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David Ellsworth
David Ellsworth
David Ellsworth
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David Ellsworth (born June 25, 1944 died 16 June 2025) was an American woodturner known for his tools and techniques for creating thin-walled hollow wood vessels. He began woodturning in 1958 and later earned both BFA and MFA degrees in sculpture from the University of Colorado, Boulder. His work is in the collections of over 40 museums, including the Metropolitan Museum of Art and the Smithsonian American Art Museum. In recognition of his contributions to the field, he received the Smithsonian Visionary Award in 2021.[1]

Key Information

Early life and education

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Ellsworth was born in Iowa City, Iowa and moved to Boulder, Colorado at age 14. He first encountered woodturning there in 1958 during an eighth-grade industrial arts class, where he crafted a walnut platter for his mother.[2] After high school, he served in the U.S. Army, performing with the Army Air Defense Command Choir for two years and then was stationed for a year in Heidelberg, Germany.[3]

Post-military service, Ellsworth pursued studies in architecture at Washington University in St. Louis (1965–1966) and fine arts at the New School for Social Research in New York City (1966–1970). He earned a Bachelor of Fine Arts in sculpture in 1971 and a Master of Fine Arts in 1973 from the University of Colorado at Boulder. During his graduate studies, he explored various media, including ceramics, cast metals, and polyester resin, which informed his later approach to woodturning.[4]

Career and innovations

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In 1974, Ellsworth was hired by ceramicist Paul Soldner to establish the woodworking program at the Anderson Ranch Arts Center in Snowmass Village, Colorado.[5] The following year, he opened his first private woodturning studio in Boulder, Colorado.[6] During this period, he developed specialized bent turning tools and techniques for creating thin-walled hollow forms, a method he termed "blind turning."[7] This innovation allowed for the creation of vessels with walls as thin as 1/16 inch, extending possibilities within woodturning.[8]

Teaching and influence

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Ellsworth has taught at Anderson Ranch, Arrowmont School of Arts and Crafts, and Penland School of Craft. In 1990, he founded the Ellsworth School of Woodturning in Bucks County, Pennsylvania, later relocating it to Weaverville, North Carolina, in 2017.

Ellsworth was a founding member of the American Association of Woodturners (AAW) and served as its first president from 1986 to 1990.[9]

Artistic style and philosophy

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Ellsworth's work is characterized by minimalist forms that emphasize the natural beauty of wood. His vessels often feature narrow openings and delicate walls, challenging traditional notions of functionality.[10] He draws inspiration from Native American pottery, particularly the works of Hopi-Tewa potter Nampeyo,[11] the architecture of the American Southwest, and the inherent qualities of wood, which he describes as "the most perfectly imperfect material to work with."[4]

Series

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After starting out in the 1970s turning functional wooden items such as salt, pepper, and sugar containers, Ellsworth shifted to artistic hollow form bowls, then vessels, and finally to work in artistic series for the rest of his career. His major series include Spheres, Spirit Forms, Black Pots, the Solstice Series of wood sculptures, and the Emergence Series.

Collections

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David Ellsworth's wood-turned vessels and sculptures are in the permanent collections of numerous museums.

Museums in the United States

International Collections

Exhibitions

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David Ellsworth's wood art has been in numerous exhibitions across the United States:

Museum exhibits

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  • American Craft Museum
    • "Craft America-Poetry Of The Physical." 1987[12]
    • "The Art Of Woodturning." 1983
    • "Tea Service." 1993
    • "New Acquisitions". 1999
    • "Expressions In Wood: The Wornick Collection".1998[13]
  • Arkansas Arts Center - "Moving Beyond Tradition: A Turned-wood Invitational". Little Rock, AR 1997
  • Museum of Fine Arts, Arizona State University - "Turned Wood Now: Redefining The Lathe Turned Object". Tempe, AZ 1995, 1997
  • Bishop Museum Of Fine Arts - "Hawaii Craftsmen", Honolulu, HI. 1986, 1997
  • Museum For Art In Wood - "Eight ACC Fellows". October, Phila, PA
  • Corning Museum Of Glass - "Woodturning." Corning, New York. 1979
  • Craft & Folk Art Museum - "The Vessel: Studies In Form & Media", Los Angeles, CA. 1989
  • Fine Arts Museums Of San Francisco — "Contemporary Works From The Saxe Collection San Francisco, CA. 1999
  • Greenville County Museum Of Art - "Gallery Of Turned Objects." Greenville, SC. 1982
  • High Museum Of Art
    • "By The Hand:Twentieth Century Crafts". Atlanta, GA. 1990
    • "Shop Traditions/studio Expressions". Atlanta, GA. 1988
    • "Permanent Collection". Atlanta, GA. 1993
  • Hunterdon Museum Of Art - Clinton, Nj. 2018
  • Huntington Museum Of Art - "New Masters Workshop". Huntington, Wv. 1991
  • James A. Michener Art Museum - "In Our Circle". Doylestown, Pa. 1991
  • Jesse Besser Museum Of Art - Alpena, MI. 1985
  • Kunstindustrie Museum Of Art - "Celebrating American Craft". Copenhagen, Denmark. 1997
  • Mitchell Museum - "Past & Present: Ongoing Traditions In American Craft Art." Mt. Vernon, IL. 1993
  • Monmouth Museum - "Contemporary Arts: An Expanding View". Lincroft, NJ. 1986
  • Musee Des Arts Decoratifs - "Crafts Today Usa" Paris, France. 1989
  • Museum Of Art - "Aha Hana Lima". Honolulu, HI. 1997
  • National Gallery Of American Art - "The White House Craft Collection", Smithsonian Institution, Washington, D.C., 1995
  • Nueberger Museum Of Art - "Jacobson Collection", Suny, Purchase, NY. 1993
  • Oakland Museum Of California - "Expressions In Wood: Masterworks From The Wornick Collection". Oakland, CA. 1997
  • Peabody Essex Museum Of Art - Salem, MA
  • Philadelphia Museum Of Art - "Vessel" Philadelphia, PA. 1989
  • Port Of History Museum - "International Turned Objects Show." Philadelphia, Pa. 1988
  • Port Of History Museum - "Challenge IV". Philadellphia, PA. 1991
  • Renwick Gallery of the Smithsonian Institution - "The Art of Turned Wood Bowls" Washington, D.C. 1986[14]
  • Renwick Gallery Of The Smithsonian Institution - "Renwick At 25", Washington, D.C. 1997
  • Sheldon Memorial Art Museum - Lincoln, Ne. 1979
  • SOFA Chicago - November 6–8. William Zimmer Gallery
  • Georgia Museum of Art & Heritage - "From Ancient Craft to Fine Art". Tifton, GA. 1997
  • Trenton City Museum Of Art - "The Forest Refined." Trenton, NJ. 1992
  • Woodmere Art Museum - "Pennsylvania Lathe-turned Objects: 1700-1990". Philadelphia, PA. 1999

Solo exhibits

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  • Bellas Artes Gallery - New York City, NY. 1991
  • Bellas Artes Gallery - Santa Fe, NM. 1989
  • Cooper-lynn Gallery - New York City, NY, 1985
  • Del Mano Gallery - Los Angeles, CA. 1997, 2000
  • Great American Gallery - Atlanta, GA. 1984, 1987
  • Hand And Spirit Gallery - Scottsdale, AZ. 1994
  • Hunterdon Museum Of Art - Clinton, NJ. 2018
  • Materia Gallery — Scottsdale, AZ. 1999
  • Mendelson Gallery - Washington, CT. 1992, 1997
  • Metropolitan State College - Denver, CO. 1973
  • Okun Gallery - Santa Fe, NM. 1995
  • Pritam & Eames - Easthampton, NY. 1983
  • Pro Art Gallery - St. Louis, MO. 1988
  • Sheldon Memorial Art Museum - Lincoln, NE. 1979

Awards and recognition

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Ellsworth has received several awards, including:

Publications and media

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Ellsworth published the first article on hollow-form turning in Fine Woodworking magazine in 1979.[10] He published an article on turning a pool cue under the pseudonym "Colorado Slim" in 1986.Ellsworth has written numerous tips, shop notes, and short articles for the publications of the American Association of Woodturners including American Woodturner magazine.

In 2008, Ellsworth published the book "Ellsworth on Woodturning: How a Master Creates Bowls, Pots, and Vessels," offering insights into his techniques and philosophy. He has also produced instructional videos covering various aspects of woodturning, including tool use, shop setup, and hollow-form creation.

Personal life

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Ellsworth met his wife, Wendy (Neel), an accomplished bead artist, in Colorado in 1975; they married in 1980. The couple resides in Weaverville, North Carolina, where they continue to engage in their respective artistic practices and collaborate on occasion.[18]

Further reading

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

David Ellsworth

View on Grokipedia
from Grokipedia
''David Ellsworth'' was an American woodturner known for pioneering the technique of thin-walled hollow vessel forms and for elevating woodturning to the status of fine art through innovative tools, techniques, and leadership in the field. He developed specialized angled tools that enabled "blind turning" to achieve extraordinarily thin walls, often as little as 1/8 inch, while judging thickness by the vessel's tone when tapped. His work shifted from functional objects to sculptural vessels influenced by Native American ceramics, Southwest architecture, and the natural qualities of wood, capturing simplicity of form, complexity of surface, and interior energy within fragile structures. Born in Iowa City in 1944, Ellsworth began turning wood in 1958 during a school woodshop class and pursued formal studies in architecture, drawing, and sculpture, earning a BFA in 1971 and an MFA in sculpture in 1973 from the University of Colorado. He founded the woodworking program at Anderson Ranch Arts Center in 1974 and opened his private studio in 1975, later operating the Ellsworth School of Woodturning from 1990 to 2017. A founding member and first president of the American Association of Woodturners (AAW) from 1986 to 1991, he played a key role in building the modern woodturning community and was honored as its first Honorary Lifetime Member. Ellsworth taught workshops worldwide for decades, including over thirty years at Arrowmont School of Arts and Crafts starting in 1983, and shared his expertise through more than fifty articles, instructional videos, and the book Ellsworth on Woodturning (2008). His contributions earned him grants from the National Endowment for the Arts and Pew Foundation, induction as a Fellow of the American Craft Council, and a Smithsonian Visionary Award in 2021. His vessels are held in major collections, including the Renwick Gallery at the Smithsonian American Art Museum, Metropolitan Museum of Art, Victoria and Albert Museum, and others. Ellsworth passed away on June 16, 2025, leaving a legacy as a generous mentor, tireless advocate, and transformative figure in contemporary craft.

Early life

David Ellsworth was born in Iowa City in 1944. He began turning wood in 1958 during a school woodshop class. Ellsworth pursued formal studies in architecture, drawing, and sculpture, earning a BFA in 1971 and an MFA in sculpture in 1973 from the University of Colorado.

Career

David Ellsworth developed his woodturning career from early experiments in the 1950s and 1960s into pioneering innovations that elevated the craft to fine art. After serving in the military, he pursued formal studies in architecture, drawing, and sculpture at the University of Colorado, earning a BFA in 1971 and an MFA in sculpture in 1973. He founded the woodworking program at Anderson Ranch Arts Center in 1974 and established his private studio in 1975. In the mid-1970s, he created specialized angled tools enabling "blind turning" of thin-walled hollow vessels, achieving walls as thin as 1/8 inch while assessing thickness by the vessel's tone when tapped. His sculptural vessels shifted from functional forms to expressive pieces influenced by Native American ceramics, Southwest architecture, and the inherent qualities of wood. Ellsworth was a founding member of the American Association of Woodturners (AAW) in 1986 and served as its first president from 1986 to 1991. He was honored as the AAW's first Honorary Lifetime Member for his role in building the modern woodturning community. He operated the Ellsworth School of Woodturning from 1990 to 2017, first in Quakertown, Pennsylvania, and later near Weaverville, North Carolina. He taught workshops internationally for decades, including more than thirty years at Arrowmont School of Arts and Crafts beginning in 1983. Ellsworth authored over fifty articles, instructional videos, and the book Ellsworth on Woodturning (2008). His contributions were recognized with grants from the National Endowment for the Arts and Pew Foundation, induction as a Fellow of the American Craft Council, and the Smithsonian Visionary Award in 2021. His vessels are held in major collections, including the Renwick Gallery at the Smithsonian American Art Museum, Metropolitan Museum of Art, and Victoria and Albert Museum.

Personal life

Family and residences

David Ellsworth was married to Wendy Ellsworth, an accomplished bead artist. They met in Colorado in 1975 and collaborated on their respective arts. He opened his first private studio in Boulder, Colorado in 1975. He later resided and operated the Ellsworth School of Woodturning in Quakertown, Pennsylvania from 1990 to 2017. In his later years, he lived in Weaverville, North Carolina. He passed away on June 16, 2025, and was survived by his wife Wendy and family.

Death

Later years and death

In his later years, David Ellsworth resided near Weaverville, North Carolina, where he continued to operate the Ellsworth School of Woodturning at his home studio. He remained professionally active, teaching workshops until shortly before his death. Ellsworth died on June 16, 2025, at the age of 80 after a short illness.
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