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Death by Moonlight: Bomber Command
Death by Moonlight: Bomber Command is an episode of the 1992 Canadian The Valour and the Horror television documentary miniseries, and was a co-production between the Canadian Broadcasting Corporation (CBC), the National Film Board of Canada (NFB) and Galafilm Inc. The series investigated three significant Canadian military engagements from the Second World War with Death by Moonlight: Bomber Command dealing with the experiences of Canadian pilots in the RAF Bomber Command.
During the Second World War, between 1942 and 1945, over 50,000 Royal Canadian Air Force (RCAF) personnel served overseas in the RAF Bomber Command with No. 6 Group RCAF. The air crews flew heavy bombers, including the Avro Lancaster and Handley Page Halifax bombers on night raids over enemy territory in Europe. The odds against survival were high, with one in three airmen killed in aerial combat.
Under command of Air Chief Marshal Arthur Harris, the air war changed from one of strategic bombing of military targets such as the dam buster attacks on German dams, to the "area bombing" of German cities. The poor results that had been received in the night bombing campaign was cited as the reason for the shift in tactics. Harris was tasked with implementing Prime Minister Winston Churchill's policy and supported the development of tactics and technology to perform the task more effectively. In order to drop more bombs, the bombers were stripped, taking out heavy armour plates, making them lighter but offering less protection to the air crews.
Canadian airmen were not fully aware of the damage and destruction that was being caused by area bombing with incendiary bombs although the bombing of Hamburg created a firestorm that destroyed the city and caused over 50,000 casualties, many of whom were civilians. The physical and mental strain on surviving air crews was also devastating, with some dismissed as "lacking moral fibre" while others had to live with their guilt, or their wounds. To some, the returning air crew were an embarrassment, while the men and women themselves rarely talked about their war experiences.
The Valour and the Horror series was written by Terence McKenna and his brother, Brian, an award-winning journalist and founding producer of The Fifth Estate who was also the series director. In Death by Moonlight: Bomber Command, of the second program in the series, the feature-length documentary focuses on the Canadian pilots who served in the Bomber Command during the Second World War. Using a docudrama approach, a combination of first-person interviews, re-enactments, stock footage and photographs, was used to depict the war from the perspective of the RCAF airmen and airwomen.
Veterans Doug Harvey and Ken Brown, former RCAF pilots toured the abandoned British airfields such as RAF Tholthorpe where they were stationed in the Second World War. After meeting a number of German civilians who had lived through the Hamburg raid, they were visibly moved by the accounts of the destruction of the city. The veterans also joined a reunion of German night fighter pilots, meeting the very men who tried to kill them.
Death by Moonlight: Bomber Command first aired on January 19, 1992. Canadian veterans' groups and some prominent historians immediately claimed the episode inaccurately depicted the role of the Bomber Command. Historian Jack Granatstein, in his book, Who Killed Canadian History? also severely criticized The Valour and the Horror. Although accepting that night bombing had initially been ineffective, ultimately leading to a campaign against German cities, the critics noted the more than 600,000 German civilians, mostly old men, women and children were collateral damage, not part of a deliberate campaign.
The Valour and the Horror series became the subject of an inquiry by the Senate of Canada, with the sub-committee that reviewed the veteran's claims, concluding, "... that the criticisms levelled at 'The Valour and the Horror' are, for the most part, legitimate. Simply put, although the filmmakers have a right to their point of view, they have failed to present that point of view with any degree of accuracy or fairness."
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Death by Moonlight: Bomber Command
Death by Moonlight: Bomber Command is an episode of the 1992 Canadian The Valour and the Horror television documentary miniseries, and was a co-production between the Canadian Broadcasting Corporation (CBC), the National Film Board of Canada (NFB) and Galafilm Inc. The series investigated three significant Canadian military engagements from the Second World War with Death by Moonlight: Bomber Command dealing with the experiences of Canadian pilots in the RAF Bomber Command.
During the Second World War, between 1942 and 1945, over 50,000 Royal Canadian Air Force (RCAF) personnel served overseas in the RAF Bomber Command with No. 6 Group RCAF. The air crews flew heavy bombers, including the Avro Lancaster and Handley Page Halifax bombers on night raids over enemy territory in Europe. The odds against survival were high, with one in three airmen killed in aerial combat.
Under command of Air Chief Marshal Arthur Harris, the air war changed from one of strategic bombing of military targets such as the dam buster attacks on German dams, to the "area bombing" of German cities. The poor results that had been received in the night bombing campaign was cited as the reason for the shift in tactics. Harris was tasked with implementing Prime Minister Winston Churchill's policy and supported the development of tactics and technology to perform the task more effectively. In order to drop more bombs, the bombers were stripped, taking out heavy armour plates, making them lighter but offering less protection to the air crews.
Canadian airmen were not fully aware of the damage and destruction that was being caused by area bombing with incendiary bombs although the bombing of Hamburg created a firestorm that destroyed the city and caused over 50,000 casualties, many of whom were civilians. The physical and mental strain on surviving air crews was also devastating, with some dismissed as "lacking moral fibre" while others had to live with their guilt, or their wounds. To some, the returning air crew were an embarrassment, while the men and women themselves rarely talked about their war experiences.
The Valour and the Horror series was written by Terence McKenna and his brother, Brian, an award-winning journalist and founding producer of The Fifth Estate who was also the series director. In Death by Moonlight: Bomber Command, of the second program in the series, the feature-length documentary focuses on the Canadian pilots who served in the Bomber Command during the Second World War. Using a docudrama approach, a combination of first-person interviews, re-enactments, stock footage and photographs, was used to depict the war from the perspective of the RCAF airmen and airwomen.
Veterans Doug Harvey and Ken Brown, former RCAF pilots toured the abandoned British airfields such as RAF Tholthorpe where they were stationed in the Second World War. After meeting a number of German civilians who had lived through the Hamburg raid, they were visibly moved by the accounts of the destruction of the city. The veterans also joined a reunion of German night fighter pilots, meeting the very men who tried to kill them.
Death by Moonlight: Bomber Command first aired on January 19, 1992. Canadian veterans' groups and some prominent historians immediately claimed the episode inaccurately depicted the role of the Bomber Command. Historian Jack Granatstein, in his book, Who Killed Canadian History? also severely criticized The Valour and the Horror. Although accepting that night bombing had initially been ineffective, ultimately leading to a campaign against German cities, the critics noted the more than 600,000 German civilians, mostly old men, women and children were collateral damage, not part of a deliberate campaign.
The Valour and the Horror series became the subject of an inquiry by the Senate of Canada, with the sub-committee that reviewed the veteran's claims, concluding, "... that the criticisms levelled at 'The Valour and the Horror' are, for the most part, legitimate. Simply put, although the filmmakers have a right to their point of view, they have failed to present that point of view with any degree of accuracy or fairness."