Dave Davies
Dave Davies
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Dave Davies

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Dave Davies

David Russell Gordon Davies (/ˈdvz/ DAY-veez; born 3 February 1947) is an English guitarist, singer and songwriter. He was the lead guitarist and backing vocalist for the English rock band the Kinks, led by his elder brother (and principal writer and singer) Ray, and the two of them were the only consistent members during their existence. Davies also sometimes undertook writing and/or lead vocals duties within the band, for example on the songs "Death of a Clown", "Party Line", "Strangers" and "Rats". He has also embarked on a solo career, releasing several singles during the late 1960s and has since released eight solo albums.

Davies is known for innovative electric guitar technique, specifically in being one of the first to use electric guitar distortion and exposing the effect to the mainstream. His signature distorted power chord riffs on songs would heavily influence future heavy metal and punk rock acts. He was inducted into the Rock and Roll Hall of Fame in 1990 as a member of the Kinks and, in 2003, was ranked 91st in Rolling Stone's list of the "100 Greatest Guitarists of All Time".

David Russell Gordon Davies was born at 6 Denmark Terrace, Muswell Hill, North London. He was born the last of eight children, including six older sisters and an elder brother, later bandmate Ray. As children, the Davies brothers were immersed in a world of different musical styles, from the music hall of their parents' generation, to the jazz and early rock n' roll that their older sisters listened to. The siblings developed a rivalry early on, with both brothers competing for their parents' and sisters' attention.

Davies grew up playing skiffle, but soon bought an electric guitar and started experimenting with rock. The Davies brothers and friend Pete Quaife jammed together in the front room of their house. Activities in the Davies household centred around this front room, culminating in large parties, where the parents would sing and play piano together. The front room and these parties were musically nurturing to the Davies brothers, later influencing the Kinks' interpretations of the traditional British music hall style. Dave and his brother worked out the famous two-chord riff of their 1964 hit "You Really Got Me" on the piano in the front room.

Davies founded the Kinks with Pete Quaife in 1963. His brother Ray, who became the best-known member and de facto leader of the band, joined soon after. The quartet was formed when drummer Mick Avory joined. Dave Davies had a turbulent relationship with Avory, one of the reasons behind the latter's departure from the band in the mid-1980s, although the two had been housemates together in the mid-1960s.

Ray and Dave Davies remained the only two steady members of the band. They were accompanied by an oft-changing roster of bassists and keyboardists. Dave played a largely subordinate role to his brother, often staying behind the scenes. Dave would make occasional contributions on Kinks records as lead vocalist and songwriter, with classics such as "Party Line" (the lyrics were written by Ray and the song has been attributed to Ray on many editions of "Face to Face"), "Death of a Clown" and "Strangers".

The Kinks were signed to Pye Records in late 1963, and Dave Davies turned 17 three days before the first Kinks single (a version of "Long Tall Sally") was issued in early 1964. Davies was solely responsible for the signature distorted power chord sound on the Kinks' first hit, "You Really Got Me". He achieved the sound by using a razor blade to slit the speaker cone on his Elpico amplifier, which he then ran through a larger Vox as a "pre-amp". This sound was one of the first mainstream appearances of distortion, which was to have a major influence on many later musicians, especially in heavy metal and punk rock.

"You Really Got Me" was the band's third released single, the two previous recordings having failed to chart. They had a three-single contract with Pye Records, and needed a hit to get another. Pye didn't like the song and refused to pay for studio time. The band arranged other financial support to cut the single, which became a hit, topping the charts in the UK and reaching number 7 in the US.

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