Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Dave Matthews Band
Dave Matthews Band (also known as DMB) is an American rock band from Charlottesville, Virginia. The band's lineup consists of Dave Matthews (lead vocals, guitar), Stefan Lessard (bass), Carter Beauford (drums), Tim Reynolds (lead guitar), Rashawn Ross (trumpet, percussion), Jeff Coffin (saxophones), and Buddy Strong (keyboards). Matthews, Lessard, and Beauford formed the band in 1991 with LeRoi Moore (saxophones), Peter Griesar (keyboards), and Boyd Tinsley (violin, backing vocals). After one independent live album, the band was signed by RCA Records and Griesar left the band to pursue a solo career.
The band's 1994 debut studio album, Under the Table and Dreaming, was certified six times platinum. As of 2018[update], the band had sold more than 25 million concert tickets and a combined total of 38 million CDs and DVDs. Their 2018 album, Come Tomorrow, debuted at No. 1 on the Billboard 200, making DMB the first band to have seven consecutive studio albums debut at the peak. The band won the 1996 Grammy Award for Best Rock Performance by a Duo or Group with Vocal for "So Much to Say". Dave Matthews Band was inducted into the Rock and Roll Hall of Fame in 2024.
A jam band, Dave Matthews Band is renowned for its live shows. The band is known for playing songs differently in each performance; this practice has become a staple of their live shows.
In November 1990, lead vocalist and guitarist Dave Matthews, who was working as a bartender at Miller's Bar in Charlottesville, Virginia, befriended a lawyer named Ross Hoffman. Hoffman convinced Matthews to record a demo of the few songs Matthews had written and encouraged him to approach Carter Beauford, a local drummer on the Charlottesville music scene. Beauford had been in several bands and was then playing on a jazz show on BET.
After hearing Matthews's demo, Beauford agreed to spend some time playing the drums, both inside and outside the studio. Matthews also approached LeRoi Moore, another local jazz musician who often performed with the John D'earth Quintet, to join them. The trio began working on Matthews's songs in 1991. Matthews recollects that, "...the reason I went to Carter was not because I needed a drummer, but because I thought he was the baddest thing I'd ever seen and LeRoi, it wasn't because I desperately wanted a saxophone, it was because this guy just blew my mind. At this jazz place I used to bartend at Miller's, I would just sit back and watch him. I would be serving the musicians fat whiskeys and they'd be getting more and more hosed, but no matter how much, he used to still blow my mind. And it was the sense that everyone played from their heart. And when we got together and they asked, 'What do you want the music to sound like?' I said, 'I know this is a song I wrote and I like what you guys play, so I want you to play the way you react to my song.' There was a lot of breaking of our inhibitions."
Matthews later said in an interview with Michael Krugman, "In a way, initially it was just the three of us and I approached them with this tape and they said 'Sure,' cause they had time on their hands. They were both working on other things, but they had some afternoon time."
The beginning stages of this new band proved to be, in the words of Morgan Delancey, "a time of trial and incubation." Beauford would later recall that, "It started out as a three-piece thing with Dave and Leroi...working on some of Dave's songs. He only had four songs at the time...And it didn't work out with the three of us." Matthews said, "The first time we played together...we were awful. Not just kind of bad, I mean heinously bad. We tried a couple of different songs and they were all terrible...Sometimes it amazes me that we ever had a second rehearsal."
Their limited instrumentals did not provide the full sound they desired, however, and more musicians were needed. Upon the recommendation of John D'earth, Director of Jazz Performance at the University of Virginia and another local musician, Stefan Lessard, a junior bassist at the time, joined the band. In 1991, Miller's waiter Peter Griesar became the band's first keyboardist. Because of other commitments, violinist Boyd Tinsley did not become a full-time member until 1992. Matthews later admitted, "We had no plans of adding a violinist. We just wanted some fiddle tracked on this one song "Tripping Billies", and Boyd was a friend of LeRoi. He came in and it just clicked. That completely solidified the band, gave it a lot more power."
Hub AI
Dave Matthews Band AI simulator
(@Dave Matthews Band_simulator)
Dave Matthews Band
Dave Matthews Band (also known as DMB) is an American rock band from Charlottesville, Virginia. The band's lineup consists of Dave Matthews (lead vocals, guitar), Stefan Lessard (bass), Carter Beauford (drums), Tim Reynolds (lead guitar), Rashawn Ross (trumpet, percussion), Jeff Coffin (saxophones), and Buddy Strong (keyboards). Matthews, Lessard, and Beauford formed the band in 1991 with LeRoi Moore (saxophones), Peter Griesar (keyboards), and Boyd Tinsley (violin, backing vocals). After one independent live album, the band was signed by RCA Records and Griesar left the band to pursue a solo career.
The band's 1994 debut studio album, Under the Table and Dreaming, was certified six times platinum. As of 2018[update], the band had sold more than 25 million concert tickets and a combined total of 38 million CDs and DVDs. Their 2018 album, Come Tomorrow, debuted at No. 1 on the Billboard 200, making DMB the first band to have seven consecutive studio albums debut at the peak. The band won the 1996 Grammy Award for Best Rock Performance by a Duo or Group with Vocal for "So Much to Say". Dave Matthews Band was inducted into the Rock and Roll Hall of Fame in 2024.
A jam band, Dave Matthews Band is renowned for its live shows. The band is known for playing songs differently in each performance; this practice has become a staple of their live shows.
In November 1990, lead vocalist and guitarist Dave Matthews, who was working as a bartender at Miller's Bar in Charlottesville, Virginia, befriended a lawyer named Ross Hoffman. Hoffman convinced Matthews to record a demo of the few songs Matthews had written and encouraged him to approach Carter Beauford, a local drummer on the Charlottesville music scene. Beauford had been in several bands and was then playing on a jazz show on BET.
After hearing Matthews's demo, Beauford agreed to spend some time playing the drums, both inside and outside the studio. Matthews also approached LeRoi Moore, another local jazz musician who often performed with the John D'earth Quintet, to join them. The trio began working on Matthews's songs in 1991. Matthews recollects that, "...the reason I went to Carter was not because I needed a drummer, but because I thought he was the baddest thing I'd ever seen and LeRoi, it wasn't because I desperately wanted a saxophone, it was because this guy just blew my mind. At this jazz place I used to bartend at Miller's, I would just sit back and watch him. I would be serving the musicians fat whiskeys and they'd be getting more and more hosed, but no matter how much, he used to still blow my mind. And it was the sense that everyone played from their heart. And when we got together and they asked, 'What do you want the music to sound like?' I said, 'I know this is a song I wrote and I like what you guys play, so I want you to play the way you react to my song.' There was a lot of breaking of our inhibitions."
Matthews later said in an interview with Michael Krugman, "In a way, initially it was just the three of us and I approached them with this tape and they said 'Sure,' cause they had time on their hands. They were both working on other things, but they had some afternoon time."
The beginning stages of this new band proved to be, in the words of Morgan Delancey, "a time of trial and incubation." Beauford would later recall that, "It started out as a three-piece thing with Dave and Leroi...working on some of Dave's songs. He only had four songs at the time...And it didn't work out with the three of us." Matthews said, "The first time we played together...we were awful. Not just kind of bad, I mean heinously bad. We tried a couple of different songs and they were all terrible...Sometimes it amazes me that we ever had a second rehearsal."
Their limited instrumentals did not provide the full sound they desired, however, and more musicians were needed. Upon the recommendation of John D'earth, Director of Jazz Performance at the University of Virginia and another local musician, Stefan Lessard, a junior bassist at the time, joined the band. In 1991, Miller's waiter Peter Griesar became the band's first keyboardist. Because of other commitments, violinist Boyd Tinsley did not become a full-time member until 1992. Matthews later admitted, "We had no plans of adding a violinist. We just wanted some fiddle tracked on this one song "Tripping Billies", and Boyd was a friend of LeRoi. He came in and it just clicked. That completely solidified the band, gave it a lot more power."