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Devi Putrudu
Devi Putrudu
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Devi Putrudu
Movie poster
Directed byKodi Ramakrishna
Screenplay byKodi Ramakrishna
Story bySumanth Art Productions
Dialogue by
Produced byM. S. Raju
StarringVenkatesh
Soundarya
Anjala Zaveri
CinematographyS. Gopal Reddy
Edited bySuresh Tata
Music byMani Sharma
Production
company
Release date
  • 14 January 2001 (2001-01-14)
[1][2]
Running time
162 minutes
CountryIndia
LanguageTelugu
Budget₹15 crore[3]

Devi Putrudu (transl. Son of Devi) is a 2001 Indian Telugu-language fantasy-drama film co-written and directed by Kodi Ramakrishna. It was produced by M. S. Raju under Sumanth Art Productions banner. It stars Venkatesh, Soundarya and Anjala Zaveri, with music composed by Mani Sharma. The film was not commercially successful.[4][5][6][7] It was dubbed and released into Tamil as Paapa and in Hindi as Aaj Ka Deviputra.[8][9]

Plot

[edit]

The film begins with an explanation of the submersion of Dwaraka by a tsunami, setting the stage for the story 5,000 years later. The plot introduces Gajjala Baburao, also known as Baburao (Venkatesh), who lives in Mumbai, surviving through petty thefts and pranks. Meanwhile, Satyavathi (Anjala Zaveri), a foreign-returned woman, visits India to see her sister, Karuna, who married an archaeologist and resides near the archaeological site of Dwaraka. Upon arriving in Bombay, Satyavathi and her uncle Peddagaddala Perayya hire a taxi driven by Baburao, who initially believes Satyavathi is carrying valuable diamonds. Realizing his mistake, Baburao plans to abandon her, but circumstances force him to travel to Dwaraka.

In Dwaraka, Baburao encounters a group of goons and narrowly escapes. He then meets a mysterious young girl named Paapa, who possesses mystical powers. Paapa reveals to Baburao that he has fallen in love with Satyavathi and encourages him to confess his feelings. Satyavathi later shares with Baburao that her sister Karuna has gone missing, prompting Baburao to investigate the mystery. As Baburao delves deeper, he discovers the eerie circumstances surrounding Karuna's disappearance.

The story then shifts to a flashback about Balaram (Venkatesh), an atheist and archaeologist who prioritizes science over faith. Balaram falls in love with Karuna, and they marry. While working near Dwaraka, Balaram becomes intrigued by a mysterious phenomenon in the sea that occurs every Mahalaya Amavasya, generating a powerful torque. Determined to uncover the truth, Balaram dives into the sea during one such event and retrieves an ancient metal box marked with a Trisulam (trident). Unbeknownst to him, a group of foreign mercenaries led by Rahul Dev is seeking the box for its mystical powers.

Balaram soon realizes the box contains a powerful force that could potentially destroy the world if not returned to its rightful place. The mercenaries, determined to harness this power, capture Balaram and Karuna, torturing them to reveal the box's location. Balaram manages to retrieve the box, but during a frantic attempt to save his wife, the box falls into a cave. Balaram returns to confront the mercenaries but is betrayed by his friend Hara Gopal (Suresh), who has allied with them. In the ensuing conflict, Balaram is killed, but not before he tells Karuna where to find the box and instructs her to return it to its original location.

Back in the present, Baburao vows to avenge Balaram's death and rescue Karuna from the foreign mercenaries. With the help of Paapa, he locates the cave where the box fell. A final confrontation ensues as the mercenaries attempt to escape with the box. However, Paapa intervenes, using her powers to stop them. The mercenaries enlist the help of a Fakir to trap Paapa in a bottle, but Baburao manages to push the mercenaries and the box off a cliff. The mercenaries survive, leading to a struggle for control of the box.

As the box opens, a fierce goddess emerges, killing the mercenaries and their followers before returning to the box. Baburao, along with others, ensures the box is placed back in its rightful location. In the aftermath, the bottle containing Paapa is retrieved by a dog named Striker, but Paapa’s spirit ascends to the afterlife. The film concludes with Baburao and Satyavathi welcoming the birth of their child, who bears the same birthmark as Paapa, symbolizing her spiritual connection to their family.

Cast

[edit]

Production

[edit]

The film was launched on 23 September 1999.[10] In an interview with Idlebrain.com, M. S. Raju discussed the challenges of making Devi Putrudu. Following the success of Devi (1999), Raju cast Venkatesh as the lead for this ambitious project. Deeply passionate about the story, Raju decided to proceed with the film, although he later noted such a film could have only been executed by filmmakers like Steven Spielberg or George Lucas. However, as production progressed, he realized that the project demanded far more time, effort, and financial resources than initially expected. Confronted with these challenges, Raju opted to release the film prematurely. Unfortunately, Devi Putrudu underperformed at the box office, resulting in significant financial losses and a setback in Raju's career, compelling him to compensate his buyers and financiers.[11]

Music

[edit]
Devi Putrudu
Film score by
Mani Sharma
Released2001
GenreSoundtrack
Length29:50
LabelAditya Music
ProducerMani Sharma
Mani Sharma chronology
Narasimha Naidu
(2001) 		Devi Putrudu
(2001) 		Mrugaraju
(2001)

Music composed by Mani Sharma. Music released on ADITYA Music Company.

Track listing

[edit]
Telugu version
No.TitleLyricsSinger(s)Length
1."O Prema"Jonnavithhula Ramalingeswara RaoS. P. Balasubrahmanyam, Prasanna5:11
2."Tella Tellani Cheera"Jonnavithhula Ramalingeswara RaoUdit Narayan, Sujatha4:41
3."Okata Renda Muuda"VeturiSukhwinder Singh, Swarnalatha5:05
4."Rama O Rama"Jonnavithhula Ramalingeswara RaoShankar Mahadevan5:27
5."Akasamloni"Jonnavithhula Ramalingeswara RaoS. P. Balasubrahmanyam, Chitra4:44
6."Donga Donga"Jonnavithhula Ramalingeswara RaoShankar Mahadevan4:25
Total length:29:50
Tamil version[12]
No.TitleLyricsSinger(s)Length
1."Kanne Kannadi"VaaliP. Unnikrishnan, Sujatha 
2."Onna Renda"VaaliSukhwinder Singh, Swarnalatha 
3."Oruvan"VaaliShankar Mahadevan 
4."Alai Kadalil"VaaliKalpana 
5."Singaram Konja"VaaliS. P. Balasubrahmanyam, Sujatha 

Release

[edit]

The film was originally scheduled to release on 11 January but got postponed to 14 January.[13]

Box office

[edit]

The film had completed 50 days in 60 centres and 100 days in 3 centres.[5] Nizam distribution rights were sold for a record breaking price of ₹5 crore. But, the Nizam distributors incurred a loss of ₹3 crore.[citation needed]

Reception

[edit]

Jeevi of Idlebrain rated the film 4.5 out of 5 and wrote, "If you want to experience the mystical thrill, you got to watch the best special effects movie ever made in India only on the bigger screen with the DTS effect."[14] In 2018, Times of India retrospectively noted of the film, "Some films are bogged down with visual effects, others are light fare. Like said, Kodi Ramakrishna’s ‘Devi Puthrudu’, set in the hidden city of Dwaraka, is a rare union of elegant CGI work and a heavyweight emotional storyline". It included the film in its list of 'Six Telugu films with awe-inspiring visual effects'.[7]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Devi Putrudu

View on Grokipedia
from Grokipedia
Devi Putrudu (transl. Son of Devi) is a 2001 Indian Telugu-language fantasy drama film co-written and directed by Kodi Ramakrishna. Produced by M. S. Raju under the Sumanth Art Productions banner, the film stars Daggubati Venkatesh in dual lead roles, alongside Soundarya, Anjala Zaveri, and Baby Cherry. It blends elements of mythology, adventure, and supernatural thriller, centering on themes of faith, ancient mysteries, and divine intervention. The narrative unfolds across modern-day and the ancient coastal town of Dwaraka, beginning with the mythical submersion of Dwaraka 5,000 years ago due to a cataclysmic event. In the present, portrays Krishna, a mischievous petty thief in Mumbai who encounters (), a returning from abroad, and unwittingly becomes entangled in her journey to Dwaraka. There, he crosses paths with archaeologist Balaram (also played by ), an atheist married to Karuna (), who is investigating strange sea phenomena linked to the legendary city. Balaram's dive into the ocean on an night uncovers a mystical box containing a trishulam, triggering forces and drawing pursuit from foreign antagonists seeking its purported nuclear-like power. Released on 15 January 2001, Devi Putrudu features music composed by Mani Sharma, with cinematography by S. Gopal Reddy and special effects that were notable for Telugu cinema at the time, including DTS sound. The film received positive reviews for its engaging storyline, Venkatesh's versatile performance in dual roles, and the integration of Hindu mythology with adventure elements, earning a 4.5/5 rating from critics like Jeevi of Idlebrain.

Synopsis

Plot

The film opens with a narration detailing the submersion of the ancient city of Dwaraka beneath the sea due to a cataclysmic event approximately 5000 years ago, setting the stage for a tale intertwined with mythology and modern discovery. In the present day, Krishna (Venkatesh), a mischievous petty thief in Mumbai, meets Satyavati (Anjala Zaveri), a woman returning from abroad to visit her sister Karuna in Dwaraka. Posing as a taxi driver, Krishna drives Satyavati to Dwaraka, where their paths lead to encounters with mystical elements. There, Krishna crosses with Paapa (Baby Cherry), a young girl possessing supernatural abilities, who reveals a flashback involving archaeologist Balaram (also played by Venkatesh). Balaram, a staunch atheist married to Karuna (Soundarya), investigates strange sea phenomena near Dwaraka and discovers a mystical box emerging from the ocean depths during an Amavasya night. This ancient artifact contains the divine trishulam with powers of the goddess Devi, capable of averting natural calamities except during specific lunar phases, and becomes the target of pursuit by foreign antagonists who believe it harbors unlimited nuclear-like energy. In the flashback, the villains kidnap the pregnant Karuna while hunting the box, leading to Balaram's sacrifice as he hides the artifact and entrusts its secret to her. Returning to the present, Krishna and form an alliance amid perilous encounters with the antagonists, who employ and force. The box demonstrates supernatural abilities, such as shielding its possessor and revealing visions of the past. Paapa, as the embodying Devi's essence with inherited mystical abilities, aids Krishna in the climactic confrontation against the evil forces. Together, they unleash the goddess's power—manifested through striking —to vanquish the threats, culminating in the box's restoration to the sea to prevent impending global doom.

Themes

Devi Putrudu prominently explores the tension between and divine intervention, embodied in the character Balaram's transformation from a skeptical archaeologist who relies solely on scientific reasoning to embracing after encountering the mystical forces tied to the . This arc, revealed through flashback, underscores the film's message that rational can coexist with spiritual belief, particularly when confronted with inexplicable phenomena from ancient lore. The narrative illustrates how personal doubt gives way to conviction, highlighting divine intervention as a for growth and protection against chaos. The film weaves mythological elements from Hindu traditions, particularly the of ancient Dwaraka's submersion and the worship of as a supreme protective deity, serving as metaphors for preserving amid modernity. These ties draw on the epic submersion of Dwaraka attributed to Lord Krishna, reimagined through a mystical artifact that embodies the goddess's power to avert calamities, thereby reinforcing the enduring relevance of mythological narratives in contemporary contexts. Such integrations emphasize Devi's role not just as a divine entity but as a symbol of cultural continuity and resilience. Familial bonds and redemption form a core motif, exemplified by Satyavathi's quest to reunite with her Karuna and resolve the mystical conflicts threatening their , ultimately leading to redemptive harmony. This theme portrays as a conduit for spiritual awakening and rectification, where acts of and unity heal generational rifts and restore balance. The resolution through familial devotion underscores redemption as a collective endeavor rooted in and . Subtly interwoven is a commentary on environmental destruction, evoked through the legend of Dwaraka's submersion by a cataclysmic event, paralleling modern concerns over and human-induced ecological threats. The film's depiction of an impending global submersion serves as an for the consequences of disregarding natural and divine warnings, advocating for harmony with the environment as essential to survival.

Cast and characters

Main cast

Venkatesh portrays the dual roles of Balaram and Krishna in Devi Putrudu. Balaram is an skeptical of divine forces who uncovers a mystical box containing a statue of the during an expedition near ancient Dwaraka, inadvertently triggering events. Krishna, on the other hand, is a street-smart petty thief in who becomes involved in the quest after meeting and encountering a mystical child, leading him to Dwaraka. Venkatesh's performance in these contrasting characters highlights his versatility, blending intellectual curiosity with comedic mischief, marking a notable foray into the fantasy following his string of action and dramas in the . Anjala Zaveri plays , a NRI who returns to upon learning of her elder sister Karuna's disappearance after her marriage to an . Her role emphasizes determination and emotional depth as she enlists Krishna's help in the search, driving much of the narrative's personal stakes. Zaveri's portrayal adds a layer of vulnerability to the film's adventurous tone, showcasing her as a proactive lead in this Telugu fantasy. Soundarya portrays Karuna, Satyavati's devoted elder sister whose marriage to the archaeologist Balaram leads to her capture by antagonistic forces seeking the mystical artifact. As a character tied to the story's mystical elements, Karuna's arc involves resilience amid peril, with 's nuanced performance underscoring themes of familial bonds and empowerment. This role further solidified her reputation in fantasy dramas during the early .

Supporting roles

In Devi Putrudu, the supporting cast features actors who bolster the film's blend of , and drama through their portrayals of aides, antagonists, and ensemble figures. Ali, credited as Mohammad Ali, serves as the comic relief to Krishna—one of Venkatesh's dual roles as a thief—delivering humorous interactions that lighten the narrative's fantastical elements and enhance the thief's persona during key escapades. M. S. Narayana plays Peddagaddala Peraiah, Satyavati's grandfather, contributing supportive comic moments within the family dynamics and Dwaraka sequences, while Suresh portrays Har Gopal (also listed as the archaeologist's friend), taking on an antagonistic role that involves betrayal and conflict to drive plot tension. The ensemble includes additional bit players such as Babu Mohan as the security guard and Ahuti Prasad as Elchuri, who appear in Dwaraka-related scenes to support the story's mystical and comedic undertones, alongside Kota Srinivasa Rao as the wizard Dheyyala Raju, adding to the antagonistic and supernatural layers. Baby Cherry plays Paapa, the mystical child who possesses supernatural powers connected to the Devi and the artifact.

Production

Development

Devi Putrudu was conceived by producer as an ambitious mythological fantasy project tailored for actor Daggubati Venkatesh, building on the success of their 1999 collaboration , which featured similar supernatural elements. Raju envisioned the story as a grand narrative suited for international directors like or , emphasizing its emotional depth and visual spectacle. The screenplay was co-written by director and Raju, focusing on a tale that intertwined modern with ancient Devi lore inspired by the legendary submersion of Dwaraka. Production launched in late September 1999 under Raju's banner, with at the helm to direct. The project demanded extensive planning to incorporate 22 minutes of , drawing from Venkatesh's prior mythological roles to appeal to Telugu audiences. However, scripting posed challenges in balancing fantastical elements with narrative coherence, requiring research into Dwaraka's historical and mythical accounts to authenticate the archaeological premise. The film's budget reached ₹15 , reflecting its scale as one of the costliest Telugu productions at the time and aiming to demonstrate the industry's technical capabilities. Raju later reflected on the development hurdles, noting the story's complexity could have warranted a decade-long execution for full realization, but industry demands for timely releases prompted a rushed timeline amid competitive scheduling pressures. This haste contributed to compromises in , ultimately impacting the film's reception.

Casting

Producer selected Daggubati for the dual lead role in Devi Putrudu, aiming to leverage the actor's mass appeal in the Telugu fantasy genre. , building on the success of his 1999 production , preferred due to their shared age group and strong professional rapport, especially as navigated a phase of underperforming films prior to this project. For the lead female roles, Raju cast and , capitalizing on their prominence from successful 1990s Telugu films. , who gained widespread acclaim for her role in the devotional hit (1995) and earned the nickname "Savitri of modern ," was chosen for her proven versatility in dramatic narratives. , fresh off her debut success in (1997) and subsequent blockbusters like (1998), added her rising star power as a leading lady. The supporting cast, including comedian alongside actors like and , was assembled to complement the film's fantasy elements with humor and character depth. Casting announcements for the principal roles coincided with the project's in late 1999, shortly after the scripting phase.

Filming

Principal photography for Devi Putrudu took place primarily in Hyderabad studios, where interior scenes and controlled environments were captured to facilitate the film's blend of dramatic and fantastical elements. The production team also utilized coastal areas near Dwaraka to shoot exterior sequences, ensuring authenticity in depicting the mythical submerged city central to the storyline. The shooting schedule spanned from late 1999 to early 2000, allowing for meticulous planning amid the film's ambitious scope. However, production faced delays due to rains, which disrupted outdoor sea sequences and required rescheduling to capture the necessary atmospheric conditions. Action scenes involving the mystical box relied on practical effects, such as mechanical props and on-location stunts, to create tangible tension without over-relying on enhancements. Director emphasized a balanced pacing approach, methodically interweaving dramatic emotional beats with fantasy sequences during filming to maintain flow and viewer engagement.

Visual effects

The in Devi Putrudu marked a notable advancement in Telugu cinema's handling of mythological fantasy, particularly through the integration of CGI to visualize supernatural and historical elements. Key sequences, such as the manifestation of the goddess Ammavaru—sent by Lord Krishna to avert global catastrophe—and the catastrophic submersion of the ancient city of beneath the sea following a massive , relied heavily on digital enhancements created by local VFX teams. V.S. Elangovan, along with artist Kartik Dayanand Boddapati, led the efforts to bring these ethereal and cataclysmic events to life, employing CGI techniques that were innovative for a Indian production. These effects extended to dynamic depictions of mystical powers, including the goddess's sacred abode depicted as a charged metallic artifact capable of countering destructive forces like a raging inferno, and the enigmatic sea vortex that draws in birds and reveals glimpses of the lost underwater realm. The film's , though limited to select shots, combined with CGI to evoke the mystery of 5,000 years after its demise, creating immersive visuals that blended practical elements with digital overlays. This approach was credited with elevating the narrative's ethnic and mythological depth, positioning Devi Putrudu as a in for regional cinema. Director Kodi Ramakrishna's decision to incorporate extensive distinguished the film from contemporaries, aligning it with his broader oeuvre of VFX-driven projects like and Anji. The results were lauded for their Hollywood-inspired quality, with local teams earning praise for achieving high-caliber graphics that captivated audiences and set benchmarks for rendering complex fantastical scenarios in Telugu fantasy films.

Music

Composition

The soundtrack of Devi Putrudu was composed by for this Telugu fantasy film, where he skillfully blended folk, devotional, and orchestral styles to evoke a mystical atmosphere suited to the story's mythological elements. This fusion incorporated traditional Telugu folk rhythms with devotional chants and sweeping orchestral arrangements, creating an immersive sonic landscape that underscored the film's themes of divine intervention and heroism. The recording process took place in 2000, prior to the film's release, allowing Sharma to experiment with layered instrumentation during sessions that captured the epic scale of the narrative. Lyrics were penned by Jonnavithhula Ramalingeswara Rao and Veturi Sundararama Murthy, who focused on mythological motifs to align with the plot's spiritual undertones, infusing the songs with poetic references to devotion and cosmic battles. The album comprises 6 tracks with a total runtime of 29:50 minutes, each crafted to synchronize with key emotional and dramatic beats in the storyline, such as transitions from human struggles to divine revelations. Producer provided significant input, directing Sharma to amplify the music in sequences depicting Devi worship to heighten their emotional and ritualistic impact, ensuring the score reinforced the film's central theme of maternal . This collaborative approach resulted in a cohesive auditory experience that complemented the visual fantasy without overpowering the dialogue-driven mythological progression.

Track listing

The soundtrack album for Devi Putrudu was released by in 2000. The album features six tracks composed by , with lyrics by Jonnavithhula Ramalingeswara Rao and Veturi Sundararama Murthy.
No.TitleSinger(s)LengthLyrics
1"O Prema", Prasanna5:11Jonnavithhula Ramalingeswara Rao
2"Tella Tellani Cheera", 4:41Jonnavithhula Ramalingeswara Rao
3"Okata Renda Muuda", 5:05Veturi Sundararama Murthy
4"Rama O Rama"5:27Jonnavithhula Ramalingeswara Rao
5"Akasamloni", 4:44Jonnavithhula Ramalingeswara Rao
6"Donga Donga"4:25Jonnavithhula Ramalingeswara Rao

Release

Theatrical release

Devi Putrudu was originally scheduled for a theatrical release on 11 January 2001 but was postponed to 14 January 2001 due to delays. This timing aligned with the festival on 14 January 2001. Dubbed versions in Tamil (Paapa) and (Aaj Ka Deviputra) were planned for subsequent releases to expand its reach beyond Telugu-speaking regions.

Distribution and dubs

The Nizam distribution rights for Devi Putrudu were sold for ₹5 to local exhibitors, reflecting high anticipation for the film's regional performance. The film was dubbed into Tamil as Paapa and released in 2001, expanding its reach to Tamil-speaking audiences. A dubbed version was produced and aired on television channels following the theatrical run, providing additional accessibility for viewers. Overseas, the film did not achieve wide international theatrical distribution. rights for were acquired by in 2001, facilitating physical media availability for home viewing.

Commercial performance

Box office

Devi Putrudu was produced on a budget of ₹15 crore. Despite the overall underwhelming performance, it achieved a 50-day theatrical run in 60 centers and a 100-day run in 3 centers. The movie opened strongly during the Sankranti season on 14 January 2001 but quickly lost momentum amid stiff competition from other major releases, such as Narasimha Naidu. In terms of territorial breakdown, the Nizam region underperformed notably; although distribution rights were sold for a high ₹5 crore. These factors, including the challenging release timing during a festival clash, contributed to the film's commercial verdict as a flop.

Home media

Following its theatrical run, Devi Putrudu was released on by in mid-2001, providing early home viewing options for audiences in . The film saw frequent re-airs on platforms like , where full-length versions have accumulated millions of views since their upload in the mid-2010s, and on OTT services such as aha, reflecting sustained popularity among regional audiences. Digital streaming rights for Devi Putrudu were secured by Prime Video and Hotstar starting in 2015, enabling on-demand access that contributed to its enduring visibility in the ancillary market. As of November 2025, the film remains available on multiple OTT platforms including aha, , , and , often with Telugu audio and subtitles. The soundtrack, composed by , was issued on audio cassette in 2000 by , driven by hits like "Donga Donga" and "Aakasham Loni," underscoring the film's musical impact beyond theaters.

Reception

Critical response

Upon its release, Devi Putrudu received largely positive reviews from critics, who commended Venkatesh's dual performance as the skeptical Balaram and the opportunistic Krishna, highlighting his ability to convey emotional depth and charisma in a fantastical . The film's fantasy elements, particularly its integration of mythology and , were praised for creating an immersive experience, with the story's exploration of divine intervention and ancient lore adding a layer of intrigue. In a retrospective, lauded the film's CGI as innovative for , describing it as a "rare union of elegant CGI work and a heavyweight emotional storyline," with standout sequences like the underwater Dwaraka visuals setting a benchmark for in regional . The overall critical consensus positioned Devi Putrudu as visually ambitious, pushing boundaries in while grappling with conventional storytelling elements.

Legacy

Despite its commercial underperformance, which saw it flop at the with a budget of approximately ₹10 against a gross of ₹7.1 , Devi Putrudu left a lasting mark on through its groundbreaking , which were hailed as the best in an Indian film at the time of release. The movie's CGI sequences, including a seven-minute of the submerged of , a fantastical song featuring a baby soul, and an intense fight, demonstrated advanced integration of with , setting a benchmark for mythological fantasy genres. Venkatesh's portrayal of dual roles—an atheist named Balaram and a mischievous thief embodying Krishna—highlighted his range across dramatic, action-oriented, and mythological elements, further solidifying his status as one of Telugu cinema's most versatile leading men during the early 2000s. The film's narrative, rooted in the legendary submersion of , resonated with audiences interested in ancient Indian mythology, though it did not directly spur new archaeological inquiries. The film received no major awards, reflecting its box office struggles, but Mani Sharma's early-career soundtrack, blending mystical and emotional tones, garnered praise and helped propel his career as a prominent composer in Telugu films, leading to high-profile projects like Indra (2002). In retrospect, Devi Putrudu is often reappraised for its technical ambition, positioning it as an ahead-of-its-time effort in an industry increasingly embracing digital effects.

References

  1. https://www.etvwin.com/telugu-movies/devi-putrudu
  2. https://www.idlebrain.com/movie/archive/mr-deviputrudu.html
  3. https://www.imdb.com/title/tt0239341/
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  5. https://letterboxd.com/film/devi-putrudu/
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  9. https://www.fandango.com/devi-putrudu-20952/cast-and-crew
  10. https://www.themoviedb.org/movie/279467/cast
  11. https://www.idlebrain.com/celeb/interview/interview_msraju.html
  12. https://www.idlebrain.com/news/2000march20/news92.html
  13. https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/soundaryas-44th-birth-anniversary-remembering-the-evergreen-actress-of-telugu-cinema/photostory/77037141.cms
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  19. https://idlebrain.com/movie/archive/mr-deviputrudu.html
  20. https://music.apple.com/us/album/deviputrudu-original-motion-picture-soundtrack/935074113
  21. https://gaana.com/album/deviputrudu
  22. https://www.idlebrain.com/news/2000march20/news94.html
  23. https://www.drikpanchang.com/sankranti/sankranti.html?year=2001
  24. https://www.imdb.com/title/tt0239341/releaseinfo/
  25. https://www.idlebrain.com/news/2000march20/venkatesh-centers.html
  26. https://en.bharatpedia.org/wiki/Devi_Putrudu
  27. https://www.youtube.com/watch?v=jI8CCBDE3TM
  28. https://cinemasonly.com/devi-putrudu
  29. https://www.binged.com/streaming-premiere-dates/devi-putrudu-telugu-movie-streaming-online-watch-on-erosnow-jio-cinema-mx-player-yupp-tv/
  30. https://www.justwatch.com/us/movie/devi-putrudu
  31. https://music.apple.com/in/album/deviputrudu-original-motion-picture-soundtrack/1763407923
  32. https://timesofindia.indiatimes.com/entertainment/telugu/movies/photo-features/6-telugu-films-with-awe-inspiring-visual-effects/photostory/64920126.cms
  33. https://www.imdb.com/list/ls528682568/
  34. https://wirally.com/14-telugu-movies-that-were-a-part-of-graphically-successful-telugu-movie-timeline/
  35. https://www.imdb.com/title/tt0239341/awards/
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