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Donald Bevan
Donald Bevan
Donald Bevan
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Donald Joseph Bevan (January 16, 1920 – May 29, 2013)[1] was an American playwright whose works include the Broadway play Stalag 17, co-written with Edmund Trzcinski, and adapted as a movie in 1953. He was also the caricaturist for the celebrity wall at Sardi's restaurant in New York City for over 20 years, the third of four such artists employed by Sardi's.

Bevan was born in Holyoke, Massachusetts. A United States Army Air Forces veteran who served in World War II as a gunner of a Boeing B-17 Flying Fortress and as a prisoner of war in Germany after being shot down April 17, 1943, Bevan died in Studio City, California, and is buried at Riverside National Cemetery in Riverside, California.

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Donald Bevan

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''Donald Bevan'' is an American playwright and caricaturist known for co-writing the Broadway play ''Stalag 17'' and for his long career creating caricatures of theater figures that adorned the walls of Sardi's restaurant in New York City. Born on January 16, 1920, in Holyoke, Massachusetts, Bevan served in the United States Army Air Forces during World War II as a gunner on a B-17 Flying Fortress and spent time as a prisoner of war in Stalag XVII-B, experiences that directly inspired his most notable work. Co-authored with fellow POW Edmund Trzcinski, ''Stalag 17'' premiered on Broadway in 1951 as a successful wartime drama depicting life among American prisoners in a German camp, and it was adapted into a 1953 film directed by Billy Wilder. After his playwriting success, Bevan established himself as one of the few artists commissioned to draw caricatures for Sardi's, contributing hundreds of portraits of Broadway stars over several decades and becoming a fixture in New York theater culture. He continued his artistic pursuits later in life in California and died on May 29, 2013, at the age of 93 in Studio City.

Early life

Early life and education

Donald Bevan was born on January 16, 1920, in Holyoke, Massachusetts, and grew up in Holyoke and Springfield, Massachusetts. After completing high school, he studied at the Grand Central School of Art in Manhattan. At age 19, Bevan began working as a cartoonist for the New York Daily News. He was drafted into military service during World War II.

World War II service

Military service and prisoner of war experience

Donald Bevan was drafted into the United States Army Air Forces in 1942, where he trained as an armorer before serving as a waist gunner aboard a Boeing B-17 Flying Fortress bomber. During his combat missions, he painted distinctive nose art on the aircraft and created portraits of his fellow airmen, some of which drew notice from war correspondent Walter Cronkite. On April 17, 1943, his bomber was shot down over Bremen, Germany, leading to his capture by German forces. He was subsequently imprisoned at Stalag 17B, a prisoner-of-war camp located in Austria, where he remained for two years until 1945. While in captivity, Bevan contributed to morale by helping to construct a camp theater and collaborating with fellow prisoner Edmund Trzcinski to co-write and stage revue sketches for performances among the POWs. These wartime experiences in Stalag 17B later informed his postwar creative work.

Playwriting career

Stalag 17

Stalag 17 is a three-act play co-written by Donald Bevan and Edmund Trzcinski in 1951, drawn directly from their experiences as American prisoners of war in Stalag 17B during World War II. The work blends comedy and melodrama to depict life in a German POW barrack in December 1944, focusing on suspicion of an informer among the inmates. The play premiered on Broadway at the 48th Street Theatre on May 8, 1951, directed and produced by José Ferrer, with scenic and lighting design by John Robert Lloyd and costumes by Noel Taylor. It ran for 472 performances before closing on June 21, 1952, achieving strong commercial success. Ferrer won the Tony Award for Best Director in 1952 for his work on the production. Brooks Atkinson praised the play in The New York Times for its grim yet headlong intensity and authentic background rooted in the authors' captivity. Stalag 17 was adapted into a 1953 film directed by Billy Wilder, with Bevan credited for the story basis alongside Trzcinski's original play. William Holden received the Academy Award for Best Actor for his performance in the film. The film version later inspired the television series Hogan's Heroes.

Other writing credits

Donald Bevan's output as a writer beyond his celebrated play Stalag 17 was limited, confined mainly to occasional contributions for early live television anthology series in the 1950s. He wrote one episode of the CBS drama anthology Danger in 1954, specifically "Escape Route," which aired on April 27, 1954. In 1955, Bevan authored the original playlet "Dateline Korea" for the NBC anthology Producers' Showcase, presented as part of the episode "Dateline II" broadcast on November 14, 1955. Later in his life, Bevan appeared as himself in the 2006 documentary short Stalag 17: From Reality to Screen, which examined the real-life inspirations and film adaptation of his most famous work. These few credits underscore the scarcity of additional dramatic writing in Bevan's career after the success of Stalag 17.

Caricature career

Work at Sardi's and other artistic contributions

Donald Bevan served as the principal caricaturist at Sardi's restaurant in New York City from shortly after Alex Gard's death in 1948 until his retirement in 1974, succeeding a brief interim artist and becoming the third in a line of four official caricaturists employed by the establishment. He was introduced to Vincent Sardi, Jr. by his father-in-law, playwright Jack Kirkland, who facilitated his hiring for the position. Over more than two decades, Bevan produced hundreds of exaggerated caricatures depicting prominent theater personalities, which adorned the walls across three floors of the restaurant and became a signature feature of the Broadway landmark. His style emphasized clean lines and a keen focus on subjects' most distinctive physical traits, often with unflattering exaggeration typical of true caricature. Notable examples include portraits of Karl Malden (highlighting his prominent nose), Lauren Bacall (with elongated neck and angular features), Jackie Gleason (rotund face and sleepy eyes), Carol Burnett (toothy smile), Laurence Olivier (in profile with jutting chin), Lucille Ball, Zero Mostel, and Hermione Gingold. In one instance, actress Maureen Stapleton disliked her depiction so intensely that she stole the original drawing. Following his retirement, Richard Baratz assumed the role and has continued creating the restaurant's caricatures since 1974. Prior to his Sardi's tenure, Bevan worked as an illustrator and poster artist for a film company after World War II. During the war, he painted nose art on B-17 bombers and sketched portraits of fellow airmen. After relocating to California in the mid-1970s, he produced occasional caricatures later in life, including depictions of Michael Douglas and Kirk Douglas in the 1990s.

Personal life and death

Family and later years

Donald Bevan was married to actress Patricia Kirkland, the daughter of playwright Jack Kirkland. Kirkland's father introduced Bevan to Vincent Sardi Jr., which led to his long association with Sardi's Restaurant. Patricia Kirkland died in 2000. Bevan and Kirkland had four children. Their sons Michael and Scott predeceased him. He was survived by their son Mark and daughter Nan. In the mid-1970s, Bevan relocated to Studio City, California, where he spent his later years.

Death

Donald Bevan died on May 29, 2013, at his home in Studio City, California, at the age of 93. He was buried at Riverside National Cemetery in Riverside, California. Obituaries published in The New York Times, Variety, and Playbill highlighted his dual legacy as co-author of the Broadway play Stalag 17 and as the longtime caricaturist whose portraits of theater luminaries adorned the walls of Sardi's Restaurant in New York. He was survived by his son Mark and daughter Nan.
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