrieved August 4, 2020.
- ^ "Swisscharts.com – D12 – D12 World". Hung Medien. Retrieved August 4, 2020.
- ^ "Official Albums Chart on 2/5/2004 – Top 100". Official Charts Company. Retrieved August 4, 2020.
- ^ "Official R&B Albums Chart on 2/5/2004 – Top 40". Official Charts Company. Retrieved April 16, 2023.
- ^ "Billboard 200 Albums : May 15, 2004". Billboard. Retrieved September 17, 2020.
- ^ "Top R&B/Hip-Hop Albums : May 15, 2004". Billboard. Retrieved September 17, 2020.
- ^ "ARIA End of Year Albums Chart 2004". Australian Recording Industry Association. Retrieved September 17, 2020.
- ^ "Jaaroverzichten 2004". Ultratop. Retrieved September 17, 2020.
- ^ "Jaaroverzichten – Album 2004". dutchcharts.nl. Retrieved September 17, 2020.
- ^ "Top 100 Album-Jahrescharts" (in German). GfK Entertainment. Retrieved September 17, 2020.
- ^ "Schweizer Jahreshitparade 2004". hitparade.ch. Retrieved September 17, 2020.
- ^ "End of Year Album Chart Top 100 – 2004". Official Charts Company. Retrieved September 17, 2020.
- ^ "Top Billboard 200 Albums – Year-End 2004". Billboard. Retrieved September 17, 2020.
- ^ "Top R&B/Hip-Hop Albums – Year-End 2004". Billboard. Retrieved September 17, 2020.
- ^ "Top 50 Global Best Selling Albums for 2004" (PDF). International Federation of the Phonographic Industry. Archived from the original (PDF) on November 17, 2008. Retrieved February 2, 2023.
- ^ "ARIA Charts – Accreditations – 2004 Albums" (PDF). Australian Recording Industry Association. Retrieved November 30, 2021.
- ^ "Danish album certifications – D12 – D12 World". IFPI Danmark.
- ^ "Gold-/Platin-Datenbank (D12; 'D12 World')" (in German). Bundesverband Musikindustrie. Retrieved November 30, 2021.
- ^ "Japanese album certifications – D12 – D12 World" (in Japanese). Recording Industry Association of Japan.
- ^ "New Zealand album certifications – D12 – D12 World". Recorded Music NZ. Retrieved November 20, 2024.
- ^ "British album certifications – D12 – D12 World". British Phonographic Industry. Retrieved November 30, 2021.
- ^ "American album certifications – D12 – D12 World". Recording Industry Association of America. Retrieved November 30, 2021.
External links
[edit]D12 World
View on GrokipediaBackground and Development
Background
D12, also known as the Dirty Dozen, was formed in 1996 in Detroit, Michigan, as a hip hop collective initiated by Proof (DeShaun Dupree Holton) to unite local battle rappers and foster mutual support in their music pursuits. After the death of member Bugz (Karnail Pitts) in 1999, the group dedicated their debut album to him and proceeded with its core six members: Proof, Eminem (Marshall Mathers), Bizarre (Rufus Johnson), Kuniva (Von Carlisle), Swifty McVay (Ondre Moore), and Kon Artis (Denaun Porter, later known as Mr. Porter), with the group drawing from Detroit's underground rap scene to create a raw, collaborative sound rooted in street life and humor.[10] The collective gained significant attention with their debut album, Devil's Night, released on June 19, 2001, via Shady Records and Interscope Records. The album debuted at number one on the Billboard 200, selling 372,000 copies in its first week according to Nielsen SoundScan, and ultimately achieved platinum certification from the RIAA for over one million units sold in the United States, a success largely attributed to Eminem's burgeoning solo fame following his breakthrough albums The Slim Shady LP (1999) and The Marshall Mathers LP (2000).[11][12][13] In the aftermath of Devil's Night's release, D12 faced internal group tensions stemming from the challenges of maintaining cohesion amid members' diverging paths, including pursuits of solo projects and the pervasive shadow cast by Eminem's individual stardom, which often dominated media attention and tour inquiries. These dynamics were compounded by the group's tight-knit yet chaotic friendships, which sometimes hindered open communication but underscored their commitment to collective authenticity over solo pursuits.[10] The conception of D12's sophomore album emerged in 2002 as a deliberate push to establish the group's distinct identity beyond Eminem's influence, coinciding with his solo triumph on The Eminem Show, which debuted at number one on the Billboard 200 and sold over 1.3 million copies in its first week. Recording sessions for what became D12 World commenced in late 2002, allowing the members to channel their experiences into tracks that highlighted their individual personalities and shared Detroit roots.[5]Production
The recording sessions for D12 World took place primarily at 54 Sound in Ferndale, Michigan, with additional recording at studios including Teklab in Cincinnati, Ohio, DNAB in Detroit, and Can-Am Recorders in Tarzana, California, spanning from 2002 to early 2004. These local facilities allowed the group to maintain a collaborative environment close to home, building on the momentum from their debut album Devil's Night.[14] Eminem served as the executive producer and handled production duties for the majority of the album's 21 tracks, including key cuts like "My Band," "6 in the Morning," and several skits that captured the group's signature humor. Contributions from other producers added variety, with Dr. Dre co-producing "American Psycho II" alongside Mike Elizondo, infusing the track with polished, bass-heavy beats characteristic of Aftermath Records' sound. Kanye West provided beats for "How Come" and the title track "D12 World," bringing soulful samples and innovative drum patterns to the project, while DJ Head and engineer Mike Strange supported additional tracks and overall mixing, ensuring a cohesive Detroit-rooted aesthetic.[15][16] Creative decisions emphasized the group's playful dynamic, particularly through the inclusion of skits that highlighted interpersonal banter and absurdity. The "Dude (Skit)," for instance, features casual group conversation escalating into comedic chaos, produced by Eminem to underscore D12's irreverent chemistry and provide breathing room between denser songs. These elements were intentionally woven in to differentiate the album from more serious rap projects, fostering a lighthearted session vibe despite occasional hurdles like Proof's ongoing legal troubles, which occasionally disrupted attendance, and Bizarre's personal health journey involving weight loss efforts that shifted his on-stage energy and contributions.[15]Composition
Musical Style
D12 World exemplifies the group's signature blend of horrorcore and gangsta rap, rooted in Detroit's underground scene, with frequent comedic skits providing levity amid the aggression and pop-rap hooks designed for mainstream appeal.[17] The sound draws heavily from early 2000s hip-hop aesthetics, incorporating dark, aggressive beats that emphasize menace and energy, often layered with samples to heighten tension—such as the ominous production on "American Psycho II," helmed by Dr. Dre.[18] Eminem's production influence permeates much of the album, handling around ten tracks and skits with a polished yet gritty edge that refines the raw horrorcore elements into radio-friendly structures.[17] While the core style remains intense and street-oriented, the album introduces stylistic variations to broaden its palette, including tracks like "Just Like U," produced by Hi-Tek.[17] In contrast, "Git Up" shifts to upbeat party rap, driven by booming bass drums and anthemic rhythms suited for club environments or rowdy gatherings, showcasing the group's versatility within gangsta frameworks.[17] These diversions highlight a Wu-Tang Clan-esque ensemble dynamic, where multiple voices layer over gothic and funky beats reminiscent of Detroit's musical heritage.[19] Clocking in at 77 minutes over 21 tracks, D12 World prioritizes dense, multi-layered production that mirrors the expansive, narrative-driven approach of early 2000s Detroit hip-hop, allowing for intricate sonic textures without sacrificing momentum.[14] This length enables a marathon-like immersion, with beats that range from sparse and introspective to bombastic and chaotic, underscoring the album's role as a comprehensive showcase of the genre's darker, more playful sides.[19]Lyrics and Themes
The lyrics on D12 World revolve around central themes of loyalty, street life, and humor, often delivered through collaborative verses that highlight the group's Detroit roots and interpersonal dynamics. Tracks like "Loyalty" (featuring Obie Trice) address group bonds.[20] This theme extends to broader explorations of street life, where narratives of violence and resilience portray the harsh realities of inner-city existence, blending gritty realism with the group's signature irreverence.[17] Dark humor and violence permeate songs such as "American Psycho II" (featuring B-Real).[21] The album also confronts personal struggles, including addiction, loss, and the pitfalls of fame, as seen in "How Come," where members question fading group dynamics and the emotional toll of success, airing internal tensions and regrets in a raw, confessional manner.[17] These elements reflect the pitfalls of rapid rise to prominence, with lyrics lamenting fractured relationships and the isolating effects of celebrity.[22] Collaborative verses showcase each member's distinct style, contributing to the album's multifaceted lyrical landscape. Bizarre employs absurdity through outrageous, grotesque punchlines that inject levity into grim scenarios, often pushing boundaries with unconventional wordplay. Proof delivers intricate storytelling, weaving narrative depth into tracks that explore emotional undercurrents and historical group lore. Eminem's rapid-fire delivery dominates with dense, multisyllabic rhymes, providing high-energy anchors that propel the themes forward while amplifying the collective's chaotic energy.[17]Release and Promotion
Singles
The lead single from D12 World, "My Band", was released in March 2004 as a satirical take on the group's internal dynamics and Eminem's dominant role within D12. The track peaked at number 6 on the Billboard Hot 100 chart in May 2004, marking D12's highest-charting single to date and contributing significantly to the album's anticipation. Its music video, co-directed by Eminem and Philip G. Atwell, humorously exaggerates the tensions and comedic rivalries among the members, featuring over-the-top scenarios like backstage fights and absurd group antics that highlight the song's playful critique of fame and band life.[23] Following the success of "My Band", the second official single "How Come" was released in June 2004, shifting to a more introspective exploration of the interpersonal conflicts and emotional strains within the group.[24] The song reached number 27 on the Billboard Hot 100, providing a contrast to the debut single's humor by delving into themes of betrayal, loyalty, and the personal toll of their rise to stardom. The accompanying music video, directed by John 'Quig' Quigley, maintains a comedic edge through narrative vignettes that depict the members' real-life frictions in exaggerated, lighthearted fashion, underscoring the track's blend of raw honesty and group camaraderie.[25] In addition to the main singles, "Bizarre (Skit)" served as a promotional release to build buzz around the album's eccentric humor, while "40 Oz." received radio airplay as a promotional track in the US, showcasing the group's party-oriented side without a full commercial push there. It was released as the third single in the UK on September 13, 2004.[26] These efforts helped sustain momentum for D12 World's overall promotion leading into its April 2004 launch.[27]Marketing and Touring
D12 World was released on April 27, 2004, through Shady Records, Aftermath Entertainment, and Interscope Records, with a limited edition version that included a bonus DVD featuring behind-the-scenes documentary footage and the explicit versions of select music videos.[27] The album's promotion heavily relied on live performances, including the D12 World Tour, which encompassed stops across North America and Europe. The tour kicked off with U.S. dates in June, such as shows at the Eagles Ballroom in Milwaukee on June 19 and the House of Blues in Chicago on June 20, before shifting to European venues like Carling Academy Brixton in London on September 20.[27][28] Media appearances played a key role in building anticipation, with the group featured on MTV's Making the Video for "My Band" on March 17, 2004, alongside premieres on Total Request Live (where the video reached #1 in April) and BET's 106 & Park.[27] Group interviews during these outings often emphasized D12's Detroit origins and camaraderie, reinforcing their collective identity beyond Eminem's involvement.[27] Merchandise tie-ins included digital trading cards available on the official D12 website (d12online.com), redeemable for PlayStation 2 games and entries into a giveaway for a trip to Detroit, while radio campaigns targeted urban audiences by pushing "My Band" to top 5 positions on pop radio formats.[27]Commercial Performance
Chart Performance
D12 World debuted at number one on the US Billboard 200 chart, selling 544,000 copies in its first week.[16] The album remained in the top ten of the Billboard 200 for five consecutive weeks before dropping out, ultimately spending a total of 28 weeks on the chart.[29] It also debuted at number one on the Top R&B/Hip-Hop Albums chart. Internationally, the album achieved number-one positions in several markets, including Australia, where it topped the ARIA Albums Chart for one week, Canada on the Billboard Canadian Albums chart,[30] and the United Kingdom on the Official Albums Chart, where it spent one week at the summit and totaled 22 weeks overall.[31] In Germany, it peaked at number two on the Official German Charts.[32] On year-end charts, D12 World ranked number 30 on the 2004 Billboard 200,[33] reflecting its strong commercial performance, and number 13 on the Top R&B/Hip-Hop Albums year-end list.[34]Sales and Certifications
D12 World achieved significant commercial success in the United States, certified 2× Platinum by the Recording Industry Association of America (RIAA) on September 9, 2004, for shipments of two million copies.[35] Internationally, the album received Platinum certifications in the United Kingdom (300,000 units by the British Phonographic Industry), Australia (70,000 units by the Australian Recording Industry Association), Canada (100,000 units by Music Canada), New Zealand (by the Recorded Music NZ), and Japan (250,000 units by the Recording Industry Association of Japan).[35] It was also awarded Gold status in France (by the Syndicat National de l'Édition Phonographique) and Germany (100,000 units by the Bundesverband Musikindustrie).[35] As of 2023, D12 World has sold over 2.7 million copies worldwide, reflecting its broad appeal during the mid-2000s hip-hop era.[35] Although the album has not seen major reissues, digital sales and streaming have experienced steady resurgence in the post-2010s period, bolstered by the inclusion of Eminem's associated catalog on platforms like Spotify.[36]Critical Reception
Contemporary Reviews
Upon its release in April 2004, D12 World garnered mixed reviews from critics, earning a Metacritic score of 58 out of 100 based on 13 reviews, reflecting a generally average reception with four positive, six mixed, and three negative assessments.[37] Several reviewers praised the album's humor and energetic tracks, particularly "My Band," which highlighted the group's dynamic interplay. AllMusic awarded it 3.5 out of 5 stars, commending the satirical wit and lively group chemistry that elevated standout cuts amid the chaotic ensemble style.[38] Rolling Stone gave it 3 out of 5 stars, noting the comedic appeal of tracks like "My Band" and the polished dramatization of the group's exaggerated personas, though it fell short of comparable releases in innovation.[37] Criticisms frequently centered on the album's heavy dependence on Eminem's presence and its failure to push beyond familiar formulas. The Guardian rated it 3 out of 5 stars, describing it as a likable ensemble effort slopping over with infectious choruses and political incorrectness, though Eminem's charisma overshadowed the other members.[19] The production, featuring contributions from Dr. Dre and Kanye West, received acclaim for its slick quality and satirical edge. Entertainment Weekly assigned a B grade, highlighting how beats from Dre and West lent polish to the shock tactics and chest-thumping, with satirical tracks like "My Band" benefiting from their sharp arrangements.[39]Retrospective Assessments
In the years following its release, D12 World has been reevaluated for its raw depiction of early 2000s hip-hop excess, blending humor, personal strife, and group camaraderie amid the pressures of fame. User reviews on Metacritic, aggregated over time, average 6.8 out of 10, reflecting a mixed but enduring appreciation for its chaotic energy and standout moments.[40] Critics have noted how the album captures the era's unfiltered bravado, though its inconsistent execution often tempers praise. A 2018 retrospective by producer Mr. Porter, a key collaborator on the project, emphasized the album's overflowing personality and authenticity, describing it as "still slick today" due to its slice-of-life storytelling and the distinct voices of each member. Porter highlighted tracks like "My Band" for its comedic take on Eminem's outsized role in the group, portraying it as a pop-leaning satire that resonated widely, while favoring "How Come" for its darker, more transparent exploration of internal tensions. He appreciated the strong group chemistry, where "everyone played their part," but reflected on the underlying pain from personal losses and the challenges of balancing Eminem's dominance with collective input, influencing his own production approach in subsequent works.[5] By 2024, marking the album's 20th anniversary, publications revisited D12 World as a nostalgic touchstone of 2004 pop culture. In a comprehensive ranking of Eminem's discography by Complex, the album placed 18th, commended for restorative tracks like "How Come," which honestly dissects loyalty and group dynamics, and "American Psycho II," praised for its ferocious beat that elevates performances. However, the review critiqued its identity crisis, marked by overly sugary production and Eminem's autopilot mode, prioritizing chart-friendly comedy over incisive depth, while acknowledging fiery moments that underscore the group's volatile chemistry. This reevaluation also traced the album's role in shaping Eminem's later production style, evident in his hands-on beats and thematic focus on interpersonal conflicts.[41]Credits
Track Listing
The standard edition of D12 World, released on April 27, 2004, by Shady Records and Interscope Records, contains 21 tracks, all featuring explicit content and including several skits that contribute to the album's narrative flow.[38][1] The track listing below includes durations, featured artists where applicable, primary writers (primarily group members Marshall Mathers, DeShaun Holton, Ondre Moore, Rufus Johnson, Von Carlisle, Denaun Porter, and others, often credited collectively as D12 alongside collaborators), and producers.[1] No bonus tracks are included on the standard US CD edition, though a limited edition release bundled a bonus DVD with music videos and behind-the-scenes footage.[42]| No. | Title | Duration | Featured artist(s) | Writer(s) | Producer(s) |
|---|---|---|---|---|---|
| 1 | "Git Up" | 4:03 | — | M. Mathers, O. Moore | Eminem |
| 2 | "Loyalty" | 5:54 | Obie Trice | M. Mathers, D. Porter, O. Trice | Eminem |
| 3 | "Just Like U" | 3:31 | — | R. Johnson, T. Cottrell | Hi-Tek |
| 4 | "I'll Be Damned" | 4:21 | — | D12 | Mr. Porter, Eminem |
| 5 | "Dude (Skit)" | 1:14 | — | — | Eminem |
| 6 | "My Band" | 4:58 | — | M. Mathers | Eminem |
| 7 | "U R the One" | 4:19 | — | D. Porter, V. Carlisle, O. Moore, R. Johnson, D. Holton, M. Elizondo | Mr. Porter |
| 8 | "6 in the Morning" | 4:38 | — | D12 | Eminem |
| 9 | "How Come" | 4:09 | — | M. Mathers, D. Porter, D. Holton, R. Johnson, O. Moore | Witt & Pep |
| 10 | "Leave Dat Boy Alone" | 5:23 | — | A. Thelusma | Red Spyda |
| 11 | "Get My Gun" | 4:34 | 50 Cent (intro skit) | D12 | Eminem |
| 12 | "Bizarre (Skit)" | 1:21 | — | — | Eminem |
| 13 | "Bitch" | 4:56 | — | D12 | Eminem |
| 14 | "Steve's Coffee House (Skit)" | 0:51 | Steve King | — | Eminem |
| 15 | "D12 World" | 3:10 | — | K. West | Kanye West |
| 16 | "40 Oz." | 4:02 | — | J. Kent, M. Williams | Trackboyz |
| 17 | "Commercial Break" | 1:12 | Young Zee | D. Porter | Mr. Porter |
| 18 | "American Psycho II" | 3:44 | B-Real | M. Mathers, L. Freese, M. Elizondo | Dr. Dre, Mike Elizondo |
| 19 | "Bugz '97 (Skit)" | 1:05 | Bugz | — | Eminem |
| 20 | "Good Die Young" | 5:56 | — | D. Porter, J. Rotem | Mr. Porter |
| 21 | "Keep Talkin'" | 4:28 | — | M. Mathers, D. Holton, O. Moore, R. Johnson, V. Carlisle, G. Hughes | Night & Day |
