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Deborah Levy
Deborah Levy FRSL (born 6 August 1959) is a South African novelist, playwright and poet. She initially concentrated on writing for the theatre – her plays were staged by the Royal Shakespeare Company – before focusing on prose fiction. Her early novels included Beautiful Mutants, Swallowing Geography, and Billy & Girl. Her more recent fiction has included the Booker-shortlisted novels Swimming Home and Hot Milk, as well as the Booker-longlisted The Man Who Saw Everything, and the short-story collection Black Vodka.
Levy was born in Johannesburg, South Africa, the granddaughter of working-class Lithuanian Jewish immigrants on her father's side, and an upper-middle-class "English colonial" family, as she described it, on her mother's side. Her father, Norman Levy, was a member of the African National Congress and an academic and historian. Her mother was Philippa (née Murrell). Her father was placed under a banning order by the Apartheid government from 1964 until the family fled to London in 1968.
The family initially lived in Wembley before moving to Petts Wood. Her parents divorced in 1974. Levy was educated at St Saviour's and St Olave's School, Southwark, and then at Hampstead School. She then trained at Dartington College of Arts, which she was inspired to attend by Derek Jarman, whom she met while working as an usher at Notting Hill's Gate Cinema.
After leaving Dartington in 1981, Levy wrote a number of plays, including Pax, Heresies for the Royal Shakespeare Company, and others (Clam, The B File, Pushing the Prince into Denmark, Macbeth – False Memories, and Honey, Baby), which are published in Levy: Plays 1 (Methuen). She was director and writer for Man Act Theatre Company, a radical group that operated under the umbrella of Cardiff Laboratory Theatre, based at Chapter Arts Centre.
Levy's major work as a poet is An Amorous Discourse in the Suburbs of Hell (1990), which takes the form of a conversation between an angel and an accountant. It considers the struggle between, on the one hand, spontaneity and ambition, and, on the other, logic and contentment.
Levy published a collection of short stories, Ophelia and the Great Idea, in 1985. Her first novel, Beautiful Mutants, was published in 1987 by Jonathan Cape. Her second novel, Swallowing Geography, was published in 1993, also by Cape, and her third, Billy and Girl, was published in 1996 by Bloomsbury. Her short story "Proletarian Zen" was published in PEN New Fiction in 1985 by PEN International and Quartet Books. Swimming Home (And Other Stories, 2011) was shortlisted for the Man Booker Prize 2012 among other awards. Levy published a short story collection, Black Vodka (And Other Stories, 2013), which cemented her reputation as "one of the most exciting voices in contemporary British fiction." Her novel Hot Milk was published in 2016 and was shortlisted for the Man Booker Prize 2016. In 2019 her novel The Man Who Saw Everything was longlisted for the Booker Prize.
Levy's first volume of autobiography, Things I Don't Want to Know, was written in response to George Orwell's essay "Why I Write" and was published in 2013. In 2018, she published a second volume, The Cost of Living. She has described them as "living" autobiographies, since they are "hopefully not being written at the end, with hindsight, but in the storm of life". The final volume, Real Estate, was published in May 2021.
In the London Review of Books in 2016, Alice Spawls commented on several unconventional characteristics of Levy's writing: she "doesn't like stable narrators", has a "preference for shifting perspectives – she especially likes looking at one character through another", and "is interested in women who don’t have homes and aren't sure where to look for them" ("women who like to dissect things, who reassure themselves with cataloguing and calculating, as though people and feelings could be contained by indices"). Spawls noted that Levy's stories "almost always begin with a failure of language", explaining that Levy "has said that she's not interested in the most articulate person in the room, and that her work is informed by the theatre director Zofia Kalinska’s statement: 'We always hesitate when we wish for something. In my theatre, I like to show the hesitation and not to conceal it. A hesitation is not the same as a pause. It is an attempt to defeat the wish.'"
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Deborah Levy
Deborah Levy FRSL (born 6 August 1959) is a South African novelist, playwright and poet. She initially concentrated on writing for the theatre – her plays were staged by the Royal Shakespeare Company – before focusing on prose fiction. Her early novels included Beautiful Mutants, Swallowing Geography, and Billy & Girl. Her more recent fiction has included the Booker-shortlisted novels Swimming Home and Hot Milk, as well as the Booker-longlisted The Man Who Saw Everything, and the short-story collection Black Vodka.
Levy was born in Johannesburg, South Africa, the granddaughter of working-class Lithuanian Jewish immigrants on her father's side, and an upper-middle-class "English colonial" family, as she described it, on her mother's side. Her father, Norman Levy, was a member of the African National Congress and an academic and historian. Her mother was Philippa (née Murrell). Her father was placed under a banning order by the Apartheid government from 1964 until the family fled to London in 1968.
The family initially lived in Wembley before moving to Petts Wood. Her parents divorced in 1974. Levy was educated at St Saviour's and St Olave's School, Southwark, and then at Hampstead School. She then trained at Dartington College of Arts, which she was inspired to attend by Derek Jarman, whom she met while working as an usher at Notting Hill's Gate Cinema.
After leaving Dartington in 1981, Levy wrote a number of plays, including Pax, Heresies for the Royal Shakespeare Company, and others (Clam, The B File, Pushing the Prince into Denmark, Macbeth – False Memories, and Honey, Baby), which are published in Levy: Plays 1 (Methuen). She was director and writer for Man Act Theatre Company, a radical group that operated under the umbrella of Cardiff Laboratory Theatre, based at Chapter Arts Centre.
Levy's major work as a poet is An Amorous Discourse in the Suburbs of Hell (1990), which takes the form of a conversation between an angel and an accountant. It considers the struggle between, on the one hand, spontaneity and ambition, and, on the other, logic and contentment.
Levy published a collection of short stories, Ophelia and the Great Idea, in 1985. Her first novel, Beautiful Mutants, was published in 1987 by Jonathan Cape. Her second novel, Swallowing Geography, was published in 1993, also by Cape, and her third, Billy and Girl, was published in 1996 by Bloomsbury. Her short story "Proletarian Zen" was published in PEN New Fiction in 1985 by PEN International and Quartet Books. Swimming Home (And Other Stories, 2011) was shortlisted for the Man Booker Prize 2012 among other awards. Levy published a short story collection, Black Vodka (And Other Stories, 2013), which cemented her reputation as "one of the most exciting voices in contemporary British fiction." Her novel Hot Milk was published in 2016 and was shortlisted for the Man Booker Prize 2016. In 2019 her novel The Man Who Saw Everything was longlisted for the Booker Prize.
Levy's first volume of autobiography, Things I Don't Want to Know, was written in response to George Orwell's essay "Why I Write" and was published in 2013. In 2018, she published a second volume, The Cost of Living. She has described them as "living" autobiographies, since they are "hopefully not being written at the end, with hindsight, but in the storm of life". The final volume, Real Estate, was published in May 2021.
In the London Review of Books in 2016, Alice Spawls commented on several unconventional characteristics of Levy's writing: she "doesn't like stable narrators", has a "preference for shifting perspectives – she especially likes looking at one character through another", and "is interested in women who don’t have homes and aren't sure where to look for them" ("women who like to dissect things, who reassure themselves with cataloguing and calculating, as though people and feelings could be contained by indices"). Spawls noted that Levy's stories "almost always begin with a failure of language", explaining that Levy "has said that she's not interested in the most articulate person in the room, and that her work is informed by the theatre director Zofia Kalinska’s statement: 'We always hesitate when we wish for something. In my theatre, I like to show the hesitation and not to conceal it. A hesitation is not the same as a pause. It is an attempt to defeat the wish.'"