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Dan Dare
Dan Dare is a British science fiction comic hero, created by illustrator Frank Hampson who also wrote the first stories. Dare appeared in the Eagle comic series Dan Dare, Pilot of the Future from 1950 to 1967 (and subsequently in reprints), and dramatised seven times a week on Radio Luxembourg (1951–1956).
The stories were set in the late 1990s, but the dialogue and manner of the characters is reminiscent of British war films of the 1950s. Dan Dare has been described as "Biggles in Space" and as the British equivalent of Buck Rogers. Dan Dare was distinguished by its long, complex storylines, snappy dialogue and meticulously illustrated comic-strip artwork by Hampson and other artists, including Harold Johns, Don Harley, Bruce Cornwell, Greta Tomlinson, Frank Bellamy, and Keith Watson.
Dan Dare returned in new strips in 2000 AD in 1977 until 1979 and in the relaunched Eagle in 1982 until 1994. The most recent mainstream story was a Dan Dare mini-series published by Titan Comics in 2017. It was written by Peter Milligan and is a completely new interpretation of Dan Dare, who is struggling to adapt to a peaceful life after the Mekon was defeated. Since October 2003, Dare's adventures have also continued in Spaceship Away, a mail-order magazine created by Rod Barzilay. Its mission statement is to continue the original Dare's adventures where the original Eagle left off, in a style as close to that of the classic strip as possible. To that end, Barzilay originally hired former Eagle artist Keith Watson, and following Watson's death Don Harley, both of whom had drawn Dare in the 1960s, to work on the strips which are written very much in the style of the Fifties stories.
Dan Dare appeared on the cover of the first issue of the weekly comic strip magazine, Eagle, on 14 April 1950. There were two large colour pages of his story per issue. The artwork was of a high quality, the product of artists in a studio called the Old Bakehouse in Churchtown, Southport, Lancashire. The Eagle's founder, the Rev John Marcus Harston Morris, was vicar of the Southport church of St James at the time. It had scale models of spaceships, and models in costume as reference for the artists. Occasionally, Eagle incorporated "centrefolds" of the fictional spaceships, such as Dan's ship the Anastasia, reminiscent of cutaway drawings of aircraft in aviation magazines or even in Eagle itself. The storylines were long and complex, sometimes lasting more than a year. Later, artwork was produced at a studio in Hampson's house in Epsom, Surrey, where his production line techniques were continued.
Attention was paid to scientific plausibility, the promising young writer Arthur C. Clarke (later a science fiction luminary) acting as science and plot adviser for the first six months of strips. The stories were set mostly on planets of the Solar System presumed to have extraterrestrial life and alien inhabitants, common in science fiction before space probes of the 1960s proved the most likely worlds were lifeless. The first story begins with Dan Dare as pilot of the first successful flight to Venus.
Hampson's working habits twice caused him to suffer serious breakdowns in health, leaving his assistants to continue the series. The first occurred after two episodes of "Marooned on Mercury" (1952), which was taken over by Harold Johns, from scripts by Samaritans founder and clergyman Rev. Chad Varah, who had known Marcus Morris in Southport. Hampson returned to start the following story, "Operation Saturn" (1953), but suffered a relapse after 20 weeks. Principal art was taken over by new chief assistant Don Harley, who completed the story and its successor, "Prisoners of Space" (the only series to feature extensive work by an artist outside the studio, finishes being provided by Desmond Walduck).
Hampson returned full-time in 1955, starting "The Man from Nowhere" trilogy, which took Dan and his companions outside the Solar System for the first time.
The quality of the strip and its popularity remained high throughout the 1950s. In the late fifties Eagle's new owners objected to the cost of the studio and the complexity of the stories. The conflict caused Hampson to leave the strip in 1959, in the middle of a long plot that saw Dan searching an alien planet for his long-lost father. Production fell to Frank Bellamy, whose modern three-dimensional style contrasted with Hampson's, despite efforts to smooth the transition by alternating the two pages of the weekly strip between Bellamy and the team of Don Harley and Keith Watson, and freelance artist Bruce Cornwell, who had been part of Hampson's studio at the beginning.
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Dan Dare
Dan Dare is a British science fiction comic hero, created by illustrator Frank Hampson who also wrote the first stories. Dare appeared in the Eagle comic series Dan Dare, Pilot of the Future from 1950 to 1967 (and subsequently in reprints), and dramatised seven times a week on Radio Luxembourg (1951–1956).
The stories were set in the late 1990s, but the dialogue and manner of the characters is reminiscent of British war films of the 1950s. Dan Dare has been described as "Biggles in Space" and as the British equivalent of Buck Rogers. Dan Dare was distinguished by its long, complex storylines, snappy dialogue and meticulously illustrated comic-strip artwork by Hampson and other artists, including Harold Johns, Don Harley, Bruce Cornwell, Greta Tomlinson, Frank Bellamy, and Keith Watson.
Dan Dare returned in new strips in 2000 AD in 1977 until 1979 and in the relaunched Eagle in 1982 until 1994. The most recent mainstream story was a Dan Dare mini-series published by Titan Comics in 2017. It was written by Peter Milligan and is a completely new interpretation of Dan Dare, who is struggling to adapt to a peaceful life after the Mekon was defeated. Since October 2003, Dare's adventures have also continued in Spaceship Away, a mail-order magazine created by Rod Barzilay. Its mission statement is to continue the original Dare's adventures where the original Eagle left off, in a style as close to that of the classic strip as possible. To that end, Barzilay originally hired former Eagle artist Keith Watson, and following Watson's death Don Harley, both of whom had drawn Dare in the 1960s, to work on the strips which are written very much in the style of the Fifties stories.
Dan Dare appeared on the cover of the first issue of the weekly comic strip magazine, Eagle, on 14 April 1950. There were two large colour pages of his story per issue. The artwork was of a high quality, the product of artists in a studio called the Old Bakehouse in Churchtown, Southport, Lancashire. The Eagle's founder, the Rev John Marcus Harston Morris, was vicar of the Southport church of St James at the time. It had scale models of spaceships, and models in costume as reference for the artists. Occasionally, Eagle incorporated "centrefolds" of the fictional spaceships, such as Dan's ship the Anastasia, reminiscent of cutaway drawings of aircraft in aviation magazines or even in Eagle itself. The storylines were long and complex, sometimes lasting more than a year. Later, artwork was produced at a studio in Hampson's house in Epsom, Surrey, where his production line techniques were continued.
Attention was paid to scientific plausibility, the promising young writer Arthur C. Clarke (later a science fiction luminary) acting as science and plot adviser for the first six months of strips. The stories were set mostly on planets of the Solar System presumed to have extraterrestrial life and alien inhabitants, common in science fiction before space probes of the 1960s proved the most likely worlds were lifeless. The first story begins with Dan Dare as pilot of the first successful flight to Venus.
Hampson's working habits twice caused him to suffer serious breakdowns in health, leaving his assistants to continue the series. The first occurred after two episodes of "Marooned on Mercury" (1952), which was taken over by Harold Johns, from scripts by Samaritans founder and clergyman Rev. Chad Varah, who had known Marcus Morris in Southport. Hampson returned to start the following story, "Operation Saturn" (1953), but suffered a relapse after 20 weeks. Principal art was taken over by new chief assistant Don Harley, who completed the story and its successor, "Prisoners of Space" (the only series to feature extensive work by an artist outside the studio, finishes being provided by Desmond Walduck).
Hampson returned full-time in 1955, starting "The Man from Nowhere" trilogy, which took Dan and his companions outside the Solar System for the first time.
The quality of the strip and its popularity remained high throughout the 1950s. In the late fifties Eagle's new owners objected to the cost of the studio and the complexity of the stories. The conflict caused Hampson to leave the strip in 1959, in the middle of a long plot that saw Dan searching an alien planet for his long-lost father. Production fell to Frank Bellamy, whose modern three-dimensional style contrasted with Hampson's, despite efforts to smooth the transition by alternating the two pages of the weekly strip between Bellamy and the team of Don Harley and Keith Watson, and freelance artist Bruce Cornwell, who had been part of Hampson's studio at the beginning.