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Deep Wheel Orcadia

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Deep Wheel Orcadia is a science-fiction novel by Harry Josephine Giles. It is a verse novel written in the Orcadian dialect of the Scots language in parallel with an English translation. The book won the 2022 Arthur C. Clarke Award. It was published by Picador Poetry in 2021.^[1]

Key Information


Author	Harry Josephine Giles
Language	Scots, English
Genre	Science fiction, verse novel
Published	2021
Publisher	Picador Poetry
Publication place	United Kingdom
Media type	Print
ISBN	978-1-5290-6660-9

Plot

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The story is a romance set on a space station orbiting a gas giant.^[2]

Style

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The book is written in Orcadian verse, with an English translation provided in smaller text.^[2] Translations for Orcadian words provide several possible English translations in a compound word.^[3] The English translations were formatted to draw attention to the Orcadian, a technique also used by Gaelic poet Rody Gorman.^[2]

Awards

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The book was longlisted for the Highland Book Prize longlist, but was withdrawn by Giles over the lack of minority representation.^[4] Deep Wheel Orcadia was the only work withdrawn.^[5]

In 2022, Deep Wheel Orcadia won the Arthur C. Clarke Award, where it was praised for its writing and its use of language.^[6]

Reception

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The Guardian called the book "a book of astonishments".^[7] The Orkney News made favourable comparisons between elements of the story and life on Orkney, such as bad internet speeds, but felt the ending was unsatisfying and the cast list excessive.^[8]

The Scotsman said the book "lacked direction" and criticised the use of Orcadian.^[3]

The chair of the judges for the Arthur C. Clarke Award described the book as "the sort of book that makes you rethink what science fiction can do and makes the reading experience feel strange in a new and thrilling way. It's as if language itself becomes the book's hero and the genre is all the richer for it."^[6]

References

[edit]

^ Fitzpatrick, Cat (15 November 2021). "Deep Wheel Orcadia by Harry Josephine Giles". Strange Horizons. Retrieved 29 October 2022.
^ ^a ^b ^c Richardson, Michael Lee (11 October 2021). "Harry Josephine Giles on Orkney Sci-Fi Deep Wheel Orcadia". The Skinny. Retrieved 28 October 2022.
^ ^a ^b Kelly, Stuart (15 October 2021). "Book review: Deep Wheel Orcadia, by Harry Josephine Giles". The Scotsman. Retrieved 29 October 2022.
^ Merritt, Mike (10 January 2022). "Author Harry Josephine Giles pulls novel from Highland Book Prize in protest against all-white shortlists". The Times. Retrieved 27 October 2022.
^ Smith, Reiss (28 April 2022). "Author on 'horrible' reality of trans folk having to fund each other's healthcare". PinkNews. Retrieved 29 October 2022.
^ ^a ^b Shaffi, Sarah (26 October 2022). "Arthur C Clarke award goes to 'thrilling' verse novel by Harry Josephine Giles". the Guardian. Retrieved 28 October 2022.
^ Sampson, Fiona (1 October 2021). "The best recent poetry – review roundup". the Guardian. Retrieved 30 October 2022.
^ Armet, Monika (26 October 2022). "'Deep Wheel Orcadia' by Harry Josephine Giles Wins Top Science Fiction Award". The Orkney News. Retrieved 30 October 2022.

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from Grokipedia

Deep Wheel Orcadia is a science fiction verse novel by Scottish author Harry Josephine Giles, first published in 2021 by Canongate Books.^[1] Composed primarily in the Orcadian dialect of Scots with a parallel English translation, the work follows protagonists Astrid, a miner, and Darling, an artist, as they navigate life, relationships, and existential challenges aboard the titular deep-space wheel station orbiting a distant gas giant.^[2] The novel's innovative form blends poetry and prose to evoke the rhythms of Orkney life transposed to a futuristic, isolated habitat, emphasizing themes of language, community, and human resilience in extreme environments.^[3] Giles's experimental approach marks Deep Wheel Orcadia as a pioneering effort in minority language science fiction, revitalizing the endangered Orcadian dialect through speculative narrative.^[1] The book received critical acclaim for its linguistic creativity and atmospheric world-building, culminating in its selection as the winner of the 2022 Arthur C. Clarke Award, the UK's premier prize for science fiction literature.^[4] This achievement underscores the novel's success in merging poetic tradition with genre conventions, challenging readers to engage with dialectal authenticity while accessing broader speculative ideas.^[5]

Background

Author

Harry Josephine Giles is a Scottish writer, poet, and performer born in 1986 in Orkney.^[6] Raised on the islands, Giles drew from local experiences, including schooling under teacher Simon Hall, whose focus on Orkney literature and language fostered an early engagement with regional dialects and Scots vernacular.^[3] This background informed Giles's advocacy for minority languages, evident in works emphasizing linguistic preservation amid cultural shifts.^[7] Giles's prior publications established their reputation in poetry and performance. Tonguit, a 2015 collection exploring identity through Scots and English, was shortlisted for the Forward Prize for Best First Collection in 2016.^[8] The Games (2018) extended this with experimental forms, incorporating sound poetry, found texts, and computer-generated elements to probe language play and bureaucracy.^[9] These efforts, alongside live literature and zine productions, positioned Giles as a voice for Orkney's dialectal heritage before Deep Wheel Orcadia.^[10] Now based in Leith, Giles continues performing and writing, building on island-rooted influences to revive underrepresented linguistic traditions.^[11]

Publication History

![Deep Wheel Orcadia book cover](./assets/Deep_Wheel_Orcadia_

book_cover

Deep Wheel Orcadia was published by Picador, an imprint of Pan Macmillan, on 14 October 2021.^[2] The hardcover and paperback editions present the original verse in the Orcadian dialect of Scots alongside a parallel English translation, facilitating accessibility while preserving the linguistic integrity of the primary text. The novel developed from author Harry Josephine Giles's immersion in Orkney's dialect, informed by influences such as educators Simon Hall and writer Matthew Fitt amid a Scots literary renaissance since the 1990s, combined with an affinity for science fiction exemplified by works like Matthew Fitt's But n Ben A-Go-Go.^[12] Giles employed the dialect to envision its endurance in extraterrestrial contexts, countering narratives of minority language decline by projecting Orcadian Scots into speculative futures where it thrives alongside English.^[7] An unabridged audiobook edition, narrated by Giles to capture the dialect's nuances and alternating between Orcadian sections and English translations, was released by Picador on 17 March 2022.^[13]

Content

Plot Summary

Deep Wheel Orcadia centers on two principal characters: Astrid, a local who returns to the titular deep-space station after attending art school on Mars in pursuit of creative inspiration, and Darling, an outsider artist escaping circumstances from her prior life.^[5]^[14] The narrative unfolds amid the station's economic decline, where failures in the light harvest—critical for sustaining the isolated community's resources—exacerbate tensions and political maneuvering under the control of the ruling Wheeler family.^[5]^[15] As Astrid and Darling's relationship develops, the story examines their personal searches for purpose within this resource-scarce environment, highlighting interpersonal dynamics and communal strains without a traditional linear progression of events.^[14]^[16] The arc builds toward considerations of individual and collective endurance but terminates abruptly, prioritizing evocative character moments over resolution.^[3]^[16]

Setting and World-Building

Deep Wheel Orcadia is an isolated space station situated in the remote outer Northern Federation, orbiting a yellow gas giant far from major centers of human habitation. The station features a central hub equipped with a spinning ring to generate artificial gravity, pierheads bustling with local spacefaring vessels called yoles, and tethered bolas extending its operational reach. This configuration supports the community's extraction activities and daily functions in a resource-scarce void, evoking the structural necessities of rotating habitats for long-term human settlement in space.^[17] The station's economy centers on harvesting "Light," a volatile fuel mined from the gas giant's atmosphere that enables faster-than-light travel across human space. Yields from these operations have been declining, with catches diminishing progressively, exacerbating economic fragility as emerging trade routes and advanced technologies render the outpost obsolete. This reliance on extractive industry underscores causal pressures from resource depletion and market shifts, without the narrative attributing specific geophysical or technological failures to the shortfall.^[15] Community life on Deep Wheel Orcadia reflects a gritty, insular self-reliance, with inhabitants focused on labor-intensive maintenance and harvesting amid profound isolation. Drawing parallels to the Orkney archipelago's peripheral existence, the setting scales earthly hardships—such as vulnerability to external economic forces and environmental constraints—to interstellar proportions, incorporating realistic sci-fi mechanics like atmospheric scooping and adaptation to confined, artificial environments. Interstellar migration via longships and terraforming efforts in the broader universe contrast sharply with the station's stagnation, highlighting tensions between expansionist frontiers and failing backwater dependencies.^[1]^[17]

Form and Style

Linguistic Features

Deep Wheel Orcadia is composed primarily in the Orcadian dialect of Scots, a minority linguistic variant shaped by Old Norse influences stemming from Viking-era Norn, which evolved under subsequent Scottish linguistic pressures.^[7] This dialect incorporates phonetic spellings and vocabulary reflective of Orkney speech patterns, such as terms like dwam (daze) and smirr (drizzle), to evoke the region's oral traditions.^[18] Accompanying the Orcadian text is a parallel English gloss, enabling comprehension for non-speakers while preserving the original's rhythmic and semantic nuances.^[1] Author Harry Josephine Giles drew upon empirical observations of contemporary Orkney vernacular to construct the dialect's representation, integrating elements like multi-layered word usages—e.g., canny denoting skilled, wise, magical, or cautious—to mirror Scots linguistics' polysemy.^[18] Giles has articulated that employing this "small tongue" in a science fiction context serves to project its future endurance, stating, "Writing science fiction in my small tongue is a way of willing that language into the future."^[7] This approach underscores an intent to affirm the dialect's viability amid broader pressures on minority languages, rooted in Giles's Orkney upbringing and research into Scots dialects.^[7] The dialect's implementation, however, presents accessibility hurdles, including unconventional orthography (e.g., arkaeolojist for archaeologist) that prioritizes phonetic lilt over standardization, and opaque vocabulary like birl (whirl, rush, dance, spinning) or unca (strange, weird), which demand glossary-like consultation even with translations.^[18] While commended for linguistic authenticity in capturing Orcadian idiom's distinctiveness from broader Scots, these features have drawn critique for potentially alienating readers unacquainted with the dialect, risking opacity that prioritizes form over fluid engagement.^[18] Such tensions highlight the trade-offs in leveraging regional linguistics for literary innovation, where empirical fidelity to speech patterns can impede universal readability.^[18]

Verse Structure

Deep Wheel Orcadia employs a free verse structure organized into short chapters, each comprising a distinct poem typically centered on a single character's viewpoint.^[19] Stanzas within these chapters feature consistent lengths, fostering a lyrical brevity that echoes the oral cadences of Norse sagas.^[19]^[20] This form varies in meter and shape across sections, allowing rhythmic shifts—from deliberate slowness in introspective passages to brisker pulses in active scenes—that adapt to narrative demands.^[16] The parallel translation layout positions the original Orcadian text above its English rendering on facing pages, enabling readers to engage both versions simultaneously for layered comprehension.^[19] This dual presentation heightens the bilingual immersion but often disrupts linear flow and readability, particularly for those unfamiliar with the dialect, as observed in 2022 analyses.^[16]^[21] Repetition and sonic patterning reinforce rhythmic mimicry of spoken traditions, emphasizing atmospheric evocation and perceptual disorientation over straightforward plot progression, which results in a slower, more contemplative pace suited to poetry's medium.^[19]^[16]^[21]

Themes and Analysis

Core Themes

The narrative of Deep Wheel Orcadia centers on the motif of belonging and home amid isolation, where protagonists navigate insider-outsider tensions in a remote space habitat facing decline, mirroring real-world patterns of emigration from peripheral communities like the Orkney Islands, from which the work draws inspiration.^[12] Reviewers observe that the station's struggles evoke empirical challenges of sustaining small, resource-limited populations, where attachment to place contends with the pull of larger centers, without idealizing stasis over adaptation.^[17] This dynamic underscores causal pressures of geographic and economic marginality, as characters weigh rootedness against mobility in a universe of finite habitats.^[22] Economic precarity and labor form another key thread, with the habitat's reliance on extracting resources from a gas giant symbolizing vulnerabilities of extractive industries in isolated settings, where failing yields highlight the limits of self-sufficiency absent broader trade networks.^[23] The text portrays labor not as heroic drudgery but as a pragmatic necessity amid shifting markets, critiquing both entrenched capitalism and unproven alternatives through characters' encounters with automation and scarcity, grounded in the observable fragility of mono-dependent economies.^[12] Skeptical undertones emerge in depictions of aid's insufficiency, reflecting first-hand accounts of peripheral regions' resistance to central dependency without overvaluing insular independence.^[18] Gender and generational conflicts are interwoven with survival imperatives, depicting queer relationships and familial rifts as extensions of communal endurance rather than standalone identities, where interpersonal bonds must serve practical cohesion in a harsh environment.^[17] The narrative explores how sexuality and age hierarchies operate within societal structures strained by change, attributing tensions to resource competition and demographic shifts rather than abstract ideologies, as seen in characters' negotiations of roles amid the station's existential threats.^[23] This approach yields a realist lens, acknowledging evolutionary and environmental drivers of social norms while questioning romanticized views of fluidity untethered from material constraints.^[12]

Interpretations and Critiques

Interpretations of Deep Wheel Orcadia often center on its projection of Orkney's dialect into a futuristic space habitat as a speculative antidote to contemporary linguistic erosion in the Orkney Islands, where the Orcadian variant of Scots—shaped by Norse influences—faces decline amid English dominance and demographic shifts. Giles has described the dialect as "hidden" and essential to the narrative's authenticity, arguing in a 2021 interview that only through this minority language could the story of isolation and identity be conveyed, effectively using science fiction to envision its endurance on a vast wheel-shaped station orbiting Stromness.^[7] This approach draws causal parallels to real-world factors like economic peripheralization in Orkney, where limited connectivity and reliance on sectors such as fishing and tourism exacerbate cultural insularity, mirrored in the novel's enclosed, resource-scarce setting that sustains dialect as a marker of communal resilience.^[24] Critiques, however, frequently highlight an imbalance where linguistic and formal experimentation overshadows narrative depth, with reviewers noting that the verse structure and dialect immersion render sci-fi elements "basic" or underdeveloped, prioritizing phonetic revival over plot propulsion or character agency. A 2021 review in The Scotsman critiqued the protagonists as insubstantial, observing that readers may remain indifferent to their fates amid the opacity of Orcadian orthography and multilingual layering, which demand glossaries and audio aids for accessibility.^[18] Similarly, analyses in speculative fiction outlets have pointed to the absence of tidy resolutions, interpreting the focus on quotidian relationships and linguistic texture as a deliberate rejection of genre conventions, yet one that risks alienating audiences seeking causal progression in themes of interstellar hardship.^[25] Analytically, the work achieves notable success in cultural preservation by generating new literature in a threatened dialect—Giles's PhD project explicitly aimed to foster Orcadian-language creation against erosion trends documented in Scots linguistic studies—yet invites debate over whether this elevates parochial identity markers at the expense of universal struggles, such as economic precarity in isolated locales, which affect both minority and majority populations without romantic futurist framing.^[24] While the novel's causal realism in linking habitat isolation to linguistic tenacity aligns with empirical patterns of dialect retention in peripheral economies, critics argue it potentially idealizes communal bonds in Orcadia's wheel, underplaying broader evidence of migration-driven language loss in Orkney, where younger generations increasingly adopt standard English for mobility.^[26] This tension underscores a broader literary trade-off: innovation in form bolsters minority voice endurance but may dilute scrutiny of prosaic causal drivers like globalization's homogenizing pressures.^[27]

Recognition

Awards

Deep Wheel Orcadia won the 2022 Arthur C. Clarke Award, which honors the best science fiction novel first published in the United Kingdom in the preceding calendar year. The announcement occurred on October 26, 2022, at the Science Museum in London, where author Harry Josephine Giles received £2,022 along with an engraved bookend trophy.^[4]^[28] The judging panel, chaired by Dr. Andrew M. Butler, selected the novel from a shortlist of six for its bold experimentation with form and language. Butler described it as a work that "makes you rethink what science fiction can do" and delivers a reading experience that feels "strange in a new and thrilling way," positioning language itself as the central heroic element.^[4] Jury member Fiona Sampson highlighted its engagement with "questions of identity and belonging."^[4] As a verse novel composed in Orkney dialect parallel to an English gloss, the win signified expanded recognition within science fiction for hybrid literary structures blending poetry and prose narrative.^[4] No additional major literary awards for the novel are documented.^[29]

Reception

Critical Responses

The Guardian described Deep Wheel Orcadia as "a book of astonishments," praising its verse novel structure for threading questions of identity and belonging with linguistic innovation in the Orcadian dialect.^[30] Similarly, Strange Horizons lauded the work's compulsive readability, with reviewer Cat Fitzpatrick noting they "devoured it in a day, skipping out on other responsibilities," attributing this to the seamless integration of science fiction narrative and poetic form.^[17] Nerds of a Feather commended the novel's haunting emotional vividness and world-building, emphasizing how the series of poems in Orkney dialect effectively explores themes of home and identity while functioning as both storytelling and linguistic exercise.^[16] The Bottle Imp characterized the multi-lingual experimentalism as intimidating for reviewers but ultimately a promising and pleasurable challenge, highlighting its potential to expand speculative poetics through minority language.^[3]

Reader and Academic Feedback

Readers on platforms such as Goodreads have rated Deep Wheel Orcadia an average of 3.7 out of 5 stars from 669 ratings, reflecting appreciation for its innovative form and thematic depth.^[15] Many highlight the novel's queer representation, including diverse character identities and relationships that resonate with readers seeking inclusive narratives in science fiction.^[31] The slice-of-life portrayal of daily existence on the struggling Deep Wheel Orcadia space station draws praise for evoking a grounded, community-focused atmosphere amid futuristic decay.^[19] Feedback from Reddit discussions in 2022 emphasizes the book's appeal to enthusiasts of poetry and Norse sagas, with users noting its rhythmic verse structure and mythic undertones as particularly engaging for those familiar with such traditions.^[19] Readers often comment on the immersive quality of the Orcadian dialect for Scots-speakers, who find it evocative and authentic, while the accompanying English translation aids accessibility for broader audiences.^[32] Academic responses underscore interest in the novel's promotion of language pluralism, positioning it as a speculative work that revitalizes minority dialects like Orcadian Scots in literature.^[33] Scholars view its dual-language format and focus on linguistic heritage as advancing discussions on cultural preservation in genre fiction.^[24]

Criticisms and Limitations

The experimental use of Orkney dialect and verse structure in Deep Wheel Orcadia has drawn criticism for reducing accessibility, particularly for readers unacquainted with the dialect, even with the parallel English translation provided.^[14] This opacity is said to contribute to an overall ethereal quality that obscures engagement, prioritizing linguistic innovation over immediate comprehension.^[14] Character development has been faulted for lacking substance and vividness, with protagonists described as "thin and somehow flimsy, vulnerable, being lost in the language and in space," where the focus on poetic form undermines deeper portrayal.^[14] Reviewers have echoed this, noting that characters "lack substance" to the extent that readers may feel indifferent to their fates.^[34] The plot relies on basic science fiction tropes, such as a declining space station mining a gas giant, without substantial innovation in speculative elements, emphasizing mundane daily struggles over advanced conceptual depth.^[21] The narrative ends abruptly, leaving central mysteries unresolved—including visions of historical figures, enigmatic alien wrecks, potential sentient life on the gas giant, and protagonists' personal conflicts—without providing concrete answers or closure.^[21]^[35] This structure, while intentional in its poetic ambiguity, has perplexed some readers seeking narrative resolution.^[35]

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Deep Wheel Orcadia

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