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Daily at Dawn
Daily at Dawn is an Australian television sitcom that was first broadcast in 1981 on the Seven Network. The series was written and produced by Gary Reilly and Tony Sattler, who were also writers of popular Australian comedy series The Naked Vicar Show and Kingswood Country.
The series was set in the office of a metropolitan morning newspaper called The Sun, and followed the lives of the journalists who worked there.
Writer Tony Sattler claimed that the series "grew out of the contact [he and writing partner Gary Reilly] had with journalists, and the characters are based on facets of journos we've met". The series was created at the same time as Reilly and Sattler were writing and producing Kingswood Country (1980–1984). Reilly and Sattler wrote one script per show each week, in addition to producing and editing both series. Julieanne Newbould believed that the series was negatively affected as a result, claiming that "that sort of thing shows up in the finished product". She stated that "the next series [...] will be a great improvement" as it "will have their full attention". Little was revealed about the series before its launch. For research, the writers studied the John Fairfax and Sons office in Broadway, Sydney.
Each episode was recorded twice before a live studio audience. The two recordings were then edited into one recording, using the best audience reaction from each recording.
Paul Chubb, who portrays Russell Ducke in the series, had originally approached writers Reilly and Sattler for a writing job on the series; the writers remembered he also had acting experience and cast Chubb in the role. Reilly and Sattler had seen Theo Stephens in a commercial. The writers did not initially consider Julieanne Newbould for a comedy role; she was cast after Noeline Brown, Sattler's wife, who portrays Phil Maguire, recommended her. Brown was offered the role of Maguire by Reilly. Terry Bader was cast as Leslie Windrush, the first regular gay character to be featured in an Australian comedy series.
The series premiered on 1 February 1981 at 8:00 pm on ATN 7. Before the first series had aired in 1981, a second series of thirteen episodes was ordered for later in the year. However, by June 1981, the second series had been cancelled. In April 1982, it was rumoured that the series would be revived, however, Sattler denied these claims.
In February 1981, the series was proposed for screening in Canberra, but was rejected by the CTC-TV station. In 1987, the series was repeated in Brisbane on BTQ-7. It was also repeated from 19 July to 10 October 1994 at 11:35 pm on the 7 Network.
The series received criticism from Sydney journalists and Australian scriptwriters, who claimed the show to be of a poor standard compared to Reilly and Sattler's earlier television series, The Naked Vicar Show (1977–1978). The series was described as being "played with the familiar Reilly/Sattler fever-pitch, comic pace". Paul Chubb's portrayal of Russell Ducke was highly praised, described as being "one of the best things" about the series, and as the show's "one saving grace".
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Daily at Dawn
Daily at Dawn is an Australian television sitcom that was first broadcast in 1981 on the Seven Network. The series was written and produced by Gary Reilly and Tony Sattler, who were also writers of popular Australian comedy series The Naked Vicar Show and Kingswood Country.
The series was set in the office of a metropolitan morning newspaper called The Sun, and followed the lives of the journalists who worked there.
Writer Tony Sattler claimed that the series "grew out of the contact [he and writing partner Gary Reilly] had with journalists, and the characters are based on facets of journos we've met". The series was created at the same time as Reilly and Sattler were writing and producing Kingswood Country (1980–1984). Reilly and Sattler wrote one script per show each week, in addition to producing and editing both series. Julieanne Newbould believed that the series was negatively affected as a result, claiming that "that sort of thing shows up in the finished product". She stated that "the next series [...] will be a great improvement" as it "will have their full attention". Little was revealed about the series before its launch. For research, the writers studied the John Fairfax and Sons office in Broadway, Sydney.
Each episode was recorded twice before a live studio audience. The two recordings were then edited into one recording, using the best audience reaction from each recording.
Paul Chubb, who portrays Russell Ducke in the series, had originally approached writers Reilly and Sattler for a writing job on the series; the writers remembered he also had acting experience and cast Chubb in the role. Reilly and Sattler had seen Theo Stephens in a commercial. The writers did not initially consider Julieanne Newbould for a comedy role; she was cast after Noeline Brown, Sattler's wife, who portrays Phil Maguire, recommended her. Brown was offered the role of Maguire by Reilly. Terry Bader was cast as Leslie Windrush, the first regular gay character to be featured in an Australian comedy series.
The series premiered on 1 February 1981 at 8:00 pm on ATN 7. Before the first series had aired in 1981, a second series of thirteen episodes was ordered for later in the year. However, by June 1981, the second series had been cancelled. In April 1982, it was rumoured that the series would be revived, however, Sattler denied these claims.
In February 1981, the series was proposed for screening in Canberra, but was rejected by the CTC-TV station. In 1987, the series was repeated in Brisbane on BTQ-7. It was also repeated from 19 July to 10 October 1994 at 11:35 pm on the 7 Network.
The series received criticism from Sydney journalists and Australian scriptwriters, who claimed the show to be of a poor standard compared to Reilly and Sattler's earlier television series, The Naked Vicar Show (1977–1978). The series was described as being "played with the familiar Reilly/Sattler fever-pitch, comic pace". Paul Chubb's portrayal of Russell Ducke was highly praised, described as being "one of the best things" about the series, and as the show's "one saving grace".