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Key Information

Daniel Lloyd Davey (born 25 July 1973), known professionally as Dani Filth, is an English singer who is the lead vocalist, lyricist and founding member of the extreme metal band Cradle of Filth.

Personal life

[edit]

Daniel Lloyd Davey was born to Susan Janet Moore and Laurence John Davey in Hertford and is the eldest child of four.[1]

He married Toni King on 31 October 2005 in Ipswich.[2] The couple have a daughter.[1] Separated since 2018,[citation needed] he is currently engaged to Russian-born, Ipswich-based tattoo artist Sofiya Belousova, after proposing to her at the Download Festival 2025.[3]

Career

[edit]

Dani Filth's present and primary band is Cradle of Filth. He also has been lending his voice to the band Devilment, a side project that has taken off into a full-time job in between Cradle records. His earliest bands were Carnival Fruitcake, The Lemon Grove Kids, PDA, Feast on Excrement, the Bondage Boys, and Hash Gordon and the Drug Barons.[1][4][5] He named Judas Priest, Venom, Emperor, Destruction, Slayer, Iron Maiden, Sabbat, Misfits, Paradise Lost and Tim Burton's The Nightmare Before Christmas among his major influences.[1]

At the age of eighteen, Filth took up a job at a Chinese restaurant. He later chose his career in music over an internship at a newspaper,[1] although his "Dani's Inferno" column ran for two years in Metal Hammer during the late 1990s.

He has co-written and released The Gospel of Filth with Gavin Baddeley.[6] He had been accused many times of being a Satanist, but has denounced such rumours, claiming instead to being "more of a Luciferian."[7]

Davey in 2008

Away from Cradle, Filth appeared on the Roadrunner United CD in 2005 (contributing vocals to "Dawn of a Golden Age"), and recorded the song "(She's) The Mother of Tears" with Claudio Simonetti and Simonetti's band Daemonia, for the soundtrack of Dario Argento's film The Mother of Tears.[8]

Filth participated in the Temple of the Black Moon project in 2012 with guitarist Rob Caggiano, black metal musician King ov Hell on bass, and drummer John Tempesta. The supergroup aimed to combine rawer, extreme metal with the softer more melodious sounds of progressive rock, describing the band's sound as a "cross between Celtic Frost and Tool".[9] Filth has also released two albums with Devilment since 2014.

His high profile has led to a handful of film and television roles. In 2000, Filth appeared in the movie Cradle of Fear as The Man, a deranged psychopath taking revenge on his father's persecutors. Cradle of Fear unfolds four stories all linked by the thread of an incarcerated child killer wreaking vengeance on those responsible for his imprisonment. The movie's tagline on some posters was, "It's not if they die... It's how...".[10] In 2003, he provided the voice of the eponymous main character in the feature-length animation Dominator. Moreover, Filth has appeared numerous times on British television, most notably 1998's Living With the Enemy, Never Mind the Buzzcocks in 2001, Big Brother's Big Mouth in 2008. He has also appeared on the American series Viva La Bam in 2005, and was interviewed for two episodes of the Metal Evolution series, on shock rock and extreme metal in 2012 and 2014 respectively.

In 2010, he was ranked 95 in the Hit Parader's Top 100 Metal Vocalists of All Time.[11]

Scottish death metal band Party Cannon dedicated Dani the song "I Believe in Dani Filth",[12] released in December 2021 with an animated version of Dani in a Street Fighter-styled video.[13]

Discography

[edit]
Dani Filth performing at Wacken Open Air 2015

Cradle of Filth

[edit]
Main article: Cradle of Filth discography

Devilment

[edit]

Guest appearances

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Dani Filth

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Daniel Lloyd Davey (born 25 July 1973), known professionally as Dani Filth, is an English and best known as the founder, lead vocalist, and principal lyricist of the band . Born in , , , Filth grew up in the nearby countryside, where he developed an early interest in and horror films. At age 18, he formed in 1991 in , initially as a project with guitarist , evolving into a symphonic outfit characterized by gothic horror themes, orchestral elements, and Filth's distinctive high-pitched shrieks and growls. Under Filth's leadership, Cradle of Filth has released 14 studio albums since their debut The Principle of Evil Made Flesh in 1994, achieving commercial success with releases like Nymphetamine (2004), and their most recent, The Screaming of the Valkyries, issued in 2025 via Napalm Records. The band has toured extensively worldwide, performed at major festivals including Download and Mystic in 2025, and built a reputation for elaborate, theatrical live shows despite early controversies, such as arrests in the mid-1990s over provocative merchandise. Beyond Cradle of Filth, Filth has pursued side projects like the gothic metal band Devilment, which released albums in 2014 and 2016, and appeared in films including Cradle of Fear (2001) and Resident Evil: Apocalypse (2004).

Early life

Family and childhood

Daniel Lloyd Davey, professionally known as Dani Filth, was born on 25 July 1973 in , , to parents Susan Janet Moore and Lawrence John Davey. As the eldest of four children, he grew up alongside two younger sisters, and , and a younger brother, Philip. His parents provided a down-to-earth family environment, with his mother encouraging participation in religious rites such as , though the household was not particularly devout. The family relocated to Suffolk during his early years, where Davey was raised in the village of Hadleigh, a quaint rural setting characterized by its idyllic English countryside charm and historical ties to folklore. Suffolk, often dubbed "Witch County" due to its infamous 17th-century witch hunts led by Matthew Hopkins, the self-proclaimed Witchfinder General, offered a backdrop rich in spooky legends that permeated local culture. His childhood home was a traditional Suffolk pink house, made with limewash mixed with pig's blood for its distinctive hue, situated in an old village property rumored to connect to eerie tales akin to those in The Omen. This environment, blending everyday rural life with whispers of the supernatural, shaped his formative experiences amid the isolation of village living. Davey's early personality emerged as mischievous and unconventional, evident in childhood antics that disrupted his surroundings. One notable incident involved releasing a pet python during a school project, which escaped and caused chaos, only to be discovered weeks later hiding near a ; he later recalled the event as "hilarious." Such escapades highlighted his penchant for the unconventional from a young age, within the supportive yet ordinary dynamics of his family in Suffolk's folklore-laden landscape.

Education and early influences

Dani Filth, born Daniel Lloyd Davey, grew up in the village of Hadleigh and attended local schools there during his formative years. He has described enjoying his education initially, but his experience shifted dramatically upon entering , where he became increasingly rebellious. Notable incidents included deliberately provoking the school chaplain by wearing controversial T-shirts and accessories, such as a necklace, which led to multiple suspensions. These acts reflected his emerging nonconformist streak and disdain for institutional authority, marking a pivotal turn toward self-expression through provocative means. Rejecting conventional career paths, Filth opted to pursue music full-time instead of accepting opportunities in fields like , channeling his artistic inclinations into . During his adolescence in the late , he immersed himself in horror , gothic themes, and the burgeoning extreme metal scene, drawing inspiration from Victorian-era tales and dark mythology that would later define his lyrical style. This period also saw his introduction to black metal pioneers; as a teenager, he exchanged letters with of Mayhem after sending a demo tape, forging a pen-pal relationship that exposed him to the Norwegian scene's radical ideologies, including Euronymous's admiration for figures like and . Filth's early musical experiments began in his teens with informal bands rehearsing at home, including outfit that caused chaos in his mother's due to makeshift like an oiled pedal. These nascent efforts, alongside involvement in Suffolk's local underground scene through circles and tape-trading, honed his vocal style amid influences from American thrash and hardcore acts before evolving toward death and . The development of his stage persona as "Dani Filth," adopted upon forming in , originated in this rebellious phase as a reflection of his gritty, unapologetic identity formation.

Personal life

Marriage and family

Dani Filth married his long-time partner Toni King on 31 October 2005 in Ipswich, England. The couple, who had been together for over a decade prior to the wedding, share a daughter named Luna Scarlet Davey, born in 1999. Following their marriage, Filth and King settled in Suffolk, England, where they raised Luna amid the demands of his music career. The family life centered on maintaining normalcy for their daughter despite the unconventional profession of the household's patriarch, with Filth often describing the home environment as a grounding force. However, the couple later divorced, though the exact date remains undisclosed in public records. In June 2025, Filth proposed to his longtime partner Sofiya Belousova onstage during a Cradle of Filth performance at Download Festival. Filth has openly discussed the difficulties of balancing his extensive touring schedule with family responsibilities, noting that long periods away from home strained personal relationships. During the 2003 Ozzfest tour, for instance, he expressed missing his then-girlfriend and young daughter, explaining that the infrequent days off—often spent in remote locations—made it impractical to include them on the road. He has credited his family with providing essential emotional support through the ups and downs of his professional journey, helping him navigate the isolation and exhaustion inherent to life on tour.

Beliefs and interests

Dani Filth has described his spiritual worldview as eclectic, drawing selectively from various traditions without strict affiliation to any one. In a 2013 , he revealed that he dabbled in for a period, viewing not as the but as a guiding spirit or light-bringer symbolizing enlightenment and rebellion against . He emphasized this as a philosophical pursuit rather than literal , stating, "Now I sort of cherry pick from bits of everything... I like the black piece, and a Satanic piece, but other colors as well." Filth has repeatedly clarified his distance from organized Satanism. In 2011, he denied membership in any Satanic groups, noting, "I used to belong to lots of different underground organizations and magazines, but never really affiliated with any of them really because I’m really one of those people that just picks and chooses a mix of what I believe in." He views critically, seeing gods and goddesses from mythologies like Hindu, Roman, Greek, and Indonesian as representations of a unified life force rather than literal entities, and borrows elements as needed without commitment. Filth's personal inspirations include gothic literature, which he draws upon for its and atmospheric depth. He has expressed a longstanding interest in , having worked on a personal poetry collection for over a decade as a creative outlet separate from his professional . Mythology captivates him, particularly figures like from Jewish lore, whom he sees as a symbol of independence and balance against patriarchal structures. Horror films form a core hobby, with Filth identifying as a dedicated enthusiast who favors classics for their psychological impact. Among his favorites are John Carpenter's Halloween (1978), which terrified him as a child, Clive Barker's Hellraiser (1987) for its visceral Cenobite imagery, and Ridley Scott's Alien (1979) for its tension-building scares. He particularly admires H.P. Lovecraft's cosmic horror stories, naming The Call of Cthulhu as a standout where he considers Cthulhu his "spirit guide," alongside The Shadow Over Innsmouth for its eerie depiction of decayed isolation. Reflecting on over 30 years in music, Filth has shared personal anecdotes as life lessons, emphasizing resilience and perspective. One involved a near the historic site in 2003, where magic mushrooms led to humorous mishaps like a bandmate conversing with wallpaper, teaching him the pitfalls of excess during creative periods. He also corresponded as pen pals with black metal figure in the early 1990s, later recognizing red flags in his admiration for dictators as a on and ideological extremes. Filth maintains an ongoing interest in studying occult history and related art, particularly the witchcraft lore of his native Suffolk region, which he explores through local haunted sites and historical texts for personal enrichment.

Musical career

Cradle of Filth

Dani Filth has been the lead vocalist and primary lyricist on all Cradle of Filth releases since the band's inception.

Studio albums

The following table lists the studio albums released by Cradle of Filth in chronological order.
TitleRelease dateLabelUK chart peak
The Principle of Evil Made Flesh24 February 1994Cacophonous Records—
28 October 1996—
30 April 199848
30 October 200063
Damnation and a Day10 March 2003Sony Records44
28 September 200492
16 October 200646
28 October 2008Nuclear Blast / Peaceville73
1 November 2010Nuclear Blast / Peaceville95
The Manticore and Other Horrors5 November 2012Nuclear Blast—
29 August 2015Nuclear Blast44
6 October 2017Nuclear Blast50
Existence Is Futile15 October 2021Nuclear Blast68
The Screaming of the Valkyries21 March 202543

EPs and demos

Cradle of Filth's early EPs and demos laid the foundation for their sound, with Filth handling vocals and lyrics.
  • Invoking the Unclean (demo, 20 January 1992, self-released): Featured raw tracks like "Loathsome Fucking Christ."
  • Orgiastic Pleasures Foul (demo, 1993, self-released).
  • Total Fucking Darkness (demo, December 1993, Tombstone Records).
  • Vempire or Dark Faerytales in Phallustein (EP, April 1996, Cacophonous Records). Key tracks include "Ebony Dressed for Sunset."
  • (EP, 15 October 1999, ): UK chart peak 84; title track was a promotional single in CD and vinyl formats.
  • Bitter Suites to Succubi (EP, 22 May 2001, Abracadaver): UK chart peak 63; includes re-recorded tracks like "Filthy Practice."

Compilations

Selected compilations, where Filth contributed vocals and lyrics to the featured material:
  • Lovecraft & Witch Hearts (18 April 2002, ): UK chart peak 95; B-sides and rarities compilation.
  • (22 October 2002, Abracadaver): Live recordings from 2001.
  • (5 November 2012, Peaceville): compilation of early works.
  • Dusk... and Her Embrace – The Original Sin (14 October 2016, Cacophonous): Remastered original album with bonus demo tracks.

Singles and promotional releases

Cradle of Filth issued several singles, often as CD or digital formats promoting albums, with Filth on vocals and lyrics. Representative examples include:
  • Babalon A.D. (So Glad for the Madness) (single, 18 June 2003, ): chart peak 35; key track from promotional campaign for and a Day.
  • Nymphetamine (Fix) (single, 2004, ): Promotional release tied to album.
  • Temptation (single, 2006, ): Cover of track, released in format.
  • Right Wing of the Garden Triptych (single, 2015, Nuclear Blast): Digital single previewing .
  • To Live Deliciously (single, 22 January 2025, ): Lead single from The Screaming of the Valkyries, available in digital format.
The band's stylistic evolution is evident across these releases, from raw metal in early demos to symphonic gothic elements in later works.

Side projects

In 2011, Daniel Finch formed Devilment as a and metal project in , , initially recruiting local musicians before vocalist Dani Filth joined to provide creative input and vocal contributions. The band's lineup included rhythm and lead Colin Parks, Nick Johnson, and later additions such as and Anabelle Iratni, who joined in 2018 to enhance the group's melodic and atmospheric elements. Devilment remained active from 2011 until 2019, releasing two albums during this period, but entered a permanent hiatus thereafter as members pursued divergent paths. Filth's involvement in Devilment stemmed from personal friendships, particularly with , a local musician who shared demo riffs that sparked collaboration, and a desire to explore musical styles beyond Cradle of Filth's intensity. He described the project as a "pressure valve" for releasing pent-up creative energy, allowing for groovier riffs, pop-influenced choruses, and non-extreme elements like folk and , which contrasted sharply with Cradle of Filth's ferocity. This outlet enabled Filth to experiment with diverse lyrical inspirations, such as and , while maintaining the project's organic growth through close-knit relationships. Beyond Devilment, Filth participated in the short-lived Temple of the Black Moon supergroup project in 2012, featuring guitarist (formerly of and ), bassist (Gorgoroth), and drummer Ice Dale (Enslaved). Intended as a heavier, collaborative endeavor, it produced only demo material due to the participants' demanding schedules with their primary bands, limiting its scope to informal studio sessions without full releases. These minor ventures underscored Filth's preference for selective side projects, prioritizing personal connections and stylistic variety while ensuring they did not overshadow Cradle of Filth's dominance in his career. The 2025 controversies surrounding Cradle of Filth, including the departure of guitarist Marek "Ashok" Šmerda and keyboardist Zoe Marie Federoff amid disputes over pay and professional conduct, briefly highlighted tensions around band commitments but confirmed no formal restrictions on members' side pursuits. Filth emphasized that Cradle encourages supplementary projects, though lineup instability has indirectly constrained his focus on external collaborations to preserve the main band's momentum.

Other pursuits

Writing and publications

Dani Filth co-authored the book The Gospel of Filth: A Bible of Decadence & Darkness with occult scholar Gavin Baddeley, first published in 2000 by Pocket Books. The work delves into the philosophy of Cradle of Filth, occult influences on the band's aesthetic, and Filth's personal reflections on themes of darkness and rebellion. An expanded edition followed in 2010 from FAB Press, incorporating additional illustrations and essays that further explore gothic literature, horror cinema, and esoteric traditions. During the late 1990s and early 2000s, Filth contributed the regular column "Dani's Inferno" to magazine, which ran for approximately two years. The pieces offered commentary on heavy metal culture, horror films, and broader societal observations, often infused with Filth's irreverent humor and gothic perspective. Examples include discussions of band life under touring constraints and critiques of absurdities, reflecting his early journalistic inclinations. In 2025 interviews, Filth announced an ongoing autobiography project, intended to chronicle his life from childhood influences through his rise in the metal scene. He has also been developing a poetry collection for over a decade, drawing from gothic imagery and mythological narratives, with plans for publication still in progress as of that year. Filth's writing frequently incorporates Luciferian motifs, portraying as a symbol of enlightenment rather than malevolence, a theme evident in his prose and shaped by his personal philosophical leanings. This approach aligns with his broader creative output, emphasizing intellectual rebellion over dogmatic evil.

Film and media appearances

Dani Filth made his acting debut in the 2001 British horror anthology film , where he portrayed the lead role of "The Man," a deranged psychopath who enacts vengeance through supernatural means, tying into the gothic and extreme themes of his music with . The film, directed by Alex Chandon, features interconnected tales of torture and gore, and Filth's performance as the central drew attention for its alignment with his band's aesthetic, marking an early expansion into visual media. Filth also contributed to the soundtrack of Resident Evil: Apocalypse (2004) with Cradle of Filth's "," for which he received a credit. In 2003, Filth provided the voice for the titular character Dominator in the British CGI-animated Dominator, voicing a demonic entity summoned from Hell amid a post-apocalyptic narrative involving civil war in the underworld. The project, based on a comic series and featuring voice talents like and , showcased Filth's vocal range in animation, contributing to its cult status as one of the UK's early full-length CGI features. Filth continued his involvement in horror cinema with voice work in the 2017 animated motion comic Realm of the Damned: Tenebris Deos, where he voiced the demon in a story centered on Vatican defenders battling forces. This Vatican-sanctioned production, directed by Tom Paton, blended heavy metal influences with gothic horror, highlighting Filth's recurring draw to projects exploring and infernal themes. More recently, Filth appeared on screen as the occultist and witchcraft expert Lon Carlson in the 2021 horror film Baphomet, directed by Matthan Harris, playing a philosophical cult leader in a tale of satanic rituals and demonic possession affecting a family. The film, which explores themes of faith and the supernatural, positioned Filth as a knowledgeable antagonist, reflecting his personal affinity for horror genres that parallel his lyrical obsessions with Luciferianism and the macabre. In 2022, he took on the role of Mr. Williams in the dark comedy-horror Feed Me, directed by Adam Leader and Richard Oakes, portraying a character in a narrative about grief, cannibalism, and psychological descent following a widow's death. This indie production emphasized quirky terror and black humor, further demonstrating Filth's versatility in low-budget genre fare. Beyond feature films, Filth has made notable appearances in music documentaries and television specials focused on the metal scene. He featured prominently in the 2005 band documentary Cradle of Filth: Peace Through Superior Firepower, a compilation of live performances, interviews, and footage curated by Filth himself, offering insights into the group's theatrical evolution. Earlier, in the 1998 BBC series Living with the Enemy, Filth participated in an episode pairing metal fans with opposing viewpoints to explore cultural clashes, providing a candid look at his worldview and the band's controversial image. These media outings, alongside guest spots in metal history specials like Heavy Metal Britain, have cemented his role as a spokesperson for extreme music's darker undercurrents.

Discography

Cradle of Filth

Dani Filth has been the lead vocalist and primary lyricist on all releases since the band's inception.

Studio albums

The following table lists the studio albums released by in chronological order.
TitleRelease dateLabelUK chart peak
The Principle of Evil Made Flesh24 February 1994Cacophonous Records—
28 October 1996—
30 April 199848
Midian30 October 200063
Damnation and a Day10 March 2003Sony Records44
28 September 200492
16 October 200646
28 October 2008Nuclear Blast / Peaceville73
1 November 2010Nuclear Blast / Peaceville95
The Manticore and Other Horrors5 November 2012Nuclear Blast—
29 August 2015Nuclear Blast44
6 October 2017Nuclear Blast50
Existence Is Futile15 October 2021Nuclear Blast68
The Screaming of the Valkyries21 March 202543

EPs and demos

Cradle of Filth's early EPs and demos laid the foundation for their sound, with Filth handling vocals and lyrics.
  • Invoking the Unclean (demo, 20 January 1992, self-released): Featured raw death metal tracks like "Loathsome Fucking Christ."
  • Orgiastic Pleasures Foul (demo, 1993, self-released).
  • Total Fucking Darkness (demo, December 1993, Tombstone Records).
  • Vempire or Dark Faerytales in Phallustein (EP, April 1996, Cacophonous Records). Key tracks include "Ebony Dressed for Sunset."
  • From the Cradle to Enslave (EP, 15 October 1999, Music for Nations): UK chart peak 84; title track was a promotional single in CD and vinyl formats.
  • Bitter Suites to Succubi (EP, 22 May 2001, Abracadaver): UK chart peak 63; includes re-recorded tracks like "Filthy Practice."

Compilations

Selected compilations, where Filth contributed vocals and lyrics to the featured material:
  • Lovecraft & Witch Hearts (18 April 2002, ): UK chart peak 95; B-sides and rarities compilation.
  • (22 October 2002, Abracadaver): Live recordings from 2001.
  • (5 November 2012, Peaceville): compilation of early works.
  • Dusk... and Her Embrace – The Original Sin (14 October 2016, Cacophonous): Remastered original album with bonus demo tracks.

Singles and promotional releases

Cradle of Filth issued several singles, often as CD or digital formats promoting albums, with Filth on vocals and lyrics. Representative examples include:
  • Babalon A.D. (So Glad for the Madness) (single, 18 June 2003, ): UK chart peak 35; key track from promotional campaign for and a Day.
  • Nymphetamine (Fix) (single, 2004, ): Promotional release tied to album.
  • Temptation (single, 2006, ): Cover of track, released in format.
  • Right Wing of the Garden Triptych (single, 2015, Nuclear Blast): Digital single previewing .
  • To Live Deliciously (single, 22 January 2025, ): Lead single from The Screaming of the Valkyries, available in digital format.
The band's stylistic evolution is evident across these releases, from raw metal in early demos to symphonic gothic elements in later works.

Devilment

Devilment, a led by Dani Filth as and primary , released its debut studio album The Great and Secret Show on October 31, 2014, through Nuclear Blast Records. Filth contributed his characteristic gothic and horror-infused lyrics across the album's 13 tracks, blending symphonic elements with heavy metal riffs. The track listing is as follows:
No.TitleDuration
1Summer Arteries6:16
2Even Your Blood Group Rejects Me5:25
3Girl from Mystery Island5:52
4The Stake In My Heart5:40
5Living With the Fungus5:18
6Mother Kali5:15
7Testament of a Full Surrender5:55
8(The Ballad of) Ungentle Exhumation5:33
9Sanity Hits a (Perfect) Zero5:06
10Laudanum Skull4:20
11The Perfect Lotus4:38
12The Great and Secret Show5:33
13Staring at the Werewolf Corps6:46
Promotional singles from the album included "Even Your Blood Group Rejects Me" and "The Girl from ," both featuring Filth's vocals and released as music videos to build anticipation. The band's second and final studio album, II: The Mephisto Waltzes, followed on November 18, 2016, also via Nuclear Blast Entertainment. Filth again handled lead vocals and lyrics, emphasizing themes of occultism and personal turmoil in the 11-track release. The track listing is:
No.TitleDuration
1JudasStein5:22
2Hitchcock Blonde4:09
3Under the Thunder5:20
45:42
5Shine On Sophie Moone4:34
6Life Is What You Keep from the 5:41
7Dea Della Morte6:00
8Entangled in Our Pride5:22
9 at My Back4:56
10The Seductive Poison5:37
11Father Dali7:58
Singles supporting the album included "JudasStein," "Hitchcock Blonde," and "," each showcasing Filth's dynamic vocal range in official videos. No further releases or EPs have emerged since , and as of 2025, Devilment remains on permanent hiatus, with Filth citing scheduling conflicts from and lineup changes as factors diluting the project's momentum.

Guest appearances

Dani Filth has contributed guest vocals to select tracks by other artists throughout his career, often bringing his distinctive extreme vocal style to diverse metal projects. In 2005, he provided lead vocals for "Dawn of a Golden Age" on : The All-Star Sessions, a collaborative album featuring various artists. Filth appeared on Motionless in White's 2014 album Reincarnate, delivering harsh vocals on the track "Puppets 3 (The Grand Finale)." In 2018, he featured on Bring Me the Horizon's album amo with his performance on the single "wonderful life," adding screamed verses to the nu-metal-infused track.

References

  1. https://www.loudersound.com/features/dani-filth-my-life-story
  2. https://www.celebritynetworth.com/richest-celebrities/rock-stars/dani-filth-net-worth/
  3. https://www.loudersound.com/features/how-cradle-of-filth-became-a-black-metal-institution
  4. https://newnoisemagazine.com/interviews/devilment-beautiful-haunting-record/
  5. https://www.imdb.com/name/nm1029417/bio/
  6. https://www.metal-archives.com/artists/Dani_Filth/1696
  7. https://www.facebook.com/MrFilthOfficial/posts/a-very-belated-happy-birthday-to-my-sister-amanda-for-today-on-her-48th-but-it-d/888557642636512/
  8. https://www.instagram.com/p/DEzr6q0u8b7/
  9. https://blabbermouth.net/news/cradle-of-filth-frontman-s-dark-side
  10. https://www.decibelmagazine.com/2014/06/23/vampires-vicars-and-hot-fuzz-the-deciblog-interview-with-dani-filth/
  11. https://www.loudersound.com/bands-artists/dani-filth-shares-his-life-lessons-from-30-plus-years-with-cradle-of-filth
  12. https://www.loudersound.com/news/cradle-of-filth-dani-filth-pen-pals-euronymous-mayhem-black-metal-2025
  13. https://www.metal-archives.com/bands/Cradle_of_Filth/24
  14. https://www.metal-archives.com/artists/Toni_King/323386
  15. https://loudwire.com/cradle-of-filth-dani-filth-engaged-onstage-2025-download-festival/
  16. https://www.roughedge.com/features/cradleoffilth0803.htm
  17. https://www.phoenixnewtimes.com/music/cradle-of-filths-dani-filth-on-the-role-of-satanism-in-metal-6588563/
  18. https://loudwire.com/cradle-of-filth-singer-dani-filth-clarifies-religious-beliefs/
  19. https://fortemagazine.com.au/writing-with-dani-filth-an-album-an-autobiography-and-a-pocket-full-of-poetry/
  20. https://www.altpress.com/dani-filth-cradle-of-filth-favorite-halloween-movies/
  21. https://loudwire.com/cradle-of-filth-dani-filth-favorite-hp-lovecraft-stories/
  22. https://www.cradleoffilth.com/
  23. https://www.cradleoffilth.com/discography
  24. https://www.officialcharts.com/artist/386/cradle-of-filth/
  25. https://www.officialcharts.com/albums/cradle-of-filth-the-screaming-of-the-valkyries/
  26. https://www.metal-archives.com/albums/Cradle_of_Filth/Invoking_the_Unclean/61
  27. https://metalstorm.net/bands/band.php?band_id=74
  28. https://blabbermouth.net/news/cradle-of-filth-announces-new-album-the-screaming-of-the-valkyries-shares-new-single-to-live-deliciously
  29. https://www.metal-archives.com/bands/devilment/3540397829
  30. https://bravewords.com/news/devilment-introduce-new-keyboardist-anabelle-iratni
  31. https://metalinjection.net/interviews/dani-filth-talks-cradle-of-filth-virtual-halloween-show-new-album-mystery-bandmember-status-of-devilment
  32. https://www.metalkaoz.com/interviews/14277-devilment-dani-filth.html
  33. https://www.metalhead.it/interviste/devilment-something-that-acts-as-a-much-necessary-pressure-valve-to-release-a-lot-of-pent-up-musical-steam/
  34. https://blabbermouth.net/news/dani-filth-issues-temple-of-the-black-moon-update
  35. https://www.loudersound.com/news/dani-filth-on-failed-supergroup-featuring-volbeat-enslaved-men
  36. https://exclaim.ca/music/article/cradle-of-filth-lose-two-members-due-to-toxic-environment-foolish-ed-sheeran-collaboration
  37. https://www.rollingstone.com/music/music-news/cradle-of-filth-singer-statement-bandmates-accusations-1235419285/
  38. https://www.theguardian.com/books/2010/jun/20/gospel-of-filth-gavin-baddeley-review
  39. https://www.angelfire.com/sk2/CradleOfFilth/inferno3.html
  40. https://mhf-mag.com/interview-with-dani-filth-of-cradle-of-filth/
  41. https://www.imdb.com/title/tt0291833/
  42. https://www.loudersound.com/features/remembering-cradle-of-fear-dani-filth-cradle-of-filth
  43. https://www.imdb.com/title/tt0135991/
  44. https://bravewords.com/news/cradle-of-filth-danis-dominator-debut
  45. https://www.imdb.com/title/tt28300640/
  46. https://www.themoviedb.org/movie/462709-realm-of-the-damned-tenebris-deos/cast
  47. https://www.imdb.com/title/tt3687528/
  48. https://blabbermouth.net/news/cradle-of-filths-dani-filth-plays-witchcraft-expert-in-new-horror-film-baphomet
  49. https://www.rottentomatoes.com/m/feed_me
  50. https://www.imdb.com/title/tt3017994/
  51. https://www.kerrang.com/cradle-of-filth-living-with-the-enemy-dani-filth-interview
  52. https://www.themoviedb.org/person/101931-dani-filth?language=en-US
  53. https://www.metal-archives.com/albums/Devilment/The_Great_and_Secret_Show/517217
  54. https://www.discogs.com/master/751904-Devilment-The-Great-And-Secret-Show
  55. https://www.metal-archives.com/albums/Devilment/II_-_The_Mephisto_Waltzes/606206
  56. https://www.discogs.com/master/1093022-Devilment-II-The-Mephisto-Waltzes
  57. https://www.youtube.com/watch?v=cnJQdo2FoZA
  58. https://www.loudersound.com/news/filth-is-a-puppet-for-motionless
  59. https://www.loudersound.com/news/bring-me-the-horizon-release-new-song-wonderful-life-featuring-dani-filth
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