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David Hamilton (photographer)
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David Hamilton (photographer)
David Hamilton (15 April 1933 – 25 November 2016) was a British photographer and film director best known for his photography of young women and girls, mostly nude. Hamilton's images became part of an "Art or pornography?" debate.
Hamilton was born in 1933 and grew up in London. His schooling was interrupted by World War II. As an evacuee, he spent some time in the countryside of Dorset, which inspired some of his work. After the war, Hamilton returned to London and finished his schooling.
His artistic skills began to emerge during a job at an architect's office. At age 20, he went to Paris, where he worked as a graphic designer for Peter Knapp of Elle magazine. After becoming known and successful, he was hired away from Elle by Queen magazine in London as an art director. Hamilton soon realised his love for Paris, and after returning there, became the art director of Printemps, the city's largest department store. While Hamilton was still employed at Printemps, he began doing commercial photography, and the dreamy, grainy style of his images quickly brought him success.
His photographs were in demand by other magazines such as Réalités, Twen and Photo. By the end of the 1960s, all of Hamilton's photographs appeared to have been snapped through a hazy mist. His further successes included dozens of photographic books with combined sales well into the millions, five feature films, countless magazine displays, and museum and gallery exhibitions. His work was exhibited in every one of the first three years of The Photographers' Gallery, London, but was roundly condemned by photojournalist Euan Duff for its "cliched pictorial symbolism exploiting soft focus, pastel colours, country landscapes and old houses, old fashioned clothes, and even white doves to give a phoney impression of healthy food ad naturalness; they are a sort of wholemeal stoneground pornography," exhibited "because the gallery needs the money."
In December 1977, Images Gallery—a studio owned by Bob Persky at 11 East 57th Street in Manhattan—showed his photographs at the same time that Bilitis was released. At that time, art critic Gene Thornton wrote in The New York Times that they reveal "the kind of ideal that regularly was expressed in the great paintings of the past". Hamilton has said that his work looks for "the candor of a lost paradise". In his book, Contemporary Photographers, curator Christian Caujolle wrote that Hamilton worked only with two fixed devices: "a clear pictorial intention and a latent eroticism, ostensibly romantic but asking for trouble".
In 1995, Hamilton said that people "have made contradictions of nudity and purity, sensuality and innocence, grace and spontaneity. I try to harmonize them and that's my secret and the reason for my success". Besides depicting young women and girls, Hamilton composed photographs of flowers, men, landscapes, farm animals, pigeons, and still lifes of fresh fruit. Several of his photographs look like oil paintings. Most of his work gives the impression of timelessness because of the absence of cars, modern buildings, and advertisement boards. In 1976, Denise Couttès explained Hamilton's phenomenal success on page 6 of The Best of David Hamilton. His images, she wrote, "express escapism. People can only escape from the violence and cruelty of the modern world through dreams and nostalgia".
His soft focus style came back into fashion at Vogue, Elle, and other fashion magazines beginning around 2003. Hamilton had been in a relationship with Mona Kristensen (b. 1950),[when?], a model in many of his early photobooks who made her screen debut in Bilitis. Later he married Gertrude Versyp, who co-designed The Age of Innocence,. They later divorced amicably. Hamilton divided his time between Saint-Tropez and Paris. He enjoyed a revival in popularity after 2005. In 2006, David Hamilton, a collection of captioned photographs, and Erotic Tales, which contains Hamilton's fictional short stories, were published. At the time of his death, Hamilton had another book in the works, a monograph about Montenegro. He was working with Jelica Bujić, who was his first and last photography assistant.
Much of Hamilton's work depicted early-teen girls, often nude, and he was the subject of controversy, including child pornography allegations, similar to those which the work of Sally Mann and Jock Sturges have attracted. For moral reasons several of Hamilton's books were banned in South Africa. In the late 1990s, conservative Christian groups in America unsuccessfully protested against bookstores selling Hamilton's photography books. As Chris Warmoll, writing for The Guardian in 2005, commented, "Hamilton's photographs have long been at the forefront of the 'Is it art or pornography?' debate."
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David Hamilton (photographer)
David Hamilton (15 April 1933 – 25 November 2016) was a British photographer and film director best known for his photography of young women and girls, mostly nude. Hamilton's images became part of an "Art or pornography?" debate.
Hamilton was born in 1933 and grew up in London. His schooling was interrupted by World War II. As an evacuee, he spent some time in the countryside of Dorset, which inspired some of his work. After the war, Hamilton returned to London and finished his schooling.
His artistic skills began to emerge during a job at an architect's office. At age 20, he went to Paris, where he worked as a graphic designer for Peter Knapp of Elle magazine. After becoming known and successful, he was hired away from Elle by Queen magazine in London as an art director. Hamilton soon realised his love for Paris, and after returning there, became the art director of Printemps, the city's largest department store. While Hamilton was still employed at Printemps, he began doing commercial photography, and the dreamy, grainy style of his images quickly brought him success.
His photographs were in demand by other magazines such as Réalités, Twen and Photo. By the end of the 1960s, all of Hamilton's photographs appeared to have been snapped through a hazy mist. His further successes included dozens of photographic books with combined sales well into the millions, five feature films, countless magazine displays, and museum and gallery exhibitions. His work was exhibited in every one of the first three years of The Photographers' Gallery, London, but was roundly condemned by photojournalist Euan Duff for its "cliched pictorial symbolism exploiting soft focus, pastel colours, country landscapes and old houses, old fashioned clothes, and even white doves to give a phoney impression of healthy food ad naturalness; they are a sort of wholemeal stoneground pornography," exhibited "because the gallery needs the money."
In December 1977, Images Gallery—a studio owned by Bob Persky at 11 East 57th Street in Manhattan—showed his photographs at the same time that Bilitis was released. At that time, art critic Gene Thornton wrote in The New York Times that they reveal "the kind of ideal that regularly was expressed in the great paintings of the past". Hamilton has said that his work looks for "the candor of a lost paradise". In his book, Contemporary Photographers, curator Christian Caujolle wrote that Hamilton worked only with two fixed devices: "a clear pictorial intention and a latent eroticism, ostensibly romantic but asking for trouble".
In 1995, Hamilton said that people "have made contradictions of nudity and purity, sensuality and innocence, grace and spontaneity. I try to harmonize them and that's my secret and the reason for my success". Besides depicting young women and girls, Hamilton composed photographs of flowers, men, landscapes, farm animals, pigeons, and still lifes of fresh fruit. Several of his photographs look like oil paintings. Most of his work gives the impression of timelessness because of the absence of cars, modern buildings, and advertisement boards. In 1976, Denise Couttès explained Hamilton's phenomenal success on page 6 of The Best of David Hamilton. His images, she wrote, "express escapism. People can only escape from the violence and cruelty of the modern world through dreams and nostalgia".
His soft focus style came back into fashion at Vogue, Elle, and other fashion magazines beginning around 2003. Hamilton had been in a relationship with Mona Kristensen (b. 1950),[when?], a model in many of his early photobooks who made her screen debut in Bilitis. Later he married Gertrude Versyp, who co-designed The Age of Innocence,. They later divorced amicably. Hamilton divided his time between Saint-Tropez and Paris. He enjoyed a revival in popularity after 2005. In 2006, David Hamilton, a collection of captioned photographs, and Erotic Tales, which contains Hamilton's fictional short stories, were published. At the time of his death, Hamilton had another book in the works, a monograph about Montenegro. He was working with Jelica Bujić, who was his first and last photography assistant.
Much of Hamilton's work depicted early-teen girls, often nude, and he was the subject of controversy, including child pornography allegations, similar to those which the work of Sally Mann and Jock Sturges have attracted. For moral reasons several of Hamilton's books were banned in South Africa. In the late 1990s, conservative Christian groups in America unsuccessfully protested against bookstores selling Hamilton's photography books. As Chris Warmoll, writing for The Guardian in 2005, commented, "Hamilton's photographs have long been at the forefront of the 'Is it art or pornography?' debate."
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