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David Frizzell
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 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (May 2013) |
Key Information
David Frizzell (born September 26, 1941)[1] is an American country music singer. He is the younger brother of country musician, Lefty Frizzell.[2] His career started in the late 1950s, but his biggest success came in the 1980s.
Biography
[edit]Frizzell was born in El Dorado, Arkansas, United States.[2] He began performing in his brother's show at the age of 12.[2] He toured with his brother throughout the 1950s and 1960s and served in the U.S. Air Force during the Vietnam War.[2] He signed with Columbia Records in 1970 and finally achieved solo success, placing the single "I Just Can't Help Believing" on the Billboard top-40 country chart.[2]
Frizzell appeared regularly on Buck Owens' All American TV Show during the 1970s, and recorded for Capitol Records.[2] In 1981, he recorded his first number-one country hit, "You're the Reason God Made Oklahoma," a duet with Shelly West.[2] The song won the Country Music Association's Song of the Year and Vocal Duet of the Year awards in 1981, was nominated for a Grammy Award for Best Country Performance by a Duo or Group with Vocal, and was featured in Clint Eastwood's film Any Which Way You Can.[2] Frizzell and West also won the Academy of Country Music award for Vocal Duo of the Year in 1981 and 1982.[2]
In August 1982, Frizzell scored his only solo number-one country single with "I'm Gonna Hire a Wino to Decorate Our Home".[2] He continued to tour and record with West until 1986.[2]
After he parted ways with Shelly West, Frizzell continued to record solo albums, but he has not kept up the popularity he enjoyed during the early 1980s.[2] Notwithstanding, he continues to record and tour.
Discography
[edit]Albums
[edit]| Year | Album | US Country | Label |
|---|---|---|---|
| 1981 | Carryin' On the Family Names (with Shelly West) | 6 | Warner/Viva |
| 1982 | The David Frizzell & Shelly West Album (with Shelly West) | 8 | |
| The Family's Fine, But This One's All Mine | 7 | ||
| 1983 | Our Best to You (with Shelly West) | 24 | |
| On My Own Again | 32 | Viva | |
| 1984 | In Session (with Shelly West) | 33 | |
| Solo | — | ||
| Golden Duets (The Best of Frizzell & West) (with Shelly West) | 45 | ||
| 1993 | My Life Is Just a Bridge | — | BFE |
| 1999 | For the Love of Country | — | Kingston |
| 2004 | Confidentially | — | Nashville America |
| 2010 | Frizzell & Friends – This Is Our Time | — | |
| 2012 | Frizzell & Friends – It'll Be Alright | — | |
| 2014 | Frizzell & Friends present Buddy Holly Country Tribute: Remember Me | — |
Singles
[edit]| Year | Song | Chart Positions | Album | |
|---|---|---|---|---|
| US Country | CAN Country | |||
| 1970 | "L.A. International Airport" | 67 | — | singles only |
| "I Just Can't Help Believing" | 36 | — | ||
| 1971 | "Goodbye" | 73 | — | |
| 1973 | "Words Don't Come Easy" | 63 | — | |
| "Take Me One More Ride" | 94 | — | ||
| 1976 | "A Case of You" | 100 | — | |
| 1981 | "Lefty" (with Merle Haggard) | 45 | — | Carryin' On the Family Names |
| 1982 | "I'm Gonna Hire a Wino to Decorate Our Home"A | 1 | 3 | The Family's Fine, But This One's All Mine |
| "Lost My Baby Blues" | 5 | 5 | ||
| 1983 | "Where Are You Spending Your Nights These Days" | 10 | 13 | On My Own Again |
| "A Million Light Beers Ago" | 39 | 38 | ||
| 1984 | "Black and White" | 64 | — | |
| "Who Dat" | 60 | — | Solo | |
| "When We Get Back to the Farm (That's When We Really Go to Town)" |
49 | 43 | ||
| "No Way Jose" | 49 | 38 | single only | |
| 1985 | "Country Music Love Affair" | 63 | — | Solo |
| 1986 | "Celebrity" | 71 | — | singles only |
| 1987 | "Beautiful Body" | 74 | — | |
| 1993 | "The One That Got Away" (with Ed Bruce)[3] | — | — | My Life Is Just a Bridge |
| 2012 | "Say Hello to Heaven" | — | — | Frizzell & Friends – It'll Be Alright |
- A"I'm Gonna Hire a Wino to Decorate Our Home" also peaked at No. 20 on the RPM Top Singles chart in Canada.
Singles with Shelly West
[edit]| Year | Song | Chart Positions | Album | |
|---|---|---|---|---|
| US Country | CAN Country | |||
| 1981 | "You're the Reason God Made Oklahoma" | 1 | 13 | Carryin' on the Family Names |
| 1981 | "A Texas State of Mind" | 9 | — | |
| "Husbands and Wives" | 16 | 38 | ||
| 1982 | "Another Honky-Tonk Night on Broadway" | 8 | 20 | The David Frizzell & Shelly West Album |
| "I Just Came Here to Dance" | 4 | 9 | ||
| "Please Surrender" | 43 | — | Our Best to You | |
| 1983 | "Cajun Invitation" | 52 | — | |
| "Pleasure Island" | 71 | — | In Session | |
| 1984 | "Silent Partners" | 20 | 20 | |
| "It's a Be Together Night" | 13 | 40 | Golden Duets (The Best of Frizzell & West) | |
| 1985 | "Do Me Right" | 60 | — | |
Music videos
[edit]| Year | Video |
|---|---|
| 1984 | "Silent Partners" |
| 1987 | "Beautiful Body" |
| 1993 | "The One That Got Away" (with Ed Bruce) |
References
[edit]- ^ Colin Larkin, ed. (1993). The Guinness Who's Who of Country Music (First ed.). Guinness Publishing. pp. 148/9. ISBN 0-85112-726-6.
- ^ a b c d e f g h i j k l "David Frizzell | Biography & History". AllMusic. Retrieved 6 August 2021.
- ^ "Single Reviews" (PDF). Billboard. January 30, 1993.
Bibliography
[edit]- Bush, John (2003). Edited by Vladimir Bogdanov, Chris Woodstra, & Stephen Erlewine. "David Frizzell." All Music Guide to Country, 2nd ed. San Francisco: Backbeat Books, 2003. ISBN 0-87930-760-9
- Whitburn, Joel. "The Billboard Book of Top 40 Country Hits" New York: Billboard Publications Inc., 1996. ISBN 0-8230-8289-X
External links
[edit]| International | |
|---|---|
| National | |
| Artists | |
David Frizzell
View on Grokipediafrom Grokipedia
Early Life
Birth and Family Background
David Frizzell was born on September 26, 1941, in El Dorado, Arkansas.[5] He is the younger brother of country music legend Lefty Frizzell (born William Orville Frizzell on March 31, 1928, in Corsicana, Texas), with whom he shared a prominent family musical heritage that influenced his early interest in the genre.[6][7] Frizzell's parents were Naamon Orville R. C. Frizzell, an oilfield roustabout whose job required constant relocation, and Adie (Cox) Frizzell.[6] The family, which included Lefty, David, and their younger brother Allen (also a musician), migrated frequently across Texas, Oklahoma, Arkansas, Louisiana, and other Southern states during the Great Depression era as Naamon pursued oilfield work amid economic hardship.[6][8] In the early 1950s, following Lefty's burgeoning success, the family relocated to Southern California, settling in areas like Northridge and Los Angeles to support his career opportunities there.[9][6] The Frizzell family's musical inclinations manifested in early performances, particularly through Lefty, who began singing on local radio stations like KELD in El Dorado as a teenager and at dances and nightclubs across the South.[5] This environment provided David with his first substantial exposure to music, and Lefty's rising fame opened initial professional doors for him; at age 12 in 1953, David hitchhiked from Arkansas to California to join his brother on tour, beginning a pattern of family-supported musical endeavors.[5][8]Childhood and Early Influences
David Frizzell spent his early childhood in various small towns across Texas, including Greenville, Kermit, and Sulphur Springs, following the family's relocation from El Dorado, Arkansas, where he was born on September 26, 1941, amid his father's deployment to Europe during World War II.[10][11] The Frizzell household reflected the modest circumstances of a working-class family in rural Texas, with frequent moves tied to employment opportunities in the oil industry after the war.[12] Attending local schools in these communities, Frizzell experienced a typical upbringing in the post-war South, where community gatherings and radio broadcasts played a central role in daily life. His first foray into performance came early, with a radio show at age 9 on a station in Kermit, Texas, providing initial exposure to audiences.[11] At age 12, Frizzell joined his older brother Lefty on stage for his debut performance, an event that immersed him in the world of live country music shows during the early 1950s.[11] This familial musical environment profoundly shaped his interests, as Lefty's rising stardom in country music offered direct inspiration and guidance. Beyond family, Frizzell developed a passion for the genre through radio listening and attendance at local venues, where he encountered influential artists like Hank Williams, whose honky-tonk style resonated during his formative years.[13][4]Musical Career
Beginnings and Early Recordings (1950s–1970s)
David Frizzell's professional music career began in the late 1950s, building on the influence of his older brother Lefty Frizzell, a prominent country singer. At age 18, he signed with Columbia Records and recorded his debut single, "Tag Along" backed with "I Hang My Head and Cry," released in June 1959.[14][15] This early release, along with a follow-up single "Love Baby" / "My Kind of Love" later that year, showcased a rockabilly-inflected country style but failed to achieve significant commercial success or chart placement.[15] Frizzell's nascent recording pursuits were interrupted by military service when he enlisted in the U.S. Air Force in 1966, serving four years during the Vietnam War era, including time stationed in Vietnam.[16][1] This period halted his touring and recording activities, as he had previously traveled with Lefty Frizzell throughout the 1950s and early 1960s, performing as a backup vocalist and gaining stage experience.[11] Upon completing his service around 1970, Frizzell returned to Columbia Records, where he resumed recording with renewed focus. In 1970, Frizzell released "L.A. International Airport," which became his first charting single, reaching No. 67 on the Billboard Hot Country Singles chart and marking a modest breakthrough in visibility.[17] This was followed by "I Just Can't Help Believing," a cover of the B.J. Thomas pop hit adapted for country audiences, which peaked at No. 36 on the same chart and received positive notice for its emotive delivery, though critics noted it as a solid but unremarkable entry in the genre.[13][18] These singles represented his early recordings' shift toward more mainstream country appeal, but without accompanying full-length albums from Columbia during this period, his output remained focused on 45 RPM releases. By the early 1970s, Frizzell transitioned labels, moving to Cartwheel Records for a brief stint in 1971–1972, where he issued singles like "Country Pride" without notable chart impact. He then signed with Capitol Records in 1973, continuing to release singles such as "Last Night Was the First Night," which aligned with his growing role as a session and touring musician.[15] During this decade, he provided backup vocals for established artists, primarily supporting his brother's performances, and gained exposure through regular appearances on Buck Owens' All American TV Show, a syndicated program that highlighted emerging Bakersfield sound talents.[11] These opportunities helped sustain his career amid modest recording success, setting the stage for later developments without achieving widespread acclaim at the time.Breakthrough and Peak Success (1980s)
David Frizzell's commercial breakthrough came in 1981 through his duet partnership with Shelly West, daughter of country legend Dottie West, which capitalized on their shared family legacies in country music. Their collaboration debuted with the album Carryin' On the Family Names, released on Warner Bros. Records, featuring harmonious vocals and themes of romance and Western life that resonated with audiences.[19][20] The duo's signature hit, "You're the Reason God Made Oklahoma," from the album and featured in the Clint Eastwood film Any Which Way You Can, ascended to number one on the Billboard Hot Country Singles chart in April 1981, marking Frizzell's first chart-topping single. The song earned the Academy of Country Music (ACM) Song of the Year award that year and helped Frizzell and West secure the CMA Vocal Duo of the Year honor in 1981 and 1982. Their partnership produced additional top-10 country hits like "A Texas State of Mind," solidifying their status as one of the decade's premier duet acts.[14] In 1982, Frizzell achieved his only solo number-one hit with "I'm Gonna Hire a Wino to Decorate Our Home," a humorous narrative about spicing up a marriage that topped the Billboard Hot Country Singles chart for one week in August. The track appeared on his solo album The Family's Fine, But This One's All Mine, which peaked at number seven on the Billboard Top Country Albums chart and spent 42 weeks on the listing. Other singles from the album, such as "Lost My Baby Blues" reaching number five, underscored his individual appeal amid the duet success.[18][21] During this peak period, Frizzell and West frequently appeared on television, including multiple episodes of Hee Haw in 1982 where they performed their hits alongside sketches, as well as ACM and CMA Awards shows. They embarked on extensive live tours, including headlining shows at venues like Greenville Memorial Auditorium in 1982 and Wings Stadium in 1983, often opening for major acts like Kenny Rogers, which amplified their mainstream visibility and fanbase.[22][23]Later Career and Recent Activities (1990s–Present)
Following the end of his successful duo partnership with Shelly West in 1986, David Frizzell continued his solo career in the 1990s, but encountered challenges including frequent label transitions from MCA to smaller imprints like Viva Records and reduced presence on country music charts, as his releases failed to replicate the commercial peaks of the prior decade.[24] This period marked a shift toward more independent production, culminating in the formation of his own label, Nashville America Records, around the early 2000s to maintain creative control and release music on his terms.[11] Through this venture, Frizzell self-released several collaborative albums featuring guest artists, such as Frizzell & Friends: This Is Our Time in 2008, which gathered country veterans for original and classic tracks, and It'll Be Alright in 2012, benefiting Mothers Against Drunk Driving (MADD) with contributions from family and peers like Amy Clawson and Jimmy Fortune.[25][26] Frizzell's output via Nashville America Records expanded in the 2010s with tribute projects honoring his influences, including the 2014 album Buddy Holly Country Tribute: Remember Me, a 21-track collection reinterpreting Holly's catalog with performers like Merle Haggard and Helen Cornelius, accompanied by a making-of DVD.[27] He followed with Barnyard Christmas in 2017, an original holiday album written and illustrated by Frizzell, featuring whimsical narratives from an animal's perspective to support animal rescue efforts.[28] These releases underscored his pivot to thematic, artist-driven work rather than mainstream singles. Into the 2020s, Frizzell sustained his career through consistent touring across the U.S., including appearances on the Country Music Cruise alongside acts like Lee Greenwood and The Oak Ridge Boys, and special events such as the 2025 filming for RFD-TV with The Malpass Brothers.[2] Tributes remained central, with the September 2025 release of David Frizzell Presents Frizzell & Friends: A Tribute to Brother Lefty Frizzell on Nashville America Records, featuring 15 tracks of Lefty's classics performed by guests including a reunion duet with Shelly West on "I Love You a Thousand Ways."[4] That same year, he issued A Frizzell Christmas, a family-oriented holiday album with contributions from relatives like Allen Frizzell and Jade Frizzell.[29] These efforts built on the enduring legacy of his 1981 Grammy-nominated duet "You're the Reason God Made Oklahoma" with West, which saw recent live revivals and re-releases, such as a 2021 version featuring Mary Sarah.[30][31]Discography
Studio and Compilation Albums
David Frizzell's studio albums primarily emerged during his commercial peak in the 1980s, often featuring collaborations with Shelly West, followed by independent releases focused on tributes to his brother Lefty Frizzell and holiday themes.[32] His debut album, Carryin' On the Family Names (1981, Warner Bros. Records/Viva), a duet project with Shelly West honoring the Frizzell family legacy, peaked at No. 6 on the Billboard Top Country Albums chart. The follow-up, The David Frizzell & Shelly West Album (1982, Viva Records), continued their partnership with a mix of romantic and honky-tonk tracks, reaching No. 8 on the Billboard Top Country Albums chart.[33] Frizzell's first solo studio album, The Family's Fine, But This One's All Mine (1982, Viva Records), showcased his individual style with humorous and heartfelt songs, including the No. 1 single "I'm Gonna Hire a Wino to Decorate Our Home," and peaked at No. 7 on the Billboard Top Country Albums chart.[34] On My Own Again (1983, Viva Records), another solo effort emphasizing personal storytelling in country tradition, charted at No. 32 on the Billboard Top Country Albums. The collaborative In Session (1983, Viva Records), reuniting Frizzell with Shelly West for intimate duet performances, peaked at No. 33 on the Billboard Top Country Albums chart but highlighted their chemistry in live-session style recordings.[35] Solo (1984, Viva Records) marked Frizzell's continued solo exploration with straightforward country arrangements, though it received limited commercial attention.[32] David Sings Lefty (1986, Playback Records), a tribute to his brother Lefty Frizzell, featured covers of classic songs produced by Frizzell himself, emphasizing family musical heritage. After a hiatus, My Life Is Just a Bridge (1992, BFE Records) reflected on life's transitions through introspective lyrics, released on a small independent label.[32] Later releases shifted toward tributes and collaborations via his Nashville America Records imprint. For the Love of Country (1999, King Records) compiled traditional country standards, while David Frizzell Sings Lefty's Greatest Hits (2000, King Records) offered another homage to his brother's catalog.[32] Confidentially (2004, Nashville America Records) returned to original material with a focus on romantic ballads. Compilation albums include Our Best to You (1982, Viva Records), a greatest-hits collection with Shelly West that peaked at No. 24 on the Billboard Top Country Albums chart, and 16 Super Hits (2005, Madacy Records), surveying his career highlights.[36][37] In the 2000s and beyond, Frizzell produced Frizzell & Friends projects, such as This Is Our Time (2008, Nashville America Records), featuring guests like Merle Haggard and Crystal Gayle in a celebratory ensemble format; Frizzell & Williams on Tour - Again (2008, Nashville America Records), a live recording with Jett Williams; and Buddy Holly Country Tribute: Remember Me (2014, Nashville America Records), a country reinterpretation with artists including Helen Cornelius.[38][32][39] It'll Be Alright (2011, Nashville America Records) addressed themes of resilience through original songs.[32] Recent works include David Frizzell Presents Frizzell & Friends: A Tribute to Brother Lefty Frizzell (2025, Nashville America Records), a star-studded homage produced by Frizzell, and the holiday-themed A Frizzell Christmas (2025, Nashville America Records), featuring festive tracks with narrative elements on the Christmas story.[29][38]Singles and Chart Performance
David Frizzell's solo singles career spanned from the early 1970s through the 1990s, with approximately 18 entries on the Billboard Hot Country Songs chart, reflecting a pattern of modest initial success followed by a brief peak in the early 1980s before declining chart performance.[40] His releases were primarily issued through labels like Columbia and Viva Records, often drawing from traditional country themes of heartbreak and humor.[18] In the 1970s, Frizzell's solo efforts achieved limited traction, beginning with his debut "L.A. International Airport" peaking at No. 67 in 1970, followed by "I Just Can't Help Believing" at No. 36 in 1970 and "Goodbye" reaching No. 73 in 1971, establishing a foundation but not yet yielding major hits.[40] Other releases, such as "Words Don't Come Easy" (No. 63, 1973) and "Take Me One More Ride" (No. 94, 1973), further illustrated the challenges of breaking through as a solo artist during this period.[40] Frizzell's chart trajectory shifted dramatically in 1982 with the release of "I'm Gonna Hire a Wino to Decorate Our Home," his only solo No. 1 on the Billboard Hot Country Songs chart, where it held the top spot for one week and spent 23 weeks on the chart overall. This novelty hit, written by Dewayne Blackwell, marked his commercial peak and was followed by strong follow-ups, including "Lost My Baby Blues" (No. 5, 1983) from The Family's Fine, But This One's All Mine and "Where Are You Spending Your Nights These Days" (No. 10, 1983) from On My Own Again, both of which demonstrated sustained momentum.[41][42] Post-1983, Frizzell's solo singles trended downward, with representative tracks like "A Million Light Beers Ago" peaking at No. 39 in 1983 and "Country Music Love Affair" at No. 63 in 1985, highlighting a pattern of diminishing returns amid shifting country music trends.[40] By the late 1980s, releases such as "Beautiful Body" (No. 74, 1987) rarely cracked the top 50, contributing to a total of fewer than five top-10 solo hits across his career.[40][18]| Single Title | Year | Billboard Hot Country Songs Peak |
|---|---|---|
| I'm Gonna Hire a Wino to Decorate Our Home | 1982 | 1 |
| Lost My Baby Blues | 1983 | 5 |
| Where Are You Spending Your Nights These Days | 1983 | 10 |
| A Million Light Beers Ago | 1983 | 39 |
Duets and Collaborations
David Frizzell's most prominent collaborations came through his duet partnership with Shelly West, beginning in the late 1970s and peaking in the early 1980s. Their breakthrough single, "You're the Reason God Made Oklahoma," released in 1980, reached number one on the Billboard Hot Country Songs chart in 1981 and earned them the Country Music Association's Vocal Duo of the Year award that same year.[43][44] The song's success, featured in the Clint Eastwood film Any Which Way You Can, marked the start of a string of hits that showcased their harmonious blend of traditional country storytelling and contemporary appeal. Over the next few years, the duo charted 11 singles on the Billboard Hot Country Songs chart, contributing to their status as one of the era's top male-female acts. Frizzell and West released four studio albums together, blending original material with covers of classic country tunes. Their debut joint album, Carryin' On the Family Names (1981), included tracks like the title song, which peaked at number 42 on the country charts. This was followed by The David Frizzell & Shelly West Album (1982), featuring hits such as "A Texas State of Mind" (number 9, 1981) and "Husbands and Wives" (number 16, 1981). Additional releases included Our Best to You (1982), a compilation of their early work, and In Session (1983), which yielded singles like "Silent Partners" (number 20, 1984). These albums highlighted their chemistry, often exploring themes of love, longing, and regional pride in the American West.[45]| Single | Year | Peak Position (US Country) |
|---|---|---|
| "You're the Reason God Made Oklahoma" | 1981 | 1 |
| "A Texas State of Mind" | 1981 | 9 |
| "Husbands and Wives" | 1981 | 16 |
| "I Just Came Here to Dance" | 1982 | 7 |
| "Silent Partners" | 1984 | 20 |